Showing posts with label lenses. Show all posts
Showing posts with label lenses. Show all posts

Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Pentax AF Cameras Review

Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Pentax AF Cameras
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I have have had this lens for about a month now and really do enjoy it. It gives me the reach and quality of photos that I need. I use this in with my Sigma 18-200mm and with two lens it covers all the ranges that i need. It can be heavy but you will get used to it pretty quick. I tend to hand hold most all of my shots, a tripod is recommended I do like that it came with a really nice case to carry it. In all this a a good priced lens that will give great photos.

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This ultra-telephoto zoom lens covers a telephoto range up to 500mm and allows photographers to bring the subject close and short perspective. Sigma's original OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower. It is ideal for sports, wildlife and landscape photography with handheld shooting. Three SLD (Special Low Dispersion) glass elements provide excellent correction for chromatic aberration. This lens is equipped with a rear focus system that minimizes fluctuation of aberration caused by focusing.The super multi-layer lens coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF as well asfull-time manual focusing capability.The addition of the (optional) 1.4x EX DG APO or 2x EX DG APO Tele Converters produce a 210-700mm F7-9 MF ultra-telephoto zoom lens or a 300-1000mm F10-13 MF ultra-telephoto zoom lens respectively. A removable tripod socket (TS-31) is included as a standard component.

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Kenko 1.4X PRO 300 TeleconverterDG-Canon EOS Review

Kenko 1.4X PRO 300 TeleconverterDG-Canon EOS
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This is an exceptional tele-converter for Canon EOS lenses. There are a number of tele-converters out there for current Canon SLR's and lenses (Sigma, Tamron and of-course Canon just to name a few). The Canon converters are only compatible with Çanon L series lenses and will only auto focus with apertures of F4 and larger (for 1.4X) and F2.8 and larger (for 2x). The Kenko PRO 300 has the same aperture limitations (unless some of the pins are taped) however it will work with most Canon lenses. This is definitely a quality PRO product. When used with a high quality lens (I use it pretty much exclusively with my EF70-200f4L) the IQ (image quality) is almost indistinguishable from the lens. In addition focus speed seems just as fast as the lens with out the tele-converter (assuming your lens has an F4 aperture or larger). The general consensus seems to be that the Canon converter is slightly sharper on the edges with the Kenko being equal at the center. For those shooting with a 1.6 crop camera the Kenko should be indistinguishable from the Canon for about a $100.00 less. On the plus side (other then price) the Kenko is more compact and can easily fit in you pocket and can be used with far more lenses (again, the Canon converts can only be used with L series lenses). On the down side, if your using L series lenses, is the color. The Kenko is black while most L series lenses are white (as are the Canon tele-converters). What you get with the Kenko PRO 300 is an excellent tele-converter designed for digital cameras. The elements are special coated to reduce reflections from the image sensor back into the lens. I've yet to notice any chromatic aberration or vignetting. The color and sharpness are as good as the lens you're using.
In summery, this an excellent product. Image quality (especially on a 1.6 crop camera) is about as good as it gets. It's electronic circuitry accurately passes all exif data to the camera. The only reason I give it 4 stars instead of 5 is because the mount between the lens and converter seems to be a little stiff though it has yet to give me problems. On the other hand the mount from the converter to the camera seems to be quite smooth.

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Kenko AF 1.5x Super High Quality Teleplus converter also has genuine Gated Array IC and is compact for light weight and easy handling. Full AF is capable with lenses having a maximum aperture of F/4.5 or brighter. (Manual focusing will be required with lenses of smaller aperture.)Placed between the camera body and lens, a teleconverter contains a set of optics that will effectively increase the focal length of a lens by a specific amount. Common magnifications are 1.4 times and 2 times, but the Kenko teleplus PRO 300 AF converter has a 3x magnification. For example, using a 2 times (2x) teleconverter will increase the focal of 300mm lens to 600mm. The Teleplus PRO 300 converters are made with high quality multi-coated optical glass supplied by Hoya Corporation, the worlds largest manufacturer of optical glass. These glass elements are designed to match the optical quality of the prime lens (even at the edges) and telephoto zoom lenses. The optical design of the elements and light path is wide enough not to cause vignetting. The PRO 300 family is designed specifically to be used with prime telephoto lenses of 100mm or above, such as, a 300 mm f/2.8 lens, and work best with telephoto lenses of 200mm to 500mm. The PRO 300 can be used with telephoto zoom lenses as well as prime lenses. However, Kenko does not recommend them for zoom lenses that have a range starting under 50 mm.

