Showing posts with label pentax lens. Show all posts
Showing posts with label pentax lens. Show all posts

Sigma 85mm f/1.4 EX DG HSM Large Aperture Medium Telephoto Prime Lens for Pentax Digital SLR Cameras Review

Sigma 85mm f/1.4 EX DG HSM Large Aperture Medium Telephoto Prime Lens for Pentax Digital SLR Cameras
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I've always been hesitant to try sigma lenses because I hear a lot of problems that people have with the focusing on them. I passed up on the widely regarded 50mm f1.4 and 30mm f1.4 even though they got stellar reviews for the most part. When Sigma came out with the 85mm f1.4 for less than half the price of Canon's 85mm f1.2 L II, I had to see if it would save me a bundle in my search for a great 85mm.
I took some time to compare this one to the 85mm f1.8 and the 85mm f1.2 L II by renting all three before making any decisions, and I have to say that this lens really impresses!
The Sigma lens is much lighter than the Canon f1.2 and therefore, much easier to handle. The first thing that comes to mind when putting the canon f1.2 on my camera is how awkward everything feels - it's weight and "top-heaviness" really throw the balance off (I'm using a 7D) and makes the whole set-up feel wrong. With the sigma, I don't get this feel.... it feels right. It feels like almost a rubbery-plastic, and while the canon f1.2 feels more solid, the Sigma feels more modernized to me. The Canon f1.8 is no slouch, but feels lacking compared to the other two in build quality. The Sigma comes with a unique 2-part lens hood to help avoid hood vignetting on full-frame cameras. There is a middle section that you leave off if you are using a full-frame camera, but then add back on if you have a crop camera.
As for image quality, I'm not going to go too much into detail here because other reviews across the web have conducted much more scientific tests than me and provide images to compare. I will just summarize my experiences though: in my opinion, the Canon f1.2 has the sharpest photos, especially in the center of the image. The Sigma bests the other 2 in corner sharpness though. The f1.8 has the fastest autofocus, with the f1.2 far behind and Sigma trailing only slightly behind. For bokeh quality, I actually prefer the Sigma to the f1.2. Color and contrast is a tie between the Sigma and f1.2... the Sigma offers slightly warmer photos. The Sigma handles flares better than the f1.8, but not as well as the f1.2. All three seemed to handle chromatic abrasion well in my tests. Just as an overall picture, I really found that I enjoyed the f1.2 pictures the best, but did I enjoy them $1000 more? Probably not. The Sigma really wasn't far behind the f1.2 in image quality.
If I were a professional photographer, I would probably go with the canon f1.2 over the Sigma just because that slight edge in image quality and extra light from the f1.2 would probably pay for itself over time. As a hobbyist though, I can't see myself paying over twice as much for the only slightly better lens. The Sigma really provides an excellent option for a midpoint between the Canon f1.8 and f1.2. In addition, it opens up a new way for indoor sports photographers to capture fast action. Because of its slower autofocus, I constantly found that the f1.2 had less keepers when I did indoor fast action photography. The Sigma and f1.8 handled these situations fine. I shoot a lot of indoor dog shows and competitions, so the Sigma is now going to be my go-to lens for those. The f1.8 would have been a great option and still is probably one of the best quality/value ratios out there in my opinion, but the better image quality of the Sigma is apparent. Plus, the extra light from the wider aperture really does help in many situations. I also like the bokeh quality much better than the f1.8.

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Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) Lens for Pentax SLR Cameras Review

Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) Lens for Pentax SLR Cameras
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I bought this lens for my Pentax K100D. The folks over at FredMiranda gave it consistantly good reviews, and the zoom range seemed perfect for a general walk-around lens. It is certainly a nicely-built lens and a comfortable weight. I found the auto-focus to be quick and generally accurate. The lens took great pictures in the 24-100 mm portion of the focal range, but I could not get good pictures out of it at the longer focal lengths for the life of me. I tried different apertures, manual focus, tripod, everything I could think of, but almost everything came out too soft for my taste. I am a hobbyist, not a pro, so maybe the problem was user error. Or maybe I got a bad copy of the lens. I am open to these possibilities, but I felt I should share my experience, regardless. If I'd only wanted 24-100, I'd have bought something different. I ended up sending this lens back, and I'm considering Pentax's 24-90, now, which is supposed to be quite good. Props to Amazon for the usual quick shipping and painless return policy.

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CL) U) 24-135MM F3.5-5.6 F/PENTAX

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Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Pentax AF Cameras Review

Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Pentax AF Cameras
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I have have had this lens for about a month now and really do enjoy it. It gives me the reach and quality of photos that I need. I use this in with my Sigma 18-200mm and with two lens it covers all the ranges that i need. It can be heavy but you will get used to it pretty quick. I tend to hand hold most all of my shots, a tripod is recommended I do like that it came with a really nice case to carry it. In all this a a good priced lens that will give great photos.

Click Here to see more reviews about: Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Pentax AF Cameras

This ultra-telephoto zoom lens covers a telephoto range up to 500mm and allows photographers to bring the subject close and short perspective. Sigma's original OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower. It is ideal for sports, wildlife and landscape photography with handheld shooting. Three SLD (Special Low Dispersion) glass elements provide excellent correction for chromatic aberration. This lens is equipped with a rear focus system that minimizes fluctuation of aberration caused by focusing.The super multi-layer lens coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF as well asfull-time manual focusing capability.The addition of the (optional) 1.4x EX DG APO or 2x EX DG APO Tele Converters produce a 210-700mm F7-9 MF ultra-telephoto zoom lens or a 300-1000mm F10-13 MF ultra-telephoto zoom lens respectively. A removable tripod socket (TS-31) is included as a standard component.

