Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Targus USB Optical Mouse AMU10USZ Review

Targus USB Optical Mouse AMU10USZ
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This works just fine. I wanted a mouse that was easy to use and fits my hand well. It was also reasonably priced. No software update was necessary.

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The Targus USB Optical Mouse is a three-button mouse with an ergonomic design to provide comfort while in use.

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Pentax K200D 10.2MP Digital SLR Camera with Shake Reduction 18-55mm f/3.5-5.6 Lens Review

Pentax K200D 10.2MP Digital SLR Camera with Shake Reduction 18-55mm f/3.5-5.6 Lens
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I am an amateur photographer who's always used point-and-shoot cameras. Finally, I got up the nerve (and cash) to get myself a DSLR.
I started doing lots of reading and reviewing the various reviews/features of different cameras, eventually settling on the Pentax K200D.
I have never owned anything made by Pentax/Canon/Nikon/Olympus/Sony before, so I didn't have any sort of brand loyalty ties. I took long, hard looks at the features and performance and went from there.
There are several reasons why I chose the Pentax K200D over similar models from other manufacturers:
1) Weather sealing -- Pentax claims their camera is the only environmentally sealed camera in its class ("starting DSLR"). Nice to know it's there, even if I don't plan on intentionally testing it out!
2) Saving High quality JPEG and RAW at the same time (RAW+). Some of the other models I was considering didn't allow RAW + High JPEG, only medium JPEG.
3) Very high build quality. This thing feels like it's built like a tank. After reading literally hundreds of user reviews from Canon owners, Nikon, etc. the general consensus was their bodies (and cheap lenses) felt a little flimsy. I must admit, I went to the stores and tried out their cameras (the entry DSLR) and I felt the same way.
Popular Photography's preview of the K200D said it best: "Mate a tank with a SLR body..." or something to that effect.
4) AA batteries. I know some people consider this a downside, but decent 2500mha AAs are extremely cheap and work great. If I ever run out of juice, I know I can hit up practically any store for a recharge.
5) You can mount any lens Pentax has ever made on this camera. Of course, you may not get all the features, but the consistency of the lens mounting was a plus for me.
6) In-body stabilization - A real biggy for me, as this translates to any lens you buy for the system! It has already saved several of my shots.
7) It's an APS-C sensor -- this discounted the Olympus line immediately.
----------------------------------
So how do I like the camera? So far it's great!
I've only owned it a few days, but I've been doing lots of testing with the kit lens (which, according to "the net", isn't as horrible in quality as some other kit lenses).
Autofocus is fairly quick, though low light seems to be throwing it off sometimes (duh!)
Light metering seems to be very consistent -- I'm not getting surprise too dark or too light shots unless I intentionally screw the shot up (like forgetting to reset EV , doh).
Burst rate is a bit low at 4 JPEG or RAWs - but I don't plan on doing too many sports shots so hopefully this won't be a limiting factor. I'm awaiting some Sandisk Ultra II SD cards to come in before I see how much this low rate limits me -- hopefully the fast card will allow a quick buffer flush.
The grip is confortable for me, a 6-foot tall male with large/medium hands. So far I haven't accidentally hit a button while operating the camera, etc. I haven't done prolonged shooting yet.
The menu options are pretty self-explanatory, and I like the manual they give you (though it's huge) -- They do a pretty good job explaining what various functions do, etc.
-------------------------------------------So, the verdict? If you're moving from a point and shoot digital camera (I had a Kodak Easyshare Z612 6MP), this thing is going to blow it away!
Overall, I am very happy with my purchase. The kit lens isn't total garbage, the menu functions are easy to access and the camera performs admirably.
The only thing I miss moving from my PNS camera is the zoom.
My next purchase will probably be the fast 50mm prime lens for portraits.I've been shooting in low-light situations (my house tonight) and so far it's doing great.
I've also taken it outdoors on a sunny day for some pretty good looking shots. I can't wait to upgrade to a good zoom to catch more wildlife.[...]

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D1) PENTAX K200D W/18-55 LENS

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Promaster 62mm Ultraviolet (UV) Filter Review

Promaster 62mm Ultraviolet (UV) Filter
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When looking into a UV filter, its is one of the most important filters to have on the end of any lens.
The more expensive the lens, the more important to have a UV filter (helps keep dust,dirt,grime off the lens)
The promaster series is one of the best I have used to far, great optical quality, good haze reduction, and very sturdy metal thread design.
For the price that i paid, cant complain at all.

