Showing posts with label tamron. Show all posts
Showing posts with label tamron. Show all posts

Tamron SP Autofocus 24-135mm f/3.5-5.6 AD Aspherical (IF) Lens for Canon SLR Cameras Review

Tamron SP Autofocus 24-135mm f/3.5-5.6 AD Aspherical (IF) Lens for Canon SLR Cameras
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Using a Canon Digital Rebel, sold my 28-135mm lens for this lens. Quality is superior. Is almost at the Canon "L" series level. It's lighter, more compact & weighs less. Very satisfied with the photos I've taken. A serious contender.

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Versatile and Flexible New Super Performance Lens. Introducing in the third in our series of high power zoom lenses, following on the successes of the 28-200mm and the 28-300mm mega-zoom lenses. The new zoom lens from Tamron covers everything from the 24mm real wideangle that professionals and serious amateurs demand to 135mm telephoto suitable for portraits-all in one compact package. The first SP lens among Tamron's high power zoom lenses, the lens represents a new concept in high power zoom lenses, achieving outstanding performance characteristics worthy of the name SP (Super Performance).

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Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Pentax Digital SLR Cameras Review

Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Pentax Digital SLR Cameras
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This is what it is, which is why I gave it 4 stars. It's not a professional lens, but it works perfect for everyday amateur use. Nice focal range 28-80 (equivalent 42-120). Reasonable for anything indoors or fairly close, works as a portrait lens and does well with landscapes and architecture. Great general usage lens and compact as well. The price is really remarkable. I have 8 lenses and this one gets the most use. I have it mounted to a Pentax K20D

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The Tamron AF28-80mm f3.5-f5.6 is a standard zoom lens with a wide to medium telephoto range of 28-80mm, providing great range for nature and landscape photography or snapshots and home photography. By using aspherical elements in the front optical group, Tamron reduced the total number of elements required. They also used strong, engineered plastic for the barrel, making the total lens body only 8.4 ounces. These features make this lens extremely versatile and lightweight. This model is dedicated to Pentax AF SLR cameras.

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Tamron A19-100 Adaptall SP 70-210mm F/3.5 Manual Focus Lens with Hood and Case Review

Tamron A19-100 Adaptall SP 70-210mm F/3.5 Manual Focus Lens with Hood and Case
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In my opinion, and for several reasons, this is the best 70-210 zoom lens ever designed and manufactured. Overall somewhat above average performance within its class, plus several notable design features. This later one-touch constant F3.5 aperture zoom features a unique "reverse" zooming cam in which the zoom collar moves forward to become a lens shade when zooming to the longer focal lengths. This, in conjunction with the bayonet lens hood, assures that the optics are always optimally shaded against stray light. The model 19AH has approximately 50% better overall resolution and contrast compared to the earlier two-touch model 52A. Macro optical performance is exceptional (for a zoom), reaching 1:2.66 life size at the 210mm position. Macro performance towards the corners of the field is superior to the earlier model. Achieving this high level of optical performance throughout the entire zooming and focusing ranges was no easy task.
Compare the optical design of this lens with the optical design for the earlier 70-210 model 52A. You will note that Tamron still uses a four element focus group to greatly control aberrations and to provide extremely good macro performance. The primary aberration which needs to be controlled within any continuous focusing telephoto macro zoom lens is spherical aberration. Several of Tamron's SP telephoto prime lenses use a special spherical aberration compensator group to virtually eliminate focus induced spherical aberration. Unfortunately, a spherical aberration compensator group is impossible to incorporate within a telephoto zoom lens since the zoom's variator and compensator groups occupy the space within the optical design where the spherical aberration compensator group would be placed. Tamron's optical engineers had to seek out other solutions. The only practical solution was to further refine the design of the four element focus group to not merely minimize focus induced spherical aberration, but to actually compensate for it to a fair degree. This is the purpose of the focus group's cemented doublet which looks like a meniscus lens. It allowed Tamron to optimize this lens for focus distances which are much closer to infinity rather than macro, yet also allows focus induced spherical aberration to be compensated for fairly well when close focusing. But there is a limit to this design approach, and this is why this lens is limited to a 1:2.66 macro magnification ratio compared to the earlier model's 1:2 macro magnification ratio. The result, however, is a 3:1 zoom lens which not only is sharp when photographing distant subjects but also is fairly sharp when used for macro photography.
In terms of overall optical performance, solid construction, ease of handling, zero zoom creep, and optimized variable shading when the lens is used with its lens hood, you can see why I think that this is the best 70-210 zoom lens ever produced by any manufacturer. In short, Tamron achieved the optimal balance of the overall optical and mechanical design features which Tamron wished to incorporate into this lens.