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Sigma 17-35mm f/2.8-4 EX DG IF Aspherical Super Wide Angle Zoom Lens for Pentax and Samsung SLR Cameras Review

Sigma 17-35mm f/2.8-4 EX DG IF Aspherical Super Wide Angle Zoom Lens for Pentax and Samsung SLR Cameras
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Pros:
Center Sharpness
Flare Resistance
Chromatic Aberration (CA) Control
Aperture Ring
Quality
Cons:
Some distortion from 17-20mm, (noticeable on architecture)
Slightly soft corners (still very usable)
Size (it is huge)
Who should buy this lens? Anyone looking for a great deal in a wide angle lens. Just be aware there are two versions, this current version and an older version. The one I bought through Cameta is the new version. Be careful buying used copies because the older version is no good. The picture shows the older lens, the new lens does not have the AF-MF switch, and it adds an aperture ring. It also no longer has the clear window for the focus numbers, they are just printed on the barrel.
The build quality is excellent considering the plastic construction. The first thing you see when you open the box is a high quality nylon web bag with a high quality zipper on it (and a belt loop). You open the bag and there is high density foam backing to protect the mount side of the lens. However, I noticed how large this thing is. It is a monster, easily 4 times the volume of a 21mm Ltd pancake. Many of you will like the built in aperture ring.
I was actually surprised at how well the sigma performed. It had excellent center sharpness, but slightly soft at the extreme corners (still very usable though). It provides excellent chromatic aberration (CA) control and flare resistance. At the wide end of 17mm it was also surprisingly good, but had a little distortion, but significantly less than the Pentax kit lens (version 1). By 21mm the distortion was mostly gone. The bokeh can be a little hectic, sometimes providing a double or ghosted image of the out of focus object.
The Sigma is a great value, and if you are on a tight budget it would make an excellent lens. I would have liked to compare it to the kit lens at 21mm, which I no longer have to see if it is worth the upgrade. My guess is that it is better than the kit lens in the focal lengths it covers, but I can't say that with much certainty. The lens has a nice sharp image, and excellent control of CA. Great value.
UPDATE: The difference between version 1 and version 2 for the Pentax mount is actually the model designation, EX is the first version and EX DG is the second version. You want to get the EX DG lens. It comes in a black case and also says EX DG on the lens, the older version says EX only and comes in a green case.

Click Here to see more reviews about: Sigma 17-35mm f/2.8-4 EX DG IF Aspherical Super Wide Angle Zoom Lens for Pentax and Samsung SLR Cameras

A super wide-angle zoom lens with a 104 degrees angle of view, and large aperture. This lens is ideal for Digital SLR Cameras. Includes 4 Year Service Plan (1 year international warranty plus 3 years extended warranty). Item Specifications: Product Description: Sigma EX wide-angle zoom lens - 17 mm - 35 mm Lens System: Wide-angle zoom lens Mounting Type: Pentax K Lens Aperture: F/2.8-4.0 Focal Length: 17 mm - 35 mm Min Focus Range: 10.6 in Focus Adjustment: Automatic, manual Lens Construction: 13 group(s) / 16 element(s) Special Functions: Wide angle, zoom Filter Size: 77 mm Length: 3 in Weight: 19.8 oz

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Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Pentax Digital SLR Cameras Review

Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Pentax Digital SLR Cameras
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This is what it is, which is why I gave it 4 stars. It's not a professional lens, but it works perfect for everyday amateur use. Nice focal range 28-80 (equivalent 42-120). Reasonable for anything indoors or fairly close, works as a portrait lens and does well with landscapes and architecture. Great general usage lens and compact as well. The price is really remarkable. I have 8 lenses and this one gets the most use. I have it mounted to a Pentax K20D

Click Here to see more reviews about: Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Pentax Digital SLR Cameras

The Tamron AF28-80mm f3.5-f5.6 is a standard zoom lens with a wide to medium telephoto range of 28-80mm, providing great range for nature and landscape photography or snapshots and home photography. By using aspherical elements in the front optical group, Tamron reduced the total number of elements required. They also used strong, engineered plastic for the barrel, making the total lens body only 8.4 ounces. These features make this lens extremely versatile and lightweight. This model is dedicated to Pentax AF SLR cameras.

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Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty Review

Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty
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In a world of zooms, many people would find plopping down $500 for a 50mm prime -- from a third party manufacturer, no less -- to be a bit absurd.
However, if you are a "prime person" -- and you know who you are -- you'll love the performance of this lens: super sharp photos, incredibly creamy background bokeh, nice contrast and flare resistance, and operation in low-light without needing super-high ISO or a blast of flash.
Pros:
+ @1.4 it's quite usably sharp
+ @1.8 and beyond, it's very sharp
+ the bokeh (rendition of out-of-focus areas) is really amazingly smooth. More so behind the DOF than in front, though
+ colors, contrast, etc, all excellent
+ great build quality, solid feel, free case and lens hood
Cons:
- weight
- price
- big filters (77mm)
Canon already has three 50mm lenses: the 1.8, 1.4, and 1.2L, so you might wonder why Sigma felt the need to jump into this market. The Canon's are all pretty good, with the 50/1.8 being an great value at $80, the 50/1.4 being a reliable workhorse (though prone to a dreamy look wide open), and the 1.2L, being, well, $1500. This lens is priced between the 1.4 and 1.2L, and judging from photos I've seen, it probably performs in that range as well. So it is filling an niche in the wide gulf between the 1.4 and 1.2L.
On my camera, a 400D, a 50mm is like a short tele, and I use it mostly for relatively close up photos of people. I like that when if upgrade to FF, I'll be able to continue to use this lens (and I'll sell my Sigma 30/1.4) whose place it would take.
The lens has not been out very long, and, to my knowledge, no formal reviews have been published (8/2008), but the general "buzz" is that people are seeing AF problems at distances beyond a few meters subject distance.
I personally have not done exhaustive analysis, but I feel my copy performs quite well. Then again, I don't use this lens for far-off subjects very much, and almost never wide open in that case. So there may indeed be problems with this regime, but I don't feel it affects my photography much. That said, it could be that I'm just not as exacting as some, or my camera's AF is sloppy enough to hide lens variation to begin with. However, I do pixel peep a lot and I get about the same hit/miss rate as I do with other lenses I own.
So far, I'm a happy customer.


Click Here to see more reviews about: Sigma 50mm f/1.4 EX DG HSM Auto Focus Lens for Pentax AF Cameras (*Auto Focus only if body supports HSM) - USA Warranty

This is a large aperture prime lens with a standard focal length of 50mm, ideal for all digital SLR cameras. This lens has superior peripheral brightness even at the maximum aperture and corrects a possible sagittal coma flare.This lens is perfectly suited for a wide range of subjects enabling outstanding, sharply defined images against a nicely blurred background. The fast, F1.4 aperture makes this lens desirable for use with Digital SLR cameras.This lens effectively becomes an 80mm medium telephoto lens on digital cameras with APS-C size image sensors. The optimum optical design and molded glass aspherical lens element provide excellent correction for all types of aberrations.The super multi-layer lens coating reduces fare and ghosting. Superior optical performance is also ensured throughout the focusing range. This lens has a minimum focusing distance of 45cm (17.7") and has maximum magnification of 1:7.4.It creates a very attractive blur, even when a small aperture is used. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF* as well as full-time manual focus override. Please Note: * If the camera body does not support HSM, auto focus will not be available. (will work on manual)

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Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens for Pentax Digital SLR Cameras Review

Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens for Pentax Digital SLR Cameras
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When I bought the Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Nikon Digital SLR Cameras 14 months ago, I didn't know what to expect. I never used a 3rd party lens or an ultra wide-angle, but I quickly learned to love the lens and the opportunities it created. Having said goodbye to the lens a week ago (still kicking), I decided to give this new slightly faster model for a spin.
Currently reviews or even sample photos are sparse, and even some details seem elusive, so lets start in the beginning:
* Like the predecessor, this model features HSM, so all Nikon DSLR users can benefit from this lens (D700, D3, and D3x users will only get a cropped view)
* Also like its predecessor, its a hefty well-built lens that's made in Japan
* It's comparable in size and weight to the original, but the 82mm front threads take some getting used to
* While the older model did not extend at 10mm and extended barely at the "long" end, the new one is flush from 16-13mm, and extends slightly at both the wide and the long end.
* the EX finish is a tad more refined, and it now features an AF/MF switch (full time override is available in AF). The focus ring is somewhat stiff, but has a nice movement to it. AF is blazing!
* Sigma seems to have revised the rear element a bit with an added piece of plastic to minimize reflections
* You also get an extra aperture blade for better bokeh and much better sunstars
* Just in case you are wondering, this lens works just like a Nikon lens with full functionality
I'll post photos, but in general its the equal or better to the earlier lens. At the wide end the extra 1/3 stop is barely worth mentioning, but at the wide end, you get 1 1/3 stop more light. The changes do go beyond that, as there now is ELD glass as well as SLD (in the previous version), and there is more aspheric glass. If this doesn't mean anything to you, just know this all helps it be a great lens!
This is a very challenging focal length to design for, especially if cost and size are a concern, so there is no perfect lens in this range. That being said, Sigma seemed to have used their experience with a previous 10-20mm to create a highly refined and very capable lens. If shooting at f/3.5 you will see some softness in the corners, but frankly it's not that limiting. Stopping down to f/5.6 helps a lot with gains in between, and it peeks at f/8-11 (maybe f/13 on a 6mp sensor).
Coming from an 18-## zoom? You'll get a whole new perspective, an opportunity to explore a new world of photography, and get to work with a lens of much better construction than a kit lens.
Coming from another ultra-wide angle? It may not be worth the switch (I sold my other one for a variety of reasons), but you almost get the speed of the Tokina AT-X116PRDXN AT-X PRO DX 11-16mm Ultra-wide Angle Lens for Nikon and you get a faster aperture and more useful zoom range than first gen ultra-wides such as the Nikon 12-24mm f/4G ED IF Autofocus DX Nikkor Zoom Lens or Tokina AT-XAF124DXN 12-24mm Wide-Angle Lens for Nikon.

