Showing posts with label slr. Show all posts
Showing posts with label slr. Show all posts

Sigma EX - Telephoto zoom lens - 50 mm - 150 mm - f/2.8 APO DC HSM II - Minolta A-type Review

Sigma EX - Telephoto zoom lens - 50 mm - 150 mm - f/2.8 APO DC HSM II - Minolta A-type
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I switched to this since my Nikno 70-200 was really getting heavy for a day of wedding photography. What i like: Very light, good working distance, nice easy zoom, fairly good images. What i dislike, a little soft at F2.8. Much better at F4.5. Not as vibrant colors...slighly cooler. Can easily flare...make sure you use the hood. No VR means you better shoot at fast shutter speeds or have really steady hands. Overall, a keeper for me. I now use this more than my 70-200. :-)

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This F2.8 large aperture telephoto zoom lens is designed exclusively for digital SLR cameras with APS-C size sensors and its compact, lightweight body provides freedom of movement and versatility. The super multi-layer coating reduces flare and ghosting and ensures sharp images throughout the entire zoom range. The addition of the optional 1.4x EX DG APO or 2x EX DG APO Tele Converters produce a 70-210mm F4 AF tele-zoom lens and a 100-300mm F5.6 AF ultra-telephoto zoom lens respectively.

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Vivitar 19-35mm Series One Zoom Lens For Minolta SLR Cameras Review

Vivitar 19-35mm Series One Zoom Lens For Minolta SLR Cameras
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I wanted a wide-angle lens for some while, but they were just too expensive. Plus, I had never tried a 3rd party lens with my Minolta, and was not sure what to expect. This lens produced results that I found quite acceptable. Like any cheapie wide angle lens, it is prone to flare. Oh, well. The edges do not appear soft to me, as I believe someone claimed, but I have not made any really large prints. One major downer is the very dull unimpressive looking plastic case. The picture at least looks like aluminum. The real thing does not. Also, I have not taken any pictures in the 30-35mm range (I have an expensive lens for that). If your Maxxum is one with a panoramic mode the pictures you take at 19mm will look pretty cool.

Click Here to see more reviews about: Vivitar 19-35mm Series One Zoom Lens For Minolta SLR Cameras

Vivitar's Series1 19-35mm AF zoom lens is designed to work with Minoltaautofocus single-lens reflex cameras. This lens is compact and lightweight, withan aperture range of f/3.5 to f/4.5 and a minimum focusing distance of 1.6 feet. Its macro ratio is 1:12x at 35mm and it takes 77mm accessories.

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Sony Alpha A230Y 10.2 MP Digital SLR Camera with Super SteadyShot INSIDE Image Stabilization and 18-55mm and 55-200mm Lenses Review

Sony Alpha A230Y 10.2 MP Digital SLR Camera with  Super SteadyShot INSIDE Image Stabilization and 18-55mm and 55-200mm Lenses
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After about a week with this camera, I really like it. I am a photographer and I needed a D-SLR, I wanted to start small, but not too small, and cheap. I did do a LOT of research before buying this. I would not recommend it if you need to take lots of fast consecutive shots, 2.5fps (frames per second) is not the fastest. Flash recovery time is a bit slow too. If you have large hands this camera might be strange too, the buttons have very little travel and are shallow and the grip is small. The menus and UI (user interface) are very very nice however. Easy to use and navigate. I really like this camera, it is basic, but has advanced features too. Color is pretty good, but for the best results you should play with the settings. Another plus is you can use Minolta lenses too. 18mm-55mm kit lens is pretty nice, 55mm-200mm is also very nice. Both are pretty light. Another thing is the shutter is kinda loud, not a huge down, but something to take note of. Also has a proprietary hot shoe (where you can attach an external flash) but you can buy an adapter online for about $5. The battery life is also pretty good. I really like it, and would recommend.

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Features

SteadyShot INSIDE™ in-camera image stabilization SteadyShot INSIDE™ DSLR-A200: more features, less blur. For family photographers who want greater quality and creativity, the Sony® α; (alpha) DSLR-A200 combines high-resolution 10.2 MP, simple operation, high sensitivity (ISO 3200), advanced noise reduction and convenient Creative Style settings. SteadyShot INSIDE™ in-camera image stabilization works with every lens, including Sony zoom, advanced Sony G-Series, pro-quality Carl Zeiss® lens designs and Minolta ±-mount lenses. Stamina® power provides up to 750 shots2 on a fully charged InfoLITHIUM® battery. Eye-Start Autofocus and pop-up flash help you shoot faster -- and a bright 2.7"1 LCD screen displays index and high-resolution thumbnail images. in-camera image stabilization is built directly into the camera body, so every a-mount lens benefits from the ability to minimize blur due to camera shake.
10.2 megapixel resolution for ultra-fine detail A 10.2 megapixel APS-size CCD image sensor captures your images in stunning detail, giving you the freedom to make large prints and tight crops without sacrificing quality.
Smallest, lightest α series body The α230 features the smallest and lightest body of any Sony® α (alpha) series camera for improved portability, as well as an intuitive button layout that allows for easy single-handed operation.
Integrated on-screen Help Guide and Graphic Display An integrated on-screen Help Guide and Graphic Display help take the complexity out of DSLR photography. The Help Guide offers clear, concise explanations of various modes and settings, while the Graphic Display helps you understand the relationship between aperture and shutter speed

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Pentax K10D 10.2MP Digital SLR Camera with Shake Reduction and 18-55mm f/3.5-5.6 Lens Review

