Showing posts with label nikon. Show all posts
Showing posts with label nikon. Show all posts

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Sigma SLR Cameras Review

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Sigma SLR Cameras
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I shoot 2-3 sports events a week and while I love my D3 needed more reach (had been trying to shoot soccer & track meets with Nikon 70-200 & Sigma 100-300). I concluded after a lot of thought & soul searching it would be more strategic for me to buy D300/Sigma 120-300mm combo than a 200-400mm for the D3. [the 100-300mm is a great lens too, but that extra stop is so sweet!]
For me, I definitely wanted a f/2.8 lens and felt a zoom would be more versatile than the Nikon 300 f/2.8 (& cheaper too).
There's no question it's a heavy lens by most people's standards, but I always use with a Monfrotto 681B monopod (which I love too).
Have only had this combo for about a 2 weeks but love it. The pictures are tack sharp, and the bokeh is awesome--rivaling Nikon 70-200mm IMHO. People always mention you have to get a good copy from Sigma but buying new I was fairly certain this would not be a problem, and I knew I could always send it right back to Amazon for another copy with no problem.
[....]In summary this combo has helped me take my game to a whole new level, and I'm very, very happy with this lens.



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The Sigma APO 120-300mm f2.8 EX DG HSM Lens for Sigma Digital SLR Cameras features a large aperture of f2.8 at the 300 millimeter focal length and is optimized for used with digital SLR cameras. This lens transforms a large-aperture f2.8 300 millimeter lens into a zoom lens that allows you to determine the picture composition you want without having to change your vantage point. It has two SLD (Special Low Dispersion) glass elements in front group and another SLD element in the rear group for excellent correction of chromatic aberration.The latest in multi-layer lens coating technology and lens design reduce flare and ghosting, which is a common problem with digital cameras, and it also creates an optimum color balance through the entire zoom range. The lens' AF drive is equipped with a silent, responsive and high speed Hyper Sonic Motor (HSM), which also provides full-time manual focus function. Since focusing and zooming do not change its overall length, this lens is easy to hold and use. In addition, since the front of the lens does not rotate, a circular polarizing filter can be easily attached and used. High-speed focusing is possible when this lens is used with dedicated APO EX 1.4 x or 2x tele-converters (sold separately).

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Sigma 100-300mm f/4 EX DG IF HSM APO Fast Aperture Telephoto Zoom Lens for Sigma SLR Cameras Review

Sigma 100-300mm f/4 EX DG IF HSM APO Fast Aperture Telephoto Zoom Lens for Sigma SLR Cameras
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I bought this lens to use with my Canon 30D for high school sports (soccer, football, baseball, etc). I already had the Sigma APO 70-200mm f/2.8 EX DG HSM Lens for Canon Digital SLR Cameras and needed more focal length. Like the 70-200 F/2.8, this lens is big, heavy, and built like a tank. The bare lens is about an inch longer than the 70-200, but the 100-300's hood is longer than the 70-200's hood.
The zoom and focus rings are wide and move smoothly with just the right amount of resistance. This lens is sharp wide open. At the overlapping focal lengths, the 70-200 at F/4 is just barely sharper than this lens at F/4 (wide open). At 200mm, this lens is actually sharper (200mm is this lens's sweet spot.) At 300mm, the lens is still sharp wide open, but I like to stop down to F/4.5 just to keep things super-sharp. Up to 250mm, I would not hesitate to use it wide open.
This Sigma lens has HSM which means the focus is fast and quiet. The lens focuses a little slower than the 70-200 F/2.8, but I've found that the 30D is more of a limiting factor in focus speed than the lens is. Servo tracking is very good with this lens, the only time it can't keep up is when track runners are sprinting straight at me (although again, I think the body is the limiting factor here.) For almost every other situation, the focus will definitely keep up.
All in all, this is not an indoor lens by any means, but as an outdoor sports (or wildlife/nature) lens, it is awesome.