Click Here to see more reviews about: Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens for Pentax Digital SLR Cameras

Sigma Corporation is pleased to announce the new Sigma 10-20mm F3.5 EX DC HSM. This super-wide angle lens has a maximum aperture of F3.5 throughout the entire zoom range. With its wide angle view from 102.4 degrees it can produce striking images with exaggerated perspective. The maximum aperture of F3.5 is ideal for indoor shooting and it enables photographers to emphasize the subject. Two ELD (Extraordinary Low Dispersion) glass elements and a SLD (Special Low Dispersion) glass element provide excellent correction of color aberration. Four aspherical lenses provide correction for distortion and allow compact and lightweight construction. The Super Multi-Layer coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. The incorporation of HSM (Hyper-Sonic Motor) ensures a quiet and high-speed auto focus as well as full-time manual focusing capability. This lens has a minimum focusing distance of 9.4 inches (24cm) throughout the entire zoom range and a maximum magnification ratio of 1:6.6. The lens design incorporates an inner focusing system which eliminates front lens rotation, making the lens particularly suitable for using the Petal-type hood and polarizing filter. The Petal-type hood blocks extraneous light and reduces internal reflection.

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Tamron AF 75-300mm f/4.0-5.6 LD for Pentax Digital SLR Cameras Review

Tamron AF 75-300mm f/4.0-5.6 LD for Pentax Digital SLR Cameras
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The Tamron f/4-5.6 75-300 zoom is a great buy at the price. The zoom is very smooth and auto focus very responsive. Very nice optics. For outdoor work you can, almost, get away with this as the only lens. Results are crisp beautiful photos. Quality is vastly superior to the lenses generally included in a Pentax kit.
Personally I find the low end of the focal length limiting (indoors in particular) and it could be a bit brighter (aperture) but the quality is very good at 300mm. As far as cost goes there is nearly a $100.00 price delta between this and an equivalent 28-200mm lens.
I have personally used this lens for several weddings (paid and voluntary) with great results. Lens is light enough that I have been able to do a lot of shots freehand (no tripod) without noticeable "shake" in the resulting photos. In addition to the weddings I have also had good results with equestrian, other "slow" action photos and in particular landscape shots where I use the zoom to frame the shot with different points of view (POV).
In summary this is a very good lens at a very good price. If you need a long lens in your set this is a very good choice.

Click Here to see more reviews about: Tamron AF 75-300mm f/4.0-5.6 LD for Pentax Digital SLR Cameras

This extended-range zoom offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens.

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Sigma 70-200mm f/2.8 DG HSM II Macro Zoom Lens for Pentax Digital SLR Cameras Review

Sigma 70-200mm f/2.8 DG HSM II Macro Zoom Lens for Pentax Digital SLR Cameras
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At this point, almost every lens I own is a Sigma, the only exception being my Tamron 17-50 2.8 (which is a very, very solid lens). I've owned the Sigma 120-300 2.8 for a handful of days (the best lens I've used), and the Nikkor 70-200 2.8 VR. Both were returned due to the cost that I simply couldn't stomach at this point. I had read the professional reviews for this lens, and was worried about purchasing it because they weren't exactly glowing.
Well, I'm here to tell you that from what I've read, the professional reviews for this lens are spot on. That's good and bad, as anyone who's read them will know.
The good is that the autofocus in this lens is stellar. It's very fast, and is at least as fast as the Nikkor. The zoom ring and focusing rings are smooth, and the lens seems to be very well made, like all of my other Sigma lenses. Not only is the autofocus fast, it's quiet. It's really not that heavy, either, and I find it quite comfortable to use (compared to the 120-300, this thing is light as a feather, and it's weighted much better than the Nikkor). I also find the lens to be reasonably sharp through most of the zoom range, especially stopped down (as it is for most lenses, even Nikon). Yes, I did say through most of the zoom range.
The bad rears its ugly head at the long end of the zoom (which is really too bad, considering that's where you're likely to be keeping a lens such as this most of the time). At 200mm, this lens loses a lot of sharpness, and although stopping down does help a lot, it simply shouldn't be this bad. Are the photos unuseable? I wouldn't say that, and Photoshop can almost perform miracles in most cases. But what's worse than the sharpness (or lack thereof) is the chromatic abberation. There's a LOT. I mean, a LOT at 200mm. It's got the worst CA of any lens in my collection, hands down, and the worst of any lens I've used. Perhaps this is in part due to Sigma's valiant attempt to make a macro lens out of this one, and that's really the other fairly bad part about it--the macro isn't that great either.
It also needs to be taken into consideration that I'm using this lens on a Nikon D300s, which is a DX (small) sensor camera. So your results may differ should you use a full frame.
In the end, I'll be keeping this lens for a number of reasons. One is price. At a third of the cost of the Nikkor, this lens makes up some serious ground and can be forgiven quite a bit. The second is the autofocus. Wow it's fast. And accurate. Since I'm going to be using this mainly for sports, that's very important to me. And funny though it may be, the other reason is the macro. Yes, it's not great, but I still love having a lens with this zoom range that has macro capabilities. Apparently there have been major compromises to get it there, but it is what it is. I would have given it 4 stars, simply because of the cost, but in the end I decided on 3, because if Sigma want to play with the big boys, they really need to do a little better than this showing.
So in considering this lens, you need to ask yourself exactly what your needs are as a photographer, and will the advantages of this lens be enough to outweigh the disadvantages. For me, the answer is yes... but you have to make up your own mind.

Click Here to see more reviews about: Sigma 70-200mm f/2.8 DG HSM II Macro Zoom Lens for Pentax Digital SLR Cameras

This large aperture thelephoto zoom lens has a minimum focusing distance of 100cm (39.4) and maximum magnification of 1:3.5. Two SLD (Special Low Dispersion) and three ELD (Extraordinary Low Dispersion) glass elements provide excellent correction for all types of aberrations. The super multi-layer coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. This lens incorporates HSM (Hyper Sonic Motor), ensuring a quiet and high speed AF and full-time manual focusing capability. An adjustable and removable tripod collar is included as a standard component.

