Showing posts with label a700. Show all posts
Showing posts with label a700. Show all posts

Sigma 30mm f/1.4 EX DC Lens for Minolta and Sony Digital SLR Cameras Review

Sigma 30mm f/1.4 EX DC Lens for Minolta and Sony Digital SLR Cameras
Average Reviews:

(More customer reviews)
This is a sweet little lens that really has no middle ground. You either love it or hate it. Most of the haters really either expect too much from this lens such as focusing in no light or on objects with no contrast and marginal light. The other reason there are detractors come from focus issues.
This seems to be a user problem in my opinion. When you shoot at f 1.4, the area in focus can be pretty shallow. An example is at f1.4 and at a distance of 5 feet, the areas in focus is just .45 feet. If you have a DSLR with multiple focus points, you might find what you want in focus is not selected by the camera. This gives the impression of a focus issue with the lens which it is not.
If you move into close focusing such as 2 feet using f1.4, the focus area becomes less than ¾ of an inch. Even the slightest movement by you or the subject can blow the focus. Again, this is not a lens problem but a user issue.
However, don't be discouraged by the above comments. This lens has so many possibilities from creative images to group portraits to low light photography. You just need to put in a little effort to learn the lens (and your DSLR). Also remember that stopped down to f4 at 10' gives you 5.45 feet in focus.
The 30mm lens also is about as close to a 50mm lens on a 35mm film SLR as there is. A 50mm lens was considered the de facto standard for an SLR in the old days and many people never had anything else. This is a very versatile lens.
The lens itself has an excellent build quality and includes extras such as a lens hood and case. It is sharp and offers great contrast and compares well against such a well regarded lens as the Canon 35mm f1.4L which is about 3 times the price.
You will not be disappointed in this lens at all and I highly recommend it. It is one of my favorite everyday lenses for my Canon 20D. (My everyday kit includs the Canon 17-40mm f4L, 70-200mm f4L, and a Canon 580ex flash.)

Click Here to see more reviews about: Sigma 30mm f/1.4 EX DC Lens for Minolta and Sony Digital SLR Cameras

Fully compatible with all Maxxum & Sony alpha mount digital SLR cameras, this large aperture 30mm F1.4 EX DC lens is designed to match the APS-C size image sensors of digital SLR cameras. Two SLD glass elements are especially effective in the compensation of magnification chromatic aberration.Glass mold aspherical lens at rear group of lens reduces color aberration and provides high-quality image results.From 40cm (15.7") minimum focusing distance to infinity, this lens creates very sharp images with high contrast.The models provide quiet high-speed auto-focus shooting, as well as full-time manual focus. Large Maximum Aperture of F1.4 can perform superbly in a great range of applications, including snapshots, portraiture, indoor shooting and landscape photography. Please Note:Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

Buy NowGet 10% OFF

Click here for more information about Sigma 30mm f/1.4 EX DC Lens for Minolta and Sony Digital SLR Cameras

Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens Review

Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens
Average Reviews:

(More customer reviews)
I have been using this lens for the past three weeks. Mostly to shoot local league Rugby, Soccer, and Baseball. Let me say up front, if you do not have a monopod get one now. The total weight of a A700 and this lens is about 4.5 pounds. If you include the A700 grip you are lugging around about 6 pounds of gear. For the images you get its is well worth it the weight. For the bang for the buck this has got to be the best Sony lens out there. With the 1.5x crop factor on most of the Sony DLSR's (only the A900 is full frame) this becomes an effective 105-600mm zoom. It's used mostly at the 400mm (equivalent) setting and my shots are tack sharp even wide open. Since I use this mostly for sports I keep the camera is in shutter priority setting, usually at 1/1000 or 1/800 of a second. Focusing seems a bit faster with the built in SSM as opposed to the screw drive on the other lenses but not much different. Because the SSM uses a bit of battery power you will experience fewer shots per charge. The only negative about this lens is that when zoomed the lens does extend quite a bit. I had hoped that it's length remained the same throughout the zoom range as my Tamron 70-200 F2.8 does. But this is a small quibble when you factor in the image resolution and very fair price for a premium lens. Another plus, the silver finish really looks great. It really stands out nicely when I'm in the press box with the Canikon crowd.