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Another in highest quality SP series, This 70-210mm lens with the constant F/3.5 maximum aperture and a 3x zooming ratio. Tele-macro is also available with a maximum magnification ratio of 1:2.6. The true color reproduction quality combined with the macro feature make this lens an excellent choice for flower photography or any detailed nature study. Utilizing Tamron's Adaptall system, this lens will fit most manual focus cameras with the proper adapter (purchased separately).

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Sigma 20mm f/1.8 EX DG RF Aspherical Wide Angle Lens for Sigma SLR Cameras Review

Sigma 20mm f/1.8 EX DG RF Aspherical Wide Angle Lens for Sigma SLR Cameras
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I have used this lens extensively with the 1D and the Rebel XT. Results have been excellent. My suspicion is that the previous reviewer got a defective or damaged copy of the lens. It is incredibly sharp, even at f1.8, which I did not expect - generally you expect a lens to be a bit soft wide open, especially 1.8. The degree of sharpness of this lens is quite surprising.
I have used, for example, both the Canon 50mm f1.8 and the Canon 35mm f2.0, both of which are deservedly renowned for their sharpness and contrast. I find this lens to be sharper than either of them wide open. The lens provides images which have excellent color saturation and contrast. Of course, at f1.8, depth of field is razor thin, by design, which is great for bokeh or out of focus background, but which also requires care concerning the desired focal point being in focus. Speaking of bokeh, I find it to be very attractive compared to any other lens I have used.
Its minimum distance focusing is also quite remarkable. I think it is rated at just under 8 inches, but I routinely focus at distances which seem a good bit closer than that. The lens works well as a macro for many applications, with a relatively strong multiplication factor.
Of course, given the inherent light-gathering of a 20mm focal length lens, combined with a huge aperture of f1.8, this lens is outstanding for shooting indoors or in other low-light situations with natural light and no flash.
Canon's nearest competitor to this lens is the 20mm f2.8, which is a full stop slower in terms of light collection. I consider this lens to be an extremely good value at the retail price, new. If you can get a good copy used on-line, it will be an incredible value. You may find that you never want to take the lens off the camera because of its versatility as a walkaround lens.
This lens has been extremely well-reviewed, by and large, on lens forum sites. I encourage you to check those out. Most people rate the lens 5 out of 5. A distinct minority give it 1 out of 5. I suspect that they either have defective copies which may need repair, or they have inaccurate perceptions of the lens. Also, popular photography magazine online reviewed this lens, as well as the 24 f1.8 and the 28 f1.8, very highly.
I would highly recommend this lens to anyone who wants a fast, sharp superwide angle lens.

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This 20mm super-wide angle lens offers an angle of view of 94.5 and a large aperture of F1.8. It allows close-ups with a minimum focusing distance of less than 20cm and a working distance lens to subject of 6.5cm

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Sigma 70-300mm F/4-5.6 DG OS SLD Super Multi-Layer Coated Telephoto Lens for Sigma AF Mount Digital SLR Cameras Review