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Promaster 62mm UV Filter

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RainbowImaging Pro 1D super slim 62mm UV (Ultra Violet) Multi Coated Glass Filter, (Glass made in Japan, same class as HOYA Pro 1 series) Review

RainbowImaging Pro 1D super slim 62mm UV (Ultra Violet) Multi Coated Glass Filter, (Glass made in Japan, same class as HOYA Pro 1 series)
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I am a big fan of hoya filters, but this product is a much better value. Very thin and high quality, have not had any glare issues using these filters. All my lens caps still fit tightly with the slim profile.

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Multicoated Filters are so important to Digital Cameras. Digital camera CCD or CMOS sensors are highly susceptible to reflections - this stray light can ruin your photographs! Don't risk your valuable photos by using bare-glass filters.The ultimate in clear filters, the PROTECTOR will not affect the color balance or performance of your lenses inthe slightest. This PRO1 Digital series Filters, which dedicate to up and coming Digital S LR cameras. Absorbs ultraviolet rays which often makes outdoor photographer hazy and indistinct.A multi-purpose, fine weather filter also serves as a permanent lens protector.Reduced internal reflections mean a clearer image with greater contrast.1 x 62mm Nicna PRO1 Digital Slim MC UV (W) with original Packing

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Vivitar - Fisheye lens - 7 mm - f/3.5 - Canon EF Review

Vivitar - Fisheye lens - 7 mm - f/3.5 - Canon EF
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First of all, let's clarify that this lens is not made by Vivitar - it is rebranded and originally made by Samyang (as Samyang 8mm). It seems that the cosmetic design of the lens might be unique to Vivitar. You can find this lens also branded as Bower, Polar, Falcon, Rokinon, Digital Innovations. And of course, Samyang. The Vivitar version is the sexist-looking though. here is rokinon:
Rokinon 8mm f/3.5 Aspherical Fisheye Manual Focus Lens for Canon EOS 50D, 40D, 30D, 20D, 10D, Digital Rebel (300D), Rebel XT (350D), Rebel XTi (400D), Rebel XS (100D), Rebel XSi (450D) & Rebel T1i (500D) Digital SLR Cameras
You'll also notice that the other brands call this lens a different focal length - Samyang calls it 8mm for example. Just to be clear, these are all the same lens. Why the difference? Well, you probably don't even want to call the lens 7 or 8mm. If you compare it to other lenses, it will be closer to 10 or 12mm. The main issue is that this lens doesn't use the normal (equisolid) fisheye projection, but rather, a "stereographic" projection. What does this mean? It means that the "fisheye distortion" is not quite as pronounced at the sides of the image.
If you have a full-frame sensor, you can cut off the lens hood of this lens and have a "circular" fisheye similar to an 8mm lens on a 1.5 or 1.6 crop sensor. (yes this will void your warranty ;-)
Overall, the image quality of this lens is on par with lenses that cost twice as much, or more.
For some incredibly in-depth analysis of this lens, check the intrepid Michel Thoby's page:
[...]

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Vivitar 7mm f/3.5 Fisheye Lens for Canon Features
This Vivitar 7mm f/3.5 Fisheye Lens is suitable for both artistic and technical photography. Extreme-wide angle lenses are pleasingly distorted in a hemispherical projection, resulting in an image that looks like the eye of a fish.
The Vivitar 7mm f/3.5 fisheye lens is created for APS-C image sensor. It creates images with an expanded perspective, including images with a creatively deformed outlook and a sharp pan focus that extends throughout the entire frame. By offering 180 degree angle of view, this fisheye lens can be used to create amazing image expressions that cannot be seen with the human eye, such as exaggerated perspective and distortion. The minimum shooting distance and large depth of field gives new meaning to close-up shots.