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Merkury CL-52WB - Converter Review

Merkury CL-52WB - Converter
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I bought this exact lens off Ebay a year ago to go with my Panasonic Lumix FZ7. It works great, love the wide angle and the macro is absolutely insane how close you can get--basically a microscope. Only thing I didn't like was the macro lens showed a LOT of chromatic abberation, but that might be partly it interacting with that particlar camera. I sold that camera and lens and now I have a Canon S3, but I bought a 52mm adapter so I can get this same lens cause I liked it so well. Absolutely cannot be beaten for the price!!!

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Targus 52mm High Definition 0.45X Wide Angle Black Lens w/15:1 Macro

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Zeiss Ikon Lens Shade CS50 for the C Sonnar T* 50mm f/1.5 ZM Lenses. Review

Zeiss Ikon Lens Shade CS50 for the C Sonnar T* 50mm f/1.5 ZM Lenses.
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This Zeiss Ikon lens shade for the Zeiss ZM 50mm f1.5 C Sonnar lens is a well-built, metal "vented" lens hood that easily mounts onto thelens via the lens' front bayonet mount. Historically, it reminds me of similar vented lens hoods which Leica had made for its 35mm and 50mm lenses from the mid 1960s through 1990s; in all these instances these are "vented" lens hoods to allow users to see through the rangefinders of their cameras. I can enthusiastically recommend this lens hood to any Zeiss Ikon user; I am quite surprised by its relatively low cost, coupled with its rugged construction.

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This is a Zeiss metal lens shade in black for the 50mm F/1.5 lens. It is recommended for C Sonnar T* 1.5/50 ZM lenses. Please note: Does not fit to Planar T* 2/50 ZM.

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Tokina AF 12-24mm f/4 AT-X Pro DX Lens for Canon Digital SLR Review

Tokina AF 12-24mm f/4 AT-X Pro DX Lens for Canon Digital SLR
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I lowered my pride and bought a third party lens. I have been horribly dissapointed with third party lenses in the past, but this lens is increadible! its very sharp and has less distortion than my 18-70mm nikkor AF-S DX lens! this lens has permanantly replaced the kit lens on my D70. I have been using this lens for about a month now and I the only complaint i have is minimal ghosting in direct sunlight. this is easily cured with a well placed hand. I can block all ghosting without getting my hand in the picture even at 12mm. i dont use the lens hood, so I dont know how effective it is. this lens is large and it will cause horrible shadows with the built in flash or an attached speedlight. it will also cause shadows while in commander mode with a wireless set up. this is not a concern for me. I simply hold my speedligh in front of my built in flash in commander mode when ever I need a flash. I have used a nomal thickness UV filter with this lens (hoya 77mm) and i could see no distortion at all at any settings. I am a diehard nikkor fanantic, however, I am very impressed with this lens. I would definently recommmend this lens over the poorly built $1000 nikkor version.

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Rokinon 800mm Multi-Coated Mirror Lens with 2x Teleconverter (=1600mm) + Stedi-Stock Shoulder Brace Kit for Canon EOS 5D, 50D, 40D, Rebel XSi, XS, XTi, XT & T1i Digital SLR Cameras Review

Rokinon 800mm Multi-Coated Mirror Lens with 2x Teleconverter (=1600mm) + Stedi-Stock Shoulder Brace Kit for Canon EOS 5D, 50D, 40D, Rebel XSi, XS, XTi, XT and T1i Digital SLR Cameras
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Its a dman good telephoto lens which comes like free. I am happy with the product

Click Here to see more reviews about: Rokinon 800mm Multi-Coated Mirror Lens with 2x Teleconverter (=1600mm) + Stedi-Stock Shoulder Brace Kit for Canon EOS 5D, 50D, 40D, Rebel XSi, XS, XTi, XT & T1i Digital SLR Cameras