Pentax K10D 10.2MP Digital SLR Camera with Shake Reduction and 18-55mm f/3.5-5.6 Lens
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It's a great time to be buying a 10 megapixel SLR, as all the top manufacturer's have new, 5-star models. So let's examine: What do we want most? Great photos, a well made camera, and features that will let us achieve our photographic goals. The K10D delivers.
All the top contenders will deliver excellent results that can be made into poster size prints with great color and detail. Although we can point so some shortcomings (like the poor performance of the Sony Alpha 100 at ISO 1600), image quality is something that is still in the eye of the beholder.
However, features are features, and the K10D has loads. The first thing you'll notice is the solid feel in your hands. It feels robust, and the shutter has been tested to 100,000 shots (same as Canon's bigger brother 30D). But to this, we add something else not found in any other camera in the class: weather-proofing. The body contains 72 seals to help keep dust, dirt and moisture on the outside (the optional grip has 38 seals).
When you put on the optional grip, it really does feel like a part of the camera, not a wiggly thing that might come off.
To get those great photos, the K10D has all the standard feature set, plus a few new ones (like "sensitivity" mode), which will come in hand for some people, but of more partical use to many will be the ability to define what "Auto ISO" range the camera can use. Want the camera to be able to use 1600? Done. Pentax's metering systems have always been well thought of, but you'll get center-weighted and spot metering as options, too. Their "digital preview" can be very handy in setting up the proper white balance.
The viewfinder is the largest in it's class (although the D80 is the smallest fraction behind). When viewing through it, you'll see the 11-point autofocus. What you don't see is that the nine central segments are "cross basis" points, meaning they focus on both vertical and horizontal lines. The other competitors simply have one, the center segment, that is cross-basis. This may not help it focus faster, but it should improve accuracy. Additionally, the focusing mode is easy to change. A switch up front allows you to select manual, single or continuous autofocusing, while a dial on back allows you to change from spot focus (only the center zone), wide (allows the camera to select) or free-floating (you select any of the eleven zones, and can change it quickly with the key-pad on the back of the camera).
The choice of the SD/SDHC cards is great. This small cards avoid the dreaded "bent pin" issue of the compact flash cards, and the SD are compatible with a hugh number of compact cameras as well. Another nice touch is the optional remote control. It can trigger the camera from the front AND from BEHIND the camera, and can store inside the optional grip. I also love the fact they included the .dng standard for RAW images, as this is an open standard developed by Adobe.
And there is one feature that Pentax now leads: Shake Reduction (or VR, or IS, or SteadyShot). First, like the Sony, the SR is built into the camera. So for a modest cost up front, ALL your lenses get some stabalization...even older manual focus lenses! And as a side benefit, you get a slight benefit in keeping the sensor clean. But what most people don't understand about Pentax SR system is that it is a THREE AXIS anti-shake system, something that no other maker offers. In-lens, or the Sony rail system, compensate for you shaking left/right & up/done. By combine these two, it compensates for diagonally, too. What they do not compentate is for "rotational" shake. Imagine a line running through the camera lens to the subject, rotating the camera around this axis. The Pentax SR system uses magnets and bearings to allow the sensor to free float compared to the body. Tremendous technology.
Pentax has been a bit light on their lens selection, but keep in mind that this uses every Pentax 35mm lens ever made, and 3 exciting new lenses that they recently announced (16-50 f2.8; 50-135 f2.8; and 60-250 f4.0, all weather sealed with ultrasonic motors) make them very competitive. For a first lens, the 18-55 is hard to beat. It's well made, featuring a metal lens mount, and the internal focusing allows for easier use of filters and a more efficient, included, lens hood.
Buy the Canon XTi, Nikon D80 or Sony Alpha 100, and you'll get a terrific camera. But for my money (yes, I did buy one), the Pentax K10D is the best.

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Pentax K10D 10.2MP Digital SLR Camera with Shake Reduction and 18-55mm f/3.5-5.6 Lens

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Minolta Maxxum HTsi Plus 35mm SLR Camera Kit w/ 28-80mm Lens Review

Minolta Maxxum HTsi Plus 35mm SLR Camera Kit w/ 28-80mm Lens
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I made my choice of the HTsi Plus after a comprehensive search of the various SLR bodies, weighing their features and their reviews in camera magazines. Within its price range, the HTsi principally competes with the Canon EOS Rebel 2000 and the Nikon N60, both of which are excellent cameras, but which lack the full panoply of features found on the HTsi Plus. For example, the HTsi plus combines Bulb exposure (the ability to hold the shutter open manually), remote shutter control, 1/4000 maximum shutter speed, a full shutter-priority mode, and a well-respected 14-segment light meter. As with the Canon and Nikon, the HTsi's body is plastic, an aspect about which some photographers express reservations, but the plastic seems extremely durable, and remember that a light camera is a joy to carry (and if you do not carry the camera, you are never going to get those perfect but fleeting shots). The only thing missing on the HTsi is a depth-of-field preview feature, which is available on the Canon. Were it not for that, I would find little future need to upgrade. Regardless, for an amateur just getting into photography again, the HTsi has been perfect.
For adaptability, the HTsi has three essential levels of complexity. Use P mode for fully automatic snapshots -- great for when you need someone else to take your picture. Use the Creative Exposure Mode for a bit more customization and to adjust it to one of five situations (portrait, landscape, close-up, sports, and night). Finally, use either the Aperture-Priority, Shutter-Priority, or fully manual modes to bring out the real photographer in you. After all, playing with f-stops and shutter speeds is where the fun of photography is anyway. I admittedly spend most of my time in this last mode, but the flexibility is highly appreciated (sometimes, one just does not have the time to fuss with dials).
The results from the HTsi have been fabulous. The flash seems to respond well to the darkest of conditions, and the 28-80 zoom lens offers the flexibility needed for a budding photographer. My only criticism is that the autofocus can be slow to respond in some lighting conditions. So far, I have taken rolls of photos for my organization, and everyone seems impressed with the results. I also bought a set of Tiffen close-up filters for doing macro photography, and the results have been quite stunning.
A final word. Amazon offers one of the best deals on the Net with service and peace-of-mind that you simply cannot beat. Believe me, I checked. I tried one of those mail order camera stores that advertise ultra low prices. By the time they "upgraded" me to what they viewed was an acceptable camera and charged me their exorbitant shipping fee, the price was higher than here. And guess what? Amazon's package already had all of those so-called "upgrades" -- without the hassle. Thanks Amazon!