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Sigma 70-300mm f/4-5.6 DG APO Macro Telephoto Zoom Lens for Pentax and Samsung SLR Cameras Review

Sigma 70-300mm f/4-5.6 DG APO Macro Telephoto Zoom Lens for Pentax and Samsung SLR Cameras
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I disagree with Jeff Kershaw's review for the older version of this lens (Sigma 70-300mm APO Super), in that it's very unfair to compare this lens to a L series lens, as those lens start at over $500 due to it's very specific high-grade optics manufacturing process. To compare this lens to a lens that starts at over 4X the price is like comparing a Honda Civic to a Porsche. Like the civic, this Sigma lens is well rounded, good for beginner and consumer SLR photographers, and maybe some "pro-sumer" on a tight budget, or even students. For the price, this lens is a bargain, as I've been doing a lot of research before buying this lens (price range in the $130-225 for telephoto). What I liked most about this is the APO lenses, which prevent reflection inside the lens which creates "ghosting" (inverted light ghostly shadow that appers on your image) which is usually apparent in nightshots. During the day APO lenses decrease those "purple fuzzies" (chromatic aberration) you see against high contrast (like a bird's wing against the sky). Granted this lens is no Porsche like the Canon L series, but for the price range, may hit the spot for some folks. I mainly use this camera for macro photography and taking photos of the Empire state building from my roof, which is 24 blocks away. This lens is definitely better quality than the Canon 75-300 USM III f/4-5.6 which is usually considered the benchmark for this price range telephoto.
Also note that there are different versions of these lenses (despite close naming), so be careful about what you buy. The is a APO DG version with Macro specifically made for digital SLRs which is what is listed here (the "official" name of this lens is: 70-300mm F4-5.6 APO DG Macro), and a non APO version of this lens which is a bit cheaper (but not worth it at all). Also there's ones listed as APO II which is the "older" version, which I don't know the quality of, but know that it is older than the model listed here.
Summary: If you're on a tight budget this is as good as it gets in this price bracket. The next tier where there's significant gains in lens imaging doesn't even start until you start spending in $600-1800 range.

Click Here to see more reviews about: Sigma 70-300mm f/4-5.6 DG APO Macro Telephoto Zoom Lens for Pentax and Samsung SLR Cameras

Telephoto zoom lenses with tele-macro function and optimised for digital SLR camerasThe performance telephoto zoom lens is capable of shooting with a maximum magnification of 1:2 at the focal length of 300 mm. It's the ideal lens for portraits, sports photography, nature photography, and other types of photography that frequently use the telephoto range.SLD (Special Low Dispersion) glassThis lens has two SLD glass elements in the front lens group and one in the rear lens group, the lens has excellent correction of chromatic aberration through the entire zoom range. This new DG lens is capable of macro photography with a 1:2 maximum magnification at the focal length of 300 mm. The new multi layer lens coating reduces flare and ghost, which is a common problem with digital cameras and also creates an optimum colour balance Macro shooting with maximum magnification 1:2High optical performance is demonstrated throughout the entire zoom range. It also has a switch that converts the lens to macro photography at focal lengths between 200mm and 300mm with a minimum focusing distance of 95cm (37.4 inches). In normal mode the minimum focusing distance is 150cm (59.1 inches) at all zoom settings. Maximum magnification between 200mm and 300mm is 1:2.9 to 1:2.

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Raynox DCR 150 - Converter Review

Raynox DCR 150 - Converter
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I bought this lense in a package that came with both the Raynox DCR-150 and the Raynox DCR-250. Both lenses are excellent when snapped on the front of my Panasonic FZ8. Really any camera with a decent zoom should perform well.
Having both the Raynox 150 and 250 allows for some comparison. To be honest, I like the 150 better. I use it exclusively when I'm out in nature, the 250 has a much shallower depth of field, and is too hard to use handheld. The 150 gets a great macro, as you can see if you look at the customer images above, and the depth of field is much more forgiving. I have had far greater luck using my 150 in real world situations than my 250.
The lense takes a bit of getting used to. Some people will only shoot on manual focus, but I find this frustrating. Most cameras focus fast enough, I know my FZ8 does, and I have no problems at all. In general you just have to get into the right range (about 6" or so), and your camera will focus just fine.
In all I definitely recommend this product, especially if you have a nice super zoom camera like the Panasonic FZ8.

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Explores the world of MACROPHOTOGRAPHY with your Digital Camera and Camcorder... The lens includes a snap-on universal mount suitable for 52mm to 67mm filter size. DCR-150 Super Macro lens obtains the maximum macro magnification power when set at the most telephoto position of zoom lens. The lens is made of high index optical glass elements which produce rich and razor sharp image.DCR-250 is also suitable to 3-CCD chip or mega-pixel Digital Camcorders.All of Raynox conversion lenses are proudly made in Japan. At Raynox's wholly owned manufacturing subsidiary, every stage of production is rigorously checked and tested so that the lens elements compensate effectively for astigmatism, distortion and spherical aberration.... for an excellent image quality.

