Showing posts with label weather resistant. Show all posts
Showing posts with label weather resistant. Show all posts

Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty Review

Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty
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In a world of zooms, many people would find plopping down $500 for a 50mm prime -- from a third party manufacturer, no less -- to be a bit absurd.
However, if you are a "prime person" -- and you know who you are -- you'll love the performance of this lens: super sharp photos, incredibly creamy background bokeh, nice contrast and flare resistance, and operation in low-light without needing super-high ISO or a blast of flash.
Pros:
+ @1.4 it's quite usably sharp
+ @1.8 and beyond, it's very sharp
+ the bokeh (rendition of out-of-focus areas) is really amazingly smooth. More so behind the DOF than in front, though
+ colors, contrast, etc, all excellent
+ great build quality, solid feel, free case and lens hood
Cons:
- weight
- price
- big filters (77mm)
Canon already has three 50mm lenses: the 1.8, 1.4, and 1.2L, so you might wonder why Sigma felt the need to jump into this market. The Canon's are all pretty good, with the 50/1.8 being an great value at $80, the 50/1.4 being a reliable workhorse (though prone to a dreamy look wide open), and the 1.2L, being, well, $1500. This lens is priced between the 1.4 and 1.2L, and judging from photos I've seen, it probably performs in that range as well. So it is filling an niche in the wide gulf between the 1.4 and 1.2L.
On my camera, a 400D, a 50mm is like a short tele, and I use it mostly for relatively close up photos of people. I like that when if upgrade to FF, I'll be able to continue to use this lens (and I'll sell my Sigma 30/1.4) whose place it would take.
The lens has not been out very long, and, to my knowledge, no formal reviews have been published (8/2008), but the general "buzz" is that people are seeing AF problems at distances beyond a few meters subject distance.
I personally have not done exhaustive analysis, but I feel my copy performs quite well. Then again, I don't use this lens for far-off subjects very much, and almost never wide open in that case. So there may indeed be problems with this regime, but I don't feel it affects my photography much. That said, it could be that I'm just not as exacting as some, or my camera's AF is sloppy enough to hide lens variation to begin with. However, I do pixel peep a lot and I get about the same hit/miss rate as I do with other lenses I own.
So far, I'm a happy customer.


Click Here to see more reviews about: Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty

This is a large aperture prime lens with a standard focal length of 50mm, ideal for all digital SLR cameras. This lens has superior peripheral brightness even at the maximum aperture and corrects a possible sagittal coma flare.This lens is perfectly suited for a wide range of subjects enabling outstanding, sharply defined images against a nicely blurred background. The fast, F1.4 aperture makes this lens desirable for use with Digital SLR cameras.This lens effectively becomes an 80mm medium telephoto lens on digital cameras with APS-C size image sensors. The optimum optical design and molded glass aspherical lens element provide excellent correction for all types of aberrations.The super multi-layer lens coating reduces fare and ghosting. Superior optical performance is also ensured throughout the focusing range. This lens has a minimum focusing distance of 45cm (17.7") and has maximum magnification of 1:7.4.It creates a very attractive blur, even when a small aperture is used. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF* as well as full-time manual focus override. Please Note: * If the camera body does not support HSM, auto focus will not be available. (will work on manual)

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Pentax K-7 14.6 MP Digital SLR with Shake Reduction and 720p HD Video with DA 18-55mm f/3.5-5.6 AL Weather Resistant Lens Review

