Slik Pro 400DX Tripod Legs - Black - with 3-Way Pan/Tilt Quick Release Head (Height 18.5 - 61", Maximum Load 9.9 lbs) Review

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(More customer reviews)After purchasing this tripod, I had a bit of buyer's remorse. This was because I started looking at the 700DX and thought that might be a better option. BUT...after receiving this tripod, all my doubts vanished.
The tripod felt very solid when I picked it up. The construction is strong yet very manageable in terms of weight. I wanted a good stable tripod for my Nikon D80, zoom lens and flash - mounted. This is the one!
All the adjustment levers and nobs are very well constructed, feels solid and works as it should. The panning head with the dual handles are positioned to make fine controlled adjustments with the camera mounted. The foam on the 3 legs are nice for handling. The clips to unlock the legs to bring the tripod down to the lowest level for low-to-the-ground shot are an ingenius, yet simple design.
Overall, I can't seem to find a fault with this tripod. For the price and quality...it's a no-brainer. If it came with a carrying bag...that would make it a complete success.

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The PRO 400 DX has many of the same professional features of the PRO 700 DX and even adds a few more of it's own.The PRO 400 DX is an all-metal tripod, which is more than suitable for digital or 35 mm SLR cameras and medium format cameras. Speed release leg locks make the PRO 400 DX a breeze to set up and take down. The soft grip padded legs, and a folded length of just 25 inches make this lightweight tripod even more of a breeze to carry.But this is no flimsy camera support, despite its lightweight and ease of use it can hold nearly 10 ponds of camera and lens. Plus the head is removable, so that a variety of other heads, like one of the SLIK ball heads or the Master Classic head for heavy telephoto lenses, can be used in place of the included 3-way pan head with quick release plate.3 position leg angle locks allow lowering the tripod to for very low angle or macro photography work. It has a short center column built in, just unscrew the column into two pieces and it becomes 6.5 inches shorter. That allows the camera to be only 14 inches off the ground with the legs at their lowest position.

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Casio Exilim Pro P600 6MP Digital Camera with 4x Optical Zoom Review

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(More customer reviews)You know when you buy something, having a high expectation, and when you get it, you're still amazed at how great it is? For me, this happened when I bought this camera. I knew this camera would be small, fast, and loaded with a ton of features, but I didn't know just how great it would be.
I wasn't actually shopping for a 6MP camera, but all of the 5MP compact cameras really didn't cut it. But the combination of features on the EX-P600, combined with the 4x Optical Zoom (16x Digital) and 2.0" LCD said go for it. But when I started using the camera I realized I made a really smart move. Casio obviously spent a great deal of time coming up with an intuitive interface to access everything. In just a few steps you can set any feature on the camera, and the 2.0" LCD screen offers enough real estate to know what your doing.
In simple point and shoot mode, the EX-P600 offers great pictures with little wait time between shots. Auto focus is a snap, and you don't need to think about anything else. I like the Best Shot mode, which lets you select from 25 different presets for optimal results in various settings. Portrait, Nighttime, scenery, etc.. It even has a coupling mode so you can take a picture of your friend, and have your friend take a picture of you, and have it be the same image. No more asking somebody to take your picture!
If you want to get really into it, pretty much everything on the camera- focusing, exposure, white balance, color filters, are adjustable. You can even create custom presets and have it show up in best shot mode. You can not only access everything from a Menu, but it has a quick settings button where you can tab thru all the current camera settings.
Some downsides are the camera doesn't come with an SD card, so you have to buy one separately, which adds on to the price tag. Also, it doesn't come with an AC Adapter, just an external charger, so you have to take the battery out to of the camera to charge it, unless you get the AC Adapter. It also has an "ex" mode where all this data comes up when you take a picture. The plus side is you can see all the settings on the screen, the downside is it looks like you're flying an F-16. But you don't have to have it on, the regular mode tells you everything you need to know.
All in all, if you want a camera to last a couple of years, this is yet. The high resolution 6MP CCD will offer room when higher resolution printers come out, and the advanced feature set will let you have more creative control when you're ready for it, but it's not even too hard to figure out. This is a really smart camera, not just a good one. This camera even has a remote control, so no more running into the picture and wondering when the flash will be for those group shots!

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Adding power to its stylish Exilim line, Casio's Exilim Pro EX-P600 offers advanced features that will please both photographic pros and advanced amateurs. The compact EX-P600 has a refined stainless steel body design, 6-megapixel resolution, 4x optical zoom, ultra-fast 0.01-second shutter release lag time, large 2-inch LCD monitor, and a wide range of manual controls to help you get just the right image.
Optics and Resolution With the EX-P600, you can capture images in resolutions up to 2816 x 2112 pixels; other resolution modes include 2048 x 1536, 1600 x 1200, 1280 x 960, and 640 x 480. It also has a 2816 x 1872 (3:2 aspect ratio) mode. In addition to JPEG capture, images can also be recorded directly from the CCD to TIFF format to avoid any degradation of picture quality.
This lens features a high-performance Canon 4x optical zoom lens with 10-stage aperture settings. It also has a 4x digital zoom, for a total 16x zoom. The lens has an automatic barrier for protection, and can be used in conjunction with the three optional Canon conversion lenses (X 0.7 / X 1.5 / close-up) to increase the camera's flexibility.
Movie Mode In addition to still images, the EX-P600 can also capture video clips with audio at 320 x 240 pixels. The length of your movie is only limited by the size of memory available (either internal RAM or external memory card).
More Features In addition to a start-up time of approximately 2-secondsand approximately 0.01 second release time lag, the EX-P600 hasa high-speed continuous shutter function to take 3photos per second--up to 6photos in succession.
By pressing the shutter button once, you can use the auto bracketing function to take either 3 or 5 photos, applying different effects to each one. In addition to exposure variation (AEB), white balance (WBB), and focus positioning (AFB), the Multi Bracketing feature also enables you to choose variations of color, portrait, sharpness, saturation, and contrast levels, letting you pick the very best shot.
The camera's photographic information, such as shutter speed, aperture, and focusing can be displayed graphically on the 2-inch, high-definition LCD monitor (115,200 pixels), making it easy to quickly adjust settings manually. By pressing the EX Button, the levels for white balance, ISO sensitivity, metering, and AF area settings can be displayed and adjusted on a single screen.
Other features include:
Convenient wireless remote control is included for slow shutter and self-timer photos
External flash equipment can be used with the Sync Terminal
Photos taken with the camera in a sideways position are automatically displayed upright thanks to a built-in horizontal/vertical position sensor