180° diagonal angle of view
Multi-coated glass reduces flare and aberrations



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Sigma 28-90mm F3.5-5.6 Aspherical Macro Lens for Nikon Cameras- Review

Sigma 28-90mm F3.5-5.6 Aspherical Macro Lens for Nikon Cameras-
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I'm a pro Nikon shooter (see: [...]) and have had this lens in my kit for a long time for any kind of macro work when out on a hike or when shooting small items in the studio.
You may think it's going to be no good because it's Sigma and it's cheap, but don't be fooled, it's very impressive!
Can't beat this for the price.

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Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF Macro Zoom Lens with Built in Motor for Canon DSLR Cameras Review

Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF Macro Zoom Lens with Built in Motor for Canon DSLR Cameras
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....Versatility never comes without cost:
GENERAL
+ First impression when mounted to my t2i was "wow". I could hardly believe how small this thing really is considering it's zoom range! It's also very light (only a tiny little bit heavier than a Tamron 17-50 2.8!)
You can carry it around easily and my t2i felt very well balanced with it. - A good start
+ the lens comes with a lens hood (you see Canon!?) and with a 5 years warranty. That's quite a package, even though the lens hood (being suitable for all offered focal lengths) cannot really help when you are zoomed in to the max.
BUILT QUALITY
+- the lens is manufactured in China. Quality appearance is ok, but nothing to rave aboutIMAGE QUALITY
Resolution
+- considering it's enormous range, I was surprised how sharp this lens can get. Resolution is not the reason why I finally opted against the product. It never really gets razor sharp, but at least at most focal lengths it will get the job done. As long as you don't plan to print really big, contemplate your pictures at 100% view on a monitor, or plan to crop details, things will look quite all right (i will upload a few samples, to show you). There are only a few focal lengths at which it delivers really poor resolution unless stopped down at least two f-stops. Unfortunately two rather important settings are among these problematic ones. At the end of the zoom range (250-270 mm f 6.3) and at it's beginning (18 mm f 3.5) pictures can look plainly soft. Especially at the long end, this can be very disturbing as you need a whole lot of light anyway when shooting at 270mm. At f8 things look better, but you won't blur your background that easily and of course you will need quite bright light to get these shots free of shake.
Speed
- As I just said, the lens isn't what you would call fast at any rate. Moreover you need to stop it down to gain decent IQ at some settings and last but not least, it's higher minimum apertures kick in rather early (e.g. at a "portrait length" of 100mm it is already 5.6!) - a major draw-back for a so called "all purpose lens". I wouldn't recommend it to anybody who plans to shoot a lot in low light.
Vignetting
+- Vignetting is visible but I've seen worse (especially if you (again) take into account the long range). It also can be corrected quite easily.
Chromatic aberrations
- Purple fringing can be a problem at almost all focal lengths. Stopping down helps but it does not reduce CAs to zero.
Contrast
- Contrast in general is not the strong point of this lens. between 24 and - say - 200mm it is alright when stopped down a little. In general I had more work to fine tune contrast than usual.

Colors
+- Due to the somewhat weak contrast colors aren't too snappy and sometimes I felt, I could see some kind of yellowish cast. In general, however, colors looked good to me.
Flares/Ghosting
+ I had no problems with flares
IMAGE STABILIZER
+ The IS-System of the lens works quite fine and without too much noise (only a faint zzzzzzzzz). I wouldn't expect it to give you more than two to two an a half f-stops.
When using your camera on a tripod you should definitely switch it off, as it visibly degrades IQ when used with a tripod
AUTOFOCUS
+- The new piezo drive was one of the reasons for me to give this lens a try (I don't like the focussing speed of my Canon 55-250 IS, which is both slow and noisy).
The Tamron 18-270 PZD focus is almost inaudible and in general quite precise. Focussing speed however is not impressive. I believe there are many micro-motor AF-systems out there that do the job quicker.
This system here is by no means comparable to Canon's USM...too bad
VERSATILITY
+++ Nothing to complain about here. Within a twist of a zoom-ring you can take almost every picture stye from landscape via Portrait to wild-life close-ups (if the beasts don't move too quick). The capabilities of this lens in this respect are nothing short of amazing. The one thing it doesn't do too well is macro.
CONCLUSION
If you are the kind of photographer that shoots mainly in bright light,
if you usually watch your photos on smaller screens or prints,
if you're not a "pixel-peeper"
if you do not like carrying lenses around or just don't want to switch them
if you're looking for a light all-round travel lens
if you are more than anything a spontaneous photographer
the Tamron 18-270 3.5-6-3 pzd is made just for you.
However
if you are seeking the "perfect picture"
if you like snappy colors and contrasts
if you are a "sharpness-victim"
if you like to print big or crop your images to point out details
if you're searching for high end built quality
You will have to look elsewhere and make your compromises on versatility instead of image quality.
Now please. don't take my 3-star-rating too negatively. I don't mean to bash this product, but to give you an impression of my experiences as objectively as possible.
The TAMRON 18-270 offers a great solution for people that appreciate versatility more than anything else.
As a super-zoom it is definitely worth a try. However imho too many compromises have to be made to buy this flexibility. And since you don't buy it for peanuts, I can't give it my recommendations without reservations.
Good luck with your decision