Pentax K-7 14.6 MP Digital SLR with Shake Reduction and 720p HD Video with DA 18-55mm f/3.5-5.6 AL Weather Resistant Lens
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The Pentax K-7 is the best all around digital SLR I have ever owned or used. As a constant companion this system cannot be beaten. With the DA pancake lenses attached, the K-7 is small and unobtrusive. Yet it is a powerful photographic tool. Every feature needed by an experienced photographer is found on this body. Plus a few extra. Also, it has fully auto modes so you can easily hand it to a less experienced user and simply say "point and shoot". For years, to have a rugged weather proof camera meant hauling around an enormous body. The K-7 is built like a tank yet is small and light. I have carried it for at least 100 miles of hiking (not all in one day) and it is a joy. Easily hangs behind my arm while walking on the street so it is always ready.
Performance is fast and reliable in all conditions indoors and out. Note: startup time can be greatly improved to near instant by turning off the shake reduction feature when not needed.
As an added bonus, the "kit" lens included with this body is exceptional. I think Canon and Nikon take pride in providing the most ridiculously crappy lenses in their "kits". So much plastic you can't even use them as paper weights. But this Pentax 18-55 is amazing! Weather sealing, smooth manual focus action, and astonishingly high quality optics.
As a compact, all purpose system for travel and constant carry, the K-7 plus a couple tiny DA lenses is a pleasure. You can argue over image quality all day. But the reality is that you have to have the camera with you to get the image. And this system is small enough and tough enough that it will always be ready when needed.

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Pentax K-7 Digital SLR Camera - Black 17831 31

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Olympus E-5 12.3MP Digital SLR with 3 inch LCD (Body Only) Review

Olympus E-5 12.3MP Digital SLR with 3 inch LCD (Body Only)
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I've shot with lots of cameras over the years. Olympus cameras are an enigma. When you shoot with them you realize that they have weaknesses(well publicized) to other brands, but you also quickly realize they have plenty of strengths as well.
The biggest strengths are things that go unnoticed on a spec sheet: Exposure, white balance, color reproduction, and image clarity and sharpness. And a JPG engine that gets it right directly out of the camera so you don't have to spend hours making your photos look right. You also get in body IS that works on every lens, and a superior weatherproofing system that includes the body and the lenses.
The E5 is a perfect blend of everything Olympus has learned up to this point. It's not on the cutting edge of sensor technology, or movie making abilities, but it absolutely delivers in every sense of the word. Of course the build quality is spectacular. You can take this camera anywhere, anytime and not worry about it.
Picture quality is amazing. It's hard to describe properly but the images have a clarity I haven't really seen before. And I've shot with Canons and Nikons as well.
Noise control is the best of any 4/3rds camera yet. It's up there with a D300s and a 7D. Not quite as good but not enough to make a real difference.
It's expensive of course, but you know you want it so just get it over with and buy the darn thing. It's worth every penny in my book.
Great job Olympus.

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Built on our revolutionary E-System technology, the new Olympus E-5 adds powerful new features that let you do more than ever before. Designed to maximize the award-winning performance of Zuiko Digital lenses, the E-5 achieves the highest image quality of any Olympus camera--with astonishing detail, blazing speed, and true-to-life color. New options like user control in Art Filters and 720p HD Video give you more freedom to explore creative effects. And with its weatherproof design, the rugged E-5 can go anywhere. A New Dimension in Image Quality Pairing the new TruePic V+ image processing engine with a 12.3 megapixel High-Speed Live MOS Sensor, the E-5 optimizes the power of Zuiko Digital lenses. New "Fine Detail Processing" technology captures exceptional detail from shadow to highlight. The E-5's groundbreaking, in-body Image Stabilization enables blur-free handheld shooting. And its redesigned, 11-point High Precision Twin Cross AF system is one of the world's fastest and most accurate. Reliable Performance Under Any Condition The first Olympus professional camera to offer 720p HD video, the E-5 records at 30fps with high quality audio. While shooting high-definition video, photographers can capture stereo sound quality by plugging in any microphone with a standard 3.5mm plug into the camera's stereo microphone terminal. And 10 new in-camera Art Filters let you add dramatic effects to both still photos and HD video. All Art Filters can be used in Aperture priority, Shutter priority, Program and Manual exposure modes. And new to the E-5, the Multiple Exposure function lets you overlay up to 4 images in a single frame.