Direct Printing The EX-P600 is PictBridge compatible, which enables you to transfer pictures from your digital camera to your printer, without a PC or image-editing software. All PictBridge devices share three basic features: camera-to-printer connecting, single-image printing, and uniform error messages (in case something goes wrong)
Storage and Transfer Images can be stored in the built-in 9 MB memory, or on optional Secure Digital (SD) or MultiMedia (MMC) memory cards. Images can be downloaded to either a Mac or PC via USB 1.1 connectivity, which means the camera can be connected to any USB-based Windows Me/2000/XP and Mac OS 8.6 or later computer without installing any software.
Power and Size The camera is powered by a proprietary, rechargeable lithium-ion battery (included). It measures 3.84 x 2.66 x 1.78 inches (1.03 inches at thinnest point) and weighs 7.94 ounces (excluding battery)
What's in the Box This package contains the Exilim Pro EX-P600 digital camera, lithium-ion rechargeable battery, battery carger, card remote control, USB and A/V cables, strap, and CD-ROM with image editing software.

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Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty Review

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(More customer reviews)In a world of zooms, many people would find plopping down $500 for a 50mm prime -- from a third party manufacturer, no less -- to be a bit absurd.
However, if you are a "prime person" -- and you know who you are -- you'll love the performance of this lens: super sharp photos, incredibly creamy background bokeh, nice contrast and flare resistance, and operation in low-light without needing super-high ISO or a blast of flash.
Pros:
+ @1.4 it's quite usably sharp
+ @1.8 and beyond, it's very sharp
+ the bokeh (rendition of out-of-focus areas) is really amazingly smooth. More so behind the DOF than in front, though
+ colors, contrast, etc, all excellent
+ great build quality, solid feel, free case and lens hood
Cons:
- weight
- price
- big filters (77mm)
Canon already has three 50mm lenses: the 1.8, 1.4, and 1.2L, so you might wonder why Sigma felt the need to jump into this market. The Canon's are all pretty good, with the 50/1.8 being an great value at $80, the 50/1.4 being a reliable workhorse (though prone to a dreamy look wide open), and the 1.2L, being, well, $1500. This lens is priced between the 1.4 and 1.2L, and judging from photos I've seen, it probably performs in that range as well. So it is filling an niche in the wide gulf between the 1.4 and 1.2L.
On my camera, a 400D, a 50mm is like a short tele, and I use it mostly for relatively close up photos of people. I like that when if upgrade to FF, I'll be able to continue to use this lens (and I'll sell my Sigma 30/1.4) whose place it would take.
The lens has not been out very long, and, to my knowledge, no formal reviews have been published (8/2008), but the general "buzz" is that people are seeing AF problems at distances beyond a few meters subject distance.
I personally have not done exhaustive analysis, but I feel my copy performs quite well. Then again, I don't use this lens for far-off subjects very much, and almost never wide open in that case. So there may indeed be problems with this regime, but I don't feel it affects my photography much. That said, it could be that I'm just not as exacting as some, or my camera's AF is sloppy enough to hide lens variation to begin with. However, I do pixel peep a lot and I get about the same hit/miss rate as I do with other lenses I own.
So far, I'm a happy customer.


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This is a large aperture prime lens with a standard focal length of 50mm, ideal for all digital SLR cameras. This lens has superior peripheral brightness even at the maximum aperture and corrects a possible sagittal coma flare.This lens is perfectly suited for a wide range of subjects enabling outstanding, sharply defined images against a nicely blurred background. The fast, F1.4 aperture makes this lens desirable for use with Digital SLR cameras.This lens effectively becomes an 80mm medium telephoto lens on digital cameras with APS-C size image sensors. The optimum optical design and molded glass aspherical lens element provide excellent correction for all types of aberrations.The super multi-layer lens coating reduces fare and ghosting. Superior optical performance is also ensured throughout the focusing range. This lens has a minimum focusing distance of 45cm (17.7") and has maximum magnification of 1:7.4.It creates a very attractive blur, even when a small aperture is used. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF* as well as full-time manual focus override. Please Note: * If the camera body does not support HSM, auto focus will not be available. (will work on manual)

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SanDisk 8 GB Extreme IV CompactFlash Card ( SDCFX4-8192-901, US Retail Package ) Review

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(More customer reviews)Well, I've seen some dumb things before, but when Amazon allows an afiliate vendor to sell counterfeit ExtremeIV 8GB cards, now that is dumb. Especially, since the vendor was brand new to them (obviously not vetted). I bought the card from these guys just to see if it was going to be fake or not. And sure enough as soon as I got it I called SanDisk and what do you know, counterfeit as a 3 dollar bill. About the only thing that could be dumber is for SanDisk not to find a solution for this problem and lose many potential customers because of the uncertainty. BTW These are really convincing fakes, including the high quality retail packaging, the software included, even a little zipper pouch that says SanDisk on it. Maybe it will be best not to buy expensive SanDisk for some time to come.

