Showing posts with label digital slr cameras. Show all posts
Showing posts with label digital slr cameras. Show all posts

Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black) Review

Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)
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Now I know that is a bold statement and I intend to back it up. However, before I do I need to explain what I mean. I am not saying this camera is the best at everything or even anyone thing. Cameras that are the best at something are usually specialized beasts that can really only do that one thing well. What I am talking about is a camera the is so good in so many categories that it can joyfully be used for just about and photographic or video graphic purpose you may have. The GH2 is that camera.
Now that is out of the way we can get to the meat and potatoes of the review. I shoot mostly Nikon and Panasonic and I primarily shoot stills. I dabble in Video but do not proclaim myself any sort of an expert. I can say if you are looking for the best handling combo/cam with the most features then the GH2 is the one you want. Panasonic went out of its way to make this a video camera so that was its primary focus with this camera. However, there are lots of payoffs for the stills part of this camera so this is the best m4/3 stills camera by a long shot also. I will also say that the hard core video market is a niche market compared to the stills market because shallow depth of field video is hard to shoot properly and hard to edit. The average home user has neither the time nor inclination to properly storyboard and shoot this type of video. However, with that said, it is really nice to be able to shoot stills and video. And basic home videos are a snap to shoot with this camera; much more so than any other DSLR with the exception of the Sony SLT A55/33 which at least has a fast auto focus also. To shoot nice home movies, put the mode dial to iA, press the red button, and you are shooting video.
This camera is the next generation of cameras as it successfully blends the advantages of Point and Shoot cameras with the benefits of DSLRs and creates and incredibly small and powerful camera. Listed below are some of the benefits and weakness you get from this next gen camera.
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The handling on the GH2 is bar none the best handling "DSLR" on the market. WIth smart controls, great layout, fast autofocusing, swivel screen, full time double live view, etc. Even with how good the D7000 is, it still feels clunky after using the GH2. I get into most of the details of this down below so I don't want to repeat the info here. What I will say here is that you can do things with this camera you couldn't hope to do with DSLRs and you can generally set up your photo parameters much faster with this camera. The menus on the GH2 are not very good. However, the actual camera controls are so good you will rarely even need to use the menus.
Program Shift - Forget using Aperture priority with this camera. You can leave the camera in Program mode. With program shift you can change the aperture setting and thus the shutter speed while in program mode. To do this you press the shutter release button down half way to set the exposure. Then if the numbers are in yellow you just rotate the rear dial switch to change aperture. Want a shallower depth of field or faster shutter speed, then dial in a bigger aperture (smaller number). If the numbers are not in yellow then you are currently in exposure compensation mode. All you have to do is click the rear dial switch and then rotate it. Snap. What a neat feature.
Extra Tele Convert (ETC) Mode in Video - If you shoot video you are going to love this. This is even great for home/casual video shooters. The GH2 has a 16mp sensor but like every other consumer combo/cam shoots 2K video. That means the picture is usually down-sampled to make it 2K. This has some pluses and minuses. Enter the GH2. With the ETC mode the camera uses only 2K of the sensor. This gives you an extra 2.6x crop factor. Which means your total crop factor is now 5.2x. So that brand spanking new 100-300mm you just got is now 520-1560mm with no light loss. If you put a Nikon 135mm f2 then you now have a 702mm f2! lens for video. There are some drawbacks for using ETC also but they are pretty negligible.
Auto focus - the auto focus on the GH2 is twice as fast as the GH1 and the GH1 was the fastest of previous generation. I have seen some very knowledgeable photographers saying it is as fast as mid-level DSLRs. While I think it is supposed to be a complement I don't think it is a very good comparison. I find the focus speed of DSLRs has most to do with what lens you have on. There are some lenses that focus slowly on even a D3. All of the lenses I have used on the GH1 focus very quickly except the 45-200mm. That lens tends to be my slowest. Non of the lenses I have focus as fast as a 70-200mm f/2.8 but the rest of them focus as fast if not faster than any of the other Nikon lenses I own. The best I can say about this is that you won't notice the focus speed on the GH2 as it is fast enough to get out of your way.
Smaller lighter camera - I recently went on a trip to Egypt and carried nothing but my Panasonic gear. Two camera bodies, 5 lenses, 1 flash, an iPad, and camera bag. Total weight 10lbs (3lbs of that was the bag itself). My Nikon D300 and 14-24mm lens would have weight more just by themselves (I was carrying the Panasonic 7-14mm so I did have wide covered)
Swivel Screen with full-time live view - You won't know what you are missing until you become used to this and how well it works. Want to reach up as high as you can and shoot down; No problems. Want to get as low as possible but can't lay down in the mud or water; No problem. Want to take a picture of you and your daughter but there is nobody around; No problem. Turn the screen around aim the camera at you and use the screen to frame. Something that makes photos interesting is showing the viewer something from a perspective they don't often see. The swivel screen actively encourages this. The other thing the swivel screen does is make shooting from a tripod a joy. Because of how small and light this camera is you can use a much smaller tripod. I have a 3lb tripod that can support 7lbs. Also, you can now set you camera up in all sorts of whacky positions and just rotate the screen to be able to frame and focus. Very nice. Also, with no mirror to flip up you don't have to worry about any vibrations.
Touch Focus implemented as slick as on the iPhone. As I mentioned above you can shoot from many strange angles because you can swivel the screen to almost any angle. However, if the camera did not focus on what you wanted it would be hard to change it. Now you can simply touch the screen on what you want to focus and presto it will focus on that. The GH2 is worth the price just for that.
WYSIWYG - What you see is what you get. Since you are looking at either the screen or the beautiful EVF, you are seeing what the sensor sees. With a DSLR you are seeing what the lens sees. This is an important difference. If you forgot to reset your WB or Aperture or any camera setting, you will see it before you shoot. On a DSLR you would have no idea until you looked at the pictures. Also, if it is a low light situation, the EVF will start to noise up and start to lose some of its smoothness. This is a warning to you that you need to use flash or a tripod. With a DSLR the viewer becomes darker but you don't get a very good visual cue of how your camera is seeing it. For me the most brilliant thing with WYSIWYG is setting exposure. Because I can see what the camera is doing with exposure, I usually leave the camera in P mode. Then I change the exposure by changing where I aim the camera, lock the exposure and then reframe for the subject. It works something like this. I am trying to take a picture of a person but the exposure is picking up to many bright objects, thereby dimming my subject. So, I aim the camera to include more dark areas while keeping my subject in the shoot. Then I press the shutter release button down half way to lock the exposure and focus. Then I reframe back to the original photo. This works so quickly you can try several exposures in less time than you could set one with the exposure compensation dial (which is actually exceedingly well executed on this camera also.) In a DSLR, since you don't see the exposure, you are just basically guessing at what you want and then shooting, view the photo and fix. Much slower.
Shoot about any lens you want - The distance from the lens to sensor is so short, that with the appropriate adaptor, you can put just about any lens you want on this camera. Canon, Nikon, Leica, Voigtlander, Pentax, Sony, you can use them all. Generally you need to use lenses which have aperture rings. Additionally, you do lose autofocus but there are many instances where this just doesn't matter. Macro photography is a good example. You can fit a Nikon 200mm f/4 onto the GH2 and then either get a 2:1 reproduction or a 1:1 reproduction with twice the depth of field. It is like putting on a teleconverter without the loss of light and depth of field. Brilliant.
Great for Newbies - All DSLRs are easy for anyone to use and the GH2 is no exception. The great handling makes the GH2 better for newbies in my opinion. Anyway, all you have to do is put the camera into iA mode and start shooting. This camera gets the subject correct more often then not and will make you look good. In dynamic situation, I actually use the iA mode quite a bit. I do this because the camera is good a recognizing as scene as a person, flower, scenery, etc. The camera then instantly sets numerous setting to make that scene look as good as possible. If you tried to do it yourself it could take a few minuets to set and then a few to set back. Or even worse you forget to reset it and you next pictures look bad. If I have time,...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)