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The Maxxum HTsi is an autofocus SLR camera uniquely designed for both beginner and amateur photographers. Controls for beginners are located on the top right side of the camera body, and the function dial for the more advanced operations (for experienced photographers) is positioned on the top left. You can switch from one mode to another instantly, and back again. The ease of use, high performance, and creative control makes the Maxxum HTsi the best choice for demanding consumers and comparison shoppers who want the most value for their dollar.

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1.6X Sensor Cleaning Kit w/SensorWand® Review

1.6X Sensor Cleaning Kit w/SensorWand®
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After sending my Nikon D-70 into Nikon Service for claning at $40.00 and having it returned with some spots still on CCD I took a chance on the cleaning kit. Cleaning kit worked great and for the less than the price of one cleaning from Nikon I'll get multiple cleanings from the kit before having to purchase additional supplies.

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For Nikon D1/h/x, D100, D70, D50, D200, D2H, D2Hs, D2X · Canon D30 & D60, Canon 10-D/20-D, Rebel XT / 350D, Rebel 300D · Sony/Konica/Minolta 7D, 5D · Olympus E-1 · Pentax *ist D, *ist DS This SensorWand Kits Come Complete With: EclipseTM Cleaning System Solution Part #: PSI-3-F ECLIPSETM lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can be applied leaving absolutely no residue. Used with an appropriate applicator like a Sensor SwabTM or a Sensor WandTM this is one of the best solutions for cleaning your sensor.SensorWandTM, 14mm for cleaning digital camera sensors Part #: SW1 Sensor Wands are used in conjunction with Eclipse Cleaning Solution or Chamber CleanTM and PEC-PADsTM to clean SLR Digital Cameras. PEC-PADTM Lint Free Wipes 4"x4" 100per/Pkg Part #: PSI-1 PEC-PADsTM are extremely strong, lint-free and so soft and pure (99.999%) Making them the perfect wipe to wrap around applicators to clean the sensor in DSLR cameras. Low Lint Cotton Tipped Applicator, 6" Part #: 36876-10 Commercial Grade Low Lint Cotton Tipped Applicator - 10 packages of 2 - Great for reaching those corners or spot cleaning of the sensor. Can be used with one drop if sensor cleaning fluid or dry for polishing off the sensor after a cleaning.Foam Swabs, 6" long 1/4 tip Anti-Static Pkg of 10 Part #: 2303-10 Used with EclipseTM or ChamberCleanTM to clean the walls of the mirror cage as a preventive measure. This helps cut down on the dust in the mirror cage and keep the stray lubricants from contaminating a brush when using the brush method. You put a couple of drops of the chemical on the foam swab and you clean the 3 walls of the mirror cage/chamber and the bottom side of the mirror.DSLR Sensor Cleaning Instructions FREE Part #: DCC-INST

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Sony Alpha DSLR-A380 Digital SLR with 18-55mm & 75-300mm Lenses and Carrying Case wtih Turtorial DVD Review

Sony Alpha DSLR-A380 Digital SLR with 18-55mm and 75-300mm Lenses and Carrying Case wtih Turtorial DVD
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After researching Nikon for a month, I was ready to buy the Nikon D5000. My daughters teacher told me to look at Sony before plunking down the Nikon money. I'm so glad I did!
The body of the Sony has a vibration reduction built into the BODY of the camera so the lenses don't need it. This make Sony lenses several hundred dollars cheaper than the Nikon lenses (that have VR). Lenses being the most expensive part of photography, this feature made me look harder at Sony.
Recovery time from shutter press to ability to take the next photo is faster than on the Nikon. The Nikon was .5 to 1 second slower in recovery time. When you need to take several pictures fast (but not the continuous photo feature) this is a big thing.
The Sony is lighter. I held both camera with the 18-55 lens attached, one in each hand, and the Nikon is much heavier after about 3 minutes. When carrying a camera around all day, that is important.
I purchased my camera kit (body, 2 lenses, DVD and bag) for this price at Wolf/Ritz Camera in Denver. The people there allowed me to take several photos inside their store with both camera, using my SD card. I was also allowed to take several just outside the store. I used their 1 hour service to print the photos and found no quality difference. I printed them on 4X6 matte finish and at that small a size, the difference in megapixels (12 for Nikon, 14 for Sony) wasn't seen.
The price difference between the Sony and a comparable Nikon was so big that this kit is a no brainer! BUY IT! At 14mp this camera will last you years and you'll pass it on to your kids. And you won't spend all your money on lenses.
Okay, there are a couple features I wish the Sony had. Primarily video. This camera cannot take video. I have 5 kids and I use a small Kodak 12mp point and shoot for the video, so I still get that. The kodak takes nice video and is inexpensive, is small so it fits in my camera bag easily.
The bag that come with this kit isn't the best. I will buy a better one this week. The bag is too small for the camera with the lens on.
I took my Sony on a 4 day, 250 mile bicycle tour that I was SAGing for. I used it all weekend, took over 700 photos and the camera performed perfectly. The battery lasted over 500 shots (I used the optical viewfinder since it was so sunny I couldn't see the LCD) before needing recharged.
I'm very happy I purchased this Sony and expect it will last me many years to come.

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Blending breathtaking photography with easy-to-use operation, the lightweight and stylish Sony Alpha DSLR-A380Y Digital SLR Camera is ideal for step-up digital photographers. The Alpha A380 brings you the freedom of Live View, which lets you compose and shoot photos using a tiltable 2.7" LCD screen. Plus, 14.2 megapixel resolution provides superb image detail, and exceptionally quick AF response helps you capture the perfect moment. Moreover, SteadyShot INSIDE in-camera image stabilization reduces blur with every Sony, Carl Zeiss lens, and legacy Minolta a-mount lens, while the on-screen Help Guide and Graphic Display help take the complexity out of DSLR photography. The Alpha A380Y comes with an 18-55mm standard zoom lens.FEATURES:
2.7"(diag.) Clear Photo LCD Plus featuring Live View with Quick Auto Focus - A large 2.7"(diag.) Clear Photo LCD Plus display features Live View with Quick Auto Focus, which lets you compose and shoot pictures in real-time using the LCD, just as you would with a point-and-shoot camera. In addition, the LCD display tilts up or down for low or high-angle shooting situations, such as capturing a child\'s first steps or shooting over a crowd.
SteadyShot INSIDE in-camera image stabilization - SteadyShot INSIDE in-camera image stabilization is built into each camera body, so every a-mount lens benefits from the ability to minimize blur due to camera shake.
14.2 megapixel resolution for ultra-fine detaill - A 14.2 megapixel APS-size CCD image sensor captures your images in spectacular, high-resolution detail, giving you the freedom to make large prints and tight crops without sacrificing quality.
Lightweight and stylish body - The DSLR-A380 features a stylish, modern design with an intuitive button layo