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M1) SANDISK 8GB CF EXTREME IV Memory

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GGS DSLR LCD Optical Glass Screen Protector for Canon 7D Cameras Review

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(More customer reviews)In the past, I have applied various stick-on adhesive-backed plastic film screen protectors to the screens of my Canon 30D and 40D, as well as using both custom pre-cut and cut-it-yourself plastic films for the screens on my cell phones and iPods. If the film protector gets scuffed or scratched on my cell phone or iPod, as it always seems to happen eventually, I just wait awhile and let the scratches and distortions build up on the film before pulling it off and replacing it with a new film. However, having scratches and scuffs accumulate on the film protector that covers the screen of a digital camera becomes a far more significant annoyance when I am trying to carefully review photos. Even a few scratch marks on a DSLR screen protector becomes a nuisance when I am trying to review photos on my camera. And so I went ahead and bought these awesome GGS optical glass screen protectors for my 30D, 40D, and 7D main LCD monitor screens. I still use the small film section of the Lexerd - Canon EOS 7D TrueVue Crystal Clear Digital Camera Screen Protector to protect my top LCD panel on all three DSLRs.
Unlike the flimsy plastic films, this screen protector is actually made of a very rigid optical glass material that is 0.5mm thick. Lining the outer perimeter of one side of this very thin sheet of glass is a precisely-fitted 3M double-sided adhesive tape. The precision fit of this adhesive that lines the outer border of the glass is important because if there is not a totally good seal all around this glass sheet, it can allow dust particles to get between the LCD monitor and the screen protector. But upon close inspection, I think that my screen protector has a consistent seal around its entire border. To mount this screen protector, first, you check that the LCD monitor is totally clean. Then you peel off a plastic backing to expose the adhesive, carefully align this screen protector over the 7D's LCD monitor, and press it into place on top of the LCD monitor. Unlike using plastic films, you do not have to deal with possible bubbles or bending/warping happening underneath the screen protector. The adhesive that is used to mount the screen protector holds it in place firmly, yet if you need to remove or just re-position this glass screen, you can slide a thin razor blade or box cutter blade underneath the adhesive to slowly and carefully lift it off the LCD monitor. This glass sheet does not seem to attract fingerprints and smudges the way most plastic films that I have used tend to do. And, most importantly, if I rake my fingernails or even a house key across this glass, I do not leave any marks or scratches on it. Try that on any plastic film! This is the perfect compliment to my 7D's very nice 920000-dot 3-inch LCD monitor. The fit and sizing of the glass is also very precise, going out to all the edges of the LCD monitor. Because this glass is 0.5mm thick however, it does stick out more than if you had applied one of the plastic film protectors. You can actually feel the edge of the glass protector as it sits on top of the LCD monitor, and so that part of the camera's back surface will not be flush. But that is inconsequential to me as I love the clarity of this protector and how resistant to scratches, smudges, and fingerprints it is. Well worth the money for some added protection.
NOTE: This "GGS DSLR LCD Optical Glass Screen Protector for Canon 7D" is currently listed on Amazon as 3 different product listings. I do not know why this "GGS DSLR LCD Optical Glass Screen Protector for Canon 7D Cameras" currently shows a "D90" model number on the sample product image even though the product is listed for the 7D model. I purchased my 7D screen protector from this listings instead: GGS DSLR LCD Optical Glass Screen Protector for Canon 7D

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GGS DSLR LCD Optical Glass Screen Protector for Canon 7D Cameras: GGS LCD screen protector is using ultra thin optical glass and special processing, it is high transparency, anti-scrape, anti-bump, anti-aging and easy to install. No trimming required, fit directly on your LCD screen. Just clean your LCD screen first, peel off the white back of the protector to stick, Done! Easy to install and bubbles free, unlike plastic protector which always gives you bubbles between the protector and the screen. No adhesive backing at the LCD screen, only at the border of the film for clearness. Can be removed and reinstall, without leaving ugly residual on your LCD screen. Use a thin plastic business card or similar item (the plastic package of this protector could be used as the tool) to slide around the edge of the screen to remove it. Do not pull or use fingernails to lift the four corners of the screen protector as it may break the glass protector, hurt your fingers and/or damage the camera.

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Kodak EasyShare M1093IS 10MP Digital Camera with 3x Optical Image Stabilized Zoom (Red) Review

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(More customer reviews)After reading some of the negative product reviews here, I felt compelled to defend this product. To clarify: Yes, this point-and-shoot is susceptible to blocky images in higher ISO/low light. But that's pretty much the standard for budget entries in the $100-200 price range. For those who say Canon is superior: I took side-by-side comparison shots with my fiance's Powershot A590is, which, despite being older and two megapixels lower, is a similarly-featured camera at the same exact $150 price point.
The difference? If anything, the Kodak's picture quality was slightly superior at a forced 100 ISO in low light and it was a wash using auto-modes. The Kodak's video quality, while not truly up to par to a promised "720p HD quality," is far superior to what I've seen to other budget point-and-shoots, and with proper lighting is much better than your average, ultra-grainy Youtube-quality video from point-and-shoots.
The interface on the Kodak is much, much easier to use, much to my relief! I'm not a big fan of the Canon's menu navigation and buttons, whereas I'd compare the Kodak to the very easy to use budget Nikon Coolpix.
Is it the best 8-10 megapixel on the market? I can't claim enough expertise to pronounce anything definitive; I haven't tested every camera in this class. But considering the price, considering some of the competition at this price point, and considering that you have to have modest expectations for a point-and-shoot that's less than $300 these days, you're getting a lot for your money in a very sleek form factor. Video quality, Kodak service support, and being able to charge through USB are added bonuses. I'm perfectly happy with this camera, so I'm pleased to recommend it.