Sigma 70-300mm F/4-5.6 DG OS SLD Super Multi-Layer Coated Telephoto Lens for Sigma AF Mount Digital SLR Cameras
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I have only had 2 days to play with this lens, but so far am impressed with it's performance. I bought this mainly for outdoor use as I have a Nikon 70-200 f2.8 VR lens for indoor shooting. I simply do not want that mammoth lens on my camera when hiking, etc., especially since fast aperture is not necessary in good light. This one looks like it will do nicely. Focus is pretty fast - hunts a little in lower light at telephoto, but that's pretty common for most lenses of this type. Image quality is very good so far. Some very minor fringing in a few of the shots (not an issue with JPEG's from my D90 because it automatically removes most CA). I'll shoot some RAW shots outdoors when I get a chance to see if it is anything to worry about, but so far it appears to be acceptable. Focus is extremely accurate - dead-on on every shot taken (no front focus issues that some Sigma lenses have). OS is also VERY impressive. I'd say really close to Nikon's best VRII lenses. I took a couple of 1/4 sec. shots handheld with only my elbows braced against my ribs, at full telephoto, and the shots were perfectly sharp. You can see the image start to float when the shutter is half-pressed, so you know the stabilizer is working. Lens mounts snugly onto the camera and has a good, sturdy metal mount like the better Nikon lenses have. Fits perfectly. I like the size and weight compared to the Nikon equivalent (it is somewhat more compact). The only drawback is that the lens is not internal focusing like the Nikon (which probably accounts for the compactness). This means that the lens hood must be a round one (not a petal hood, which I prefer) because the end of the lens rotates as it focuses. It also extends about 7/8 of an inch at closest focus, which makes the overall length pretty long at 300mm (about 8 inches without hood, around 10 with the hood attached). None of that really matters much to me, though. One thing that I liked about this one compared to the Nikon 70-300 VR was that the aperture starts at f4, not f4.5, so it's a bit faster than the Nikon. The shallow depth of field was surprising to me. Longer focal lengths tend to really amplify the effect at closer ranges, and that is very apparent with this one.
The best way to rate this lens would be to break down specific attributes, and then give a score (1 to 10) on that attribute, so here goes:
Image quality (so far): 9 (impressed with every one taken thus far - color, sharpness, etc. quite good)
Focus accuracy: 9 (low light the only issue)
Focus speed: 8 (could be a little better)
Focus noise: 7 (not as quiet to focus as Nikon AF lenses - even my huge 70-200 f2.8 VR lens is lots quieter)
Fit: 10
Finish quality: 7 (surface not as good looking or durable looking as Nikon, but not ugly either)
Optical Stabilization: 9.5
Size/weight: 9
Overall ease of use/functionality: 9
I will update with more information after using the lens more. I cannot give the lens 5 stars, although I believe it is not far from achieving that. I think most people will agree that this lens is worth the money spent and will do what it is intended to do, and do it well.
Update: Feb. 2010- Have taken a few more shots with this lens. All-in-all still very satisfied with it. The fringing noted earlier is there - a bit more than I first indicated. RAW shows slightly more than the JPEG's, but it is fairly easy to remove the majority of it in Lightroom. Some images look a bit soft. When I compare them to the 18-105 Nikon kit lens, I initially thought they were pretty comparable,but they are a tad bit softer when looked at closely. It is much softer than my 70-200 f2.8, even when that one is shot wide open - and the Sigma is FAR behind on anything stopped down to f4 or higher on the Nikon. However, I would expect nothing less from a lens that is over 5 times as expensive. Outdoor shots are very respectable from the Sigma - It is my recommendation that a person use this lens stopped down some outdoors, particularly at 200mm and above, as the fairly shallow depth of field when zoomed will render some subjects in front of the main subject out of focus, even on relatively distant shots. F8 to f11 fixes that most of the time. My initial rating of 4 stars still stands, as I feel that image quality is less than perfect, but as good as anyone should expect at this price level. The only individual rating that would change is the image quality that I rated a 9, is more like an 8 - still pretty good. Is is considerably better than a Nikon 55-200 VR that I sold recently - it was soft across the frame, with a very bad left side. Perhaps a bad copy? Anyway, the Sigma 70-300 OS is a lens I am proud to carry in my gear bag, and one that will work well for me for a long time.
Update 2: Mar. 2010 - Upon further inspection of the images, it appears that shots taken stopped down some are a fair bit sharper than when shot wide open. Stopped down shots look to be sharper than just about any of the Nikon 18-105 ones, but are softer than the Nikon when shot wide open. That being said, my recommendation in a sentence or two is: shoot this lens stopped down a bit and don't expect to use it in low light without flash or for indoor sports. The best shots will result from the lens set too slow to be of much use in those cases. If I have more to report, I will do so later.