Kit includes:♦ 1) Rokinon 800mm f/8.0 Multi-Coated Mirror Lens♦ 2) 2x Teleconverter♦ 3) Stedi-Stock Optical Device Stabilizer♦ 4) Canon EOS T-Mount Adapter♦ 5) Rear Lens Cap for Canon EOS Lenses♦ 6) Precision Design Deluxe 6 Piece Lens & Digital SLR Camera Cleaning Kit The Rokinon 800mm f/8.0 Mirror Lens is a high-quality, computer designed product that incorporates the merits of both reflex optics and refraction optics. This combination provides the user with an extremely sharp picture with minimum color abberation. While this lens is designed for high definition telephoto photography, it is also one of the most affordable precision optics available, which allows anyone on any budget to enjoy shooting crisp, clear telephoto pictures.This kit includes a 2x teleconverter that easily attaches to the included lens and doubles its maximum focal length.Made in the USA, the Stedi-Stock is shaped like a traditional rifle stock, and provides a highly manueverable, lightweight, steady platform for all types of photographic devices, from large camcorders to miniscule point-and-shoot digital cameras, and even spotting scopes.This lens includes a T-mount adapter specifically designed for Canon EOS mount SLR and Digital SLR Cameras, as well as a rear lens cap.This 6-piece cleaning kit contains a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

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Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Pentax Digital DSLR Camera Review

Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Pentax Digital DSLR Camera
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I am going to give my opinion comparing the Sigma 8 - 16mm to the Sigma 10 - 20mm lens and not to other manufactures WA lenes.
I take around 200,000 pictures a year with the Sigma 10 - 20mm lens. The lens has held up well, feels solid and in my opinion works well with little chromatic aberrations. My only real issue with the 10 - 20 was when taking photos of dark home interiors (which is what I do) and there is a very bright window in the image then sometimes a blue flare appears just off center in the image. This can be reduced by, say 90% in Photoshop. It does not happen every time but when it does even moving to a slightly different shooting position often does not eliminate the problem. The blue flare seems to be not the same problem one might expect to see outdoors shooting in bright sunlight where flare spots can run diagonally through the picture, but then maybe it is the same type of flare. Also by even adding a "thin" filter it can cause some vignetting. The filter issue is forgivable on such a wide angle lens. One last point, there is some slight curvature noticable on verticals close to the sides of the frame.
So to the Sigma 8 - 16mm. I think it's very well made and feels good and solid right out of the box. I was thinking "20% wider" but forgot also 20% taller in image coverage. It is noticable different in angle of view from the 10 - 20mm. Because of the bulbus front element forget about ever adding a filter. Some WA lenes (fisheyes) allow fitting a filter in the rear of the lens. Forgive me but I have not looked to see if this lens allows that. The front of the lens has a fixed petal lens shade that allows the lens cap to slide/push over it and creating a nice tight fit. The lens cap is in two parts for reasons someone else will have to explain.
The lens has a maximium f4.5 - f5.6 aperture, a little slow but of no importance for most users of a lens this wide and for 99% of the uses it will be put to.
I have taken about 2,000 pictures with my 8 - 16mm and think it is probably slightly better in all aspects than the 10 - 20mm lens, but read the guys who put this lens through lab tests, my tests are in the field and based on what my eyes can see rather than what instruments can measure.
It is a harder lens to use than the Sigma 10 - 20mm. Tilting just slightly will cause verticuls to tilt (thank you Photoshop). I have noticed the blue flare less with this lens than the 10 - 20mm. I think it may be there but spread over a bigger area and less strong and maybe less common. Some flare is to be expected with all super wides. Curviture at the frame edges seems about the same as the 10 - 20mm - which I consider good - again for a super wide.
So which is the better choice. That is a difficult question to answer - it depends. The 8 - 16mm is about $200 more - but is noticable wider. It you need to squeese every inch from a picture then the 8 - 16 is your choice. If price is a concern or landscape is your interest I am sure the 10 - 20 would suffice. However if money is no object then get the 8 - 16mm and then go out and learn to use it. Believe me there is a learning process.

