Showing posts with label telephoto lens. Show all posts
Showing posts with label telephoto lens. Show all posts

Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens Review

Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens
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I have been using this lens for the past three weeks. Mostly to shoot local league Rugby, Soccer, and Baseball. Let me say up front, if you do not have a monopod get one now. The total weight of a A700 and this lens is about 4.5 pounds. If you include the A700 grip you are lugging around about 6 pounds of gear. For the images you get its is well worth it the weight. For the bang for the buck this has got to be the best Sony lens out there. With the 1.5x crop factor on most of the Sony DLSR's (only the A900 is full frame) this becomes an effective 105-600mm zoom. It's used mostly at the 400mm (equivalent) setting and my shots are tack sharp even wide open. Since I use this mostly for sports I keep the camera is in shutter priority setting, usually at 1/1000 or 1/800 of a second. Focusing seems a bit faster with the built in SSM as opposed to the screw drive on the other lenses but not much different. Because the SSM uses a bit of battery power you will experience fewer shots per charge. The only negative about this lens is that when zoomed the lens does extend quite a bit. I had hoped that it's length remained the same throughout the zoom range as my Tamron 70-200 F2.8 does. But this is a small quibble when you factor in the image resolution and very fair price for a premium lens. Another plus, the silver finish really looks great. It really stands out nicely when I'm in the press box with the Canikon crowd.

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Sony System 70-400mm F4-5.6 G SSM

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Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens with Opteka 58mm UV Filter for Canon EOS SLR Cameras Including the 10D, 20D, 30D, 40D, 50D, Digital Rebel XT, XTi, XS, XSi, & T1i Review

Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens with Opteka 58mm UV Filter for Canon EOS SLR Cameras Including the 10D, 20D, 30D, 40D, 50D, Digital Rebel XT, XTi, XS, XSi, and T1i
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Great Lense for the Price - Got it for my Cannon Rebel XT to go to Hawaii..
Got Great Pics with this 70-300 zoom that my 18-55 would have never took..
Zoomed on Whales, Turtles, Dia Head, Etc , Etc. Made my Hawaii Vacation what it needed to be. A 70-400 may have been JUST that little Xtra in just a few PICs but the 300 worked fine .. A Good Buy.. Glad I got it ..

Click Here to see more reviews about: Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens with Opteka 58mm UV Filter for Canon EOS SLR Cameras Including the 10D, 20D, 30D, 40D, 50D, Digital Rebel XT, XTi, XS, XSi, & T1i

Sigma's 70-300mm F4-5.6 DG Macro is a compact telephoto zoom lens. With a range that is useful for candid portraiture, capturing children playing in the backyard, amateur sports or even wildlife at the zoo this lens is usually the lens that photographers reach for first. It's great on vacation for capturing scenic details or even groups of flowers in a garden. The Sigma 70-300mm offer a 4 to 1 zoom ratio in a compact lens that is easily carried in your camera bag or left on the camera as you travel; and the images are magnificent. Kit includes: Opteka 58mm UV Filter

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Quantaray Tech-10 High Speed - Telephoto zoom lens - 70 mm - 300 mm - f/4.0-5.6 Review

Quantaray Tech-10 High Speed - Telephoto zoom lens - 70 mm - 300 mm - f/4.0-5.6
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I purchased this lens to go with my new Pentax K10D, and I am so far very pleased with the results. The images are coming out beautifully with little to no artifacts in the images. I have not yet been able to test the lens in a full lighting situations since the skies have been completely overcast ever since I got it. However, I have enjoyed the images that have come out and the Macro is performing beautifully. While, it's not a prime lens, one can't expect prime lens performance. At the same time, it's not a $500 lens either, so one can't expect it to perform the same way that a $500 lens will perform. However, I have no complaints about the images I receive from this lens and would recommend it to any amatuer or beginning professional.

Click Here to see more reviews about: Quantaray Tech-10 High Speed - Telephoto zoom lens - 70 mm - 300 mm - f/4.0-5.6

The outstanding magnification range on this lightweight, compact lens will add impact and intimacy to close-ups, portraits and everything in between. Quantaray's 70-300mm F4-5.6 LDO MACRO SUPER is one of several new telephoto zoom lenses. It is a compact Apochromatic telephoto zoom lens incorporating two Special Low Dispersion (LDO) glass elements in the front lens group, plus one Special Low Dispersion glass element in the rear lens group, to minimize chromatic aberration. It is a Tele-Macro Zoom lens, capable of focusing down to 1: 2 (half life-size) reproduction ratio at 300mm focal length with superb optical quality. The lens materials used in this new product are lead and arsenic free ecological glass.PRODUCT FEATURES:Aperture type: Automatic/Variable.This product is designed for Pentax systems.