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Take better pictures than ever before with the Kodak EasyShare M1093 IS Digital Camera. Kodak's innovative Smart Capture feature adjusts camera settings for great pictures in just about any environment automatically. Its intelligent capture control automatically sets camera settings including exposure, focus and ISO for clear pictures, even in low light and challenging situations. Capture beautiful HD pictures in 16 - 9 format Capture HD quality video (1280 720) at 30 fps or VGA video (640 480) at 30 fps with sound and on-camera editing Capture more video while using less memory with MPEG-4 compression Face detection technology - locates faces and automatically adjusts camera settings High ISO (up to 3200) Large 3.0 in. (7.6 cm) wide-angle viewing color LCD Whether you shoot your pictures vertically or horizontally, view them right side up with auto picture rotation Text and sound tagging Li-Ion rechargeable battery & charger Multimedia slideshow Print better, brighter pictures using KODAK PERFECT TOUCH Technology 32 MB internal memory SD/SDHC card expansion slot Formats - JPEG, Quicktime, MPEG 4 Dimensions - W H D - 3.7 2.3 0.84 in. (95.2 58.5 21.4 mm) Weight (without battery) - 4.8 oz. (135 g)Includes - Li-Ion Rechargeable Digital Camera Battery KLIC-7004 Wrist strap USB AC Adapter for in-camera charging USB cable Custom camera insert for optional KODAK EASYSHARE Camera and Printer Docks

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Vortex Media Pro Storm Jacket Cover for an SLR Camera with a Medium Lens Measuring 7" to 15" from Rear of Body to Front of Lens, Color: Black Review

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(More customer reviews)Great rain cover for DLSR with long lenses, able to use it fully extended or collapsed in on shorter lenses.

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Pro Storm Jacket Camera Covers are the most compact and portable camera protection you can carry with you everywhere you go . . . so you won't hesitate to use it anytime the camera is going to get wet, dirty, or sit in the sun. They are perfect for live shots setups, locker room celebrations, shooting in rain, drizzle, snow, and dusty or dirty environments.They aren't meant to replace heavy-duty covers and rain slickers costing hundreds of dollars when you really need that level of protection. Pro Storm Jackets can be slipped on and off in less than 5 seconds, which means you'll actually use them when you'd otherwise just let the camera get wet because you didn't want to struggle with a bulky cover.When you're done with it, just shake it off, stuff it back into it's zippered case, and shove it in a pocket. The cover and case together only weigh about 2-5 ounces depending on the model.Built from high-tech AquaNylon fabric, Pro Storm Jackets will never lose their water repellency and are rugged enough to withstand the rigors of professional use. Pro and Standard Storm Jacket Camera Covers come in several sizes, colors, and models to suit nearly every professional camera.There are four SLR Models of the Pro Storm Jacket to fit digital/film cameras with different lenses. The Medium size (recommended for most customers) works well for short lenses up through 300-400mm f/2.8. Measure your camera/lens from the rear of the bod

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SanDisk 1 GB Extreme III SD Card ( SDSDX3-1024-901, Retail Package) Review

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(More customer reviews)I have heard that 32x SD memory performs pretty much as well as the the SanDisk Extreme III cards do.That being the case, you can save about $10-$15 per gigabyte card by purchasing the cheaper 32x offerings.
Then again, SD memory is just becoming the top choice among manufacturers, and even though CF cards are cheap, fast, and durable, they are losing ground to the SD format at a rapid rate. If you have a camera that requires an SD card, get this one. SD will be around for a long time to come, and this card is a generation ahead of all others in terms of speed, and is built to near bullet proof standards. Even if your current camera seems happy with a 32x card, the Extreme III card is four times as fast for just a few more Dollars, and will still be ready to serve when you buy your next generation of digicam. I have two one gig Extreme III cards for my Canon S2 IS digicam, and they have been flawless to date. It is a real treat to know that my digital media can read and write at twice the speed of my current camera, as the SanDisk cards will still be leading edge when I replace the the Canon S2 sometime in the future.
I intend to buy more Extreme III 1 gig cards as time goes by. One gig in still mode is plenty for a two week vacation worth of still shots, but the awesome movie mode on the S2 calls for more memory, and the SanDisk Extreme III delivers the goods in a big way.
One last note. The CF card is the most mature of the lot, even though it is being abandoned by the industry due to it's larger size. Still, it is pretty small overall, and several will fit in your wallet. You can buy an ultra high speed CF card of one to four gig capacity for a song lately. As they get cheaper, buy them. Any cheap $14 card reader will let you use them as storage on your PC or Mac, and they offer great bang for the buck.
If you have a device that requires an SD card though, buy the best on the market. The SanDisk Extreme III is the best you can buy today. Nothing else even comes close.


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If your digital photography demands blazing speed and durability from your memory media, SanDisk has the memory cards for you. SanDisk Extreme III Secure Digital (SD) media are designed for serious professional photographers who demand one of the fastest and most rugged memory cards on the market.
Many professionals work in less than ideal conditions, and that's why SanDisk Extreme III Secure Digital cards are built to perform in the most extreme environments and temperatures, from -13 to 185 degrees Fahrenheit. Extreme III media are rigorously temperature, shock, and vibration tested, something you'll definitely appreciate whenever you find yourself shooting and storing pictures in harsh environments, extreme temperatures or at high altitudes.
Extreme III memory cards also feature SanDisk's exclusive and innovative Enhanced Super-Parallel Processing (ESP) Technology for the fastest speeds and highest performance. It means that you are getting the fastest read/write speeds available -- an amazing minimum 20MB per second sequential read and write speed.
Every SanDisk Extreme III Secure Digital card comes with RescuePRO so you can recover images, documents, mail, video, music -- just about any digital file, with ease. Built with leading-edge media recovery algorithms, RescuePro lets you preview recoverable data before you try to retrieve it. With RescuePRO's unique recovery algorithm for MPEG audio and MPEG video recovery (MPEG-1/2/3) what you see, and what you hear, is what you can recover.
For owners of SanDisk Extreme products, SanDisk maintains a dedicated, priority technical support hotline, and you get a lifetime limited warranty. Extreme III media also ships with a travel case that keeps your memory cards organized.
What's in the Box 1 GB Secure Digital (SD) card, travel case, and RescuePro data recovery software mini-CD.