Click Here to see more reviews about: Sigma 100-300mm f/4 EX DG IF HSM APO Fast Aperture Telephoto Zoom Lens for Sigma SLR Cameras

This telephoto zoom lens provides a large F4 aperture at all focal lengths. With minimal light-fall-off, superior peripheral brightness is ensured. It's the ideal lens for digital SLR cameras.The new multi layer lens coating and lens design reduce flare and ghost, which is a common problem with digital cameras and also creates an optimum color balance through the entire zoom range.This lens uses two pieces of SLD glass elements in the front lens group and another two in the rear group for excellent correction of chromatic aberration. High optic performance is demonstrated throughout the entire zoom range.This lens incorporates an internal focusing system, which eliminates front lens rotation, allowing the use of a Petal-type Hood and more convenient to use of circular polarizing filter. Since focusing and zooming do not change its overall length, this lens is easy to hold and use.The use of an Apochromatic design and 4 SLD (The Special Low Dispersion) glass elements (two SLD glass elements are utilized in the front lens group and two in the rear group) provide for full correction of chromatic aberration and a high level of optical performance.The DG designation applied to certain newer Sigma lenses (mostly wide-angle and wide zoom type lenses) indicates that the lens is especially suited for use with digital SLR cameras. The DG lenses feature improved (more even) light distribution from image center to edge, especially at maximum aperture, compared to conventional fast wide-angle lenses. This is important in digital photography, but is also useful in 35mm photography, especially when slide film is used. Also, the shorter focal lengths are desirable, because most digital SLR cameras have image sensors whose dimensions are considerably smaller than a 35mm negative (usually by a factor of 1.3X to 1.7X), making the lens' angle of view equivalent to that of a longer lens on a 35mm camera.

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Naneu Pro UrbanGear U120 - Backpack for camera and notebook - 1680D ballistic nylon - black Review

Naneu Pro UrbanGear U120 - Backpack for camera and notebook - 1680D ballistic nylon - black
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Love this bag. Bought it right before a 5-day tour of the Pacific Rim. Carried a D80 with grip and three zooms, along with a flash and accessories bag. Fully loaded it is heavy, but that is a function of what you put in it. Also has great outer pockets and tons of padding. I did not like the lack of a chest strap, though it comes with removable waist strap. Also the laptop sleeve is huge and easily swallowed my iPad, cleaning cloths, and a few magazines. It stands up on its own, and the bottom has rubber feet to prevent scuffing. The inner camera bag is removable, in case you want to use it as a day pack or for a non-photography purpose.
PROS:
* Lots of room
* Versatile divider system
* Outer pocket has many slots for accessories and travel related gear.
CONS:
* Will not fit under an airline seat when loaded. I had to turn it sideways and push very hard. Once under there, almost impossible to get anything out of the bag.
* Can be bulky, but if you need a bag of this size it comes with the territory.
* Outside side mesh pocket is not useful. It's V-shaped so anything that is put in there will slide out easily. Also the drawstring will not keep heavier items in. I never used it except for very light and non-critical things like food and receipts.
I'd buy it again and it's really a sleek bag when all buttoned up. Biggest plus: It doesn't LOOK like a camera bag.

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UrbanGear U120 Multi Purpose Case features specially designed spaces for all your equipment and even offers a dedicated compartment to protect your notebook computer. UrbanGear U120 Multi Purpose Case is designed to double as both a notebook backpack and a multi-functional camera bag. It features a padded rear compartment that accommodates most 15" notebook computers.


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Sigma 14mm f/2.8 EX HSM RF Aspherical Ultra Wide Angle Lens for Minolta and Sony SLR Cameras Review

Sigma 14mm f/2.8 EX HSM RF Aspherical Ultra Wide Angle Lens for Minolta and Sony SLR Cameras
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To echo what is said about the new release SIGMA lenses - WOW.
Canon look out. I was shopping for a new toy for XMAS and settled on the CANON 14mm F2.8L lens. It was very nice but for the price hard to justify. I asked for an eval of the Canon and this, the Sigma alternative at 1/3rd the price. Head to head testing of the lenses on my Canon EOS 50 (ELAN) using ISO 200 film resulted in the Sigma producing a crisper image with better definition and colour saturation. Both lenses have a little "flattening" of the image at the edges as they try to compensate for curvature but the Sigma in my opinion is closer to true. Neither lens had any trouble Auto-Focusing during the day (Canon felt a little faster). The Sigma was a little unsure of itself on when I went for a night/bulb exposure of the starscape. Switched to Manual, set for infinity and away we went. My only other issue with the Sigma is the lens hood is not quite big enough where the Canon is spot on. Still you have to be looking really hard for faults to find them.
Tooling around with the lens has been lots of fun. I had never considered using the lens for indoors shots but it is magic. Architecture photography is going to be a new thing for me I think.