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Velbon DF-40 Deluxe Lightweight Photo/Video Tripod with 3-Way Panhead and Quick Release Shoe Review

Velbon DF-40 Deluxe Lightweight Photo/Video Tripod with 3-Way Panhead and Quick Release Shoe
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I've been using an old metal tripod for over twenty years and wanted something modern, lightweight and affordable. The DF-40 is all three of the things for which I asked. However, in hindsight I see now that I needed to add criteria such as "well-made" or "quality" to the list I was using to determine my purchase.
The stand itself is adequate and what I expected for the price but the plastic head feels quite flimsy and even when locked down still has a bit of wobble to it. Enough so that shooting without a cable release or IR remote may well cause an unintended motion blur which kind of defeats the reason for using a tripod. All of the knobs and levers feel equally frail and I am willing to bet that something breaks on this tripod within the first half dozen uses. When I first mounted my D-80 to it, I was a little hesitant to move my hands away because the weight seemed a bit much for the head.
It seemed like a good value as the next major price point is significantly higher, but now that I have received it and given it a thorough look, I would not have purchased the DF-40 had I been able to see and touch it first.
EDIT (Please Read) - I've now had the product for about four months now and it has held up far better than I anticipated. The fragile knobs I thought would break still feel fragile, but they haven't broken yet and I carried the tripod in a backpack for about two weeks and it held up fine. Thus I feel it necessary to upgrade my review - I now believe the product to be a good buy and although the page won't let me change my star rating, I would now give this tripod 4 stars.


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Velbon's DF40/F Tripod with 2-Way Panhead is a solid, portable aluminum tripod with an all-black finish, a 2-way panhead and 3-section legs with rubber feet. The center column is geared and has a hand crank for precision adjustment of height. The DF-40 has a maximum height of 4.75' (1.45 m).

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Vivitar V-4000 35mm SLR Camera Kit w/ 35-70mm Lens Review

Vivitar V-4000 35mm SLR Camera Kit w/ 35-70mm Lens
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In my day (15 years ago), a typical manual SLR had a max of 1/1000 shutter speed and a 50mm lens. Today, most manual SLR's have a max of 1/2000 and a zoom lens. The Vivitar V4000 camera is a modern-day entry-level SLR. The K-mount lens mount was developed by Pentax and incorporated in the extremely popular Pentax K-1000 released in the 1970s and sold as new until being discontinued by Pentax recently. The K-mount is pretty much THE lens mount for manual focus lenses and is shared across several manufacturer's lines: Pentax, Vivitar, Olympus, and Chinon to name a few, so you can expect to find a variety of lenses (new and used) at just about every camera shop in town. A K-mount lens made in the '80s will fit a '00s K-mount camera.
As you look at the camera front, the knob on the right at the top is the film rewinder. The flash shoe is in the middle, the knob next to it on the left is the film speed and shutter speed selector, and the film winder is on the far left. A ring around the base of the lens sets the aperture, from f3 to f22 (or maybe f16, I can't recall exactly). Hands-off shutter cable release is the inexpensive screw-in type, widely used and available everywhere.
Light metering is 3 LED lights - 1 red over, 1 green in, 1 red under, and averages the frame (I don't believe center-weighted is available but I could be wrong). The batteries power the meter only, so you can still use the camera if the batteries die (something that autofocus cameras can't do).
If you missed your chance to get a Pentax K-1000 fresh from the Asahi factory, you'll be pleased to know you can get the updated competitive product now.

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This manual single-lens reflex camera and detachable lens combo kit is well suited to beginning photographers or those who prefer manual cameras without frills. This camera provides all the features you need to frame perfect shots without distracting you with fancy automatic settings. Its straightforward operation enables users to learn the art of photography from the ground up.
The Vivitar V-4000 offers a hot-shoe connection for a detachable flash unit (not included). With the manual-focus 35-70mm zoom lens, images can be brought in twice as close as with the wide-angle setting. Users set the shutter speed between bulb and 1/2,000 second manually. The bright viewfinder with LED display allows users to see the image they are shooting and adjust camera settings for precisely the exposure they wish to create. The quick-release K-type bayonet mount enables users to switch lenses on the fly. This camera is powered by two 1.5-volt alkaline (LR44) or silver oxide (SR44) batteries.

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Canon Digital Rebel XSI 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Silver) Review