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The Sigma 8-16mm F4.5-5.6 DC HSM is the only one of its kind. This is the first ultra wide zoom lens with a minimum focal length of 8mm, designed specifically for APS-C size image sensors. It has an equivalent angle of view of a 12-24mm lens when used on digital camera with an APS-C size image sensor.Sigma's new FLD glass elements, which have the performance equal to fluorite glass, compensate for color aberration. One hybrid aspherical lens and two glass mold elements give excellent correction for distortion and astigmatism.An inner focusing system produces high definition images throughout the entire zoom range and the Super Multi-Layer Coating reduces flare and ghosting while superior peripheral brightness ensures high contrast images throughout the entire zoom range.HSM ensures quiet and high speed AF as well as full-time manual focus capability. It has a minimum focusing distance of 9.4 inches throughout the entire zoom range which allows photographers to emphasize the subject by creating exaggerated perspectives. This lens has a compact construction with an overall length of 4.2 inches and a maximum diameter of 2.9 inches and is perfect for shooting landscape photography, architecture, building interiors, photojournalism, wedding photography, group pictures and more. Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras. * AF wi

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Adorama Step-Up Adapter Ring 62mm Lens to 77mm Filter Size Review

Adorama Step-Up Adapter Ring 62mm Lens to 77mm Filter Size
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It's thin for what it is and seems pretty solid.
I have this over Tiffen UV filters to use my circular polarizer and it does not cause any vignetting.

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Allows you to use larger size filters on lenses with a smaller diameter thread. The first number is the size that screws into the lense, the second number is the filter size.

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Kata KT DR-467 Digital Rucksack (Black) Review

Kata KT DR-467 Digital Rucksack (Black)
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I spent quite a bit of time looking for the right backpack for my new Canon 40D and lenses. I wanted to use this backpack as (1) a daypack for wildflower photography mountain hikes of 7-12 miles, and (2) a travel pack (airplane carryon and storage case during extended car trips) for my camera, lenses and laptop.
I needed room for a few lenses (17-55 f2.8, 60 mm f2.8 macro, 85 mm f1.8). I will add a telephoto, but I won't be going for one of the monster zooms. My computer is a 15" Lenovo T60p.
I visited several stores to try out different laptop/camera combination packs. I was looking for comfort, ease of use, and capacity for my specific gear. For hiking, I wanted room for more than just the camera and laptop. But I also did not want a pack that was too heavy, or uncomfortable to carry.
The Kata DR-467 is just perfect for my needs. It holds all my gear easily (including the lenses listed above, as well as a 430EX flash, chargers for both the laptop and camera, and a small external USB hard drive). There is still plenty of room for a jacket and lunch on a hike. The shoulder straps are padded and quite comfortable. The waist belt is minimal, not enough to support the pack weight, but it will keep the pack from swaying. The sternum strap is adjustable and fit me well. The included raincover is a nice touch, as are the several accessory pockets. The bottom compartment for camera gear pulls out for easy access. The padded insert is removable, allowing me to use it in another pack, if I wanted to, or to use the DR-467 as a larger capacity daypack when I'm not carrying camera gear.
The Kata DR-467 strikes a good balance between protectiveness and weight. It's got decent padding for the laptop and camera, but it's still only 3.2 lbs. It seems very well made.
I tried two packs that are heavier and more protective. The Kata R-103 GDC Rucksack is a bit heavier, has more padding and room for more gear, but isn't nearly as comfortable. On my 5'11 frame, the sternum strap on the R-103 felt like a choker collar, and could not be adjusted low enough. The weight in the R-103 pulled back uncomfortably away from my shoulders. It's a great pack in terms of padding, and extremely well made, but uncomfortable to actually carry. It's not specifically designed for extra non-camera stuff, although you can carry a few things besides your camera and lenses if you toss out some of the dividers.
The other pack that I seriously considered was the Tenba Shootout Backpack, Medium, in Black/Olive. This pack has the best waist belt/suspension system of any of the packs. The Shootout comes in three different sizes. I tried the Medium, but my 15" Lenovo laptop would not fit. That left me with only the Large as an option, which weighs over 9 lbs, empty! It's extremely comfortable, of course, but I wasn't willing to carry a pack that was over 9 lbs before I put any gear in it.
Several other packs didn't hold my laptop, or just weren't at all comfortable. There were three decent choices that I haven't yet mentioned. The Tamrac Adventure 9 Photo/Computer Backpack (Grey/Black), held my camera gear and laptop, with some room for hiking stuff. But the construction quality and comfort just didn't match the Kata or Tenba packs. It seemed a little flimsy. The Think Tank Airport Antidote, Small Airline Carry On Photo Backpack impressed me as an airplane carryon. It's very well designed for that purpose. But it's terrible as a backpack to carry any distance. I thought the Lowepro CompuRover AW Camera Bag (Black) might be a good choice, but I couldn't find one to try out.
In the end, the Kata DR-467 was the best pack for my needs, regardless of price. It happened to be the least expensive as well, but clearly is better made than many other packs that cost a good bit more. I'm very happy.


