Showing posts with label tamron lenses. Show all posts
Showing posts with label tamron lenses. Show all posts

Tamron Autofocus 28-105mm f/4-5.6 (IF) Lens for Sony Konica Minolta SLR Cameras Review

Tamron Autofocus 28-105mm f/4-5.6 (IF) Lens for Sony Konica Minolta SLR Cameras
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I have purchased two of these lenses (autofocus version) for our Nikon N-70. I dropped the first lens and something came loose. This is a superb lens. I studied the Modern Photography Magazine ratings to select this lens, which was/is the sharpest zoom lens in the 20-120 range. Not even Nikon or Canon can beat this lens for sharpness across the focal range. Spherical Aberration is marginally higher than an average lens with this focal range, so you wouldn't want to shoot professional architecture photos with this lens. Tamron makes a semi-pro lens with an F-2.8 across a similar zoom range, but it is no sharper than this lens.

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Tamron's AF28-105mm f4-f5.6, measuring in at just under three inches and only 10.8 ounces, is conveniently small and lightweight, making it easy to carry with you. This medium telephoto lens is also extremely versatile; it is ideal for intimate close-ups or zooming out to true wide-angle for group shots, tight indoor spaces, and sweeping landscapes. Its internal focusing system, once only available in professional lenses, permits easy handling and practical use of filters. This model is dedicated to Minolta AF SLR cameras.

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Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF Review

Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF
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I took the Tamron AF 55-200mm out for a test drive along with my (new to me) Cannon digital rebel (300D). I went for a few hours into the wine country of Northern California. The Tamron is a perfect companion if you already have the standard Canon EF-S 18-55 mm lens. The Tamron is 55 to 200mm, so it takes over where the cannon leaves off.
Also, you get better lens performance compared to a lens that "tries to do it all" by going from super wide to long telephoto. Outdoors the camera was able to focus the Tamron quickly and reliably. I am very pleased with the lens.
I'm also pleased because this lens is designed specifically for digital cameras. (Digital cameras are different from film cameras in several respects). For example, a digital camera uses what amounts to a big chip to gather light, the surface of the chip is far more reflective than film. This means bright light can hit the chip and some of it bounce back into the lens. If the rear-end of the lense does not have good coatings, you can get re-reflections *back* to the chip. The light rays hitting the chip also need to be parallel NOT in a "cone". These are the types of design elements Tamron has paid attention to when designing this lens.
HOWEVER, you cannot use this lens with a film camera, or you will get dark fading (vignetting) around the edges of the photo.
Also, this lens is designed specifically for cameras with a CMOS or CCD chip no larger than 15.5 to 23.2mm (perfect for the Canon 300D) To see how big your chip is, refer to the specifications in your owners manual.

Click Here to see more reviews about: Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF

The Tamron AF55-200mm f4-5.6 Di II Macro LD (Model A15) is a tele-zoom lens designed exclusively for digital SLR cameras with smaller-size image sensors at an affordable price. Di (Digitally integrated)-II lenses are designed for exclusive use on digital cameras with smaller-size imagers. This lens is not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24mm x 16mm. For photographers who bought their digital SLR camera in a kit with a standard zoom lens but are dissatisfied with the telephoto capability of the standard lens, the AF55-200mm f4-5.6 Di II LD Macro offers in a second lens a desirable telephoto range at an affordable price. The tele-zoom from Tamron will allow these photographers to enjoy the telephoto capabilities that yield dynamic images in many photographic situations including sporting events, large wildlife, scenery and portraiture. Popular-type Tele-zoom for Exclusive Use on Digital SLR CamerasThis is a telephoto zoom for exclusive use on digital SLR cameras that covers the focal length range equivalent to 85-310mm when converted to a 35mm format. The lens will allow owners of digital SLRs fitted with standard zoom lenses to enjoy with ease the professional-looking "pulling" and "compression" effects particular to telephoto lenses. Lightweight and Compact Design Thanks to Optical System for Exclusive Use on Digital CamerasSince the optical system is designed for exclusive use on digital cameras, the image circle is smaller, resulting in a compact package measuring 3.3 inches, accepting a 52mm standard filter and weighing a mere 10.4 ounces. Revolutionary Minimum Focus Distance of 37.4 inches for 1:3.5 Macro Capability over the Entire Zoom RangeThe 55-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 37.4 inches over the entire zoom range, the top level of the closest focusing distance among tele-zoom lenses. Since the maxim