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Lowepro Magnum 200 AW Shoulder Bag (Black) Review

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(More customer reviews)I love this bag!
The Lowepro Magnum series is larger than your usual camera shoulder bags, and depending upon how much gear you plan to take with you, you might be better off with a smaller bag. But unless you really have lots of gear, think twice before you consider getting the even larger Magnum 400 and Magnum 650 shoulder bags as these will start feeling more like luggage slung on your shoulder instead of just being a camera bag. I think of the Magnum 400 and Magnum 650 as being more targeted towards professional photographers lugging their gear to on-location shoots. I am a serious amateur photographer with 3 Canon DSLRs and 7 lenses. Along with the Magnum 200 bag, I also own a Lowepro Slingshot 200 All Weather Backpack (Black) , a Lowepro SlingShot 300 All-Weather Camera Bag (Black) , a MADE Products CA-2001-BLK Seattle Sling Waterproof Bag (Black) , two Think Tank Digital Holster 30, Shoulder Bag for 70 - 200 f/2.8 SLR Lens with Hood Reversed or In Position , Think Tank Steroid Speed Belt V2.0, Padded 3.5" Wide Medium-Large Size Modulus Accessory Belt, Fits 32" - 42", 81 cm - 106 cm, Black , and Think Tank Pixel Racing Harness, V2.0 - Shoulder Harness System. What I take with me depends upon the situation. My favorite travel-light one-camera/one-lens walkabout transport is the Think Tank Digital Holster 30 with their very comfortable Curved Comfort gel-padded strap. For a travel-light two-camera/two-lens approach, I take both of my Digital Holster 30 attached to my Speed Belt and Harness. If I want to look less like a photographer, I may not wear both Digital Holsters attached to my Speed Belt and Harness, and instead I take either of my two Lowepro Slingshot backpacks or this Magnum 200. And if I am boating, kayaking, or white-water rafting, I take my Seattle Sling Waterproof backpack since it is the most water-repellent of my bags/backpacks.
For size comparison, the Magnum 200 is larger than Lowepro's Slingshot 200 and almost as big as the Slingshot 300. It is more boxy and rigid than the Slingshot bags. In fact, its side walls and corners are more rigid than most camera bags that I have used. But this is a good thing since I think that many camera bags are a bit too pliable and do not provide enough cushioning around the corners and walls of the bags to protect against being dropped or bumped into walls. Unlike most camera shoulder bags, a large part of this bag's box-shaped rigidity and structural integrity is due to the one-piece foam frame that is built into the main body of the bag itself. I feel safe that if this bag was dropped onto the floor or bumped against a wall, it would hold its shape and not be deformed or quickly crumpled.
The bag comes with 8 divider pieces that you can use to customize your own compartments. The dividers are thicker and more rigid than those used in most camera bags, including those used in Lowepro's own Slingshot backpacks. Along with the dividers and padded shoulder strap, you also get an accessory bag with four pouches outside the bag for storing memory cards. And a soft LCD screen cloth can be attached to the inside wall of the bag to cover up and protect your camera's LCD monitor screen.
The bag comes with an "AW" All-Weather slip cover that is permanently sewn inside a zippered pocket along the back wall of the bag. You unzip the pocket, pull out the cover, and wrap it around the bag. When you no longer need the All-Weather rain cover, you fold it up, put it back inside the pocket, and close up the zipper.
This bag will carry a full-frame DSLR with an attached 70-200mm lens along with 3 or 4 other lenses, flash, and accessories. I have organized the dividers on this bag to carry both my Canon 7D with attached 17-55mm f/2.8 lens and hood extended, and also my Canon 40D with attached 70-200mm f/4L lens; the layout and ease of access makes it so that I can actually shoot from the bag by pulling either camera out and putting it back into its divided compartment fairly quickly. The bag with all of its dividers and shoulder strap weighs a little over 4 pounds. When my bag is fully loaded with my Canon 7D with attached 17-55mm f/2.8 lens and hood attached, my Canon 40D with attached 70-200mm f/4L lens, a Speedlite flash, battery charger, spare batteries, and lots of memory cards, it weighs about 15 pounds. Using the very comfortable padded shoulder strap, I can carry this bag on my shoulders for walking tours in a city (and alternating which shoulder I diagonally hang my shoulder strap from to give each shoulder a periodic rest). But if I were to hike up a mountain, I would use either of my Slingshot backpacks instead. How comfortable this bag may be for you to carry on your shoulder if you load it up with 15 or 20 pounds of gear may depend upon your physique, shoulder strength, and lower back strength. But the back of this bag also has a trolley sleeve that you can loop over the towing handle of other luggage. So if you are going to the airport, you can just slip the trolley sleeve of this bag over the towing handle of your carry-on bag, and roll both bags into the airport as one unit.
I have posted 10 photographs of my Magnum 200 bag to the Image Gallery for this product, heavily annotated with lots of notes about all of the bags features (click on the 'View and share related images' link in the image section). The quality of the bag's construction is very high, and a lot of thought was put into making this bag really useful and versatile.