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M42 lens to Pentax PK K Mount Adapter Ring infinity focus guaranteed K20D K10D K200D K-M Review

M42 lens to Pentax PK K Mount Adapter Ring infinity focus guaranteed K20D K10D K200D K-M
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I got this adapter from Rainbow Imaging and it works great. This adapter will maintain infinity focus as can be seen in the pictures as well - adapters must fit within the camera mount and be flush with the body to achieve this - any adapter that sticks out from the body will lose infinity focus.
The adapter is a simple metallic ring with an added retainer clip that keeps the adapter from getting off the camera. The key that comes with the adapter allows you to keep the retainer clip pressed against the adapter, so you can remove the adapter from the camera. It's also useful when mounting the adapter, to help tighten it.
Some people worry about the clip getting stuck inside the camera mount, so if you're concerned about that, another alternative way of using this is to unscrew the retainer clip, then tightly screw the adapter onto the M42 lens, then mount the lens as a regular K-mount lens. The risk with this approach is that the lens may come off if you are not careful, because there is nothing keeping the adapter inside the mount (the lock that works for normal K-mount lenses cannot work for an M42 adapter).
I've used the adapter both ways and I'm currently using it with the retainer clip on. When removing the adapter just follow these steps:
1. Don't panic
2. Use the key to keep the retainer clip pressed against the adapter
3. Try to not push the key too much towards the mount - try to just grab the tip of the adapter, so you can turn the adapter without the key getting in contact with the mount
4. Turn firmly, but don't apply excessive force - it's not needed and may lead to scratches
For the price range, I doubt there is a better alternative to this adapter.

Click Here to see more reviews about: M42 lens to Pentax PK K Mount Adapter Ring infinity focus guaranteed K20D K10D K200D K-M

M42 lens to all Pentax PK mount adapter ring Infinity focusMake M42 mount lenses (Zeiss, Pentax, Praktica, Mamiya, Zenit) can be used on Pentax PK cameras There is no ROM connection on the ring so diaphragm control of the lens is set manually It is possible to use Macro rings and other accessories Brand new, never used Made of metal (not plastic) color : silver Package includes: Lens mount adapter x1 + removal toolSuitable For Pentax PK DSLR and Film SLR which takes Pentax PK lens

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Voigtlander Color Skopar 20mm f/3.5 SL-II Aspherical Manual Focus Lens for Pentax Film & Digital Cameras Review

Voigtlander Color Skopar 20mm f/3.5 SL-II Aspherical Manual Focus Lens for Pentax Film and Digital Cameras
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The photo for this product is not the correct photo.
This is a fairly new lens by Voigtlander, and compares to the 40mm Ultron in size and build, and optical performance (less the smaller min. aperture). Another excellent lens by Voigtlander for all mounts it is available in.
They don't get better than this for the price.

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Pentax K-5 16.3 MP Digital SLR with 18-55mm Lens and 3-Inch LCD (Black) Review