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Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras Review

Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras
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I have an older version of this lens for my Nikon and always got good results with it. I am using this on a Canon 5D Mk2, believe it or not, and it is great so far. Some barrel distortion that really shows in building shots, etc, but there is good software that can correct that easily. Also, it will be less on non-full frame cameras. Otherwise I think this is one of the best value lenses out there. Probably the ideal travel lens due to it's size, too. It's very small. Maybe the smallest zoom lens of that length. It's also very well made. Mostly metal. I trued out the Canon equivalent and have to say this lens seems sharper and with better color.

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28-200mm F3.8-5.6 Xr Di F/Canon

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Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for C... Review

Tamron 28-80mm f/3.5-5.6 Aspherical Lens and 75-300mm f/4-5.6 LD Lens Set for C...
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I purchased this bundled kit for my Rebel XT to see what kind of zoom range I would need and what my daily needs are before purchasing a Canon IS lens. The lenses work surprisingly well for the price. I have had lots of good and clear images. Very light and does the job. I will still keep these lenses with me, especially the 75-300mm lens as my handy backup. I use the 28-80mm as my main lens. There is some searching at AF but I just go to manual when that happens. I don't have a flash yet (more research there :-)) and have been pleased with the shots in low light.

Click Here to see more reviews about: Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for C...

Tamron 28-80mm f/3.5-5.6 Aspherical Lens & 75-300mm f/4-5.6 LD Lens Set for Canon EOS SLR Cameras: The Tamron Autofocus 28-80mm f/3.5-5.6 ia a standard zoom lens from a wide 28mm to a medium telephoto range of 80mm. The use of aspherical elements in the front group reduces the number of elements required, and the use of strong engineering plastic in the barrel makes the body a light 237g. Consequently, it is easy to carry.The Tamron AF 75-300 f/4-5.6 extended-range zoom lens offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens.

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Tamron AF 75-300mm f/4.0-5.6 LD for Canon Digital SLR Cameras Review

Tamron AF 75-300mm f/4.0-5.6 LD for Canon Digital SLR Cameras
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With lenses, the rule of thumb is, more often than not, "you get what you pay for" - having said that, this lens is an exception. This is a great price for a lens in this focal range. While I'm sure there are better quality lenses out there (if you want to spend a lot more money), for an under $200 lens, this one's great! Construction is solid and the lens feels sturdy and not at all cheap. Auto focus is reasonably fast and manual focusing feels quite comfortable. The level of sharpness and overall image quality from this lens has been just fantastic. I have no complaints at all and am very happy with this lens. I'd reccommend it to anyone looking for an inexpensive lens in this range.

Click Here to see more reviews about: Tamron AF 75-300mm f/4.0-5.6 LD for Canon Digital SLR Cameras

This extended-range zoom offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens.

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Tamron AF 28-75mm f/2.8 SP XR ZL Di LD Aspherical (IF) Lens for Pentax Digital SLR Cameras Review