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The Digital Rucksack KT DR-467is part of the new Digital Photo Series (DPS) by Kata. DPS combines a number of technologies to create a lightweight, ergonomic and highly protective line of carrying solutions with sleek and stylish profiles. Based on experience with professional photographers from all over the world Kata has developed DPS as the solution for anyone who demands a photo carrying case, backpack or pouch to perform at the highest levels in any environment. The DR-467 Digital Rucksack features a unique TST RIB structural protection for two D/SLR with mounted lens, 3-4 lenses, flash etc. + personal gear and a laptop. By removing the padded bottom camera insert you can easily convert this rucksack from a camera bag to a daypack when not shooting. The main compartment holds a D/SLR in top grip position while the modular dividers system will separate, organize and protect lenses, flashes and other accessories to suit your particular needs. The dedicated padded laptop compartment will hold and protect up to a 17" laptop. The large top compartment will hold personal gear or additional equipment, and the internal pockets and mp3 player pouch will allow you to organize your personal effects as efficiently as your photographic gear. Ample external pockets allow quick zippered access to supplies and a water bottle/ tripod support pocket pulls out from a side pocket. Included rain cover folds neatly away into an integrated pocket and can be hung out to dry on the small buckle next to the handle, or tucked away for storage in one of the pockets. When carrying, a chest belt and balancing waist strap are available for ultimate comfort, and the rucksack is also compatible with the Kata Insertrolley if wheel along transportation is needed.

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Zeiss 21mm f/2.8 Distagon T* ZE Series Lens for Canon EOS Digital SLR Cameras Review

Zeiss 21mm f/2.8 Distagon T* ZE Series Lens for Canon EOS Digital SLR Cameras
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I am using thie manual focus lens on a Canon full frame system. It will meter with the Canon SLR's without a problem and when the image is in focus, you can see (or hear) the focus confirmation. The lens exhibits amazing sharpness. I think this lens is particularly good for landscape photography. After putting this lens through it's paces, below is my list of pro's and cons:
Pros -
1 - Amazing sharpness across the aperture range and from edge to edge.
2 - No noticeable flare
3 - Amazing construction (puts my Canon L's behind) and fun to use manually.
Cons -
1 - This lens shows heavy vignetting at f/2.8...sometimes, I actually REALLY like the look but sometimes it makes the image not look quite right. I think for the typical situation, I may actually overexpose f/2.8 images by a 1/2 to 2/3 of a stop to compensate for the vignetting which seems to cover about 2/3rd of the image. This light falloff is mostly gone f/4 and completely gone by f/5.6.
2 - There is a "mustache distortion" on this lens.
I am definitely happy to have this tool in my kit. Highly recommend!

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Carl Zeiss is proud to present the Distagon T* 2,8/21 ZE, an ultra-wide-angle lens with EF bayonet designed specifically for such tricky shooting moments. Designed to fit all analog and digital EOS camera models, it is ideal for architectural, landscape and a wide variety of other applications. It is also ideally suited for shooting HD video due to its wide focus rotation, superb image quality and minimal breathing characteristics.Carl Zeiss is proud to present the Distagon T* 2,8/21 ZE, an ultra-wide-angle lens with EF bayonet designed specifically for such tricky shooting moments. Designed to fit all analog and digital EOS camera models, it is ideal for architectural, landscape and a wide variety of other applications. It is also ideally suited for shooting HD video due to its wide focus rotation, superb image quality and minimal breathing characteristics. Following the recent release of the Distagon T* 3,5/18 ZE, the new Distagon T* 2,8/21 ZE is now the second Carl Zeiss wide-angle lens with EF bayonet on the market and the fourth lens in the ZE product range.