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The acclaimed Tamron 18-270mm VC all-in-one zoom for APS-C format DSLRs has reached an astonishing new level of compactness, performance, and speed with the addition of PZD (Piezo Drive), an innovative ultrasonic autofocus motor based on an advanced piezoelectric design. The result is a lens that\'s considerably lighter, noticeably shorter with a much slimmer profile than any previous lens in its class, and provides faster, quieter auto-focusing. Signature features that have made this amazingly versatile lens the world standard in its class have been retained. They include a 28-419mm equivalent (15X) zoom range, an improved compact and lightweight Vibration Compensation (VC) system, macro focusing to 19.3 inches throughout, and, of course, superlative imaging performance. Technical Specifications:Focal Length; 18-270, Maximum Aperture: F/3.5 – 6.3, Angle of view (diagonal): 75°33′- 5°55′, Lens construction:16 elements, 13 groups, Minimum focus distance: 19.3 in (0.49m), Maximum magnification ratio: 1: 3.8 (at f=270mm: MFD 0.49m), Filter size: Ø62mm, Length: 3.8 in (96.4mm), Diameter: Ø74.4mm (2.9 in), Weight: 450g (15.9 oz), No. of diaphragm blades: 7, Minimum aperture: F/22 - 40, Standard accessories: Flower-shaped lens hood.This lens is designed to fit Canon DSLR cameras with APS-C size sensors

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Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens Review