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OS (Optical Stabilizer) For Sigma

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Tokina 2880100300M 28-80 + 100-300 Emz ii Camera Lens Kit F/ Konica Minolta Maxxum and Sony Alpha Review

Tokina 2880100300M 28-80 + 100-300 Emz ii Camera Lens Kit F/ Konica Minolta Maxxum and Sony Alpha
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The Tokina 28-80 wasn't as good in quality picture, since I have the one that came with the camera don't bother to use it, the 100-300 lens works great, good quality, for the price is unbelievable, the con is that the color is different than the camera, but at the price dont care about it.


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The Tokina EMZ 28-80mm f/3.5-5.6 Autofocus Macro Zoom lens covers the most popular focal length range from wide angle to mid-range telephoto. This versatile zoom has tele-macro capability for a maximum magnification ratio of 1:5.3, plus a minimum shooting distance of under 20 inches. Everything from grab shots to portraits to close-ups is possible. With an overall length of 3.2 inches and a weight of under 10 ounces, this lens is perfect for the photographer on the go. It sports a professional silver finish with a large black ribbed rubberized barrel surface and provides an easy to grip area for smooth and positive zoom control. An excellent addition to any outfit. >>> This Tokina EMZ 100-300mm f/5.6-6.7 Autofocus Zoom lens fits and provides full autofocus operation on your camera. Focus on your subject, zoom in tight for detail and catch the unexpected with this Tokina 100-300mm Autofocus Zoom Lens. The focal length range covers most of the desirable longer telephoto settings from 100mm out to a powerful 300mm, which is an excellent focal length range for sports, wildlife, and similar subjects to which you cannot easily get close. A professional silver finish with a large black ribbed rubberized barrel surface provides an easy to grip area for smooth and positive zoom control. >>> This outfit also includes a high-quality SLR camera carrying case by Aosta. This convenient slim design messenger-style gadget bag is large enough to hold a camera and 2 lenses plus accessories. It also features a zippered main compartment, a zippered outside pocket, an outside flap pocket, plus a mesh outside pocket for quick access to your most important accessories. It also features a removable foam divider for keeping your camera and lenses protected from all sides, as well as an adjustable shoulder strap.

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Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) Lens for Konica Minolta and Sony Digital SLR Cameras Review

Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) Lens for Konica Minolta and Sony Digital SLR Cameras
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I was warned about buying a lens with such a long zoom range because they are often a compromise in image quality. Not this lens. The clarity and sharpness is amazing. The zoom range is perfect for a walk-around lens. I have used it for landscapes, portraits, street photography and even telephoto shots of wildlife. The minimum focusing distance and 1:3.3 magnification make it a decent macro zoom and great for shooting flowers and other subjects close-up. This lens is on my camera 90% of the time. The only thing that would be better is if it had a constant f/2.8 aperture but then you wouldn't be able to get it at this price.

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SO) 24-135MM F3.5-5.6 F/SONY

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Tamron AF 11-18mm f/4.5-5.6 Di-II SP LD Aspherical (IF) Lens for Canon Digital SLR Cameras Review

Tamron AF 11-18mm f/4.5-5.6 Di-II SP LD Aspherical (IF) Lens for Canon Digital SLR Cameras
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I did a lot of research prior to buying this lens....comparing it to other wide angles etc. It got good ratings and I agree. I use it with my Canon 20D and it performs well. Pics are clean with no major noticable abberations. You can get a somewhat cool "fisheye" effect at the low end without having to buy an expensive fisheye lens. Use a lens hood because there is the potential for a lot of flare typical for this lens class. For the pro-sumer like me....it does the job at a lower price than it's competitors. Amazon was fine.....best price with no problems with shipping etc/.