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CL) INT) 14MM 2.8 EX F/MIN AF

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Minolta Maxxum HTsi Plus 35mm SLR Camera Kit w/ 28-80mm Lens Review

Minolta Maxxum HTsi Plus 35mm SLR Camera Kit w/ 28-80mm Lens
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I made my choice of the HTsi Plus after a comprehensive search of the various SLR bodies, weighing their features and their reviews in camera magazines. Within its price range, the HTsi principally competes with the Canon EOS Rebel 2000 and the Nikon N60, both of which are excellent cameras, but which lack the full panoply of features found on the HTsi Plus. For example, the HTsi plus combines Bulb exposure (the ability to hold the shutter open manually), remote shutter control, 1/4000 maximum shutter speed, a full shutter-priority mode, and a well-respected 14-segment light meter. As with the Canon and Nikon, the HTsi's body is plastic, an aspect about which some photographers express reservations, but the plastic seems extremely durable, and remember that a light camera is a joy to carry (and if you do not carry the camera, you are never going to get those perfect but fleeting shots). The only thing missing on the HTsi is a depth-of-field preview feature, which is available on the Canon. Were it not for that, I would find little future need to upgrade. Regardless, for an amateur just getting into photography again, the HTsi has been perfect.
For adaptability, the HTsi has three essential levels of complexity. Use P mode for fully automatic snapshots -- great for when you need someone else to take your picture. Use the Creative Exposure Mode for a bit more customization and to adjust it to one of five situations (portrait, landscape, close-up, sports, and night). Finally, use either the Aperture-Priority, Shutter-Priority, or fully manual modes to bring out the real photographer in you. After all, playing with f-stops and shutter speeds is where the fun of photography is anyway. I admittedly spend most of my time in this last mode, but the flexibility is highly appreciated (sometimes, one just does not have the time to fuss with dials).
The results from the HTsi have been fabulous. The flash seems to respond well to the darkest of conditions, and the 28-80 zoom lens offers the flexibility needed for a budding photographer. My only criticism is that the autofocus can be slow to respond in some lighting conditions. So far, I have taken rolls of photos for my organization, and everyone seems impressed with the results. I also bought a set of Tiffen close-up filters for doing macro photography, and the results have been quite stunning.
A final word. Amazon offers one of the best deals on the Net with service and peace-of-mind that you simply cannot beat. Believe me, I checked. I tried one of those mail order camera stores that advertise ultra low prices. By the time they "upgraded" me to what they viewed was an acceptable camera and charged me their exorbitant shipping fee, the price was higher than here. And guess what? Amazon's package already had all of those so-called "upgrades" -- without the hassle. Thanks Amazon!

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The Maxxum HTsi is an autofocus SLR camera uniquely designed for both beginner and amateur photographers. Controls for beginners are located on the top right side of the camera body, and the function dial for the more advanced operations (for experienced photographers) is positioned on the top left. You can switch from one mode to another instantly, and back again. The ease of use, high performance, and creative control makes the Maxxum HTsi the best choice for demanding consumers and comparison shoppers who want the most value for their dollar.

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Olympus D450 1.2MP Digital Camera w/ 3x Optical Zoom Review