Click Here to see more reviews about: Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens

Sony System 70-400mm F4-5.6 G SSM

Buy Now

Click here for more information about Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens

Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens for Sony Alpha Digital SLR Cameras Review

Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens for Sony Alpha Digital SLR Cameras
Average Reviews:

(More customer reviews)
This is the best lens that Sony/Zeiss have offered thus far, even more versatile than the Sony SAL-85F14Z 85mm f1.4 Carl Zeiss Planar T Coated Telephoto Lens for Sony Alpha Digital SLR Camera and Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera, which are incredible lenses. I have compared this Sony/Zeiss 24-70mm f/2.8 lens to the legendary Minolta 28-70mm f/2.8 G lens using the Imatest lens test software. At an aperture of f2.8, the Minolta 28-70 lens at 28mm focal length and the Zeiss 24-70 lens at 24mm focal length are equally sharp in the center, but the Zeiss lens is sharper at the corners. The Zeiss 24-70 lens does exhibit a minor amount of chromatic aberration but to no serious extent. It also exhibits moderate barrel distortion at 24mm, as do its Canon and Nikon 24-70 counterparts. The barrel distortion is more pronounced with a full frame sensor than with a half frame sensor.
Sony and Zeiss have a very useful partnership going, which I hope will result in a greater variety of lenses in the future. Recently, Sony and Zeiss have introduced a Sony SAL1635Z 16-35mm f/2.8 ZA Lens that improves upon the rare and coveted Minolta 17-35mm f3.5 G lens.
Two minor complaints about this lens are the following. First, like the other Sony/Zeiss lenses, it is rather heavy, but I suppose that good glass is heavy. Second, it zooms by elongating externally unlike the Minolta 28-70mm f/2.8 G lens. However, the Canon and Nikon 24-70 lenses elongate in a similar manner, so perhaps this feature is a compromise that one must accept in exchange for sharpness at f2.8.
Reviews of the Sony/Zeiss 24-70 lens may be found at the Photozone and lemondedelaphoto web sites. The latter site is French but web pages may be translated via Google.


Click Here to see more reviews about: Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens for Sony Alpha Digital SLR Cameras

High-performance Carl Zeiss large-aperture zoom. The SAL-2470Z Carl Zeiss Vario-Sonnar f2.8 24-70mm Zoom Lens is a brilliant all-around performer -- with SSM (Super Sonic wave Motor) design for fast, silent auto-focus, pro-quality Carl Zeiss T coated optics to reduce lens flare, and 17-element design with two aspherical and two ED glass lens elements to minimize distortion and virtually eliminate chromatic aberration. It benefits from the Super SteadyShot image stabilization built into every Sony α system DSLR -- and its wide-angle to medium telephoto range in compact, lightweight design is ideal for a wide range of shooting applications (35mm equivalent: 36-105mm).

Buy Now

Click here for more information about Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens for Sony Alpha Digital SLR Cameras

Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens Review

Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens
Average Reviews:

(More customer reviews)
NOTES: I still Own this camera in Dec 2010. There are a lot of new cameras with exciting new features. But in my opion this is the LAST GREAT APS format still image DSLRs. And looking at Sony's unfornunate need to copy Nikon with things like cluttering the Shutter Button with a power switch on all new models the A700, A900 (which I have used) and A850 may be the last cameras that fit the hand and quick clean shooting experience. Since I wrote this review Sony did a major Firmware upgrade that improved image quality related to high ISO noise and allows users to show RAW with no noise reduction. On top of that Lightroom 3 fixes the problems Adobe had dealing with Sony RAW files. Both of these upgrades were for me were like getting a new camera. There are moments video would be nice, I would like the improvements in focusing Sony and others have created in the past 3 years. But I have to say.. there are cars with features and classic cars people love to drive.. The A700 is a camera that makes photography a joy and all the new features seem to only clutter that experience so someday I will add a new camera to my gear. I will never "upgrade the A700" I think it as a moment of magic for still photography before Video and more technology transformed the experience forever. There is a reason USED and NEW UNSOLD STOCK have held their price so well. If you own Sony / Minolta lenses this is a great camera to own even though it is one of the last cameras without Live View on LCD etc. If you want a photograpy tool that doesn't get in the way of your art with features.. think about this camera. It will be a classic.
Original Review Soon after Buying A700 in 2007 -----------------
For years I shot Canon SLRs and for a while I moved to Nikon and Canon smaller digicams. When I jumped back to the SLR format in digital I ended up with the Konica-Minolta 5D over the Canon and Nikon cameras in my budget because of great image quality and in camera stabilization which works very well.
I recently upgraded my KM 5D to an A700. WOW!! This is by far the easiest camera I have ever used. Head and shoulders above traditional menus and tiny LCD Icons. The rear LCD shows you all the important settings at one time in a large easy to read format, sometimes with colors to alert you to what might be an unusual setting.
When you need to change anything from Shutter Speed to White Balance you do it right on the settings screen either by pressing one of the several dedicate buttons or using the easy thumb joystick. For shooting I almost never have to go into a menu except to format the memory card.
Auto Focus and Shutter:
It is fast and quiet. The AF has been tested faster than the new Canon in most lighting situations, though lenses on both systems will affect speed.
Both Sony and Now Sigma are coming out with quite focusing lenses that have built in motors so, Sony users will have lots new lens choices.
KEY FEATURES I LIKE:
Stabilization:
The in body stabilization works well With my 18-250 I have pulled off some shots even at 1/10s while at 250mm That is over 5 stops of stabilization, Sony only claims 3.5 stops. This stabilization works on all Sony And Minolta format auto-focus lenses. Some systems like Canon do not offer stabilized lenses in key formats like primes(non zooms) that are used for close-up macro shots or portrait work. It also adds cost and weight to each lens, with this system if you can find a bargain on a lower cost lens or a used lens it is still stabalized.
Example: Minolta made a 70-210 f4 lens often called a "beercan" that is legend in sharpness and image quality. It is often seen used here and on auction sites for $125-$175. It like all Sony compatible lenses becomes stabilized and would be like getting a $600 plus lens for $150.
ISO:
The Sony A700 offers ISO 100-3200 and up to 6400 as "extended ISO" but all ISO ranges are available at all times, no menu settings will enable or disable them like on the Canon 40D. It offers the ISO in 1/3 stop increments, but using the the front control wheel lets you jump a full stop at a time.
Dynamic Range Optimizer (DRO):
Sony has several levels of DRO that do what used to take shooting in RAW format and working in tools like Photoshop. It automatically recovers overly bright areas and areas hidden in the shadows so your pictures look more like what your eye can see. Unlike some other cameras that just apply shadow recovery settings to the whole image, Sony has DRO levels that analyze and adjust the image by area to make the effect more natural and keep noise down.
Wireless Flash:
The built in flash is also a wireless trigger for the Sony Flashes and others including the old KM 5600hs and 3600HS, and some Sigma and Metz models. On some systems this is a $150 to $200 add on.
Remote abilities included:
For taking family shots etc. Sony has free wireless remote that lets you take trigger the camera or a 2 second delay then shoot. Plus tons of controls for showing and reviewing your images on a TV. If you hook up the camera to an HDMI TV and to a printer at the same time you can do a family slide show and tell it to print picture from the remote as people ask for copies. It also has remote control software for the computer so you can set it up like a studio and shoot and review images from the attached PC. Great for doing lots of portraits at events without more expensive software or accessories.
It supports both Standard Video and HDMI output so you can see the images on your new HD TV.
Memory Card Support:
Unlike the 40D it supports the new UDMA 300x CF cards and memory stick pro HG so that you can take 25+ cRAW shots a 5 FPS before it needs to pause or an unlimited number of JPGS in any size. You can have both a CF card and Memory stick installed at the same time and switch over when one fills without stopping to open your bag and change memory cards.
Body Seals:
Its not splash proof but Sony has sealed all the doors and controls so dust and stray moisture will not hurt the camera. Some makers like Canon reserve full seals for more expensive cameras.
IT JUST FEELS GOOD IN MY HAND:
It was love at first touch.. a camera designed to fit in the hand.
Unless there is a specific lens or very special accessory that you need on another camera brand, this camera should be #1 or near the top of the list for cameras you consider.
Sony may be new to DSLRs, but they make sensors for lots other DSLRs like Nikon and when they bought the camera business they got most of the designers with years of experience from Minolta. Sony is building cameras for people who love photography and with features for people who like a camera to work with new technology like HD TVs. That makes it a fun camera to own.
I looked at the Canon 30D, 40D, Pentax K10D and Nikon D300 before choosing this camera.
BTW the Nikon D300, would be my second choice, but would cost much more, and still would have limited options on which lenses are stabalized.