Canon Digital Rebel XSI 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Silver)
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My journey with DSLRs began back in 2003 with the original Digital Rebel. DSLRs changed my photography for the better like nothing else. Five years and some 25,000 shots later, it's still going strong. Along the way I upgraded to the Canon 30D, which is a fantastic camera as well. When the 40D was announced, I decided to wait until the 50D sometime in 2009, but wanted a newer backup/second body for my photography needs. So when the XSi/450D was announced, it sounded like a perfect fit for my needs.
I got it from Amazon.com three days ago, and have given it a pretty good workout since then, having shot about 650 shots under a variety of shooting conditions and with a number of different Canon and third-party lenses. The following are my impressions.
The build feels very good. The camera feels wonderfully light yet well built. I'm 6ft tall with average size hands, and the camera feels good in my hand. The battery grip, to me, defeats the purpose of having a small, light DSLR, so I opted for a Hakuba/Opteka grip (it's a plate that screws into the tripod socket that enables you to use the excellent Canon E1 hand strap with it) and I couldn't be happier. I'm not a fan of neck straps, so this works well for me (see the uploaded photo for the configuration).
Most of the menu buttons on the back feel different from the ones on the original Digital Rebel and the 30D; the XSi buttons feel more tactile and have a definite "click" to them when you press them. The exception are the Exposure Lock (*) and AF selector buttons, which have retained the deeper, softer feel of the older cameras. Just different, not better or worse, for me.
The LCD is now 3" with 230K pixels. The playback images look great, and probably because of the higher resolution of the sensor, there's a very slight delay when you zoom in to 10x while the image loads and displays properly. People coming from other cameras or brands might not even notice it--I only did so because of the difference between it and my two other Canon DSLRs (which have lower resolution sensors). The viewing angle of the LCD screen (how clearly you can see the screen from side and up and down) is excellent; you can still see the screen holding the camera almost straight up for an overhead shot (more on this later). I'd estimate the viewing angle is about 160-170 degrees both horizontally and vertically.
The Digital Rebel has a separate status screen above the main LCD screen, and the 30D had one on top of the camera, so I wasn't sure if I was going to like the big LCD acting as the status screen and no top screen. I'm happy to say that this arrangement works well, at least for me. The back screen makes it really easy to take all the settings at a glance. The viewfinder is much larger and brighter than that in the Digital Rebel. A humongously welcome feature for me is the always displayed ISO value in the viewfinder.
The camera is only 1/2 of the image quality equation, the other being the lenses being used. Coupled with my favorite lens, the Canon EF 70-200mm f/4 L telephoto lens, the XSi turns out fantastic images. The supplied kit lens is very light and compact for being an image stabilized lens, and turns out good performance. The IS is certainly very useful.
Two features that used to be missing from the Digital Rebels and found in the more expensive DSLRs are now featured in the XSi: spot-metering and flash exposure compensation (these may have been available in the previous Digital Rebel model, the XTi, as well). The inclusion of those two features make the camera a much more complete and compelling photographic tool. The timer function now has a custom mode, where it'll count down from 10 seconds then take a number of shots (specified by you) in succession. No more running back and forth to reset the timer after each shot! There's also the traditional 2-second timer.
Let's talk for a minute about sensor and the ISO values. XSi/450D has five ISO values you can choose: 100 (best image quality), 200, 400, 800, and 1600. Higher ISO increases the camera sensor's sensitivity to light, thus you can achieve faster shutter speeeds for a given lighting condition. However, the trade-off is that the sensor "noise" (think grain for film photography) increases with higher ISO, so you get a degraded image quality in return for less blurred photos from hand shakes (thanks to faster shutter speed). This may come in handy in situations where flash photography is not permitted, such as a museum or a concert or theater. HOWEVER, compared to point-and-shoot digital cameras, the larger sensors of DSLRs, including the XSi, means that even at ISO 800 and 1600 you get very usable images right out of the camera. Running the images shot at those ISO settings through any number of third-party noise reduction software will improve them even further.
This ties in to another very useful feature of the XSi/450D that makes life easier for the photographer: The Auto ISO function. By default, Auto ISO sets the ISO (the sensor sensitivity to light) between 100 and 800 (by using custom functions, this can be changed to 200-1600). If you are, for example, shooting your kid's indoor basketball game and you know that you need a shutter speed of at least 1/200 sec to "freeze" the action, then you can set the camera to Tv (shutter priority mode) and set the value to 1/200, and set the camera to Auto ISO. Then the camera will match the aperture and the ISO to achieve proper exposure at that shutter speed. With my other DSLRs, setting the camera to shutter priority only allowed the camera to adjust the aperture value; ISO setting had to be adjusted manually. With the XSi/450D, the ability for the camera to adjust the ISO value automatically makes it one less thing for you the photographer to worry about.
I've only tested the Live View function to see how it works, but I can already see how useful it's going to be in studio and macro shootings. Just a note, you can't half-press the shutter to autofocus while in Live View mode. You can either manual focus, or use one of the two autofocus methods, quick (the mirror flips up, the LCD goes dark for a short while, and flips down with focus locked) or live (the camera uses the LCD's contrast detection to achieve the focus--this method is slower than the quick method), both by pressing the exposure lock button (*) while in the Live View mode. Using either the RS-60E3 wired remote or RC-1 wireless remote in Live View mode will ONLY trigger the shutter, and has no bearing on focusing.
Some people seem to be under the impression that the inclusion of the Live View feature will enable them to use the XSi/450D as they do point-and-shoot digital cameras, to compose their shots. That is not the case. You can't really make a functioning use of the Live View feature unless the camera's securely mounted on a tripod or on a flat surface. Both Live View focusing modes, while precise, are too slow to be used for hand-held shooting.
Having said that, there is one use of Live View in hand-held shooting that I've come to value. When shooting overhead or over an obstacle, I can, with the same hand holding the camera, trigger the Live View, compose the scene through the LCD monitor (even if it's out of focus, it's easy to get the general framing right), disable Live View, and take the photo normally. With a little practice, this can be accomplished very quickly. Very handy when you're just holding the camera overhead and hoping for the best.
The Direct Print button that's been much ridiculed and maligned in most Canon cameras now double as the white balance menu button. The Set button in the middle of the four-direction arrow keys can be programmed for a number of different functions: Change image quality, flash exposure compensation, LCD monitor on/off (same as Display button, but can be triggered by the same hand holding the camera), and Menu display (again, can be triggered by the same hand holding the camera).
There is a dedicated ISO button, which is also very welcome. It can easily be accessed during shooting with the right thumb, thereby minimizing the interruption to shooting.
The battery life seems very good. I've shot about 500+ shots on a single charge and the status monitor is still showing charge at full.
I'm using Transcend 8GB Class 6 SDHC card with it. At ISO 100, the camera reports it can fit 396 RAW+JPG (highest quality) on it, but in reality it can probably fit about 420-450 (the camera's always conservative when estimating). With RAW only, it can fit 507. With highest quality JPG, it can fit 1,822. Note that as ISO increases, so do the file sizes and thus you can store less images per card. For example, on ISO 1600, the same card can only hold 323 images, compared to 396 at ISO 100.
My only gripe, and this is more about me than the camera, is the RAW+JPG buffer. I always shoot RAW+JPG, and the buffer will only hold four images at that speed (this is a limitation that's built into the camera's memory buffer system, and thus using a fast memory card doesn't help--see p.64 of the manual). When the buffer's full, you can take two additional images at about a frame a second, then have to wait until the buffer empties (finishes writing to the memory card). When shooting RAW only, it's 6 images. When shooting JPG only, then it's no problem at more than 50 frames. I've found myself switching the mode dial to Sports mode when I'm shooting a fast-moving subject and the buffer simply can't keep up with it. Well, that's why Canon produces different grades and ranges of DSLRs.
I've uploaded some photos that I shot of the local wildlife. Most if not all of those were taken with the EF...Read more›