Olympus D450 1.2MP Digital Camera w/ 3x Optical Zoom
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I started out thinking I was still a year away from affording a new digital camera with the features I wanted. I decided to hold out for a zoom lens and at least 1024 x 768 resolution, or wait. After a lot of research, I knew I wanted an Olympus, because of their excellent optics and their camera-first, digital-device-second approach, and because my Olympus 35mm point-and-shoot had served me well.
I thought my best deal would be on a used or discontinued model; however, because the original price of the 500L, 600L, and 400Z had been so high (in the $800-1200 range), the asking prices for these had not come down as much as I'd hoped, and what I had to be willing to pay had crept up as I shopped. When I saw what the 450Z was going for, I whipped out my credit card. Now that I've played around with it for a few weeks, I can't imagine there's a better digital camera for the money right now. I've compared with a couple of friends that have Nikon CoolPix cameras, and I suppose there's something that's better about them, but I can't honestly tell you what that would be, and the Nikon is twice the money!
The 450Z is an improved version of the well-received 400Z, but at a radically lower street price. Some of this is due to the packaging -- the 450Z leaves out the FlashPath floppy adapter (typically $70-90 alone) that was standard in the 400Z -- but clearly the manufacturing costs are coming down rapidly.
This camera performs incredibly well on the bottom-line measurement: It takes stunningly detailed and accurate pictures under a wide variety of conditions.
We've gotten used to accepting less than perfection for pictures taken in other than bright sunlight at normal distances. The 450Z adds several categories of picture-taking where you can now get predictable results: Flash, macro (including with flash), indoor lighting, low light, etc. There are just enough features to make the camera useful over the range of conditions, but not so many as to intimidate the snap-shooter. Because of the intelligence of the autofocus, exposure control, and white balance, it is still a great point-and-shoot camera.
Many features are related to getting the picture right at the right resolution, such as spot metering, exposure override, mode (resolution), different flash modes, macro, etc. Other features are related to viewing and managing the pictures you've taken. You can plug the camera into a VCR or TV monitor (RCA video jack) and give a quick slideshow of what's in memory. You can get around the small size of the LCD display (and this is one of the better ones) by zooming in on one segment (out of a 3 x 3 grid) of an image, to make sure the detail is there.
One other feature that other reviewers have found important: The 450Z will store images uncompressed, if you choose (the file size is huge); most other cameras up to this point perform at least some compression, even on high-quality settings.
The only thing I couldn't do well -- and this may just take some practice -- is action shots. All digital cameras have some lag between the time you decide to pull the trigger and the time the image is committed to memory, and this takes some getting used to, but the 450Z is quicker in this respect than its earlier counterparts. One significant feature is the "burst mode", which allows you to keep capturing images (about 1-2 a second) as long as the shutter button is pressed, and until the buffer fills up (seems to be about 6-10 images).
Most of us get into digital because of the cost and overhead of dealing with film and processing, only to have to scan prints or pay extra to the processor for digital images from film. Depending on resolution, you can get up to 122 images onto the standard 8MB memory card before unloading, and that's very liberating -- no more agonizing over whether to take another shot! However, once you play around with it a while, the mind starts to boggle at the possibilities, and film cameras seem like Stone-Age technology (especially since we are approaching the resolution of film with the million-plus pixels you can store in an image now).
The 450Z is a milestone in the improvement of digital cameras, a quantum leap in value vs. features and quality, even compared to other Olympus cameras. You won't believe how easy it is to get breath-taking digital photos. Get one!

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Shoot without waiting--just like a traditional film camera. Real-time rapid shooting mode lets you focus, compose, and shoot without waiting between shots at all resolutions. This camera offers burst mode shooting at all resolutions with speeds up to two pictures per second. Four photo-recording modes let you choose the quality and size of your images--from SHQ 1,280 x 960 uncompressed photos to 640 x 480 VGA images. Image playback modes include automatic advance playback, an index mode with 4, 9, or 16 images, and a 3x inspection mode. With an optical 3x glass aspherical zoom lens, 2x digital telephoto, pop-up five-mode variable flash, and a resolution of 1.3 million megapixels, this Olympus digital camera offers top performance in a compact, easy-to-use package.

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1.6X Sensor Cleaning Kit w/SensorWand® Review

1.6X Sensor Cleaning Kit w/SensorWand®
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After sending my Nikon D-70 into Nikon Service for claning at $40.00 and having it returned with some spots still on CCD I took a chance on the cleaning kit. Cleaning kit worked great and for the less than the price of one cleaning from Nikon I'll get multiple cleanings from the kit before having to purchase additional supplies.

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For Nikon D1/h/x, D100, D70, D50, D200, D2H, D2Hs, D2X · Canon D30 & D60, Canon 10-D/20-D, Rebel XT / 350D, Rebel 300D · Sony/Konica/Minolta 7D, 5D · Olympus E-1 · Pentax *ist D, *ist DS This SensorWand Kits Come Complete With: EclipseTM Cleaning System Solution Part #: PSI-3-F ECLIPSETM lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can be applied leaving absolutely no residue. Used with an appropriate applicator like a Sensor SwabTM or a Sensor WandTM this is one of the best solutions for cleaning your sensor.SensorWandTM, 14mm for cleaning digital camera sensors Part #: SW1 Sensor Wands are used in conjunction with Eclipse Cleaning Solution or Chamber CleanTM and PEC-PADsTM to clean SLR Digital Cameras. PEC-PADTM Lint Free Wipes 4"x4" 100per/Pkg Part #: PSI-1 PEC-PADsTM are extremely strong, lint-free and so soft and pure (99.999%) Making them the perfect wipe to wrap around applicators to clean the sensor in DSLR cameras. Low Lint Cotton Tipped Applicator, 6" Part #: 36876-10 Commercial Grade Low Lint Cotton Tipped Applicator - 10 packages of 2 - Great for reaching those corners or spot cleaning of the sensor. Can be used with one drop if sensor cleaning fluid or dry for polishing off the sensor after a cleaning.Foam Swabs, 6" long 1/4 tip Anti-Static Pkg of 10 Part #: 2303-10 Used with EclipseTM or ChamberCleanTM to clean the walls of the mirror cage as a preventive measure. This helps cut down on the dust in the mirror cage and keep the stray lubricants from contaminating a brush when using the brush method. You put a couple of drops of the chemical on the foam swab and you clean the 3 walls of the mirror cage/chamber and the bottom side of the mirror.DSLR Sensor Cleaning Instructions FREE Part #: DCC-INST