Click Here to see more reviews about: Tamron AF 11-18mm f/4.5-5.6 Di-II SP LD Aspherical (IF) Lens for Canon Digital SLR Cameras

This super wide-angle zoom lens is designed for exclusive use with digital SLR cameras using a sensor smaller than full-size format. The lens provides an extended focal length of 17mm (when converted to full-size format), the desired length for today's most advanced, professional photographers using digital SLRs. The lens features a completely new optical system designed for optimal performance with digital SLR cameras.An element of both HID (High Index High Dispersion) and LD (Low Dispersion) glass are used to minimize on-axis and lateral chromatic aberrations. In addition, one high precision, large clear aperture, glass-molded aspherical element and two hybrid aspherical elements are used to compensate for spherical and chromatic aberrations and distortion, to achieve outstanding optical quality.

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Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Review

Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Konica Minolta and Sony Digital SLR Cameras
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As one who takes tens of thousands of sports action photos annually, I was leery about buying a non-Sony lens for the Alpha, but the price and rebate offer made this a good bet that the lens would be useful for something.
It replaced the 28-70 & 75-300 Sony lenses and gave me the opportunity to use one lense instead of choosing one of the other two.
I must say, I was greatly impressed. The first games, both volleyball indoors and football outdoors with flash, were spectacular. The clarity and focus was much better than the Sony lenses ever gave me. I was able to get action from the whole game, not just what was close or far away, but both at once.
I really prefer this lense over the Sony lenses. That Tamron f/2.8 big telephoto is looking like my next buy. Thank you for providing me with the best lens I've had.


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Tamron has made this lightweight, compact high power zoom lens available with the Di optical system with improved multi-coating for digital SLR cameras as well as film cameras, further enhancing its ease of use and popularity

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Tamron Autofocus 28-105mm f/4-5.6 (IF) Lens for Sony Konica Minolta SLR Cameras Review

Tamron Autofocus 28-105mm f/4-5.6 (IF) Lens for Sony Konica Minolta SLR Cameras
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I have purchased two of these lenses (autofocus version) for our Nikon N-70. I dropped the first lens and something came loose. This is a superb lens. I studied the Modern Photography Magazine ratings to select this lens, which was/is the sharpest zoom lens in the 20-120 range. Not even Nikon or Canon can beat this lens for sharpness across the focal range. Spherical Aberration is marginally higher than an average lens with this focal range, so you wouldn't want to shoot professional architecture photos with this lens. Tamron makes a semi-pro lens with an F-2.8 across a similar zoom range, but it is no sharper than this lens.

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Tamron's AF28-105mm f4-f5.6, measuring in at just under three inches and only 10.8 ounces, is conveniently small and lightweight, making it easy to carry with you. This medium telephoto lens is also extremely versatile; it is ideal for intimate close-ups or zooming out to true wide-angle for group shots, tight indoor spaces, and sweeping landscapes. Its internal focusing system, once only available in professional lenses, permits easy handling and practical use of filters. This model is dedicated to Minolta AF SLR cameras.

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Tamron Autofocus 28-200mm f/3.8-5.6 XR Aspherical (IF) Lens for Pentax SLR Cameras (Silver) Review

Tamron Autofocus 28-200mm f/3.8-5.6 XR Aspherical (IF) Lens for Pentax SLR Cameras (Silver)
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I purchased this lens for traveling with my Pentax digital bodies. It's a great alternative to carrying a bunch of lenses when traveling. The trade off for the versatility is the mecahanics at times. Instead of being a master on one focal range, it's the jack of all trades. It has a very difficult time focusing quickly, especially with a filter on the lens. AF is slow on this lens.

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Tamron offers this world's smallest, most lightweight 28-200mm high magnification zoom lens. With a minimum focal distance over the entire zoom area of 49cm, and a maximum magnification of 1: 4 (at 200mm) this remarkable lens achieves high magnification zoom performance with the compact size of a standard zoom lens. Through XR (Extra Refractive Index) glass and efficient use of aspherical lenses, Tamron has achieved a 25% reduction in size and a 27% reduction in weight over the previous model (Model 371D), along with a decrease in filter diameter by two-steps ?72mm - ?62mm) without compromising the superior image quality characteristic of Tamron 28-200 lenses.