Click Here to see more reviews about: Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens

Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens

Buy Now

Click here for more information about Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens

Canon 500D 77mm Close Up Lens Review

Canon 500D 77mm Close Up Lens
Average Reviews:

(More customer reviews)
This is a wonderful closeup lens. It easily ranks with the Nikon multi-element closeup lenses. I use it on my 24-105 and don't have to carry a macro lens with me most of the time.

Click Here to see more reviews about: Canon 500D 77mm Close Up Lens


The "D" series incorporates double-element achromatic design for maximum optical performance.This close-up attachment can be used with most EF lenses to provide a shorter minimum focusing distance with no loss of light. Changes closest focusing distance from infinity to 500mm (approx. 19.7" from front of lens).The 500D works best with telephoto lenses from 70-300mm, manual focusing is recommended.Note:New Canon manufacturer number is 2824A002


Buy Now

Click here for more information about Canon 500D 77mm Close Up Lens

Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera Review

Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera
Average Reviews:

(More customer reviews)
I am astonished by this lens, as well as its sibling the Sony 85mm f1.4 lens Sony SAL-85F14Z 85mm f1.4 Carl Zeiss Planar T Coated Telephoto Lens for Sony Alpha Digital SLR Camera. Each lens is razor sharp at its widest aperture. An excellent discussion of this lens may be found at the Photozone web site.

Click Here to see more reviews about: Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera

Experience the amazing image quality of the Carl Zeiss® SAL-135F18Z telephoto lens. Its wide range can handle images that are miles or inches away.A high-performance telephoto lens with the widest aperture in its class. Whether you're shooting a distant mountain peak or a beautiful orchid at arm's length, this superb telephoto lens provides amazing image quality. Its f/1.8 aperture makes it the brightest telephoto lens in its class, and with 35mm-equivalent 202.5mm focal length plus the ability to focus tightly on objects closer than three feet away, it can cover an amazing range of photographic assignments

Buy Now

Click here for more information about Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera

Lowepro SlingShot 102 AW Review

Lowepro SlingShot 102 AW
Average Reviews:

(More customer reviews)
My review of the Lowepro 102 AW SlingShot

Click Here to see more reviews about: Lowepro SlingShot 102 AW

The next-generation of the SlingShot\' AW series builds on the inventive design of its predecessor and incorporates enhanced features based on suggestions from some of our customers—also known as big fans of this original camera sling bag. Created to go from carry mode to ready mode in seconds, the SlingShot\' AW rotates from back to front for fast and easy access to camera gear. The newest design incorporates even more of what busy shooters are looking for: extra space for personal items, faster access, improved organization, and the ability to add a tripod. The SlingShot\' AW offers more volume in the upper compartment, plus the addition of an elastic band for securing a manual or book. A zippered slash pocket at the top is the perfect spot to grab a UV filter, cell phone or keys. Easyglide zippers throughout the construction make opening and closing fast and smooth. The main camera compartment features a flexible divider system that lets one quickly and comfortably access a DSLR. A built-in microfiber cleaning cloth is conveniently positioned at the side and tucks away into a stretch mesh pocket and out of the way of the camera. The next-generation SlingShot\' AW includes a Hideaway Tripod Mount\' system with foldout holder and quick-release buckle with strap to secure a compact tripod or monopod to the side. Additional features include: Lowepro\'s patented All Weather AW Cover\'; ergonomic sling strap and padded waistbelt; padded main compartment with adjustable dividers; 3 SlipLock\' attachment loops; and 2 built-in memory card pockets.

Buy NowGet 35% OFF

Click here for more information about Lowepro SlingShot 102 AW