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens
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Whether you're new to the world of DSLRs, or are a seasoned photographer who wants to try your luck at video, the Canon Rebel T2i is perfect. I've had nothing but great experiences with it so far, and highly recommend to everyone.
Other than the T2i, I own (and primarily shoot with) the Rebel XS (1000D), and also have extensive experience with the Canon 50D. While my XS still serves me very well, I wanted to get an SLR with video capabilities since the release of the T1i. After finally saving up enough for the T1i, I really lucked out that Canon announced the T2i, which has even better features! I am lucky enough to finally have it, and want to share my experiences, and how they compare to my expectations
==================
OVERALL IMPRESSIONS
The camera is very small and light. It is not weather-sealed or as durable as some of the more expensive SLRs, but it doesn't "feel cheap" in my opinion. It features a 3-inch LCD (compared to the Rebel XS's 2.5 inch screen), which also has a very high resolution. It looks lovely! Auto-focus is fast, and I've been very pleased with the quality of the pictures and videos I've taken so far.
==================
PROS
IMAGE QUALITY: I feared that cramming so many megapixels onto this sensor, there would be a lot of image 'noise' (the megapixel myth). This thankfully hasn't been an issue, and I've been very pleased with the pictures taken with this camera! Aside from White Balance issues (see below, Cons), image quality is pretty good!
VIDEO: Some people have disparagingly said that Video on DSLRs is just a gimmick. I disagree. Based on sample clips I'd seen on YouTube, I was excited about getting an HDSLR, and while videos are sometimes shaky if you don't have very steady hands, a tripod eliminates those concerns. Audio quality on the T1i was criticized by many, but the T2i has a microphone input jack, which allows you to connect a mic. I don't yet own one so can't comment on that feature, but will update this review if and when I save enough to try this feature out. Additionally, this offers improved recording options, including higher fps (frames per second) than the T1i, which technically offered "true HD" recording of 1080, but only at a choppy 20 fps.
LOW-LIGHT PERFORMANCE: I am much more impressed than I expected. My Rebel XS could go up to ISO 1600, but would perform pretty poorly there. This not only can go up to a significantly higher ISO level, but performs much better. Less image noise means you have to waste less time editing your pics, and many more keepers!
SDXC SUPPORT: Only own SDHC cards up until now, but it's great to know that this supports the next generation of flash storage, which means you'll in the future be able to hold many more pictures than currently available.
CONS
NOT A FULL-FRAME SLR: This is not a full-frame SLR like the Canon 5D Mark II, and the APS-C sized sensor results in a crop factor (1.6x), and doesn't necessarily provide the same image quality as the larger, full-frame sensor does. Still, at less than half the cost of the Mark II, I think this is a trade-off that's well worth it for most users.
Crop factor means that this camera, like other Canon DSLRs that have the APS-C size image sensor, will not be true to the lens's designation. A 50mm lens will produce an image more in line with 50mm x 1.6, or 80mm on a full-frame. This not only makes a difference for those who want to do landscape photography (which usually benefits from wide-angle views), but for those with unsteady hands. The general logic is that to ensure a steady shot, you need to shoot at the reciprocal of your focal length. So for a 50mm focal length, you should be shooting at a speed faster than 1/50 second for a steady shot. Keeping the crop factor in mind, you really should be shooting at a speed faster than 1/80 a second.
Crop factors are common for most digital SLRs, as full-frame sensors jack up the cost of production, which are then passed on to the consumer in the form of very expensive cameras. So it's not so much a shortcoming of the Rebel T2i, but just a note to keep in the back of your mind.
DIFFERENT BATTERY: This is more of a hassle for those who owned spare batteries than for those whose first SLR would be the T2i, but Canon changed the battery. Again, not such a big deal, but might be a hassle for some who find out that their old batteries can't be used on this model.
WHITE BALANCE: I found that the 'Auto' White-Balance setting was wildly inaccurate on my Rebel XS (often giving indoor shots a yellow tint unless I changed the WB to the 'Incandescent Light' mode), and I feel that the WB settings on this model still aren't as accurate as they should be. If you want truly accurate WB, you can use a gray card, or an alternative would be to simply try digitally editing the photos on your computer after shooting.
NO ARTICULATING SCREEN:No articulating screen, but this is a rare feature in DSLR's in general, so it's not a shortcoming of the T2i. Since most of your shots will probably be composed using the viewfinder, not a big deal, although it would have been convenient! If you absolutely must have an articulating screen on an HDSLR, look into the Nikon D5000.
===================
A NOTE ABOUT THE KIT LENS
The lens that comes with this is the standard 18-55 f/3.5-5.6 that comes with the other Rebels. It's a very good all-around lens, but you more likely than not will want to at some point upgrade your lens for either (a) better image quality, or (b) better performance in low-light conditions.
This lens is very good, but for pros or those who pay incredibly close attention to detail, the optical quality of Canon's higher-end lenses is superior than to the kit lens. For most users, I don't think image quality will be a huge issue.
More likely, the aperture size will be the reason people want to upgrade their lens over time. A lens with a wider aperture allows more light to reach the sensor in less time than a lens with a narrower aperture. That means you can employ a faster shutter speed, which allows you to snap the shot faster, reducing the likelihood of a blurry picture. Outdoors on a sunny day, this aperture range of this lens won't be a limiting factor; inside a poorly-lit gym, however, you'll notice some blurry shots (see below for a recommended alternative for low-light shooting).
Still, this is a pretty good all-around lens that can result in some great shots!
===================
RECOMMENDED ACCESSORIES
1. An external flash: This will come in very handy. With the built-in flash, your photos often come out harshly lit. Bouncing an external flash off the wall makes a huge difference in image quality. I personally use the Speedlite 580EX II, but there are cheaper alternatives that are very good. Some higher-end cameras (i.e. Canon 5D Mark II) don't even have a built-in flash, which goes to show something about how high-level photographers view the lighting provided by internal flashes.
2. 50mm f/1.8 II lens - At around one hundred dollars, this lens is relatively cheap when compared to others on the market. Despite its low price, it offers great image quality. While it lacks IS (image stabilization) like some other Canon lenses (including the kit lens), with a wide aperture of f/1.8, enough light usually comes in to ensure a fast shutter speed, which in turn minimizes camera shake. Keep in mind that as a 'prime' lens, your feet will have to do the zooming in and out. This is not as convenient as an everyday walk-around lens like the 18-55 kit lens which gives a good zoom range, but is a great lens for portraits. Also would ideally be a good option for poorly-lit places where the aperture of the kit-lens isn't wide enough to ensure a steady shot. CONCLUSIONS
From my list of 4 pros and 4 cons, you might wonder why I'm giving this product 5 stars?... It's because considering the great performance - and low price - of the T2i, the 'cons' I list really aren't that big of a deal. Just because some cameras offer the aforementioned features the T2i lacks, it doesn't mean the T2i isn't a solid performer. On the contrary, I have been completely satisfied with this camera's image and video quality, performance, features, AND PRICE, and would recommend the T2i to anyone looking for an affordable way to capture memories!------------------
EDIT 11/27/10
I just wanted to update this review to say that after shooting with the T2i for nearly half a year, I'm still as impressed by this camera as when I first got it. I have a few comments to expand on my initial review:
VIDEO I have been using the video mode a lot more than I initially expected. While it doesn't offer continuous auto-focus and therefore might not replace a camcorder, once you get the hang of manually focusing this is not a big problem. I many times have found myself in situations where photos couldn't capture the moment as well as a video could, and the ability to record clips has been very convenient.
A note on the video mode, however...while it's automatic exposure is fine for most situations, if you find your videos are grainy, it's best to manually control the exposure. I've seen that sometimes even in good lighting, the camera will keep the aperture small (to have a less shallow depth of field) and boost the ISO. You can get around that by manually adjusting exposure settings, but again, the automatic exposures are usually fine.
As for audio with videos, I personally still have not purchased an external microphone, but for those who are serious about movie production Amazon sells a highly popular 'Rode VideoMic' for a...Read more›