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Sigma 28mm f/1.8 EX DG Aspherical Macro Large Aperture Wide Angle Lens for Pentax and Samsung SLR Cameras Review

Sigma 28mm f/1.8 EX DG Aspherical Macro Large Aperture Wide Angle Lens for Pentax and Samsung SLR Cameras
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Let me start by saying I'm not a hardcore fan of any particular brand. I like to gauge lenses by their individual merits, rather than discussing them as a brand.
The Sigma 28mm f/1.8 EX is an excellent lens from an optical standpoint. On digital and film SLRs from Nikon, I was always quite impressed with the optical quality. Even wide-open at f/1.8, it is roughly as good as the Nikkor 50mm f/1.8, which is somewhat low in contrast, but still resolves quite a bit of detail on the focal plane. Stopping down a stop or two, like with most lenses, really brings out the contrast and sharpness, and this lens delivered quite wonderfully, matching the famous 28/2.8 AIS Nikkor for sharpness both up-close and at infinity. Further, this lens allows closer focusing than the Nikkor, and possesses less apparent geometric distortion. As much as I love the AIS28, the Sigma is quite brilliant too.
While very good at infinity, the lens shines for moderate closeups of objects like flowers. Although it says "macro" in the name, it only approaches 1:2.9 magnification, and the distance from the front element is quite small, so live insect photography will likely not be its forte. At this range, the lens also has a much smoother out-of-focus rendering wide-open than much of its competition (such as the 28/2 AIS Nikkor). If you like smooth boke (not everyone does, but many do), this can be a good lens for that effect.
The biggest downsides are the size and the autofocus. Although it is high quality, the lens was simply too big for my taste. Compared to my 28/2.8 AIS, the Sigma is simply massive. In fact, it is about the same size as a 28/1.4 Nikkor, and uses larger (77mm) filters! This is a concern for people who like using filters like polarizers, which get much more expensive at large sizes. The second major issue is that the autofocus mechanism has proven unreliable, particularly on Canon versions of the lens. My Nikon experienced some focus inconsistency at midrange distances (better consistency up close). As I tend to manually focus, this was not too much of a problem, but for those who do depend on it heavily...this lens might cause frustration. Bear in mind, this is not the case for EVERY lens of this make; it is likely an issue with sample variation which has been pointed out for some time. Some people have great luck, some are not so lucky.
As I prefer to manually focus and personally prefer smaller lenses, I opted instead for my AIS Nikkor, which has roughly equal optical quality in a much smaller package with inexpensive 52mm filters. However, I do miss my 28/1.8 Sigma and, were it a smaller, manual focus lens, I would likely be using it today.
If you can get over the gargantuan size and if you can circumnavigate the sample-variation-related AF quirks, this lens is quite beautiful. I must give the designers kudos, even if it's not the perfect lens for me personally.

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Features minimum focusing, down to 20cm/7.9inches (reproduction ratio 1:2.9). The iris diaphragm has 9 diaphragm blades to obtain beautiful out of focus image. It incorporates the floating focus system and the use of two aspherical lens elements to minimize distortion, spherical aberration and astigmatism. The lens incorporates minimum vignetting optical construction in order to obtain adequate peripheral brightness with open aperture. Internal focus system of the lens eliminates front lens rotation, thus allowing the use of a Perfect Hood and easy use of polarizing filters. The lens also incorporates a dual-focus mechanism. It is easy to hold the lens, since focusing ring does not rotate during auto-focus, and yet provides adequate torque of the focusing ring during manual focusing of the lens. The lens materials used in this lens are lead and arsenic free ecological glass.

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Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Pentax Digital DSLR Camera Review

Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Pentax Digital DSLR Camera
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I am going to give my opinion comparing the Sigma 8 - 16mm to the Sigma 10 - 20mm lens and not to other manufactures WA lenes.
I take around 200,000 pictures a year with the Sigma 10 - 20mm lens. The lens has held up well, feels solid and in my opinion works well with little chromatic aberrations. My only real issue with the 10 - 20 was when taking photos of dark home interiors (which is what I do) and there is a very bright window in the image then sometimes a blue flare appears just off center in the image. This can be reduced by, say 90% in Photoshop. It does not happen every time but when it does even moving to a slightly different shooting position often does not eliminate the problem. The blue flare seems to be not the same problem one might expect to see outdoors shooting in bright sunlight where flare spots can run diagonally through the picture, but then maybe it is the same type of flare. Also by even adding a "thin" filter it can cause some vignetting. The filter issue is forgivable on such a wide angle lens. One last point, there is some slight curvature noticable on verticals close to the sides of the frame.
So to the Sigma 8 - 16mm. I think it's very well made and feels good and solid right out of the box. I was thinking "20% wider" but forgot also 20% taller in image coverage. It is noticable different in angle of view from the 10 - 20mm. Because of the bulbus front element forget about ever adding a filter. Some WA lenes (fisheyes) allow fitting a filter in the rear of the lens. Forgive me but I have not looked to see if this lens allows that. The front of the lens has a fixed petal lens shade that allows the lens cap to slide/push over it and creating a nice tight fit. The lens cap is in two parts for reasons someone else will have to explain.
The lens has a maximium f4.5 - f5.6 aperture, a little slow but of no importance for most users of a lens this wide and for 99% of the uses it will be put to.
I have taken about 2,000 pictures with my 8 - 16mm and think it is probably slightly better in all aspects than the 10 - 20mm lens, but read the guys who put this lens through lab tests, my tests are in the field and based on what my eyes can see rather than what instruments can measure.
It is a harder lens to use than the Sigma 10 - 20mm. Tilting just slightly will cause verticuls to tilt (thank you Photoshop). I have noticed the blue flare less with this lens than the 10 - 20mm. I think it may be there but spread over a bigger area and less strong and maybe less common. Some flare is to be expected with all super wides. Curviture at the frame edges seems about the same as the 10 - 20mm - which I consider good - again for a super wide.
So which is the better choice. That is a difficult question to answer - it depends. The 8 - 16mm is about $200 more - but is noticable wider. It you need to squeese every inch from a picture then the 8 - 16 is your choice. If price is a concern or landscape is your interest I am sure the 10 - 20 would suffice. However if money is no object then get the 8 - 16mm and then go out and learn to use it. Believe me there is a learning process.