Tamron AF 28-75mm f/2.8 SP XR ZL Di LD Aspherical (IF) Lens for Pentax Digital SLR Cameras
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The Tamron 28-75 has become somewhat of a legend due to its phenomenal image performance for the price. Yet, when you take price out of the equation, this lens still holds its own surprisingly well against the top-dogs from Canon and Nikon costing anywhere from two to four times the price of the Tamron. So far, I've found this lens is consistent with what I've been hearing across the Internet: image quality is at a professional level.
The lens looks and feels like most Tamron lenses I've seen, plastic but reasonably well built. The zoom ring is at first a little snug in operation, but I suspect it will loosen a bit over time. The focus ring rotates during automatic focus operation, but that's really a non-issue in my view of things. However, everything still feels generally solid and of quality construction, in contrast to the loose and rattling lens barrels, zoom and focus rings of the Pentax "kit" lenses: the 18-55 and 50-200. Autofocus operation with the 28-75 is a bit on the noisy side, but I've found it to be fast enough so far. What's most important, it's been spot-on in typical shooting situations (a welcome relief to the Pentax DA* 50-135 f2.8 I had to return due to poor autofocus performance and resultant soft images).Some comparison shots between this lens and the Tamron 18-250 taken in the 28 to 75mm range show that the 28-75 is clearly a sharper lens and maintains that sharpness nicely boarder-to-boarder. The 18-250, my basic walkaround lens, is a strong performer in that lower range, but it is simply outclassed by the 28-75. Contrast and color saturation is also superior to the 18-250. Interestingly, color tone with the 28-75 looks to be ever so slightly warmer. I've found that CA (chromatic aberration - purple fringing) is present in some rare shots near the boarders such as with the edges of overhead florescent lighting in a gym where that lighting is overexposed in contrast to the rest of the picture, but I haven't seen it appear in many other situations where one would expect to find purple fringing.At f2.8, I've found that this lens still produces impressive images, especially at the long end, but not quite up to the sharpness at f4.0 and higher. So far, I haven't really noticed any issues with vignetting or distortion.
The 28-75 is also a full-frame lens, meaning that it is designed for cameras with a 35mm film frame-sized sensor, but it will also work on the smaller APS-C sensor of the Pentax D-SLRs (dedicated APS-C lenses such as the Tamron 18-250 will not work properly with a full-frame sensor). The positive of using a full-frame lens with the APS-C sensor is that the smaller sensor benefits from being more in the lens' "sweet-spot, " that is, the potentially softer/distorted boarders seen by a full-frame sensor for a particular lens are just outside the reach of the APS-C sensor. Kind of makes one wonder why all D-SLR lenses aren't full-frame.
Considering the limited lens options for Pentax D-SLR owners, especially higher-end products, this is certainly the lens to have. While the Pentax APS-C factor of 1.5x, and an effective focal length of 42 - 112.5mm is perhaps not quite wide enough for some shots, it does, however, work great for general use including portraits and low-light interior shots without flash. A nice surprise I found with this lens is that it has an aperture ring which means I should be able to use it on my old Pentax ME Super film SLR for a true 28-75mm focal range. As I continue to be impressed with the 28-75, I'm hoping that the new Tamron 70-200 f2.8 due out in a few weeks will be in the same league as this legendary lens bargain.


Click Here to see more reviews about: Tamron AF 28-75mm f/2.8 SP XR ZL Di LD Aspherical (IF) Lens for Pentax Digital SLR Cameras

Di: Digitally Integrated Design, is a designation Tamron puts on lenses featuring optical systems designed to meet the performance characteristics of digital SLR cameras. The most compact and lightest in the history of fast zoom lenses. Thanks to the revolutionary downsizing "XR" technology employed by Tamron in the development of high-power zoom lenses such as the 28-200mm and 28-300mm, the dramatic compactness that makes this lens the world's smallest and lightest is achieved. Its compactness makes it look and feel like an ordinary standard zoom lens, yet the versatility that a fast constant maximum aperture offers will definitely reshape your photographic horizons.

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Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Pentax Digital SLR Cameras Review

Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Pentax Digital SLR Cameras
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This is a good all purpose lens. The 28 - 300 mm zoom equates to approximately 42 - 450 mm on most DSLR's. There are almost always tradeoffs in anything you buy and this is very true with lenses. This lens provides a wide zoom range, has a minimum length of 3.3" and weighs about 1 lb. It is not very fast with a maximum aperture of F 3.5 at 28 mm and 6.3 at 300mm but when used with a Pentax K10D the automatic focus works well under most lighting conditions. I use it primarily for nature photography. It has produced good images in most situations. Although it focuses to 1.6 feet throughout the zoom range, to provide a 2.9 magnification ratio at 300 mm, the short depth of field results in disappointing close-up shots. Overall I am pleased with the Tamron AF28-300 and would recommend it to anyone that wants one lightweight lens to cover a wide zoom range.