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Lowepro\'s Magnum 200 AW shoulder bag is built on the foundation of its predecessor: the original pro bag designed in 1976 and an industry standard to this day. The next generation of Magnum AW remains a serious toolbox for the pro photographer. Portable, modern and loaded with topnotch features, it delivers on all tasks: organizing, protecting and transporting gear from point A to point B. The internal dividing system provides a flexible structure to accommodate a variety of gear, plus on-the-go changes. Lowepro\'s patented All Weather AW Cover protects bag and contents from the elements and zips away when not in use. A premium molded base offers the busy professional a trio of benefits: sturdy and stable protection, water resistance and the ability to stack multiple bags efficiently. Transport a heavily loaded Magnum AW (or two or three) with ease via adjustable handcart straps that attach to handles quickly and securely. Or carry the bag on the shoulder with the Vertebral Tech strap. An exclusive Lowepro design, this intelligent strap provides comfort and spreads weight evenly—no matter which way it\'s worn.

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Fujifilm Finepix S3100 4MP Digital Camera with 6x Optical Zoom Review

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(More customer reviews)I have been a film photographer for over 20 years. I've exhibited on and off through the years and have always developed and printed my own black and white film and enlargements. My old Minolta 35MM was getting really old and I was seriously thinking of buying a Nikon FM3 because I love manual control. As the time to buy a new camera got closer, I began to notice the Fuji S3100 at a local store.
While I have never liked the feel of plastic bodied cameras, at least this Fuji was substantial in size. I hate tiny camera. They might be great for sticking in a shirt pocket, but they seem too small to hold and use.
So, one day I'm in the camera store and wow...the Fuji S3100 is on sale at an incredible price. I buy it on impulse.
I think because my expectations of digital photographer were so low, I was able to fall in love with this camera. Like the other reviewer said, this may not be a camera for beginners. While I expected to not understand digital photography in the same way I do understand manual film cameras, I have to admit this Fuji is easy for me to use. I guess I should also say that I opened the box in my car and instantly lost the manual. I was able to figure out everything I needed to know by scrolling through the numerous menus. Though I have to admit it was a relief to find the manual when I cleaned my car.
I just recently went to Toronto and the Fuji was the only camera I brought along. I selected 7 pictures from the trip and had 8 x 10's printed. I could not tell they were digital pictures. They were as sharp and clear and colorful as I have come to expect from film.
I have shot pictures in full auto and in manual. Both produce equally great photos.
All my friends have had digital cameras for a few years and I have seen prints and 8 x 10 enlargements taken with other cameras and I had never been impressed.
The highest praise I can give this camera is that it is the camera that finally lured me away from using my film camera.

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MD) CL) FUJI FINEPIX S3100 DIG CAM

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ExpoDisc EXPOD67 67mm ExpoDisc Neutral White Balance Filter Review

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(More customer reviews)I purchased ExpoDisc 72mm. Here is test result, using Photoshop:
SETUP: Took a gray frame under incident light source per ExpoDisc instruction, using camera Canon EOS 40D, 28-135mm lens.
IMPORT to Canon software "Digital Photo Professional" FOR WHITE BALANCE: Use this gray frame to do white balance itself. A result of a final Gray Frame.
IMPORT this final gray frame to Photoshop FOR MEASUREMENT: Using Photoshop Color Sampler Tool.
Result finding in 256 color scale (0 - 255):
Green & Blue = Mostly about equal.
Red = Always about 10 (in 256) value higher than the other two.
Example:
Green = 112
Blue = 114
Red = 124
I repeated this type of test several more times, result are still much off from scientific theory or way out of range (10 in a range of 256 or 4% error from neutral).
Supposely: Red = Green = Blue to call Neutral.
So this ExpoDisc is for convienent only. OK for none important picture. Way too high price for a non-precision piece.


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The ExpoDisc white balance filter allows digital photographers to quickly and easily set an accurate custom white balance. Each ExpoDisc is individually assembled, calibrated and certified for neutrality in the visible spectrum, and for 18% light transmission. The ExpoDisc can be used on-the-fly to set a white balance in-camera when shooting JPEG, or later in post production when shooting RAW. Using an ExpoDisc to set a custom white balance results in consistently balanced color and eliminates many of the yellow, red and blue color casts commonly seen in digital photography. The ExpoDisc is easy to use. Setting a white balance with the ExpoDisc eliminates many of the inconsistencies and inconveniences associated with using white balance cards and targets, including unwieldy size, unwanted reflectivity, improper angling, and shadows. To set a white balance with an ExpoDisc, simply take a photograph of the light source (incident light) through the ExpoDisc, then follow your camera's instructions to set the camera's custom white balance.Because the ExpoDisc is calibrated for an 18% light transmission, you can also use it as a reference tool for manually determining proper exposure.The ExpoDisc is available in a variety of sizes to fit most popular lenses. The ExpoDisc does not thread into the lens; instead, its quick mount design can be pushed-on and popped-off to facilitate a quick white balance.

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PhotoVision 14" Pocket One-Shot Digital Calibration Target with DVD, Collapsible Disc Exposure Aid for Digital Cameras Review

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(More customer reviews)This "target" comes with an instructional DVD containing good material to learn how to use it both indoors and outdoors. The target can be used to both set a correct white balance as well as to set your exposure correctly (in particular, manually).
Once you take your shots and you download them to your computer you can further adjust the white balance with tools like Photoshop by "eye dropping" the three colors (white, gray, black). This is especially true when shooting RAW. With other tools, you can "eye drop" the gray bar to get similar results.
This target is very useful when you shoot indoors, where you have more control over the lighting. However, you can end up having to use the target many times when you use it outdoors.