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Lensbaby Wide Angle Telephoto Kit Review

Lensbaby Wide Angle Telephoto Kit
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I consider the 3G lensbaby a decent value for money (a little on the high side pricewise, at three times the cost of the original, but a fun and occasionally useful lens to play around with nonetheless).
The wide-angle and tele extenders, on the other hand, are fairly useless, and way overpriced for what you get. The widest shot you can get isn't very wide at all, and tele doesn't bring your subject appreciably closer. I expected more -- not 12 mm or 200 mm, but not this marginal, optically compromised performance either.

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The Lensbaby\' Wide Angle/Telephoto Kit\' includes the Lensbaby 0.6X Wide Angle Conversion Lens and the Lensbaby 1.6X Telephoto Conversion Lens.

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Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens for Sony Alpha Digital SLR Camera Review

Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens for Sony Alpha Digital SLR Camera
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According to a photo magazine, this is a cosmetically re-labelled Konica Minolta 75-300 (D) zoom telephoto, which is a lens that I own (it certainly looks exactly the same as the KM 75-300 lens, but with the 'Sony' name). In which case, I have the following review:
(1) Excellent construction quality, this is a very nicely made lens, excellent finish, not too heavy but solid and without the 'plastic' feel of many medium-priced lenses;
(2) Excellent optical quality, with good sharpness even at the longest 300mm focal length where most zooms begin to show poor quality;
(3) VERY UNUSUAL: near-zero distortion throughout the entire range of focal lengths (very different from some Sigma zooms that I own, which have conspicuously visible pincushion distortion). This may well be the lowest-distortion 75-300 telephoto from any maker.
(4) ONE CAVEAT: AUTOFOCUS IN LOW LIGHT: on my Minolta Maxxum 7 film camera, whose autofocus system is apparently quite similar to the Sony Alpha 100, the camera has difficulty autofocussing the 75-300 lens at the 300 mm setting (where the aperture is only f/5.6) in light weaker than direct sunlight. This is probably the same with any f/5.6 or slower lens. I have found myself switching to manual focus at the 300 mm setting if the subject is not brightly lit.
NOTE: the Konica Minolta 75-300 (D) lens is still available, for about $140, and reportedly will work with Sony Alpha cameras just as well as the similar lens labelled Sony.

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Get extremely close to your subjects from a relaxing distance with this Sony 75-300mm super telephoto zoom lens. Great for taking incredibly close-up portraits without making your subject nervous, the compact, lightweight 4x zoom lens is a terrific value and an ideal choice for covering outdoor activities and sports action, even in large stadium locations. The lens offers a wide zoom range of 112.5 to 450mm (35mm equivalent) that handles both middle-ground subjects and portraits from afar, while still capturing intimate details and natural wonders close at hand. In addition, the lens gives light sources a pleasing circular defocused effect in the background, making the subject stand out beautifully.

Focal length: 75-300mm (112.5-450mm 35mm equivalent)
Maximum aperture: f/4.5-5.6
Minimum aperture: f/28-32
Filter diameter: 55mm
Minimum focus distance: 4 feet, 11 inches
Magnification: 0.25x
Lens group elements: 10 groups 13 elements
Distance encoder: Yes
Blades: 7 aperture blades
Asperhic elements: No
Lens type: Telephoto zoom
Dimensions: 2.81 inches in diameter and 4.81 inches long
Weight: 1 pound, 2 ounces


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Opteka 800mm f/8 Telephoto Mirror Lens for Nikon Digital SLR Cameras Review