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Canon Rebel XSi 12.2MP Digital SLR Camera

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Pentax K110D 6.1MP Digital SLR Camera with 18-55mm f/3.5-5.6 Lens Review

Pentax K110D 6.1MP Digital SLR Camera with 18-55mm f/3.5-5.6 Lens
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I did what I always said I'd do when deciding on a DSLR--buy the cheapest thing out there and never worry about new models trumping the old ones. It made sense for me to consider Pentax, since I have several K-mount as well as older screw mount lenses, the latter of which can be used on this body with a $15 adapter. It may come as a jolt to Nikon owners, but Pentax has FAR more reverse compatibility than Nikon. I can meter a 50 year old screw mount lens on my entry-level body. Try that with a D50.
As for features, I can't attest to the accuracy of the multipoint autofocus or the multizone metering, because I don't trust "multi" anything. For me it's single point AF and spot metering (knowing that my primary camera is an Olympus OM3 may help you understand). As for the RAW vs jpeg war, let somebody who cares argue that one. Everything I shoot is jpeg and it looks just fine to me--I never used the zone system, either. And noise/grain? If you've shot GAF 500 or 3M/Ferrania 640T slide film, you can talk to me about this issue. This camera does spectacularly through ISO 800, and even looks impressive at 1600. I've shot several images at 3200 and they look like TMAX 3200 to me. Pentax wisely kept the lid on noise reduction, so things may look noisy or grainy, but they do not lack for detail.
The fifth star? For the bargain price? No, that would be condescending. I discovered, after the fact, that the camera provides some image-tweaking features, such as conversion to monochrome; or to sepia (it does look just a touch too yellow for me--but still quite acceptable). But the fifth star goes to the "soft" setting, which produces a gorgeous Gaussian blur, which could not look better if I'd custom-designed it myself. I know--it's jpeg, and I lose a little info when I use these things--that's my business.
So there you are--400 bucks for a digital SLR body. I skipped the "kit" lens, because at its longest focal length, 55mm, it's only f/5.6--I rarely stop DOWN that far. Besides, I already have a pinhole camera. The body feels tightly constructed, controls are as logical as any digital is likely to be, and it won't break the bank. And if you're worried about "only" 6 Megapixels--please--with such low noise levels it provides anything you'd need short of producing murals.
12-31-06: Some added thoughts. My guess is many of you have been reading about the Leica M8 digital and how sensitive it is to infrared. Evidently this creates issues with color shots, but it opens up a whole other world of creative shooting. I tried my Hoya R72 filter--which transmits NO visible light, only IR--on my K110,
and while the optical viewfinder was like a coal mine, once I made a shot and reviewed it on the LCD, sure enough, I had a pretty decent infrared image...BUT...with a pronounced red cast to it. So I went into the digital filter mode on the camera, converted it to monochrome (B&W) and had my digital IR. Shooting infrared film was always a dicey proposition, so don't expect shooting it digitally to be any different. I found many images benefitted from exposure compensation ranging from +1 to +2. I should also add that since exposure times are rather long, maybe this is where the stabilizer on the K100 would have been worth the extra $$$. To a degree you can bump up the ISO; I know this brings on the noise, but if you ever shot Kodak's HIE infrared, you know that coarse grain is one of its characteristics.
Bottom line--my experience with my bargain-basement D-SLR has been one of complete satisfaction. The more I shoot the more I'm coming to believe that anything over 6MP on this size chip is just the horsepower race all over again--useful for bragging rights only. I hope Pentax can continue to make a go of it, because a market dominated by only one or two players is not healthy in the long run. Maybe Hoya's "merger" will keep them going a bit longer.

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CL) PENT K110D W/PENT 18-55 ZOOM LEN

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Olympus Evolt E410 10MP Digital SLR Camera with 14-42mm f/3.5-5.6 Zuiko Lens Review

Olympus Evolt E410 10MP Digital SLR Camera with 14-42mm f/3.5-5.6 Zuiko Lens
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I am very impressed with this digital SLR. For years I used Olympus OM series film cameras with satsfaction. As digital camera image quality improved, I decided to go digital and have tried Nikon, Canon and Fuji SLRs. All were bulky and heavy, showing their heritage as modified designs for 35mm film adapted for use with smaller digital sensors.
Having design their E-series as digital from the outset, Olympus seem to me to have far superior handling qualities. Carrying an E-410 all day is far preferrable to any of the rival makers models I bought. I first used an E-400, and agreed with the reviews which found images taken at high ISO "filmspeed" settings somewhat noisy. This problem is resolved in the E-410 which uses a different sensor. Another improvement is in the autofucussing which is again, much improved.
As well as the conventional SLR viewfinder, the E-410 gives one the option of composing shots in the LCD screen on the camera back as a "live preview". It would be great if this worked as quickly as on a pocket digital camera, but there is in fact quite a delay between pressing the shutter release and the image being focussed and captured. Notwishtanding this, I have found the live preview invaluable for macro work and I would hate to be without it now.
Another good feature of the recent E-series models is the "supersonic wave filter for dust reduction". Unlike film SLR cameras, digital ones can be ruined by dust on the sensor introduced when lenses are changed. Nikon offers sofware which maps and then cancels out the specks - sounds like a rubbish "solution"! Olympus and Canon offer sonic systems which shake the sensor at start up to keep dust away. I'm ultra cautious when changing lenses, but I'm greatly reassured by reviews which suggest that the Olympus system really can be effective.
Finally Olympus seem to be developing a truly comprehensive system with a great (if expensive) selection of lenses and flash units. For clinical medical and dental photography they have an excellent 50mm (equivalent to 100mm in a 35mm format camera) macro lens which can also capture potraits or full body views. This can be coupled to a ring flash or twin macro flash with TTL metering and capable of taking perfectly exposed images straight out of the box. The only weak part of the system is the flash ring FR-1 needed to couple the flash head to the lens. I have bought three of these, and all three have broken in normal use!
The problem with the FR-1 is that the front element of it is held on to the main body by three TINY screws which just aren't up to the job. As I needed to keep working in three different centres I didn't return the units (what would be the point in exchanging one badly designed bit of kit for an identical one anyway). My solution is to permanently glue the front to the main body with Araldite. I hope that this shockingly poor piece of design isn't indicative of other problems elsewhere in the range.