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Lowepro Lens Case 5S (Black) Review

Lowepro Lens Case 5S (Black)
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I have been trying to find a way to easily carry a lot of camera equipment for quite some time. I have tried backpacks, shoulder bags, duffel bags, but none of them really worked all that well. Then I saw the Lowepro Street and Field system with completely customizable pouches, vests, belts, and accessories. It works great, you only get the pouches you need so there is no waisted space and you can organize them however you want according to how often they are used (put frequently used items in easier to access places.)
The variety alone of this system is worth the investment, but the quality and ease of use is also very high which is a big plus. You can get a case for any lens, camera body, or accessory you have. I even have cases for my cell phone and water bottle. One word of caution, be sure to measure your lens with the lens hood on backwards if you use them to make sure that the entire thing will fit into the pouch, because sometimes the lens will fit, but then the lens with the lens hood will not. I often carry 5-6 lenses, extension tubes, teleconverters, extra memory cards and batteries, and a bunch of cleaning supplies and other gadgets, which weights a ton. But when they are evenly distributed on this vest/belt Lowepro system it is actually very manageable.
The only down side is that everyone will be staring at you because you have thousands of dollars of camera equipment strapped to your body. But if you can overlook that, this is the way to go. I have used this system at many zoos without ever having problems, in fact just unzipping a single lens and switching seems safer to me than opening an entire bag of equipment every time you want to switch lenses. Many of the cases also come with a built in rain/snow cover so if the weather changes all of your equipment is not destroyed. You can also put just a few pouches on a normal belt when you are just going to take photos in the back yard or don't need to take all of your equipment, which is nice. I really can't say enough about how much easier this makes traveling with a lot of equipment, if you have been hopelessly searching for a better solution, consider this, you won't regret it.


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The Lens Case 5S by Lowepro provides special protection for short and long lenses, with extra padding, an extra rigid base and compression straps. The DryFlo mesh-padded belt slot takes an soptional S&F Deluxe Waistbelt. The Lens Case 5 can also be carried on the shoulder strap or fastened to any Lowepro Trekker AW II backpacks.

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Olympus 40-150mm f/4.0-5.6 ED Zuiko Digital Lens with MMF-2 Micro Four Thirds Lens Adapter Review

Olympus 40-150mm f/4.0-5.6 ED Zuiko Digital Lens with  MMF-2 Micro Four Thirds Lens Adapter
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I have the Olympus E-PL1, and didn't want to spend alot on a micro 4/3 lens, so I opted for this 4/3 lens with adapter. I leave the adapter on the lens at all times, so it really is no more hassle to change to this lens than any other.
I own 3 DSLR's (Nikon D40, D5000 and D200), and since I really am obsessed with them, I like the fact that if I decide to get a Olympus 4/3 DSLR to add to my collection, this lens would work on it (when I remove the adapater, of course). I also like the fact that is so afforable, and takes great photos. I have looked at the micro 4/3 lenses and there is very few, and they are quite expensive.
If you have one of the Olympus Pen's (great camera by the way, takes wonderful photos, and very compact compared to my DSLR's that I find I take it with all the time), this lens would be a great investment. It includes the adpater, and if you have done price checking, the adapter (at least when I was looking), is $150+ for just it, no lens. This is only $50 more and you get a lens as well. IMHO, can't beat the price. The lens focuses quicker then the kit lens I got (14-42mm Micro 4/3), and the photos I took with this lens at 150mm and a 55-200 lens set at 150 on my Nikon D40 DSLR where very close (just diffence in colors, and the Olympus had more true colors). I have some photos posted that show it at 150mm focal length to show the detail the lens (and camera) produced. Very Happy.
If you are looking for a lens for one of the Olympus Pen cameras and don't want to break the bank, IMHO, this is a great lens.

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ED 40-150 mm f4.0/5.6 and MMF-2.