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Canon EOS Rebel T2i Digital SLR Camera - 18 Megapixel - 3" Active Matrix TFT Color LCD 4462B003 31

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Nikon D100 6MP Digital SLR Camera Review

Nikon D100 6MP Digital SLR Camera
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This is an awesome digital picture-taking machine, which heralds the imminent death of 35 mm film. The D-100 does pretty much everything that a high-end film SLR does, and it does it beautifully. A 512MB CF card will enable the D100 to take hundreds of high-quality pictures that are indistinguishable in quality from those taken with film. The Six-megapixel images in Large/Fine or RAW mode are quite competitive with their film counterparts for almost all purposes. The advantage of digital, of course, is that the consumer, equipped with pretty much any computer, can process and print the pictures him or her self with far more power and flexibility than one had in a darkroom processing film. The digital darkroom has arrived.
The D100 can use Nikon's entire line of autofocus lenses and many of the older manual focus lenses, allowing the photographer to easily migrate from film to digital. The camera has spot, matrix, and center-weighted exposure options, a programmed mode, apature priority or speed priority, as well as all of the manual options. Autofocus is crisp, fast, and works very well in low light. This camera is nearly as powerful in terms of its focusing and exposure options as the Nikon F5, which is the film camera I used for years before replacing my F5 with the D100.
Perhaps the greatest testimonial for the D100 is that it is notorious that the vast majority of photographers who I know who have bought a D100 never (or at least rarely) shoot film ever again.
The D100 takes OK shots right out of the camera, but to get best results most photographers will want to "process" the pictures through either Nikon's own program "Capture 3" or an aftermarket program like Adobe Photoshop or Photoshop Elements. I and probably most others have found that some of the post-processing settings on these programs really improve the images produced by the D100. This is a deliberate design "feature" of the D100 in that the D100 anticipates that serious photographers wish to retain a certain amount of control over their images. Accordingly, rather than making all of the decisions for you, the D100 produces images for which final exposure and contrast decisions can and should be made in a post-processing program such as Adobe Photoshop Elements or Capture 3. That having been said, the D100 can and does produce fine images without using a post-processing program. But almost all users have probably found that the best results are achieved by using such a program. In my opinion this is true of pretty much all of the high-end digital cameras out there, and is not confined to the D100. This is the power of digital photography--the photographer, at little cost (a low-end PC and $100-200 program are all that are required) can have a powerful "digital darkroom" which yields tremendous control over how the images turn out.
Physically, the D100 is ruggedly built. The rear LCD is bright and clear. The menu systems on the D100 are very well designed and quite intuitive--after familiarizing myself with the manual for several hours, I now find that I do not need to refer to the manual at all even for very complex "custom" situations. The menus are not overly "layered" as is the case with some digital cameras. The on-board flash is fine for snapshot portraits and the like, but most serious users will want to spring for either the SB-50DX or the SB-80DX flash, both of which are more or less designed for the D100.
Negatives on the camera are few. I mentioned above the post-processing issue, which in my mind is not a negative, but instead is just Nikon giving the photographer as much power and flexibility as possible. The matrix metering is not as powerful on the D100 as on the top-of-the-line F5, inasmuch as in tricky lighting situations the D100s center-weighted or spot metering will sometimes yield better results. Having said that, after several hours of experimenting I can now confidently take consistently good pictures with the D100 in fill-flash conditions. In common with the exposure issues, the D100 more or less requires photographers who want very "sharp" images to apply "sharpness" post-processing. Most of us have probably found that this produces better results than setting the sharpening in-camera, for reasons that exceed the scope of this review.
By the way, the battery life in the D100 is phenomenal. The on-board proprietary Nikon battery lets you take many hundreds of pictures, and serious shooters can buy at modest cost the MD-100 accessory which lets you shoot with either 2 Nikon batteries or a bunch of AAs. Either way this allows you to literally shoot all weekend likely without needing to recharge. The Nikon batteries recharge in a bit over an hour.
For good reason the D100, retailing now (October 2003) below $1,500, has put powerful digital photography in the hands of serious amateurs. It is a well-designed and sturdy camera that is a delight to own and use.