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Tamron Autofocus 70-300mm f/4-5.6 LD 1:2 Macro Lens for Konica Minolta SLR Cameras Review

Tamron Autofocus 70-300mm f/4-5.6 LD 1:2 Macro Lens for Konica Minolta SLR Cameras
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I purchased Tamron AF 70-300mm LD lens for Canon over a month ago. The first roll of film was a bit of disappointing. I liked colors but some pictures lacked sharpness (fuzzy). After that I purchased introduction photography book published by Kodak and read it. Gained knowledge was invalueable. I used tripod and Kodak Gold 200 color print film. Pictures were developed on 5x7 photographs at York Photo Labs. All pictures of second roll turned out very nice and sharp (especially considering 200 film on 5x7 pictures). I even made picture of caterpillar in macro mode at 300 mm and f/8 and this turned out very nice as well. All pictures (including ones taken at focal length of 300 mm) turned out very nice. Ultra telephoto lens is demanding but wide-angle lens is forgiving. You have to consider it when you use telephoto lens. You need solid technique; otherwise, you might be disappointed if you take handheld pictures with lower shutter speeds. It is pretty hard to make sharp pictures even at 1/250 shutter speed and 200mm. Tripod works well though. The larger focal length the harder it gets. I would not feel comfortable with anything slower than 1/250s. Some people mentioned that f/8 gives better results. That is true pretty much for any lens. But at this aperture you need tripod when using ISO 100 films unless you are in sun. If you can't use tripod but you want to use this lens then you might use faster films (IS0 200 or ISO 400) to reduce camera shake. Build quality is good and great warranty gives you peace of mind. Customer service is quick too (don't worry my lens is not broken but I had some technical questions to Tamron). This lens is also sold as Nikon AF 70-300mm ED and users seem to enjoy it as well (even though they pay 100$ more). Focusing is kind of slow, especially in low-light conditions and at larger focal lengths (i.e. 300 mm). You can't blame lens for it because camera does focusing. At this low amount of light and narrow angle (7 degrees - camera gets not much lights through lens). It is not Tamron but nature of telephoto lens. This is why camera haunts in low-light conditions. Lens comes with lens hood (lens shade) so you don't have to buy one for this lens. Overall, I am very pleased with pictures and expect even better pictures on ISO 100 films and 4x6 prints. Use tripod as much as possible. Also cable release is recommended to reduce camera shake. Great lens for the money. Period.

Click Here to see more reviews about: Tamron Autofocus 70-300mm f/4-5.6 LD 1:2 Macro Lens for Konica Minolta SLR Cameras

This is the definitive lightweight, compact telephoto macro zoom with a maximum magnification ratio of 1: 2 at the 300mm setting - ideal for shooting subjects that are difficult to approach such as sporting and theatrical events. The lens also features special effects such as the capability to provide beautifully blurred backgrounds to highlight the main subject in portraiture, or "compression effects" that make the most of the telephoto lens. By switching to macro mode, subjects as close as 0.95m can be shot within the focal range of 180-300mm, for true macro photography. The optical system incorporates a LD (Low Dispersion) lens, resulting in clear sharp images free of chromatic aberration.Type of zooming is rotation.

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LensCoat Soft Neoprene BodyGuard Pro for Pro SLR & Semi Pro SLR Cameras With Optional Grips Attached - Black Review

LensCoat Soft Neoprene BodyGuard Pro for Pro SLR and Semi Pro SLR Cameras With Optional Grips Attached - Black
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I purchased this lens coat as a backup for the SLR camera body only system. I like the way this fits around the lens and the body. It's a little too snug at first as you have to streatch it to fit the first few times . After being on the camera for awhile it's a perfect fit.