Enforced by the high-performance of new components and advanced technologies, the creative HD Hybrid DMC-GH2 is now offering an even higher level of creative possibility and intuition for every enthusiastic user to explore realms of not only photography but also of videography at the same time. The LUMIX DMC-GH2 is the latest member of the New Generation System Camera LUMIX G DSL Micro System. Fully compliant with the Micro Four Thirds System lens standard, the LUMIX G DSL Micro System combines a downsized body with advanced functions that achieve both high performance and operational comfort. Featuring an intuitive touch control, the new DMC-GH2 boasts its worlds fastest* level Light Speed AF of approx. 0.1 second to capture the subject in spur-of-the-moment in sharp focus*. The key components including the sensor and the image processing engine are totally refined to achieve the highest performance of the camera to render a stunning image with high resolution, beautiful gradation and high sensitivity - all worthy of the flagship camera of LUMIX G DSL Micro System, DMC-GH2.FEATURES:
Elevating the potential of movie recording into a "true-hybrid" digital camera - There are always two options to record spur-of-the-moment sceneshigh-quality photos or movies. The user can simply choose the one that saves precious memories most beautifully with DMC-GH2.The predecessor DMC-GH1, which was substantially the first full HD movie recording interchangeable lens system camera with practical auto focus system. The AVCHD format features almost twice the recording time in HD quality than the conventional Motion JPEG format. A special, dedicated button on the top lets the user instantly start recording movies while shooting photos without ever having to make any extra settings changes. Now the DMC-GH2 can record high-resolution full-HD 1920 x 1080 movies in astonishing smooth 60i, doublin

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M-ROCK Cascade Square SLR Camera Bag (Black/Red/Orange) Review