Pentax K-5 16.3 MP Digital SLR with 18-55mm Lens and 3-Inch LCD (Black)
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This is quite simple the best camera I've ever owned. It takes great photos and is very well built. I wasn't going to upgrade yet. I'm the type to wait until a new electronics product has been out for a while and dropped in price, but the reports I've seen about this camera triggered my choice to take a chance.
The first thing I noticed is how petite the K-5 looks, though looks are deceiving. This baby is dense and weighs much more than you'd expect from the size. I'm sure that the magnesium body and extensive weather seals have a lot to do with that. This is one solid piece of kit. The camera has plenty of external controls, about what you'd expect from a body in this price range. I've shot with my sealed K20D in the Pacific Northwest rain a lot with no problems. My two shoots with the K-5 in the wet show it to be as least as good. Though Pentax has dropped the multiple exposure button. You can program the custom program button to duplicate that feature. As far a programming, the K-5 has the extensive customizability I came to love with my K20D. The feature list is extensive and way too long to go over in a short review.
And the photos! This camera has a huge dynamic range, over 14 stops! Even at ISO 800 it has the same exposure range of my K20D at 100 ISO. The tonality you can get from a print is beautiful. Another nice feature is the ability to choose 14 bit as opposed to 12 bit RAW files. It's a small thing but brings the camera in line with Nikon's offerings. I can't comment on the many shooting modes and effects available. They only apply to JPEG images. I don't understand why anyone would buy a camera this costly and capable and throw away so much potential image quality by shooting JPEG. That's not to say that the JPEGs from the K-5 aren't perfectly fine. They are. It's just that RAW files from this camera hold so much more information than a JPEG can. And that information translates into a very real difference in what you can print if you take the time and care to. My experience seems to mirror the incredible sensor abilities that DXO Labs has published for the K-5.
One other huge advance is the focus speed. This is the fastest and most accurately focusing camera Pentax has ever built, easily in line with Canon and Nikon's offerings in the price range. One small disappointment is that the fast focus and 7 fps capture rate makes the camera suitable for sports and wildlife photography, but the camera has a somewhat limited buffer. The 40 frames of JPEG is reasonable but the 15 image RAW buffer is a bit cramped. But then Pentax doesn't make the long lenses for that kind of photography anyway. Though Sigma does make some with Pentax mounts. With the few ballgame or bird photos I take, I haven't found the buffer limit to be a problem.
Looking at my histograms shows that the K-5 has a tendency to underexpose about a third of a stop. That's really no problem as I've pulled usable photos out of totally black portions of the initial image, great reason to shoot RAW. Another is the great low ISO capability of the K-5. the quality of my 6400 ISO photos is slightly better than what I get with the K20D at 1600 ISO, easily 2 1/2-3 stops improvement depending on situation. And the camera focuses much faster in low light, too.
If I were a video shooter I might find a problem with the lack of autofocus in video mode. The newest Canon and Nikon cameras have that ability, though the autofocus is slow on both during video capture. That's the nature of phase detection focusing that true DSLRs use in Live View or Video. The couple of videos I've shot look great. It's enough for me. And the camera does allow for an external microphone.
P.S.
It was commented that this review is to impersonal and that I use terms that people don't understand. To make this more clear:
14 stops of DR means in the real world is that my photos look better than any I've ever taken. Color gradations are smoother and more subtle. It means that I'm able to pull usable details out of parts of the image that I would have given up on before because they were too dark. It means that I can take single shots in situations where before I would have used HDR or exposure blending to pull in detail in both bright and dark areas of a scene. It means that I can the same tonal range at ISO 800 that I get with a K20D at ISO 100. It means that this is a terrific camera. I guess I'm a bit excited that a Pentax camera finally gets great press. I'm a bit tired of having equipment that I very much like ignored by most photographers.

Click Here to see more reviews about: Pentax K-5 16.3 MP Digital SLR with 18-55mm Lens and 3-Inch LCD (Black)

Go ahead and feed your photography obsession with the PENTAX K-5.For you, capturing that great shot isn't a casual interest. It's a part of your life. One spectacular image after another.This camera is the perfect piece of equipment to help you get your photo fix. With the compact, rugged K-5, the world is truly your studio.

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Pentax K-7 14.6 MP Digital SLR with Shake Reduction and 720p HD Video (Body Only) Review