Click Here to see more reviews about: LensCoat Soft Neoprene BodyGuard Pro for Pro SLR & Semi Pro SLR Cameras With Optional Grips Attached - Black

BodyGuard Pro #LCBGP..... The LensCoat BodyGuard Pro is a camera body cover made from soft shock-absorbing neoprene, protecting your camera from the nicks, dings and scratches of accidental impact WHILE YOUR LENS IS ATTACHED. It also keeps the camera body free from dust and dirt as well as protects it from the elements.The BodyGuard makes storage and access quick and easy. The BodyGuard is great for camera body protection when you are not breaking down your gear but stowing it temporarily. Designed to slide over pro camera bodies such as:Canon 1D,1Ds,1D Mark II,1D Mark IIN,1Ds Mark II,1D Mark III,1Ds Mark IIINikon D1,D1H,D1X,D2H,D2Hx,D2Xs,and D3.Also fits SLR bodies with extended power winders approximately 6.25"w x6.5"h x 3"d. The BodyGuard can accommodate cameras with L-brackets mounted. The BodyGuard is available in Black, Forest Green, Realtree Max4 HD, Realtree Hardwoods Snow, and Army Digital Camo.

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Sharp VE-CG30U 3.3MP Digital Camera w/ 3x Optical Zoom Review

Sharp VE-CG30U  3.3MP Digital Camera w/ 3x Optical Zoom
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I purchased this camera over the holidays after extensive research on 3 megapixel cameras. I was hesitant to buy it because of it's 'newness' and lack of reviews, but I purchased it from a place I could easily return it if I was not impressed. I must say, this camera totally blew away all of my expectations! I have had a number of digital cameras over the past few years, but this one is by far the best. I put it up against a friend's Olympus D-550, which got Great reviews in all the PC magazines, and the Sharp far surpassed it (so much so, my friend is contemplating selling his camera and getting this one). It takes great inside and outside pictures, with or without a flash, and where I have had problems in the past taking pictures of people, this one does an unbelievable job. I would HIGHLY recommend this camera to anyone. It even has a TON of features for the 'high end' serious photographer...

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Sharp's CG30U is equipped with a 3.3-megapixel sensor that captures sharp, brilliant images with a resolution of up to 2,160 by 1,440 pixels. You can change the setting to lower resolutions to save memory space on the included 16 MB SD memory card. The lens has a 3x optical and 3x digital zoom to enhance versatility and give you the necessary range of shooting options.
Easily navigate through menus and preview your shots with the large 1.5-inch CGS high-resolution LCD screen. CG silicon (CGS) is a high-quality enhancement of traditional LCDs that consumes less power with more functionality, versatility, and durability. Frame guides can be superimposed on the display to help you compose the perfect shot.
You can set the camera to different shooting modes such as auto, aperture priority, shutter priority, and manual for ease of use and more creative control of your shots. There are also controls for white balance, digital effects, and a 10-second self-timer. Connect the USB port and just press the one-touch image-transfer button to upload all of your pictures to your PC, or use the video-out jack to view pictures on a TV. Also included are a wrist strap, AC adapter, four AA batteries, and lens cap.

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Adorama 82mm Plastic Snap-On Lens Cap (LC82) Review

Adorama 82mm Plastic Snap-On Lens Cap (LC82)
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I accidentally left the cap of my Sigma 20mm f/1.8 in a cab on a trip to Montreal and couldn't find a replacement in several photography stores I went to. This is a rare size. Amazon and Adorama to the rescue!

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Snap-On Lens Caps Spring clips assure positive lock. Light weight. All black plastic.

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GE E1040 10MP Digital Camera with 4x Optical Zoom (Black) Review

GE E1040 10MP Digital Camera with 4x Optical Zoom (Black)
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I had to write a review since I saw the one star. I purchased
this camera six months ago and it's excellent. I purchased the black ...not the pink one. Everything works and the stabilization and Panoramic
features are excellent. No problems so far. Update: 03/08 I started using the video feature and was disappointed, hardly any sound. My Canon cameras are better for photos and video but cost more $., Power Shot 800 is excellent in every dept. But, this is an excellent camera...for the price...just not the video sound. When played back on the camera, I can
hardly hear the sound. When played back on the computer...the sound is fine.