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Loss of Highlight or Shadow detail is reduced or eliminated by the use of this 14" Digital Target which has black, white & 18 % gray panels that feedback through the camera's histogram providing correct exposure with predictable results.Still large enough to fill the frame in most situations but folds to just 6 inches to allow carrying in your pocket or instant access when using with the included belt pouch slip case. Soft silver fabric on the backside creates an efficient reflective surface to open up the shadows.Created by photographer Ed Pierce, perfect for the Digital Image Maker both in the studio or on the go. The Panel feeds back through the camera's Histogram. Rather than using a single middle tonal value, you can customize your exposure based on the histogram spikes that record the highlight & shadows. The Neutral 3-Tone Panels allow for custom white balancing, accurate metering and exposure monitoring through the camera's histogram function all with a single shot. Vastly improves setup time over the original target, minimizing the need for post correction to your image files.Drastically reduce your workflow on the back-end by getting it right on the front-end. By using the Digital Calibration Target, you can achieve perfect exposures and white balance every time.Included is a One Hour Instructional DVD featuring Ed Pierce, the Target's inventor. The DVD provides an in-depth understanding of di

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Konica Minolta Dimage A200 8MP Digital Camera with Anti-Shake 7x Optical Zoom Review

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(More customer reviews)I have had a Nikon Coolpix 4300 for about two and a half years and in that time have taken over 2500 pictures. One thing I definately wanted was a camera with a longer zoom. I travel by bicycle and like to carry my camera everywhere (that is why so many pictures!) so I did not want to go to the size and expense of a digital SLR. As I seached for cameras with longer zooms, there were two I liked the range of- both the Canon Pro1 and the Dimage A200 which was not released yet. The 28- 200mm (35mm equivelent) zoom gives me a great range from wide angle to telephoto. A very useful range making many different pictures possible. I also was attracted by the anti-shake feature. A camera with a long zoom (some go to 300mm on digital prosumer cameras) is not useful if you cannot hold it steady enough to get a clear picture. Despite the length of the zoom, the camera is surprisingly compact at about 4 1/2" by 4 1/2" and easily fits into my fanny pack which is exactly what I wanted.
Another great feature is the adjustable LCD monitor which is sharper than the one on my Nikon. This allows you to aim over your head or at a low angle and still see what you are shooting at. You can fold it in facing the camera body to protect it and also to shoot using the EVF viewfinder which means you are using less battery power. It will turn completely forward so you can do a self portrait using the remote control to trip the shutter. The remote can also be useful for long exposures on a tripod like night shots. For night shots, it even has noise cancelation where it will take a second picture with the shutter closed to record any "hot spots" from pixels and subtract them from the final picture so it is clearer and doesn't have white dots on it. I tried this and it takes great night shots- the best I have gotten with any camera I have owned. I used a tripod of course. This slows the time between pictures a little, but if you are taking this type of picture you are used to waiting.
The time between shots it pretty quick. Faster than my Nikon certainly. It has manual or auto focus (I used manual with it at infinity for my night shots since this like many auto focus cameras can have trouble focusing in low light situations). The macro can be used at either the wide angle or telephoto ends of the zoom. I have not really tried that yet. Nor have I tried the movie format which is said to be very good. There are two resolutions you can use for that. That is not what I bought this camera for anyways.
I thought my little Nikon 4mp camera took nice pictures,but the Dimage A200 blows that away. It is simple enough for a novice to use it on "Auto" but has enough features to please most professionals too. I have mostly used "Auto" so far and as I become more familiar with the camera, I will be able to take advantage of more of its features. I already have taken pictures with it that when I look at them I am amazed that I took them. They are very sharp- from the wide angle through telephoto. This camera fit my needs and then some- with the options available as I become more experienced with them. If you are serious about photography and yet want to keep it simple, this is a great camera! I don't need or want to carry all that other gear.
Notice I have not talked about the eight megapixels? That is because it was not a consideration for my purchase and enjoyment fo this camera. Four is a lot for most uses especially since most users will not be making prints larger than 8x 10. But this camera gives you that possiblity. I guess that sums up this camera the best- all the possibilities it gives you. All in one small package. I love this camera! Yes, the photo is what the eye sees, but this will definately help you to capture what you see. I very highly recommend it!

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A close cousin of the Dimage A2, Konica Minolta's SLR-style Dimage A200 offers a smaller, more rounded body design and is lighter by 2.1 ounces. But it's packed full of powerful features that will be appreciated by a wide range of photographers, from professional to advanced amateur. In addition to its 8-megapixel resolution and 7x optical zoom, the Dimage A200 features a movie mode with 800 x 600-pixel resolution, 1.8-inch flip-out LCD monitor, and Minolta's anti-shake technology to keep things smooth.
Optics and Resolution The Dimage A200 has an 8.0-megapixel, 2/3-inch interlace scan CCD that can subtle, expressive images--even individual hairs or the stitches of a suit in sharp detail. It has the following resolution options: 3264 x 2448, 3264 x 2176 (3:2 aspect ratio), 2560 x 1920, 2080 x 1560, 1600 x 1200, and 640 x 480. The 7x optical zoom GT lens is designed specifically for digital photography with sharper, clearer images minus any color aberration, even when using the large aperture setting. It has a 28-200mm equivalency in 35mm photography and a focal range of f2.8 to f3.5. It also has two digital zoom options: a normal 2x and an interpolated 4x.
With its proprietary new advanced LSI engine and CxProcess III image-processing technology, the DiMAGE A200 provides high-speed and stress-free image processing with low power consumption. And, its ability to suppress noise and provide exceptionally accurate color reproduction means that users get high-quality images every time.
Movie Mode The Dimage A200 offers a true VGA (640 x 480 pixels) movie mode, enabling you to record video at TV-quality 30 frames per second (fps). You also have the option to shoot at a larger resolution (800 x 600, SVGA) at 15 fps, good for viewing on a PC screen. Unlike many digital cameras, the Dimage A200 allows use of both the optical and digital zoom while recording movies, and the Night Movie function makes subjects highly visible even in dark settings. You can shoot a maximum of 15 minutes of video with audio.
Anti-Shake Technology The Anti-Shake feature provides a highly effective way to deal with camera shake--a major cause of substandard images, especially with telephoto shots and when shooting in dim lighting. The Dimage A200 features a CCD-shift mechanism to stabilize images by offsetting the shaking pattern of the user's hand, providing stability at up to three shutter speeds slower than on digital cameras without an Anti-Shake function.
Storage and Transfer Images are stored on CompactFlash cards (Type I/II), and it supports Microdrives. The Dimage A2 does not come with a memory card. It connects to Macs and Windows-based PCs via USB 2.0 connectivity.
Direct Printing By directly connecting the Dimage A200 to a PictBridge-compliant printer, you can easily create prints without going through a computer--just choose your image directly from the LCD monitor.
More Features The camera's 1.8-inch TFT Vari-angle LCD monitor rotates 270 degrees vertically and 180 degrees horizontally, allowing you to get a clear viewpoint for shooting artistic angles or taking flawless self-portraits. Other features include:
In addition to JPEG images, the Dimage A200 can also save captured images to RAW (12 bits per pixel), RAW+JPEG, and TIFF formats.
The Ultra High Speed mode captures images at a continuous advance of 40 frames at 10 frames per second.
Automatic or manual popup flash has a five-second refresh and fill, red-eye reduction, slow sync, and rear flash sync modes.
Sure-grip, ergonomic body makes it easy to carry and use anywhere.
Power and Size The Dimage A200 is powered by a proprietary rechargeable Lithium-ion battery (NP-800), which provides power for approximately 260 images or 330 minutes of continuous playing time. It measures 4.49 x 3.15 x 4.53 inches (W x H x D) and weighs 17.8 ounces without battery or media.
What's in the Box This package includes the Minolta Dimage A200 digital camera, rechargeable Lithium-ion battery (NP-800) and battery charger (BC-900), USB and AV cables, lens cap, accessory shoe cap, lens shade, wireless remote control, and CD-ROM with Dimage Viewer and ULEAD Video Studio 8 SE software.