Opteka 800mm f/8 Telephoto Mirror Lens for Nikon Digital SLR Cameras
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I was very disappointed in this lens the first week or so I used it. It seemed to wash out images with every stray bit of ambient light, and the effective resolution seemed quite poor. After hundreds of exposures the patterns started to emerge, however, that helped me figure out how to maximize the strengths of the lens and minimize the weaknesses.
First of all, overcoming the confusion caused by full manual settings on my D90 was a big step. The manuals and guidebooks for the D90 don't give much useful info on these settings, so a lot of trial and error are involved. To be fair I was also learning the D90 at the same time. I also was putting the shutter mode into remote control when I was using the external Opteka wired interval timer/remote trigger. It should have been in single shot mode. (You need to turn off autofocus on the camera body.)
Secondly, there are times when the D90 genuinely will shut down because it thinks there is no lens, and you get the F-- error message, but these are far fewer than I thought given my other setting issues. It is easily remedied by slight wiggle of the lens in its t-mount. I have only had to unseat and reseat the lens twice to clear the error and continue. That isn't bad for a manual lens, and I have had to do it many times for the kit lens that came with the D90.
I learned that you have to use live view mode and enlarge the focus area to focus. Period. I certainly can't focus on the internal focus screen or in live view without enlargement. Part of the problem is that any touching of the lens at all, even on a tripod, causes severe movment of the image you are trying to focus. There is amazingly shallow depth of field on this lens on a D90 chip at any distance. Your past experience with most telephoto lenses will not prepare you for this extreme.
When I shot Nikon F series I always put the ground glass focus screen in place of the split image screen, and learned some tricks about over and under focussing every time I was setting up a shot. I have had to use these tricks on the Opteka, and even then I am surprised by the focus in the final image at least a third of the time, but it is getting better with experience. I have begun to get acceptable focus in some rare hand held situations, but it has taken a lot of getting used to.
For steadyness, I have found that there are few places where even a tripod is really rock solid. This requires developing a light touch on the focussing, use of some kind of remote shutter trigger, and staying very still during exposure. There is a shutter delay setting that raises the mirror, pauses to damp motion, then fires the shutter. It is a very subtle aid under some circumstances. Under most conditions it isn't really noticeable...but you should know about it and use it when appropriate.
Synching with a flash was a revelation. The first time I used a flash and saw the results I began to realize how clean and sharp an image this lens was capable of. Of course there are very few situations where you can use a flash with an effective focal length of 1200 mm and closest focus over 11 feet...but it is an useful exercise to learn the abilities of the lens, or if you like to extremely flatten your portrait or still life visual space.
Would I prefer a giant autofocus Nikon DX VR AF etc lens? I am not so sure now that I am gaining control over the various parameters of quality on this lens. The photographers who use the multi thousand dollar lenses love the image quality of course, but they are a beast to lug around and set up. I find this compact mirror reflex pretty easy to wrangle, and am delighted with the super telephoto option it gives me for the price.
See my moon shot above. I have a 4" reflector telescope with nikon adapters, and this lens gives me better results than the reflector.

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The Opteka mirror lens is incredibly compact and lightweight. Using an advanced reflex design, this is a mirror lens that is ideally suited for wildlife and sports photography. It has a fixed aperture of f/8. Opteka mirror lenses incorporates advanced computer designed optics and the latest in multi-coating techniques. The process of multi-coating assures virtually flare free photographs even under adverse lighting conditions resulting in crisp high contrast pictures with full color fidelity. Advances in high-index / low-dispersion optical glasses, new barrel materials, and exotic anti-reflection coatings, along with the latest in computer-aided-design / computer-aided-manufacturing, are combined to produce lenses of unprecedented quality. Diamond-cut from crystal-clear, water-white optical glass, Opteka lenses are ground and polished to a precise precision.

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Nikon TC-E2 2X Teleconverter Lens for Nikon 4300, 4500 & 5000 Digital Cameras Review

Nikon TC-E2 2X Teleconverter Lens for Nikon 4300, 4500 and 5000 Digital Cameras
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Don't expect to be able to capture the stitching on a football during mid-catch from the sidelines with this, but it does exactly what it advertises, magnifying the normal lens by 2x. The caveats are important though: it renders the built-in flash useless, but more importantly, it renders the viewfinder useless as well. This makes taking pictures of moving objects especially difficult, as you need to watch them on the LCD screen. (try doing this in bright sunlight for a real challenge) If your photo requirements are just a little more zoom than default, and you're taking mostly photos of static objects, this lens should perform perfectly for you. Just be aware of its limitations.

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MD) CL) TC-E2 2X TELE F/COOLPIX 430

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Sigma 70-300mm f/4-5.6 APO-M "Motorized" DG Macro Telephoto Zoom Lens with Built-in Motor Drive for Nikon SLR Cameras Including D40, D40X, & D60 Review

Sigma 70-300mm f/4-5.6 APO-M Motorized DG Macro Telephoto Zoom Lens with Built-in Motor Drive for Nikon SLR Cameras Including D40, D40X, and D60
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I've been using this lens on my D40 for the last month and so far I'm impressed. Images are very sharp, even at the edges, throughout the zoom range. After reading some of the other reviews, I was a little leery of this lens and was prepared to return it if I wasn't satisfied. As soon as it was delivered, I borrowed a friend's Nikon 70-300mm and took multiple shots of the same subject using both lenses on the same D40. When we compared the images, it was obvious that the Sigma was at least as clear as the Nikon! OK, maybe it doesn't feel as substantial as the Nikon, but at half the price it's a fantastic buy and should be all the average D40 owner will need. Strongly recommended!

Click Here to see more reviews about: Sigma 70-300mm f/4-5.6 APO-M "Motorized" DG Macro Telephoto Zoom Lens with Built-in Motor Drive for Nikon SLR Cameras Including D40, D40X, & D60

Sigma's 70-300mm F4-5.6 DG OS is a compact telephoto zoom lens that offers great value for the money, excellent performance and is capable of macro photography with a 1:2 macro capabilities and has a switch for change over of focal lengths between 200mm and 300mm during macro photography. Three SLD (Special Low Dispersion) glass elements provide optimum color correction & sharpness throughout the entire zoom range, super Multi-Layer lens coating reduces flare and ghosting and assures high image quality throughout the entire zoom range.

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