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As digital imaging continues to make inroads into the world of professional photography, Nikon's release of the D100 proves that far from being a flash in the pan, digital SLRs really can make a valuable contribution.
Styled around the more traditional N80, the D100 has a full-featured body, is nicely weighted and considerably lighter than you might expect, given the amount of technology that's packed into it. The controls are nicely situated, and navigating through the settings using the provided four-way movement pad becomes second nature very quickly. Picture preview comes courtesy of the built-in 1.8-inch LCD screen, which allows for a cursory check of any pictures taken. Unlike earlier Nikon products, it's not possible to use the screen on the D100 as an alternate viewfinder, restricting its use in tight situations, but the results through the "traditional" viewfinder are perfectly adequate.
As you would expect from a 6-megapixel camera, the image quality is superb at all levels, from the highest resolution (a mighty 3,008 x 2,000 pixels) down to a less intense 1,504 x 1,000 pixels. At any resolution, the output images are really very good, color saturation is well up to par, and overall the results stand up well. On the downside, perfectionists may well find there's a tiny amount less definition, but there's nothing here to raise anything approaching serious issues.
Power is provided from a supplied rechargeable battery pack, which is both light and long lasting--up to a maximum of two hours, depending on flash usage. To recharge from empty takes around two hours, so it would be worth investing in a second pack. The D100 takes Type I and II CompactFlash as well as Microdrive units, which are invaluable for users looking to take any more than a handful of pictures in a single session. Our tests showed a 256 MB CF card could handle around 40 high-resolution uncompressed TIFF images, suddenly making a 1 GB Microdrive look extremely attractive.
The built-in flash unit, which pops up above the lens, is powerful and efficient, proving effective in a variety of conditions. Unlike many digital cameras, it only fires a single flash, effectively reducing red-eye without sacrificing performance.
It's difficult not to be impressed by the D100. It's a stylish and good-looking camera that proves that beauty isn't just skin deep by providing results well above expectation. The inclusion of the fast-charge battery pack means downtime is kept to a minimum, and the software packages provided by Nikon (including NikonView 5) make it easy to manipulate your images and save them out to hard drive, CD, or DVD. This is not a cheap buy, especially when you consider the base price excludes any form of lens, but for those with deep pockets the D100 is a force to be reckoned with. --Elly Russell
Pros:
Superb image quality--up to 3,008 x 2,000 pixels
Nicely weighted, full-featured body
Compatible with Microdrives

Cons:
Noticed a bit less definition to images


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