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Tamron AF 70-200mm f/2.8 Di LD IF Macro Lens for Pentax and Samsung Digital SLR Cameras Review

Tamron AF 70-200mm f/2.8 Di LD IF Macro Lens for Pentax and Samsung Digital SLR Cameras
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I have used this lens 3 weeks so far, took around 300 pictures. This is the greatest lens Tamron has ever made, I think! I were so surprised about its optical performance, far more than what I expected!! I owned Tamron 28-75 before and this lens is even much better optically. Super sharp in all aperture stops, even at 2.8 ! The colors are very true-to-life and bokeh are so wonderful, creamy. The AF is pretty accurate although not very quiet ( on my D80), but still quieter than the Nikon 80-200 I tried before. The weight: lightest in the class. Built: very nice.You can take off the tripod collar easily to make it much lighter if you don't need a tripod. If you don't shoot pro and fast sports to earn money, this lens will meet all your needs. The only missing on this lens is VC ( or VR). But you can not require that at this price! Get it, and you will happy with it.


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While overall dimensions are confined to the absolute minimum, the new SP AF70-200mm F/2.8 Di LD (IF) MACRO zoom lens is packed with features that allow stress-free photography: a versatile MFD of just 37.4" over the entire zoom range; best-in-class maximum macro magnification ratio of 1:3.1 at f=200mm; and an advantageous internal focusing (IF) system.The new tele-zoom lens covers a desirable focal length range of 70mm medium telephoto to 200mm telephoto when mounted on full-size format SLR cameras and a focal length range from 109mm to 310mm* ultra telephoto when mounted on a DSLR camera with an APS-C sized imager.(*Tamron uses an approx. of 1.55X)

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Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF Review

Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF
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I took the Tamron AF 55-200mm out for a test drive along with my (new to me) Cannon digital rebel (300D). I went for a few hours into the wine country of Northern California. The Tamron is a perfect companion if you already have the standard Canon EF-S 18-55 mm lens. The Tamron is 55 to 200mm, so it takes over where the cannon leaves off.
Also, you get better lens performance compared to a lens that "tries to do it all" by going from super wide to long telephoto. Outdoors the camera was able to focus the Tamron quickly and reliably. I am very pleased with the lens.
I'm also pleased because this lens is designed specifically for digital cameras. (Digital cameras are different from film cameras in several respects). For example, a digital camera uses what amounts to a big chip to gather light, the surface of the chip is far more reflective than film. This means bright light can hit the chip and some of it bounce back into the lens. If the rear-end of the lense does not have good coatings, you can get re-reflections *back* to the chip. The light rays hitting the chip also need to be parallel NOT in a "cone". These are the types of design elements Tamron has paid attention to when designing this lens.
HOWEVER, you cannot use this lens with a film camera, or you will get dark fading (vignetting) around the edges of the photo.
Also, this lens is designed specifically for cameras with a CMOS or CCD chip no larger than 15.5 to 23.2mm (perfect for the Canon 300D) To see how big your chip is, refer to the specifications in your owners manual.

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The Tamron AF55-200mm f4-5.6 Di II Macro LD (Model A15) is a tele-zoom lens designed exclusively for digital SLR cameras with smaller-size image sensors at an affordable price. Di (Digitally integrated)-II lenses are designed for exclusive use on digital cameras with smaller-size imagers. This lens is not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24mm x 16mm. For photographers who bought their digital SLR camera in a kit with a standard zoom lens but are dissatisfied with the telephoto capability of the standard lens, the AF55-200mm f4-5.6 Di II LD Macro offers in a second lens a desirable telephoto range at an affordable price. The tele-zoom from Tamron will allow these photographers to enjoy the telephoto capabilities that yield dynamic images in many photographic situations including sporting events, large wildlife, scenery and portraiture. Popular-type Tele-zoom for Exclusive Use on Digital SLR CamerasThis is a telephoto zoom for exclusive use on digital SLR cameras that covers the focal length range equivalent to 85-310mm when converted to a 35mm format. The lens will allow owners of digital SLRs fitted with standard zoom lenses to enjoy with ease the professional-looking "pulling" and "compression" effects particular to telephoto lenses. Lightweight and Compact Design Thanks to Optical System for Exclusive Use on Digital CamerasSince the optical system is designed for exclusive use on digital cameras, the image circle is smaller, resulting in a compact package measuring 3.3 inches, accepting a 52mm standard filter and weighing a mere 10.4 ounces. Revolutionary Minimum Focus Distance of 37.4 inches for 1:3.5 Macro Capability over the Entire Zoom RangeThe 55-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 37.4 inches over the entire zoom range, the top level of the closest focusing distance among tele-zoom lenses. Since the maxim