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Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for C... Review

Tamron 28-80mm f/3.5-5.6 Aspherical Lens and 75-300mm f/4-5.6 LD Lens Set for C...
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I purchased this bundled kit for my Rebel XT to see what kind of zoom range I would need and what my daily needs are before purchasing a Canon IS lens. The lenses work surprisingly well for the price. I have had lots of good and clear images. Very light and does the job. I will still keep these lenses with me, especially the 75-300mm lens as my handy backup. I use the 28-80mm as my main lens. There is some searching at AF but I just go to manual when that happens. I don't have a flash yet (more research there :-)) and have been pleased with the shots in low light.

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Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for Canon EOS SLR Cameras: The Tamron Autofocus 28-80mm f/3.5-5.6 ia a standard zoom lens from a wide 28mm to a medium telephoto range of 80mm. The use of aspherical elements in the front group reduces the number of elements required, and the use of strong engineering plastic in the barrel makes the body a light 237g. Consequently, it is easy to carry.The Tamron AF 75-300 f/4-5.6 extended-range zoom lens offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens.

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Voigtlander Color Skopar 20mm f/3.5 SL-II Aspherical Manual Focus Lens for Pentax Film & Digital Cameras Review

Voigtlander Color Skopar 20mm f/3.5 SL-II Aspherical Manual Focus Lens for Pentax Film and Digital Cameras
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The photo for this product is not the correct photo.
This is a fairly new lens by Voigtlander, and compares to the 40mm Ultron in size and build, and optical performance (less the smaller min. aperture). Another excellent lens by Voigtlander for all mounts it is available in.
They don't get better than this for the price.

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Opteka 10x HD² Professional Macro Lens for 55mm Digital Camera Lenses - Review

Opteka 10x HD² Professional Macro Lens for 55mm Digital Camera Lenses -
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I bought this lens to go with 35mm adapter and it works great. I also took some macro shot videos with this and it came out very clear. Very happy with this product.

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Now you can take close-up shots like you never took before * Enables you to get much closer than the minimum focus of the standard camera lens - as close as 4 inches from the subject. * Originally designed for dentists and medical use, the HD10X is now available to the public * 4 elements of high definition optical glass that provides unbelievable detail * Made In Japan, Lens caps and bag included, Lifetime warranty

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Opteka .35x HD² Super Wide Angle Panoramic Macro Fisheye Lens for Canon EOS / EF Review

Opteka .35x HD² Super Wide Angle Panoramic Macro Fisheye Lens for Canon EOS / EF
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As mentioned before, this is not a lens, it's a conversion lens.
I purchased this to use on the kit 18-55mm lens on my Canon Rebel XT. The kit lens on the camera is pretty decent, but not worth buying a ridiculously priced conversion lens... not to mention, buying a nice Canon fisheye is way out of my budget at the moment.
With all that said, I bought the Opteka because I wanted the semi fisheye effect for some experimental & skateboard photography, and because I'm too broke from the holidays to purchase a high end, dedicated fisheye lens.
The conversion lens impressed me quite a bit. Using the aforementioned kit lens, I attached the supplied conversion ring (metal, which is good) as the conversion lens' threads are too small to fit the 58mm threading of the Rebel XT's stock lens. No big deal, really... screw on the ring, then screw the conversion lens into the ring and you're all set.
If you zoom back all the way, you can get a significantly distorted image, appearing like an orb surrounded by dark vignetting (like looking through a door's peephole).
If you zoom past the vignetting, you can achieve some pretty decent wide angle shots, with some expected distortion on the far left, far right, and very center of the image... then again, that's what fisheye's are all about.
The conversion lens comes with a little hood scoop, but it really doesn't need it, and if you pull your focus back all the way with the scoop out, you'll wind up with two metallic crescents increasing your vignetting.
The conversion lens comes in a pretty rigid leather (or fake leather, I really don't know) case lined with a suede-like material. If you're buying this for your Rebel's 18-55 kit lens, expect to see a metal ring in the box.
The conversion lens unscrews toward the bottom, and when the bottom section is attached to your camera you wind up with a macro lens. I've played with it just enough to say that "it works," but 99% of my usage is based around the fisheye functionality.
If you're looking to blow around $30 and you want to have fun experimenting with your DSLR (or video camera if it fits or you have a ring adapter for it), you can expect to get your money's worth out of this thing.
Shooting with a fish/semi fish requires a different type of mentality than shooting normal photos. While fisheye photography can be overdone, they make for really good up-close action shots, nature shots, and even landscapes & experimental work. This conversion kit *will* distort your image, it's supposed to. It's all about using the curvature to enhance your subject.
Last note: on some tests from 2 up to 10 feet away, the auto focus functionality seems to work fine with this extension. If you pull the lense back all the way, the vignetting will be a black blurry halo, as the multipoint auto focus will concentrate on whatever you're pointing at (rather than the conversion lens' inner lining).
For best results, prepare your shot and focus manually. Very fun conversion kit, by no means professional grade, but pretty darn good. Great to have in the camera bag.