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If you want to remember all the great moments you encounter, then the EVOLT E-410 was built to let you capture all of them. The Live View LCD is an great unique feature for a digital SLR. And when you experience the ergonomic feel and lightweight portability of this camera, you?ll want to take it everywhere. Whether the important details of your life are smiling faces or far-away places, you?ll capture pristine, detailed memories, thanks to a proven Dust Reduction System and powerful 10-megapixel imager. Features Effective Pixels: 10 million Total Number of Effective Pixels: Approx. 10.9 million pixels Aspect ratio 1.33 /4:3 Filter array Primary color filter /RGB LPF Fixed type IR cut filter Hybrid type Dust reduction Supersonic Wave Filter: Dust reduction system for image sensor Model Number: 262042

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Minolta X-700 35mm SLR Camera (Body Only) Review

Minolta X-700 35mm SLR Camera (Body Only)
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Simply put, a fantastic camera. This is a nice compromise between the current generation of automatic SLR cameras and the difficult to use SLR's of the past. In program mode, all you need to do is focus and shoot. If you want more creative control, it's right at your fingertips. Picture quality is awesome as well. The MD line of lenses and accesories for this camera are noted for their quality and depth. This is really a great camera for the student or professional.

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The Minolta X-700 SLR camera requires no manual setting of aperture orshutter. You can program the camera for automatic exposure, even in difficultlighting conditions. Catch the action without stopping to adjust your camera. You can also select an aperture priority mode that automatically sets thecorresponding shutter speed when you program the aperture. Aperture priority isespecially useful when taking portraits, close-ups, and landscape shots.
Forcreative effects, you can set exposure plus or minus 2EV in half-stopincrements. An auto-exposure lock is useful when the subject is in the shadewith strong backlighting. Manual exposure and manual focus give you full controlof the X-700 when you have to time to think about each shot in advance.

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Sigma 70-200mm f/2.8 DG HSM II Macro Zoom Lens for Pentax Digital SLR Cameras Review

Sigma 70-200mm f/2.8 DG HSM II Macro Zoom Lens for Pentax Digital SLR Cameras
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At this point, almost every lens I own is a Sigma, the only exception being my Tamron 17-50 2.8 (which is a very, very solid lens). I've owned the Sigma 120-300 2.8 for a handful of days (the best lens I've used), and the Nikkor 70-200 2.8 VR. Both were returned due to the cost that I simply couldn't stomach at this point. I had read the professional reviews for this lens, and was worried about purchasing it because they weren't exactly glowing.
Well, I'm here to tell you that from what I've read, the professional reviews for this lens are spot on. That's good and bad, as anyone who's read them will know.
The good is that the autofocus in this lens is stellar. It's very fast, and is at least as fast as the Nikkor. The zoom ring and focusing rings are smooth, and the lens seems to be very well made, like all of my other Sigma lenses. Not only is the autofocus fast, it's quiet. It's really not that heavy, either, and I find it quite comfortable to use (compared to the 120-300, this thing is light as a feather, and it's weighted much better than the Nikkor). I also find the lens to be reasonably sharp through most of the zoom range, especially stopped down (as it is for most lenses, even Nikon). Yes, I did say through most of the zoom range.
The bad rears its ugly head at the long end of the zoom (which is really too bad, considering that's where you're likely to be keeping a lens such as this most of the time). At 200mm, this lens loses a lot of sharpness, and although stopping down does help a lot, it simply shouldn't be this bad. Are the photos unuseable? I wouldn't say that, and Photoshop can almost perform miracles in most cases. But what's worse than the sharpness (or lack thereof) is the chromatic abberation. There's a LOT. I mean, a LOT at 200mm. It's got the worst CA of any lens in my collection, hands down, and the worst of any lens I've used. Perhaps this is in part due to Sigma's valiant attempt to make a macro lens out of this one, and that's really the other fairly bad part about it--the macro isn't that great either.
It also needs to be taken into consideration that I'm using this lens on a Nikon D300s, which is a DX (small) sensor camera. So your results may differ should you use a full frame.
In the end, I'll be keeping this lens for a number of reasons. One is price. At a third of the cost of the Nikkor, this lens makes up some serious ground and can be forgiven quite a bit. The second is the autofocus. Wow it's fast. And accurate. Since I'm going to be using this mainly for sports, that's very important to me. And funny though it may be, the other reason is the macro. Yes, it's not great, but I still love having a lens with this zoom range that has macro capabilities. Apparently there have been major compromises to get it there, but it is what it is. I would have given it 4 stars, simply because of the cost, but in the end I decided on 3, because if Sigma want to play with the big boys, they really need to do a little better than this showing.
So in considering this lens, you need to ask yourself exactly what your needs are as a photographer, and will the advantages of this lens be enough to outweigh the disadvantages. For me, the answer is yes... but you have to make up your own mind.

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This large aperture thelephoto zoom lens has a minimum focusing distance of 100cm (39.4) and maximum magnification of 1:3.5. Two SLD (Special Low Dispersion) and three ELD (Extraordinary Low Dispersion) glass elements provide excellent correction for all types of aberrations. The super multi-layer coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. This lens incorporates HSM (Hyper Sonic Motor), ensuring a quiet and high speed AF and full-time manual focusing capability. An adjustable and removable tripod collar is included as a standard component.