Pentax K-7 14.6 MP Digital SLR with Shake Reduction and 720p HD Video (Body Only)
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Pros:
Rugged, full weather seals. Rain, snow, or dust won't slow it down.
Compact Size with a magnesium alloy shell of stainless steel chassis.
Selection of lenses designed for the APS-C imaging sensor
Shake reduction with every lens
Ergonomics
External Mic in video mode
Very quiet shutter
Industry first Composition Adjustment and horizon level (separate features)
Cons:
Battery life in Live View/Video mode.
Not a beginners camera unless you have a strong desire to learn about photography
High ISO performance could be a bit better
What previous Pentax users will notice:
Refinement, refinement, refinement
Low light autofocus is fast and accurate (inline with the competition now)
AF-Continuous is fast, but not class leading.
Ergonomics different from previous K10d and K20d (maybe good, maybe bad depending on your position)
Insignificant change in image quality from K20d
Can disable long shutter noise reduction for shots 30 seconds or less
Excellent sensor dust removal
Who should buy the K-7? Anyone looking for a prosumer dSLR (Nikon d300, d300s, Canon 50d, etc) that they want to take anywhere. This thing is for serious adventurers, with its full weather sealing and wide array of weather sealed lenses (DA* or WR series lenses). Going on a trip to Alaska? Hiking in the back country? Canoeing down the Colorado? Or even if you just want a smaller dSLR with all the features of the big boys from Canon or Nikon. This camera steps up the competition.
What new to Pentax users should be aware of? The camera makes slight noises when you pick it up or turn it on. The sensor is free to shift in its mount due to the shake reduction system. This is totally normal, but scares some first time users where they think something might be broken.
Detailed review:
I have tested out the weather seals in a driving rain, where I shot video using my DA* 60-250mm lens. The seals held up well and the camera still works, so all is good. Having used previous Pentax cameras, I have had minimal trouble with batteries dying in the cold like some friends with Nikon's and Canon's have. I had my K20d out in -30 F weather for 1.5 hours once. The camera had frosted over.
The camera is diminutive, but feels like a little tank. It is sturdily built and feels great in the hand despite the compact size. Without the grip I only have 3 fingers on the grip, but this is the same way I held my much larger Canon 5d when I had it. The K-7 is comfortable for me to hold for long periods, I support the camera with my pinky finger.
Pentax has a stellar selection of lenses for APS-C cameras with a wide array of fixed focal length lenses (primes) for best image quality, or large aperture zooms (f/2.8), medium aperture zooms (f/4), or "consumer" zooms (f/3.5-5.6). To find a list of Pentax lenses, visit Pentax Imaging USA's Website. If you want weather sealed remember to buy WR or DA* lenses, non of the others are weather sealed.
It is important to note that shake reduction works with every lens for the Pentax system, usually around 2 or 3 f-stops, but up to 4 for those with shaky hands. This is invaluable to have a 50mm f/1.4 with shake reduction for those available light shots, just remember that shake reduction allows a slower shutter speed so it isn't ideal for moving subjects. Also remember to wait a split second for the shake reduction icon to show in the viewfinder before taking your picture at slow shutter speeds.
The ergonomics are intuitive for the K-7, but might throw some previous K20d users for a loop. Users coming from the K-2000 (K-m in foreign markets) should be able to adapt quickly, as it is very similar. One of the new design paradigms is quick access to everything through the info menu on the back. Also use the info button to disable the LCD (for those that do night shooting and get blinded by it). There is a direct ISO button now too, for those that didn't know it was hidden under the OK button before. Typical of modern electronics there are several over-loaded button functions, so it pays to sit down with the manual and read over it, but overall it is intuitive. The screen often shows you what button to press (like a little symbol of the front e-dial is shown to change a particular setting using that dial). Similar to the K20d, but slightly different too. Be sure to download the latest firmware from Pentax for better use of the AF Select mode (for selecting your own autofocus point).
The video mode is reasonably good. It uses motion JPG compression (AVI) which results in huge file sizes, but minimal artifacts while panning or during motions scenes. It records 720p at a fast 30 frames per second, most of the competition only does 24 fps. Max is 4 GB per file, which might be 8 minutes or so at max quality, or 30 minutes at a lower quality. Like all dSLR video cameras the internal mic picks up every sound the camera makes, so ideally you should use an external mic for high quality video. Only two dSLR cameras allow that at the time of this review writing, and those are the Canon 5d which is twice as expensive as the K-7, and the K-7. The soon to be released D300s will allow an external mic too, but it has a targeted price of $500 more than the K-7. This makes the K-7 one of the best bargains in dSLR video.
The refinement of this camera is stellar. The shutter is very quiet for a dSLR (if you are coming from a point and shoot it is of course much louder), but it is unobtrusive and professional sounding. No more clackety clackty whirrrrr that the older K20d made, one of those noises that turned every head in the room. It is also nice the shutter acts separately from the mirror, so mirror blackout times are minimal and the shutter can be fired multiple times without cycling the mirror, like in live view.
This camera also has an extreme degree of flexibility in configuring JPG options, you can customize several different JPG modes ranging from vibrant, muted, natural, portrait, etc. You can change the key, contrast, saturation, sharpness and more. You can also take 3 shot HDR images right in the camera with decent results. Finally, you can do a wide degree of image processing right in the camera using built in digital filters and also RAW developing.
The composition adjustment can be used to make small shifts left and right and rotationally using live view mode. These are very handy for fine tuning the composition and are equivalent to shifting on a tilt shift lens (just to a lesser degree, 1mm each direction). The level is also handy, allowing you to easily see when the camera is not perfectly straight, or it can be set to automatically level the horizon.
So, I have had a pretty glowing review so far, what are the downsides?
I have shot 2000 shots through the K-7 now, and it has performed as expected. I have charged the battery maybe 3 times, so life is reasonably good, except when using live view or video mode frequently. The camera sometimes thinks the battery is going dead when it is low and turns the camera off. You can still shoot pictures if you turn it back on, but not much video or live view. However, you can still get a lot of use from the video or live view before this becomes an issue, and if it does you might invest in a battery grip or AC adapter.
My only disappointment with the camera is I wish ISO 1600 performed half a stop better. The noise is relatively pleasing though, and will lead to good prints or black and white conversions.
This camera has an intimidating array of buttons and options. If you are a beginner, and have no intent to learn photography in terms of exposure and aperture, I would hesitate buying this camera. Pentax's entry K-2000 might be worth a look in that case.
However, this camera really brings everything to the table and if you are an advanced consumer or even a professional looking for a feature rich camera, this Pentax is definitely worth a look. This camera is an amazing price considering the competition.