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The new Opteka High Definition² .35x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots! Nothing changes the way you see the world like High Definition² and no company does High Definition² like Opteka. Opteka's glass optics define High Definition. Change the way you view the world. Enjoy outstanding detail, enjoy enhanced clarity, enjoy Opteka!

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Panasonic Lumix 100-300mm f/4.0-5.6 G Vario Aspherical MEGA OIS Lens for Micro Four Thirds Interchangeable Lens Cameras Review

Panasonic Lumix 100-300mm f/4.0-5.6 G Vario Aspherical MEGA OIS Lens for Micro Four Thirds Interchangeable Lens Cameras
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It has taken Panasonic a long time to realize the one of the biggest strengths of M4/3 is exploiting the 2x crop factor. They have now done that with the 100-300mm lens. This lens is the equivalent of a 200mm-600mm f/5.6! Wow (In 1:1 Tele Extender Video mode you get a 2.6x extender fro a 520-1560mm f/5.6 equivalent lens). If you check your specs you will see 600mm prime lenses come one stop faster and cost around oh $14,000. That is not a typo. They also weigh 11 pounds. So they are hardly something you would tote around. Now ideally, Panasonic would come out with a 300mm f/2.8 and f/4. Those would be super lenses on the M4/3. However, they would be bigger and heavier than this lens. So this lens is perfect for bright daylight shooting of birds, sports, safari animals. Just about anything you need to reach out and touch.
This is Panasonic's largest M4/3 lens so far and weighs in at 1.14 lbs. To give you a comparison, Nikon's 70-300 mm lens weighs in at 1.6 lbs. Unfortunately at 4.9" long it is not as small as I think it should be. The Nikon 70-300 VR is 5.6" long so not that much bigger and that is an FX lens. However, with that said this is a solid lens with great construction. It is typical of all of their heigh end lenses such as the 8mm Fisheye and 7-14mm wide angle. Something to note is this lens will be unwieldy to use on all the Olympus M4/3 and the Panasonic GF lines.
This lens takes very nice photos and the autofocus is very fast. Especially on the GH2. The Image Stabilization works as advertised.
Overall, if you are looking to take pictures of birds, your kids soccer games, or anything else that you would use a 600mm lens then this is the one to use on the M4/3 system.
As a comparison the Olympus 75-300mm f/4.8-6.7 is smaller and lighter and covers a greater focal range. However, it does not have Image Stabilization as that is built into Olympus cameras. So this would not be a good lens for Panasonic users. Also, I prefer the build and feel of the Panasonic. However, that is my personal bias. Oh the Olympus is $900 vs $600 for the Panasonic.
Update
Now that I have had a chance to play with this lens on the GH2 for a while, I can say this combo is great for shooting wildlife. The GH2 has an Extra Tele Convert (ETC) mode that makes this lens the equivalent of a 840mm (Medium ETC) and 1200mm (Small ETC). When you shoot in this mode you are getting an 8mp and 4mp image respectively. Yes you can crop a picture to get the same magnification. However, by selecting the ETC mode you are more likely to focus to an ultra sharp image on your subject. Also, it saves you 1 step in your work flow and saves space on your computer. So I find the ETC mode useful for stills also.As a down side it effectively makes your sensor smaller so it is not that useful in high ISO situations.
Overall, a brilliant lens and a no brainer if you are looking for extra reach on you M4/3 system.

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Panasonic Lumix 100-300mm f/4.0-5.6 G Vario Aspherical MEGA OIS Lens for Micro Four Thirds Interchangeable Lens Cameras

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