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The Sigma 8-16mm F4.5-5.6 DC HSM is the only one of its kind. This is the first ultra wide zoom lens with a minimum focal length of 8mm, designed specifically for APS-C size image sensors. It has an equivalent angle of view of a 12-24mm lens when used on digital camera with an APS-C size image sensor.Sigma's new FLD glass elements, which have the performance equal to fluorite glass, compensate for color aberration. One hybrid aspherical lens and two glass mold elements give excellent correction for distortion and astigmatism.An inner focusing system produces high definition images throughout the entire zoom range and the Super Multi-Layer Coating reduces flare and ghosting while superior peripheral brightness ensures high contrast images throughout the entire zoom range.HSM ensures quiet and high speed AF as well as full-time manual focus capability. It has a minimum focusing distance of 9.4 inches throughout the entire zoom range which allows photographers to emphasize the subject by creating exaggerated perspectives. This lens has a compact construction with an overall length of 4.2 inches and a maximum diameter of 2.9 inches and is perfect for shooting landscape photography, architecture, building interiors, photojournalism, wedding photography, group pictures and more. Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras. * AF wi

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Pentax SMC DA* Series 50-135mm f/2.8 ED IF SDM Telephoto Zoom Lens for Pentax and Digital SLR Cameras Review

Pentax SMC DA* Series 50-135mm f/2.8 ED IF SDM Telephoto Zoom Lens for Pentax and Digital SLR Cameras
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After anxiously awaiting the new DA* series of lenses, I bought it the day it was released. I had to photograph the Ujena Bikini Jam in Puerto Vallarta, Mexico and KNEW that I needed the benefits of a tightly sealed, weather proof lens because of the intense humidity. When I first mounted the lens to the body of my K10D (after updating the firmware of course) I was surprised at how incredibly quiet the motor is. I've never had this experience with any lens I've owned. I'm so used to the slight "whir" sound that lenses produced, it was hard for me at first to tell if it was working! The lens focuses quickly and accurately. The lens is nicely finished with nice rubber ribbing on the barrel. It accepts 67mm thread size filters. There may be a temptation to get a standard type Skylight filter. Spend the extra money for the Super Multicoated type. After all, if you spend nearly $1,000 for a lens, why would you skimp on a lower priced filter? The manual focusing mechanism turns freely after you reach the end of the focal length on either side. This is done so that you do not damage the focusing mechanism. For manual focus option, instead of setting your camera body to manual focus, the lens has a switch that allows you to switch between manual focus and auto focus without having to have your body set on manual focus. This is convenient. If the lens is hunting you can easily click over the switch with your thumb without having to remove the camera from your eye. There is no longer an aperture ring on the new digital series lenses. This is logical since all the f-stop settings are now done on the camera body. The stunning sharpness and contrast of this lens is amazing. Distortion is practically non existant and flare is tightly controlled. Make sure you have the lens hood attached to help make sure flare is not an issue. This lens makes the lower priced lenses seem inferior by comparison. This lens is made for professionals and it shows. If you are currently looking for a professional quality Pentax zoom lens, and need the high speed of a 2.8 lens for portrait or glamour photography, this is the one to get. This is an outstanding lens from Pentax. Rush out and get it!

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Designed for exclusive use with Pentax digital SLR cameras, the Pentax DA series 50-135mm telephoto zoom lens makes it easy to capture close-in sports shots or intimate wildlife photography. The lens is distinguished by its aspherical elements, special optical-glass elements, and original glass coatings, which help produce a high contrast, unmatched clarity, and edge-to-edge sharpness. The lens also boasts a tightly sealed weather- and dust-resistant housing that stands up to rainy or dusty conditions. And users will love the new SDM system, which produces smoother, quieter autofocusing using a built-in supersonic motor. Other details include a Pentax-original Quick-Shift Focus System that switches instantly to manual-focus operation, a Pentax SP coating that protects the exposed lens elements, and a focal length equivalent to 76.5-207mm in the 35mm format.

Lens mount: Pentax KAF2
Lens construction: 18 elements in 14 groups
Angle of view: 31.5 to 11.9 degrees (when used with Pentax digital SLR camera body)
Aperture control: Automatic
Minimum aperture: F22
Metering system: TTL open-aperture metering
Minimum focusing distance: 1 meter
Filter size: 67mm
Maximum magnification: 0.17x
Dimensions: 3 inches in diameter and 5.4 inches long
Weight: 24.2 ounces (without hood)


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Tamron Autofocus 28-200mm f/3.8-5.6 XR Aspherical (IF) Lens for Pentax SLR Cameras (Silver) Review

Tamron Autofocus 28-200mm f/3.8-5.6 XR Aspherical (IF) Lens for Pentax SLR Cameras (Silver)
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I purchased this lens for traveling with my Pentax digital bodies. It's a great alternative to carrying a bunch of lenses when traveling. The trade off for the versatility is the mecahanics at times. Instead of being a master on one focal range, it's the jack of all trades. It has a very difficult time focusing quickly, especially with a filter on the lens. AF is slow on this lens.