Click Here to see more reviews about: GE E1040 10MP Digital Camera with 4x Optical Zoom (Black)

Slim, refined, and loaded with features, the intermediate-level GE E1040 digital camera is a must for casual photographers who want a higher performance than an entry-level camera can provide. The camera is distinguished by an ultra-sharp 10-megapixel resolution, along with a 4x optical zoom and a 4.5x digital zoom. The combined 18x maximum zoom makes it possible to put your lens right into the heart of the action for superior close-ups. The generous 3-inch LCD screen, meanwhile, makes it easy to frame your subject and review your images without squinting, with a resolution of 230,400 pixels ensuring a crisp image every time. And users aren't restricted to still images, as the E1040 takes MPEG4 movies as well.
Don't want to touch up your pictures on your computer? Turn to the E1040's in-camera panoramic stitching and red-eye removal functions, which make your photos look sharper and more professional. Other great features include face-tracking, electronic image stabilization, a highly intuitive user interface, slideshow and zoom options, support for PictBridge-compatible printers, and a USB 2.0 interface. Powered by a rechargeable lithium-ion battery, the E1040 even includes an SD/SDHC memory card slot that's expandable up to 4 GB.
Clad in a compact, contemporary black housing, the E1040 measures 3.87 by 2.3 by 0.94 inches (W x H x D), weighs 0.33 pounds, and carries a one-year warranty.
What's in the Box E1040 camera, rechargeable lithium-ion batteries, battery charger, USB cable, AV cable, wrist strap, CD-ROM, quick-start guide, warranty card, user's manual.

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Fujifilm DX-10 0.8MP Digital Camera Review

Fujifilm DX-10 0.8MP Digital Camera
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The day after I bought the DX-10 I called Fuji and found it was discontinued. How's that for instant obsolescence? I bought the DX-10, my first digital camera, as a learning tool and it is excellent for that. I was surprised at the quality of the images yet the chintzy construction of the camera body, an ugly. 7oz. plastic box. The DX-10 feels like an empty matchbox compared to a loaded F4, F3 or any lighter Nikon. After I bought the camera I found it eats batteries, so I bought an Olympus charger and four nickel-metal hydride batteries. More money. Also, I bought a special AC adapter, both items a must unless you own a battery factory. Photographers say "There are no photographers at Nikon," because even with a new Nikon, you seem to start out with your own modifications. This DX-10 was like that. I took it out of the box and rigged a neckstrap to replace the silly wrist cord that holds the DX-10 literally by a thread. The owner's manual warns not to scratch the lens or rear LCD screen, yet neither has any kind of protective cap. And a protective carrying case, like the charger and AC adapter is another extra expense. Speaking of extras, buy an extra Smart Media card to boost the 2MB card that comes with the camera. That will only record six images of the highest resolution. I bought a 16MB card, which bumps that number up to 54. Oh yes, the floppy disk adapter that let's you download the images from camera to computer? That's another expense. The DX-10 comes with a cable but it didn't fit my aging computer. To be fair, all these extra costs are no different from my experience with 35mm photography. The price of the camera is just the beginning, just the tip of the beginning. If you've never owned a digital camera, the DX-10 is a good learning tool. I've learned a lot -- much of it what to look for next time I buy digital camera.

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Fuji's DX-10, an affordably priced digital camera, packs 1,024 x 768 resolution, a 1/3-inch CCD, and a 1.8-inch color LCD monitor into a lightweight and compact design. The DX-10 includes video capability and five playback modes, including Single, Nine-Shot Multiframe, 3x Zoom, and Autoplay.
Though it is relatively inexpensive, the DX-10 provides some advanced features, such as automatic or manual exposure, flash, and white balance, along with a continuous or 1.6x digital telephoto mode. It even has a special effects mode for adding sepia, gold/silver, concave/convex, or wide/slim effects to any image.
The DX-10 comes equipped with a removable 2 MB SmartMedia card--capable of holding up to 30 images, Includes serial cables, software for Windows or Macintosh, and a video cable.

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Orion T-ring for Minolta Camera Review

Orion T-ring for Minolta Camera
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This T-ring works as advertised. Along with the appropriate T-adaptor for your telescope you can use it to mate your manual focus Minolta camera body to your telescope. The T-ring has threads on one end that screw into your T-adaptor (or even directly to some telescopes) and a bayonet mount for your camera on the other end. This allows a solid connection for your camera to the telescope.