Click Here to see more reviews about: Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Pentax Digital SLR Cameras

Tamron's Di lenses featuring optical systems for use with both digital and film cameras have been highly evaluated by users around the world since the introduction of the first Di lens, SP AF28-75mm F/2.8 (Model A09), in 2003.Many users strongly suggested that Tamron make the existing non-SP high power and compact 28-300mm lens they are using with their film cameras available in the Di design in order to realize the same convenience and quality images with digital cameras.Tamron has redesigned the conventional AF28-300mm zoom (A06) to feature the Di design in order to meet the demand of those photographers.Main Features:High Image Quality by Virtue of Di (Digitally Integrated) Design: The "Di" design is achieved by first improving our BBAR coatings to a new multi-coating that encompasses all of the benefits of the original but now further reduces the ghosting and flare caused by aberrations, and secondly by further enhancing our already stringent quality control system.The new AF28-300mm Di is redesigned as a high power zoom lens now ideal for use with interchangeable-lens digital cameras as well as film cameras.Changes1. Improved Coating: Newly developed Multi-coating ideal for digital imaging to reduce ghosting and flare caused by aberrations and to increase contrast2. Enhanced Quality Control: Ensure mechanical and and optical meet new standard3. Exterior design: Di lo

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Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Sony & Konica Minolta Digital SLR Cameras Review

Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Sony and Konica Minolta Digital SLR Cameras
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the pros of this lens are:
1.it is light about 237g (8.4oz)
2.it's rubber body makes it easy to focus or focal length.
3.focusing is very smooth
4.28-80 focal length
The cons of this lens are:
1.switching between 50mm to 28mm seems to be stiff(this could be just mine)
2.Minimum Aperture is only F/22
3.Minimum Focus Distance is 27.5 in
overall a good lens not great, great for the price great, brand (in my opinion) don't pay more than 60.00 yes i know it has a msrp of 133.95 but relay who pays msrp. hop my review helps you in your decision.

Click Here to see more reviews about: Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Sony & Konica Minolta Digital SLR Cameras

The Tamron AF28-80mm f3.5-f5.6 is a standard zoom lens with a wide to medium telephoto range of 28-80mm, providing great range for nature and landscape photography or snapshots and home photography. By using aspherical elements in the front optical group, Tamron reduced the total number of elements required. They also used strong, engineered plastic for the barrel, making the total lens body only 8.4 ounces. These features make this lens extremely versatile and lightweight. This model is dedicated to Minolta AF SLR cameras.

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Tamron AF 200-500mm f/5.0-6.3 Di LD SP FEC (IF) Lens for Canon Digital SLR Cameras Review

Tamron AF 200-500mm f/5.0-6.3 Di LD SP FEC (IF) Lens for Canon Digital SLR Cameras
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This new lens, part of the Di (designed for digital) initiative from Tamron is very well built - light and balances well in hand.
It compares nicely with much more costlier Canon 100-400 L IS and compliments perfectly 70-200 type of lenses to extend telephoto reach to incredible 800mm on 1.6x crop camera.
Very sharp even wide-open from 200mm to 400mm it starts to slightly lose its edge at 500mm but still is very respectable. AF is quick and not very noisy. The lens can be hand-hold in broad daylight but is best used either with monopod or a good tripod (especially if you shoot in dusk conditions). Attaching optional 1.4x extender would allow to bring subjects up to 24 times closer compared to bare eyesight and still get a very high quality shot.
From the drawbacks there is slight lack of contrast comparing to 'L' (professional) lenses from Canon and slow F/6.3 apperture at the tele-end, making AF sometimes difficult with cameras that are not designed for AF after F/5.6 (such as 20D or Digital Rebel). Putting extender or/and Polarizer filter on lens would cut light that reaches the camera another 2-3 times, making this lens very slow and forcing Manual Focusing. So if you need the speed at such extreme reach, better consider prime (non-zoom) lenses.
The filter size is 86mm making finding an affordable quality filter for this lens a practical impossibility. But if you do manage to get a decent polarizer filter, using it would be much simplier then with any other large lenses due to included filter attachment ring. With any other lens the hood would be blocking access to the filter but thanks to this simple gadget, Tamron 200-500 can be used successfully with both filter and hood on.


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L9) 200-500MM F5-6.3 DI F/CANON

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Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Review

Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras
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When I purchased my A100, I wasn't too impressed with the Sony lenses that were offered, and I wasn't about to spend the cash on a Carl Zeiss. I had heard great things about the Tamron line, and the 17-50mm range fit well into what I consider a walk-around lens. The 2.8 max aperture is excellent, especially when paired with the camera-housed image stabilization in the Sony Alpha. I've shot hand-held in some really low light situations, with great results. I can't recommend this lens enough. If you decide to purchase an Alpha, go body-only and get this lens, you won't be sorry.