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Lowepro Stealth Reporter 650 AW (Black) Review

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(More customer reviews)I can't say enough great things about this bag. I treat it poorly, overload it, drag it through sand, wind, rain, hurricanes and it holds up and keeps my gear protected and dry. The perfect bag for those who carry alot of gear but don't want a backpack. The choice for photojournalists on the go.

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The Lowepro Stealth Reporter 650 AW is a generous all-in-one shoulder bag that was designed specifically for digital news photographers and photojournalists. This bag provides instant access to gear through the top zip; has adjustable dividers and padded lens cups to customize the removable padded liner; and even holds many makes of 300mm f/2.8 lenses with hood reversed.Adjustable, padded notebook compartment, All Weather Hood, and All Weather Cover¿ protect equipment. Padded, contoured shoulder strap and optional S & F Deluxe Waistbelt combine to distribute weight comfortably.Accessory loops for optional SlipLock¿ add-ons.

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Tamron Autofocus 28-200mm f/3.8-5.6 XR Aspherical (IF) Lens for Canon SLR Cameras (Black) Review

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(More customer reviews)If you are the adventure type holiday fotographer, this is the lens you need. Much better then it's predecessors in optical quality and weight. I got triggered to buy one, because it won the joint European Foto Magazines prize of 'lens of the year'.
When you like to travel light, this is the only lens you need.
Watch out, that you get the right lens, because there are 5 different Tamron 28-200 predecessing models around.

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Tamron offers the world's smallest, most lightweight 28-200mm high-magnification zoom lens. With a minimum focal distance over the entire zoom area of 49cm, and a maximum magnification of 1: 4 (at 200mm), this remarkable lens achieves high-magnification zoom performance with the compact size of a standard zoom lens. Through XR (Extra Refractive Index) glass and efficient use of aspherical lenses, Tamron has achieved a 25% reduction in size and a 27% reduction in weight over the previous model (model 371D), along with a decrease in filter diameter by two-steps ?72mm- ?62mm without compromising the superior image quality characteristic of Tamron 28-200 lenses.

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Crucial 4Gb Lexar Media Professional Udma 300X Compactflash Cf4Gb-300-380 Review

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(More customer reviews)Have had it in my Canon 5D for a few months now. Works perfectly -- just like all the other Lexar CF cards I've owned.

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A CompactFlash Type I memory card is a solid-state disk card with a 50-pin connector. The pins provide a connection between the memory and the CompactFlash drive in your electronic device. CompactFlash cards are used more like a hard drive than RAM. They are designed with flash technology, a non-volatile storage solution that does not lose its information when power is removed from the card. The cards contain no moving parts and are extremely rugged, providing much greater data protection than conventional magnetic disk drives. CompactFlash cards are commonly used in portable applications such as digital cameras, digital music players, and personal digital assistants (PDAs).

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M-ROCK Mesa Verde 644 Camera Bags Digital or Camcorder Bag (Black With Red) Review

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(More customer reviews)This is a great camera bag, very sturdy with several extra pockets and even a small waterproof bag that comes with it, as well as a detachable strap. I got it for a Canon G11, which is too bulky to fit into the small digital camera bags. For the price, you get a lot more bang for your buck than than a comparable camera bag that I bought from a local camera store. It has a soft fabric interior and is very well padded to protect the camera. Plus the lilac color is unique and pretty. I took one star off b/c it is bigger than the camera, so a little extra bulk and a less snug fit than I would choose.

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Interior Dimensions: H 5.3 x L 3 x D 2.4 inches (13.2 x 7.5 x 6 cm) The Mesa Verde holds many compact digital cameras and camcorders in the Canon G11 size range. The Mesa Verde includes a rear belt loop, padded shoulder strap, multiple pockets and sleeves, lens cloth and weather jacket. The Mesa Verde is modular and will attach to all of M-ROCK's SLR bags, backpacks and Belts. The Mesa Verde is constructed with water resistant 600D nylon, dense close cell reinforced with thin plastic panels and a none abrasive interior which all provide excellent protection. A life time warranty against manufacturer defects gives you the protection you need.

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