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A T-ring converts a camera's lens mount to a standard "T-thread," allowing you to couple a camera body to a camera adapter or, in some cases, directly to the focuser of a telescope. All camera adapters, including Celestron and Meade T-adapters and universal camera adapters, will fit this T-thread. Have a new digital SLR camera? We've got the T-rings you'll need. The #5224 T-ring fits the Canon 300D Digital Rebel, also the 10D, 20D, 20Da, 30D, 350D, and 5D digital SLRs. For Nikon owners, the #5205 T-ring is compatible with the Nikon D50, D70, D70s, and D200.

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Lowepro Topload Zoom 1 Camera Bag (Black) Review

Lowepro Topload Zoom 1 Camera Bag (Black)
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This holster fits a D200 with 18-200mm lens perfectly. Some other reviewers have complained that the case is too big, but with a higher quality DSLR and a medium length telephoto this bag really shines. The front pocket holds plenty of CF cards and spare batteries. There is a little pocket on the underside of the lid which is perfect for holding filters and polarizers when not attached to your camera.
I use this bag clipped to the shoulder straps of my Arc Teryx Bora 80 backpack. In my setup I have the bag hanging across my chest just below my sternum. During a trip across Glacier National Park (51lbs pack, 6 nights) the case always had my D200 ready. I typically leave the top flap zipped a couple inches on each side to keep the camera secure. Even while crossing rough terrain, scrambling over scree and kick stepping across snow fields this bag left little to be desired. It hangs steady and does not bounce too much.
If you are looking for something to hold your camera while out backpacking I don't know of any better solutions out there.

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The Lowepro Topload Zoom 1 is a compact carry bag with a sporty design. It holds a compact SLR with a wide-angle lens or compact zoom.

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Minolta Auto Electroflash 280 PX - Hot-shoe clip-on flash - 28 (m) Review

Minolta Auto Electroflash 280 PX - Hot-shoe clip-on flash - 28 (m)
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Received the item in a timely fashion. It is the exact model of the original flash that I had broken. Works great with my old camera.

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Minolta aims to supply cameras with unique, advanced features that various kinds of users can take full advantage of while enjoying themselves and successfully expressing their creativity. Throughout the process of camera development, Minolta concentrates on the human aspects of photography and works to maximize the pleasure people can derive from taking and viewing photographs. Minolta's cameras and accessories have been highly evaluated both in Japan and overseas.Auto ElectroFlash 280PX provides all the benefits of Minolta Direct AutoFlash Metering. It offers dual-range selection and has a maximum guide number of 28 in meter at ISO 100. Energy-saving series thyristor circuitry enables that auto electro flash to attain flash-synchronized speed up to 3.5 frames per second when used with the power Grip 2 Set.

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Digital Optics Pro 2X Telephoto Lens Converter - 52mm threading (Black) Review

Digital Optics Pro 2X Telephoto Lens Converter - 52mm threading (Black)
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I purchased this lens as a stocking stuffer for my daughter. It was a hit. An affordable way to add to her Nikon lenses.

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Capture better images of far-off subjects with the Digital Optics Telephoto lens for digital cameras and camcorders. The 2x magnification allows you to bring your subject closer while you stay where you are. The 2x Tele-Converter is a front-mounting lens that provides greater telephoto reach. By adding the lens to the front of your camera lens, it extends the focal length and makes distant objects appear closer. Unlike digital magnification, this optical solution will not impair the image quality. The 2.0x telephoto lens features all glass optics coated to reduce reflections and flare. These elements are housed in an all-titanium barrel that will stand up to years of use. Features:All glass - multicoated optics 2x telephoto lens converterProfessional grade Telephoto Lens providing breathtaking close-up views, increasing the versatility of your existing lensDesigned to maximize use of day and night with coated optics that provide maximum image transmission with minimum distortion. Maintains all the camera functionsThe lens attaches easily and directly to any camera or camcorder with a 52mm filter threading. An appropriate stepping ring will allow it to work with cameras having other size threads.Specifications:Optical System: - All glass Multi-coated 2x Conversion power for 52mm threading- Fully automatic, high speed lens compatible with day or night Vision, and Infrared utilizing the camera auto focusing system Mounting System: - Lens threading screws directly into accessory threads in front of existing camera lens Warranty: Limited Lifetime warranty Made in China

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