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Di II: Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for 35mm film cameras and digital cameras with image sensors larger than 24mm x 16mm. The SP AF17-50mm F/2.8 is a lightweight, compact, fast standard zoom lens designed exclusively for digital SLR cameras, expanding the product concept of the popular SP AF28-75mm F/2.8 zoom lens. In addition, portrait shots are made beautiful with the natural out-of-focus effect characteristic provided by the fast F/2.8 aperture. Additionally, a broader photographic expression through the use of faster shutter speeds as a result of the maximum aperture offers enhanced photographic pleasure. The lens boasts one of the best close-up shooting performances in the class of fast standard zoom lenses designed exclusively for digital cameras and featuring an F/2.8 maximum aperture throughout the entire zoom range, to ensure stress-free photographic shots at all focal lengths and distances.

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Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Canon Digital SLR Cameras Review

Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Canon Digital SLR Cameras
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I bought this lens that came in a package deal with the Canon Rebel 2000 and the Tamron 100-300mm f/5-6.3. This is the lens that I use 90% of the time, and it has held up very well. The pictures come back very sharp and the quality of the prints are very good at most focal lengths. However, there are a few things I should note about this lens that I'm not too pleased with.
1) The autofocus system is a little slow and rather noisy.
2) The zoom operates in an odd way. Most zoom lenses are shortest at the lowest focal lengths, and extend at the higher focal lengths. This lens,however, is shortest at about 50mm and gets longer for both 28mm and 80mm. It's kind of an odd setup, and it has led to a small problem. If I have the focus set to infinity or near it, and have it on autofocus, the zoom ring is sticky, or hard to move when I get to 28mm. If I have the same setup but put the lens on manual focus, rotating the zoom cuff will actually rotate the focus ring a small amount, until it is away from infinity. Now I don't know if this happens eventually to all of these lenses, or just mine. But this problem did not happen until several months after I purchased and used the lens.
But overall, this is a very nice lens. It is small and compact, and perfect to leave on the camera all the time. As I said before, the pictures turn out great, which is all you can ask for in a lens.

Click Here to see more reviews about: Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Canon Digital SLR Cameras

The Tamron AF28-80mm f3.5-f5.6 is a standard zoom lens with a wide to medium telephoto range of 28-80mm, providing great range for nature and landscape photography or snapshots and home photography. By using aspherical elements in the front optical group, Tamron reduced the total number of elements required. They also used strong, engineered plastic for the barrel, making the total lens body only 8.4 ounces. These features make this lens extremely versatile and lightweight. This model is dedicated to Canon AF SLR cameras.

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Tamron AF 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens for Canon Digital SLR Cameras Review

Tamron AF 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens for Canon Digital SLR Cameras
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The new Di lenses from Tamron are designed to work well with digital cameras, although those with the Di will work for 35mm as well (Di-II only work with smaller, APS-C chip size digital cameras). This is an improvement on the fine 70-300 LD (Low Dispersion glass) design. The major improvements in this lens are in the coatings, to help reduce any color bias, and minimize reflections. Additionally, lens manufacturers are doing more inside the barrels to reduce reflections.
Like the older LD design, the new lens has a close-up mode (not strictly "macro") position that allows images 1/2 lifesize on the negative. That's about twice the size of most 300mm zooms lacking this feature.
Compared to the Canon lenses, it includes a lens hood ($$ from Canon) and a six year USA warranty (vs. 1 year). It's a bit noiser than the Canon lenses in autofocusing. Additionally, the Canon 75-300 III is a considerably older design, which came out well before the needs of digital cameras were known. One slight drawback is that the Tamron uses 62mm filters vs. 58mm for the Canon (which is the same size as the popular 18-55 kit lens).

Click Here to see more reviews about: Tamron AF 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens for Canon Digital SLR Cameras

Tamron now offers a lightweight, compact, high-image-quality telephoto zoom lenswith macro capability of 1:2 that can be used with digital cameras. This new lens is a Di type lens using an optical system with improved multi-coating designed to function with digital SLR cameras as well as film cameras.With this 70-300mm telephoto zoom lens, flipping a macro switch in the focal length range of 180mm to 300mm obtains a maximum magnification ratio of 1:2 at a minimum focus distance as short as 37.4", enabling close-up shots of flowers, insects, and other objects that normally require the use of a specially designed macro lens. Moreover, this is a zoom lens that casually offers the distant capture and foreshortening effect pleasures of the 300mm ultra-telephoto world.