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Lexar Professional Series 4 GB 133x Class 6 SDHC Flash Memory Card SD4GB-133-381 Review

Lexar Professional Series 4 GB 133x Class 6 SDHC Flash Memory Card SD4GB-133-381
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I got this on amazon.com and only wanted the card, since I already own an SDHC card reader and my laptop reads the format. What I received is exactly what is shown on this page: a professional SDHC Class 6 133x speed card.
It works well, as you'd expect, and its write speed is fast, as are the download times into the computer -- befitting a Class 6 card. I've been reading a lot of good recommendations about Lexar and Delkin memory cards and have experience with Lexar CompactFlash cards, so my most recent card choices have been for these two brands. (But the Delkin disappointed me. Read review at Delkin Devices DDSDPRO2-4GB 4GB 150X SDHC eFilm Secure Digital Pro Card.)
The Lexar is as good, if not better, than the hyped Sandisk SDHC cards (that come in so many different varieties and price brackets that it is nearly impossible not to become hopelessly confused). This is a good, no-frills card and both camera and computer work well with it.

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HP HP 4GB SD FLASH MEDIA KIT 580387-B21 Flash Memory

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Sigma 30mm f/1.4 EX DC Lens for Minolta and Sony Digital SLR Cameras Review

Sigma 30mm f/1.4 EX DC Lens for Minolta and Sony Digital SLR Cameras
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This is a sweet little lens that really has no middle ground. You either love it or hate it. Most of the haters really either expect too much from this lens such as focusing in no light or on objects with no contrast and marginal light. The other reason there are detractors come from focus issues.
This seems to be a user problem in my opinion. When you shoot at f 1.4, the area in focus can be pretty shallow. An example is at f1.4 and at a distance of 5 feet, the areas in focus is just .45 feet. If you have a DSLR with multiple focus points, you might find what you want in focus is not selected by the camera. This gives the impression of a focus issue with the lens which it is not.
If you move into close focusing such as 2 feet using f1.4, the focus area becomes less than ¾ of an inch. Even the slightest movement by you or the subject can blow the focus. Again, this is not a lens problem but a user issue.
However, don't be discouraged by the above comments. This lens has so many possibilities from creative images to group portraits to low light photography. You just need to put in a little effort to learn the lens (and your DSLR). Also remember that stopped down to f4 at 10' gives you 5.45 feet in focus.
The 30mm lens also is about as close to a 50mm lens on a 35mm film SLR as there is. A 50mm lens was considered the de facto standard for an SLR in the old days and many people never had anything else. This is a very versatile lens.
The lens itself has an excellent build quality and includes extras such as a lens hood and case. It is sharp and offers great contrast and compares well against such a well regarded lens as the Canon 35mm f1.4L which is about 3 times the price.
You will not be disappointed in this lens at all and I highly recommend it. It is one of my favorite everyday lenses for my Canon 20D. (My everyday kit includs the Canon 17-40mm f4L, 70-200mm f4L, and a Canon 580ex flash.)

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Fully compatible with all Maxxum & Sony alpha mount digital SLR cameras, this large aperture 30mm F1.4 EX DC lens is designed to match the APS-C size image sensors of digital SLR cameras. Two SLD glass elements are especially effective in the compensation of magnification chromatic aberration.Glass mold aspherical lens at rear group of lens reduces color aberration and provides high-quality image results.From 40cm (15.7") minimum focusing distance to infinity, this lens creates very sharp images with high contrast.The models provide quiet high-speed auto-focus shooting, as well as full-time manual focus. Large Maximum Aperture of F1.4 can perform superbly in a great range of applications, including snapshots, portraiture, indoor shooting and landscape photography. Please Note:Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

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Digital Survival KIT - Sensor Swab Type 1 (w/Eclipse) Review

Digital Survival KIT - Sensor Swab Type 1 (w/Eclipse)
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Photographic Solutions products are the manufacturer-recommended sensor cleaning products for many digital SLR cameras. Their Survival Kits are a handy way to get a small set of swabs, cleaning solution, and extra cleaning pads in a easy to carry package. One of these kits is good for 2-4 cleanings; frankly, unless you frequently change lenses in a dusty environment, this may be all you need for the useful lifetime of your camera.
I currently shoot with a Fuji S2 Pro, and the Survival Kit #1 is the recommended kit for my camera. Digital Solutions has simplified instructions in the kit, but they also maintain the manufacturer's own instructions on their website (handy, since each camera has different settings to lock up the mirror while cleaning, etc.).
Be sure to only swipe in one direction and only once per swab, so you do not scratch your sensor.

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The Digital Survival Kit contains 4 sensor swabs (of either Type 1,2 or 3), 1 e-wipe packet, 10 sheets of PEC*PAD, and a 1/2 oz. bottle of Eclipse. All in an easy to carry (belt loop) zippered nylon pouch.The Following Cameras use Type 1: Canon EOS 1D Canon EOS 1D Mark IIFuji Finepix S1 ProFuji Finepix S2 ProFuji Finepix S3 Pro Kodak DCS 760Kodak DCS620Kodak DCS620X Leica M8 Sigma SD9Sigma SD10The Following Cameras use Type 2:Canon EOS 350DCanon EOS 10DCanon EOS 1D Mark IIICanon EOS 20DCanon EOS 300DCanon EOS 30DCanon EOS D30Canon EOS D60Canon RebelCanon Rebel XtiKonica Minolta Maxxum 5DMaxxum 7D 2Nikon D1Nikon D100Nikon D1HNikon D1XNikon D200Nikon D2HNikon D2HsNikon D2XNikon D40Nikon D50Nikon D70Nikon D70sNikon D80Olympus E300Olympus E1Pentax *ist DLPentax *ist DSPentax *ist D Sony Alpha 100The Following Cameras use Type 3:Canon EOS 5D Canon EOS 1DsCanon EOS 1Ds Mark II Contax N DigitalKodak DCS 14n Kodak DCS SLR/cKodak DCS SLR/

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