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Pentax K-7 Digital SLR Camera 17811 Digital SLR Cameras

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Lowepro Lens Case 1W (Black) Review

Lowepro Lens Case 1W (Black)
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I have used a few different camera bags over the years, and I really like the LowePro system. I use the Holster for the DSLR with a lens attached, and the lens cases for my extra lenses.
When I need to transport my equipment around, I have two ways I use this system. The first way is to use the LowePro waist belt, and I attach the Toploader holster to the belt. This is nice because I can easily unzip the holster and pull out the camera and shoot. One nice feature is the the top zips open away from your body, so that the top doesn't get in the way as you are trying to pull out the camera. I don't usually use the lens cases on the belt, as I feel that's a little too much bulk/weight for my taste. Instead, I wear a non-descript backpack in which I carry whatever lenses I might want for the day. I keep the lenses in the LowePro lens case and they remain safe, sound and incognito. I can also use the backpack for whatever else I may want for the day -- snacks, sweatshirt, umbrella, etc. I feel this makes the backpack safer in that it doesn't scream "Thousands of dollars of nice lenses inside!" like my Canon backpack does.
One reason I like the belt system is that I can still push around a stroller or wheelchair (something I often have to do) and still have the camera at the ready (without having the camera around my neck and swinging back and forth).
The second way is really just a version of the first, except that instead of wearing the belt, I toss the holster pack into the backpack with whatever lenses I might want.
Overall, I'm very pleased with this method. The LowePro bags are well made, and have the features I'm looking for.
As for the 1W lens case, it fits my Canon 10-22 and my Canon 24-70L 2.8. The shade for the 10-22 is a pretty tight fit, and the 24-70 is slightly long for the case, but I can close it up without difficulty.
I also use a lens case 2, and use that for the Canon 70-200L f/4 IS.
With the toploader holster, and the two lens cases, I can keep one lens on the camera, and the other two in the lens cases.
After using a traditional camera bag, a photo backpack, and a Crumpler shoulder bag, I find that the LowePro belt system components offer the most flexibility for my pattern of use.

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The Lens Case 1W by Lowepro is a black pouch to protect and carry an extra lens. Extra padding and rigid bases protect and support valuable lenses. All Lowepro Lens Cases are compatible with their Street and Field modular system and SlipLock base products.

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