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Tamron AF 11-18mm f/4.5-5.6 Di-II SP LD Aspherical (IF) Lens for Nikon Digital SLR Cameras Review

Tamron AF 11-18mm f/4.5-5.6 Di-II SP LD Aspherical (IF) Lens for Nikon Digital SLR Cameras
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I do real estate photography and the 11 - 18 is essential for interior work. I've been using the lens for about 2 years now and like it pretty well. The major problem I have with it is color fringing along lines of high contrast. The lens also suffers from some minor fisheye distortion in the 11 - 13 range, but it is easily remedied in the digital darkroom. It has less distortion in the 14 - 18 range than my Nikkor 18 - 70 does at 18. It is not a good choice for people photography. I consider it a good value for the money.

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Tamron AF 11-18mm f/4.5-5.6 Di-II SP LD Aspherical (IF) Lens for Nikon Digital SLR Cameras

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Tamron Autofocus 28-75mm f/2.8 XR Di LD Aspherical (IF) for Nikon DSLR Cameras Review

Tamron Autofocus 28-75mm f/2.8 XR Di LD Aspherical (IF) for Nikon DSLR Cameras
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I was shocked to see this lens with a low average score. Obviously the initial reviewer either had a bad lens or doesn't know the best practices of his camera. Well, it's his loss, cause this lens is one of the best I've used and my all-time favorite of my current kit.
I decided to give this lens a try after having good luck with other Tamron lenses and checking out the quality images my friend got with the same lens on a Canon camera. It was on my short-list for awhile, and I was thrilled when I finally had a chance to buy it.
Pros:
* size and weight - this lens is great if you want to travel and don't want to sacrifice quality. it is light, as are most Tamron lenses I've tried, but well built and easy to work with.
* color and sharpness - no problems with sharpness here, and color is superb. I find this lens provides better quality than the Tamron 18-200 that I started out with, and far above the Nikon 18-70.
* bokeh (out-of-focus background rendering) - beautiful, which can be said for every Tamron lens I've used so far. they handle the bokeh perfectly and produce some of the best results when shooting shallow depth of field.
* price - this lens falls at a nice price compared to similar Nikon models, and it covers more range than some of the 2.8 Nikon lenses.
* zoom lock - I love this feature on the Tamron lenses. I always lock it when I'm not shooting or before it goes back in the bag. I hated pulling the Nikon 18-70 out and having it fully extend every time because the sides of the bag just barely held onto the lens hood.
* will work with non APS-C size cameras. Nikon doesn't have a full-frame digital available yet, but who knows what will happen in the future. If they do release one, it's nice knowing you can use this lens on it as well. Same if you want to shoot film now and then, since the "digital only" lenses cannot be used on those cameras.
Cons:
* 28mm is not at all wide on a APS-C size sensor, which all Nikon models currently use. I would prefer 18, 20, or at least 24mm. My wide angle is a Sigma 10-20, so that leaves quite a gap in the wide range, unfortunately. It does go up to 75 rather than 70, but I've found that if 70 isn't enough, 75 isn't enough either, in most cases. I'd prefer that extra range on the wide end instead.
* auto-focus can hunt in low-contrast situations. again, this is a trait I've found with all my Tamron lenses, and it is easily overcome by switching to manual when needed.
That's the long and short of it. I don't think I will ever need to replace this lens, and for now it is the default lens on my camera whenever I go somewhere. Great performance all-around, nice bright image in the view-finder, and a nice price from Amazon. I would recommend this lens to anyone looking for a higher quality over their original kit lens.