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Tamron offers this world's smallest, most lightweight 28-200mm high magnification zoom lens. With a minimum focal distance over the entire zoom area of 49cm, and a maximum magnification of 1: 4 (at 200mm) this remarkable lens achieves high magnification zoom performance with the compact size of a standard zoom lens. Through XR (Extra Refractive Index) glass and efficient use of aspherical lenses, Tamron has achieved a 25% reduction in size and a 27% reduction in weight over the previous model (Model 371D), along with a decrease in filter diameter by two-steps ?72mm - ?62mm) without compromising the superior image quality characteristic of Tamron 28-200 lenses.

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Pentax DA 55-300mm f/4-5.8 ED Lens for Pentax and Samsung Digital SLR Cameras Review

Pentax DA 55-300mm f/4-5.8 ED Lens for Pentax and Samsung Digital SLR Cameras
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I got this in the hopes of replacing both a Pentax 50-200 and a Sigma 70-300. Luckily, the image quality seems to be an improvement over both, though they were acceptable on their own. This lens is just a bit smaller than the Sigma, though not close to the small size of the 50-200.
The Pentax 55-300 does not have a quasi "macro" mode as do some other xx-300's including the Sigma, and the closest focusing distance is 4.67ft (1.4m) which is not particularly close, either.
As seems standard with Pentax, the lens hood has a hatch to allow turning a polarizer filter, and the "Quick Focus" ring allows manual focus to fine-tune the auto-focus when the shutter is still half-pressed.
Not particularly a fast focuser, it can hunt in low-contrast situations and when going from very close to very far, or occasionally lock up. The variable f4-5.8 speed is not great for low light but is is OK in most daylight circumstances and helps to keep the cost and size down.
Comes with front and rear caps, a black nylon pouch with no strap or loop, and a manual.

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The versatile Pentax DA 55-300mm zoom lens offers a focal length equivalent of 82.5 to 450mm in the 35mm format, making it ideal for moderate to long sports and wildlife shots. The lens is outfitted with multiple ED glass elements, which are designed to minimize chromatic aberration and makes images look crisper and sharper than ever before. The Pentax Super Protective coating, meanwhile, protects the exposed lens elements against dirt and contamination. Other features include a focusing ring that permits easy manual focusing, a 4.6-foot close focusing distance, and a 58mm filter diameter. Specially adapted for high-quality Pentax and Samsung digital SLR cameras, the lens carries a one-year warranty.
Specifications
Focal length: 55-300mm
Maximum aperture: f/4 to 5.8
Minimum aperture: f/22 to 32
Lens construction: 12 elements in 8 groups
Angle of view: 29 to 5.4 degrees (when used with Pentax digital SLR camera body)
Number of diaphragm blades: 6
Minimum focusing distance: 4.6 feet
Maximum magnification: 0.28x
Filter diameter: 58mm
Diaphragm control: Fully automatic
Hood: PH-RBG 58mm
Objective cap: O-LC58
Case: S80-160
Corresponding AF mounts: Pentax and Samsung
Dimensions: 2.8 inches in diameter and 4.4 inches long
Weight: 15.5 ounces
Warranty: 1 year


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Tamron AF 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens for Pentax Digital SLR Cameras Review

Tamron AF 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens for Pentax Digital SLR Cameras
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I own both Canon gear (Canon 40D) and Nikon gear (D40). Since Nikon is my cheaper lighter gear, I am not to invest a lot of $$$ into it. While D40 is light and cheap, it is an excellent camera which I use all the time for many reasons. I needed a tele lens to compliment my kit 18-55 lens (which is excellent in itself and gets great reviews). I was between Tamron 70-300 and Sigma 70-300 APO since Nikon's 70-300 is 4 times more expensive than Tamron and Sigma. After reading tons of reviews and playing with both Tamron and Sigma, I chose Tamron and I am very happy I did. There are several versions of Tamron's 70-300, however this one is the latest, 2008 version, which autofocuses on D40, 40X and 60. This lens is remarkable for the amount it is sold for. I've taken many great photos with it on vacation and around town. It is also very compact and light. While it is not an ideal lens to shoot Birds in Flight (neither is D40 with its 2.5 fps) due to its slow autofocusing mechanism, it is great for general photos and portraits. As you can see from samples I even took some bee shots with it. I took a star because of slow autofocusing, but hey, you are paying $130 for it, realize it. I recommend this lens over Sigma for budget shooters who want 300 tele, but don't want to pay $450 Nikon wants for its version. I am happy with it

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The Tamron 70-300mm f/4-5.6 Di LD Macro Autofocus Lens is a compact, light-weight, ultra-tele zoom which covers the 70mm to 300mm telephoto range and produces photographs of exceptional image quality. It is ideal for taking pictures at a distance particularly when the subject is difficult to approach such as in nature and wildlife photography as well as at sporting and theatrical events. The Tamron 70-300mm also excels at portraiture and allows you to isolate the subject from the background for eye-catching, dramatic portraits. This versatile zoom has superb macro capability with a magnification of 1:2 enabling 1/2 life-size close-up shots of flowers, insects, and other objects that normally would require the use of a specially designed macro lens. This new lens is made with the Tamron Di (Digitally Integrated) design which uses an optical system with improved multi-coatings designed to function with Digital SLR Cameras as well as Film SLR Cameras. Tamron also incorporates LD (Low Dispersion) glass in this lens to correct chromatic aberration, resulting in clear, sharp, and beautifully vivid images.

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