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Vivitar Multi-Coated Circular Polarizer (CPL) Glass Filter, 82mm Review

Vivitar Multi-Coated Circular Polarizer (CPL) Glass Filter, 82mm
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Really untill I saw this I forgot all about Vivitar. They make quality products. I've burned out 5 digital cameras in the past 10 years. I have vivitar slr circa 1976 that still kicking. I think this filter will be just as tough. It has a durable matte black frame. It's made of actual glass and was about a third the price of a Hoya, B+W, or Tiffen. I bought another more expensive brand to compare it to and cannot find any difference.

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The Vivitar Series 1 Multi-Coated Circular Polarizing (PL) Filter allows you to remove unwanted reflections from non-metallic surfaces such as water and glass, and they also improve color saturation, clarity and contrast. This threaded filter is often used to increase the contrast and saturation in blue skies and white clouds, for example. Vivitar's polarizing filters do not affect the overall color balance of a shot, and they will provide protection for your lens while shooting.

Vivitar Multi-Coated filters are optimized for use with digital SLR cameras, but they are also perfect for traditional 35mm SLR applications, including black and white photography.

Key Features:• For digital, video and photo • Increases contrast and color saturation• Multi-Coated filters greatly reduce lens flare and ghosting caused by reflections• Eliminates reflections from non-metallic surfaces• Protects lens from dust, moisture, fingerprints, scratches and impact• For over 70 years Vivitar has been recognized as a manufacturer of quality optics and photo accessories

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Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras Review

Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras
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I have an older version of this lens for my Nikon and always got good results with it. I am using this on a Canon 5D Mk2, believe it or not, and it is great so far. Some barrel distortion that really shows in building shots, etc, but there is good software that can correct that easily. Also, it will be less on non-full frame cameras. Otherwise I think this is one of the best value lenses out there. Probably the ideal travel lens due to it's size, too. It's very small. Maybe the smallest zoom lens of that length. It's also very well made. Mostly metal. I trued out the Canon equivalent and have to say this lens seems sharper and with better color.

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28-200mm F3.8-5.6 Xr Di F/Canon

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Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for C... Review

Tamron 28-80mm f/3.5-5.6 Aspherical Lens and 75-300mm f/4-5.6 LD Lens Set for C...
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I purchased this bundled kit for my Rebel XT to see what kind of zoom range I would need and what my daily needs are before purchasing a Canon IS lens. The lenses work surprisingly well for the price. I have had lots of good and clear images. Very light and does the job. I will still keep these lenses with me, especially the 75-300mm lens as my handy backup. I use the 28-80mm as my main lens. There is some searching at AF but I just go to manual when that happens. I don't have a flash yet (more research there :-)) and have been pleased with the shots in low light.

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Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for Canon EOS SLR Cameras: The Tamron Autofocus 28-80mm f/3.5-5.6 ia a standard zoom lens from a wide 28mm to a medium telephoto range of 80mm. The use of aspherical elements in the front group reduces the number of elements required, and the use of strong engineering plastic in the barrel makes the body a light 237g. Consequently, it is easy to carry.The Tamron AF 75-300 f/4-5.6 extended-range zoom lens offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens.

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Promaster 62mm Ultraviolet (UV) Filter Review

Promaster 62mm Ultraviolet (UV) Filter
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When looking into a UV filter, its is one of the most important filters to have on the end of any lens.
The more expensive the lens, the more important to have a UV filter (helps keep dust,dirt,grime off the lens)
The promaster series is one of the best I have used to far, great optical quality, good haze reduction, and very sturdy metal thread design.
For the price that i paid, cant complain at all.

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Promaster 62mm UV Filter

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