Click Here to see more reviews about: Tamron Autofocus 28-75mm f/2.8 XR Di LD Aspherical (IF) for Nikon DSLR Cameras

The most compact and lightest in the history of fast zoom lenses. Thanks to the revolutionary downsizing technology employed by Tamron in the development of high-power zoom lenses such as the 28-200mm and 28-300mm, the dramatic compactness that makes this lens the world's smallest and lightest is achieved. Its compactness makes it look and feel like an ordinary standard zoom lens, yet the versatility that a fast constant maximum aperture offers will definitely reshape your photographic horizons. Digitally Integrated Design, is a designation Tamron puts on lenses featuring optical systems designed to meet the performance characteristics of digital SLR cameras. Tamron produces high performance, quality specification lenses utilizing the latest optical theory and technology. Tamron's high magnification zoom lenses, which are said to be particularly challenging technically, have received critical acclaim internationally for their innovative technology and have been selected for many prestigious awards. Tamron's technical excellence has also been recognized worldwide for macro lenses, wide angle lenses and telephoto lenses. And Tamron's new line of Di lenses for superior performance with digital SLR cameras, is garnering attention and awards from around the globe.

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Tamron Autofocus 18-200mm f/3.5-6.3 XR Di II Macro Lens for Nikon Digital SLR Cameras Review

Tamron Autofocus 18-200mm f/3.5-6.3 XR Di II Macro Lens for Nikon Digital SLR Cameras
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If you're like me, you can't find the Nikon VR lens anywhere unless it's being marked up 50-100% by businesses taking advantage of the shortage (supply & demand, right?).
After 2 months I got tired of waiting for the VR lens and bought this 18-200mm Tamron instead (vacation just days away). I have taken many dozens of walk around photos with this lens attached to my D200 getting a feel for it's capabilities. As a photo hobbyist rather than a real photographer, I produced some very acceptable results (and a few stinkers too).
At higher magnifications it is more susceptible to camera shake than say my 70-300 Sigma lens, and I believe that may be due to the Tamron being a "slower lens" requiring slower shutter speeds to get the same amount of light through it (at high zoom). I can see where the Nikon VR lens would win hands down here since it's faster AND has vibration reduction, BUT - Do not discount this lens as I have managed to, with patience & a steady hand, or a tripod in some cases, produced great results.
The Tamron is not all that noisy, and the auto focus is pretty quick. It does fail to autofocus in certain shady conditions so if you do most of your shooting in moderately dark shade you might run into trouble. It seems to do better with "contrasty" shade rather than dim grayish backgrounds where it really hunts for focus (mine anyway).
I can't seem to get consistent results with the Tamron using a flash indoors. About half of my flash photos are slightly out of focus despite my best efforts at hand holding the camera still. The clear pix are great however. I have yet to take any indoor pix using my SB-600 flash so all of my indoor shots to date are using the pop-up flash. That probably has no bearing on the fuzzy shots I've produced but I thought to mention it.
Overall I recommend this lens as a suitable outdoor walkaround lens. Nearly all of my outdoor shots are nicely sharp with great color and contrast. It's operation is smooth and feels good. For indoor shooting you MAY want to carry a faster lens like a fast, fixed (prime), or even the 18-70mm "kit" Nikon zoom which does significantly better indoors.


Click Here to see more reviews about: Tamron Autofocus 18-200mm f/3.5-6.3 XR Di II Macro Lens for Nikon Digital SLR Cameras

The Tamron AF18-200mm high power zoom lens features an entirely new optical design using XR (Extra Refractive Index) glass in an innovative way in order to optimize the overall distribution of optical power throughout the entire zoom range. This design reduces various aberrations to the absolute minimum and achieves remarkable downsizing at the same time. In addition, three hybrid aspherical lens elements and two LD (Low Dispersion) glass elements are used to accomplish effective compensation of on-axis and lateral chromatic aberrations, a critical factor to enhance the optical quality in digital photography. As a result, the lens provides outstanding optical quality in a multi-purpose zoom lens. A glare-reducing flower-shaped lens hood is included as a standard accessory. The special hood provides optimum shading of superfluous light rays that enter from the rectangular frame outside the image field. It employs a new optical system designed to confine the changing angles of incidences of light rays reaching the imager within a certain scope over the entire image field from the center to the periphery, by considering the effects of variances due to zooming. Complicated mechanisms are built in the compact body thanks to new mechanical artifices. The lens is a multi-purpose zoom lens, yet excellent portability and ease of use are assured. A number of invisible engineering innovations required to downsize the lens, produce high precision parts and increase durability are incorporated in the new AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO

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Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Nikon Digital SLR Cameras Review

Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Nikon Digital SLR Cameras
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(Tamron also makes this lens available for Canon and Pentax digital SLRs, for the same price.)
This new digital SLR-friendly zoom lens from Tamron is a great way to acquire a high-quality zoom lens for a fraction of the cost if you bought from the camera maker (e.g., Nikkor). Tamron claims this is world's "smallest and lightest" zoom lens for the focal range. I have no idea if that's true. It's small and lightweight indeed, about the same size as the DX lens bundled with the Nikon D70 but feels lighter in the hand. To my eyes it's a plastic lens, but this made-in-Japan lens looks and feels solid. It has all the bells and whistles of a modern lens: XR, LD, asperical, plus macro capability. In real world shooting I'm very happy with the result, and I really don't think buying an official Nikkor lens would make much of a difference. Two things to keep in mind is, 1) as long as you buy a namebrand lens (Tamron, Sigma, and maybe Vivitar) you are getting a good deal, and 2) the marginal increase in lens quality (perceived or real) from the camera maker is extremely unlikely to improve pictures by any discernible amount. Give Ansel Adams a disposable camera and he would still take better pics than you and me, period. As long as you have a high quality, capable lens like this Tamron, you are armed with all the gear you need to NOT miss a great picture opportunity. The only ingredient nobody can sell, is your creativity. (Unfortunately the latter is what I lack and try to improve. For now, at least the Tamron is giving me the right tool.)
For digital Nikon SLRs, the 1.5 "magnification" factor (or crop factor) means the effective focal length of this Tamron is about 43-460mm in 35mm equivalent.
In short, this is a really top-quality lens that any Nikon D70 enthusiast should consider. It's a lot bang for the buck, and it's even made in Japan unlike many Nikon official lenses which are made in sweatshops in Southeast Asia.

Click Here to see more reviews about: Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Nikon Digital SLR Cameras

28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Tamron zoom lens * effective focal length: * 28-300mm with 35mm film or full-frame digital cameras * 44-465mm with APS-C sensor cameras * compatible with Nikon digital and film SLR cameras with F mount * manual focus only with Nikon D40, D40x, and D60 SLR models * Extra Refractive Index glass for a compact, lightweight design * low-dispersion glass and hybrid aspherical glass elements for superior image quality * internal focusing * minimum focus distance: 19.3 in. *

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Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Nikon Digital SLR Cameras Review

Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Nikon Digital SLR Cameras
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Most camera kits come with a basic zoom lens, and my first Nikon camera came with a 28-80mm f/3.5 lens. It served me well for nearly ten years, but as of late it has not been focusing so well and in some shots I noticed what I thought were out of place hairs. A day later I took some shots of a lighthouse and once again noticed the out of place hair. Since lighthouses don't have hair, I took a closer look at the lens and noticed it was scratched. I needed a replacement les in a hurry for a special event and the only option was this lens from Tamron. I hoped for a Nikon lens that was out of stock, but was told by the dealer that this lens would be comparable since the Nikon lens was not one of the manufacturer's better lenses.
For me, this lens is a "friends and family" lens. I use it for group shots, birthday parties and Christmas photos, and from time to time some scenic shots. I have better lenses for artistic purposes. This lens allows me to capture these moments just as I like. It's also sturdy which is a plus. When I'm capturing a building, lighthouse, or something that does not have too many intricate details I'm happy with the results. Some of the nature shots have not been a sharp as I would like, a f/2.8 would be a better choice for these situations, but they are still acceptable photos.
This is a good all purpose lens for general use that works equally well in a digital and film camera. If landscapes and scenic are your specialty, you may want to consider a f/2.8, but for adequate quality photos, this lens will more than serve the purpose.
While I am giving the lens a four star rating instead of five, it is due to the fact that there are better lenses available and its my guess that most people looking at this review may be considering two or three different lenses, so I don't want to be misleading, but if I were to give stars based on quality and value, I would give it five stars because it's more than worth its price.


Click Here to see more reviews about: Tamron AF 28-80mm f/3.5-5.6 Aspherical Lens for Nikon Digital SLR Cameras

By using aspherical elements in the front group of the Tamron AF28-80 f/3.5-5.6, the number of elements is greatly reduced. The AF28-80 lens is very portable, weighing only 8.4 ounces. This lens can take wide-angle shots when pulled back to 28mm or close-ups when zoomed out to 80mm. This model is dedicated to Nikon SLR cameras.

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