M-ROCK Cascade Square SLR Camera Bag (Black/Red/Orange)
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This is a very well made bag, with a lot of attention to the details. It is still a tight fit to get both my SLR camera with lens attached, and another lens in the bag. This is with the use of the padded dividers. Without them it would be roomier, but the camera and spare lens would not be protected. The padded dividers have velcro, so you can customize the interior, which is a nice feature. There are 3 padded velcro dividers, however I could not figure out how to use one of them! So, I just left that one out. However, I found that trying to get them precisely where I wanted was a hassle. The velcro would stick too well and always where I didn't want it. At least once you have everything where you want, it is not something you have to deal with again.
The zippers are sealed against water, but this also makes them a bit stiffer to use. This may change with use, but it is still a good feature to have. The bag as a whole is very well padded and water resistant.
There are a nice variety of different size pockets to store memory cards, batteries, etc. There is a lens cloth attached inside one of the pockets. The straps are very sturdy and well padded. They can be used in a variety of ways: hang the bag in front, on the back or over the shoulder.
This bag is also designed to add on other small packs for additional lens. You can also get an attachment which turns it into a waist pack. If you are looking for a solid bag to protect your camera, this is a good product.

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SLR Camera Bag

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Olympus E-5 12.3MP Digital SLR with 3 inch LCD (Body Only) Review

Olympus E-5 12.3MP Digital SLR with 3 inch LCD (Body Only)
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I've shot with lots of cameras over the years. Olympus cameras are an enigma. When you shoot with them you realize that they have weaknesses(well publicized) to other brands, but you also quickly realize they have plenty of strengths as well.
The biggest strengths are things that go unnoticed on a spec sheet: Exposure, white balance, color reproduction, and image clarity and sharpness. And a JPG engine that gets it right directly out of the camera so you don't have to spend hours making your photos look right. You also get in body IS that works on every lens, and a superior weatherproofing system that includes the body and the lenses.
The E5 is a perfect blend of everything Olympus has learned up to this point. It's not on the cutting edge of sensor technology, or movie making abilities, but it absolutely delivers in every sense of the word. Of course the build quality is spectacular. You can take this camera anywhere, anytime and not worry about it.
Picture quality is amazing. It's hard to describe properly but the images have a clarity I haven't really seen before. And I've shot with Canons and Nikons as well.
Noise control is the best of any 4/3rds camera yet. It's up there with a D300s and a 7D. Not quite as good but not enough to make a real difference.
It's expensive of course, but you know you want it so just get it over with and buy the darn thing. It's worth every penny in my book.
Great job Olympus.

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Built on our revolutionary E-System technology, the new Olympus E-5 adds powerful new features that let you do more than ever before. Designed to maximize the award-winning performance of Zuiko Digital lenses, the E-5 achieves the highest image quality of any Olympus camera--with astonishing detail, blazing speed, and true-to-life color. New options like user control in Art Filters and 720p HD Video give you more freedom to explore creative effects. And with its weatherproof design, the rugged E-5 can go anywhere. A New Dimension in Image Quality Pairing the new TruePic V+ image processing engine with a 12.3 megapixel High-Speed Live MOS Sensor, the E-5 optimizes the power of Zuiko Digital lenses. New "Fine Detail Processing" technology captures exceptional detail from shadow to highlight. The E-5's groundbreaking, in-body Image Stabilization enables blur-free handheld shooting. And its redesigned, 11-point High Precision Twin Cross AF system is one of the world's fastest and most accurate. Reliable Performance Under Any Condition The first Olympus professional camera to offer 720p HD video, the E-5 records at 30fps with high quality audio. While shooting high-definition video, photographers can capture stereo sound quality by plugging in any microphone with a standard 3.5mm plug into the camera's stereo microphone terminal. And 10 new in-camera Art Filters let you add dramatic effects to both still photos and HD video. All Art Filters can be used in Aperture priority, Shutter priority, Program and Manual exposure modes. And new to the E-5, the Multiple Exposure function lets you overlay up to 4 images in a single frame.

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Pentax K-r 12.4 MP Digital SLR Camera with 18-55mm f/3.5-5.6 Lens (Red) + 16GB Deluxe Accessory Kit Review

Pentax K-r 12.4 MP Digital SLR Camera with 18-55mm f/3.5-5.6 Lens (Red) + 16GB Deluxe Accessory Kit
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Great package at great price! I did order a red camera but got a white camera - which was actually a good thing.

Click Here to see more reviews about: Pentax K-r 12.4 MP Digital SLR Camera with 18-55mm f/3.5-5.6 Lens (Red) + 16GB Deluxe Accessory Kit

The compact, lightweight Pentax K-r is easy to use with Auto Picture, Scene, and Custom Image Processing modes that take the guesswork out of shooting stunning images while still offering a high degree of manual and priority control. The K-r offers a variety of new and improved features including a fast framerate, high ISO sensitivity, responsive autofocus, an improved 12.4-megapixel low-noise sensor and widescreen HD video capture that take it a step above an entry-level DSLR camera.Highlights:* High-quality, true-to-life image reproduction.Compact, lightweight body * High-speed continuous shooting at approximately six images per second * High-precision AF system. Bright, clear optical viewfinder. Large, easy-to-view 3-inch LCD monitor with wide-view design * Versatile dual-power-source design * Pentax-original Shake Reduction mechanism for sharp, blur-free images * Innovative image-processing functions to produce distinctive photographic expressions * Auto Align function * High-speed infrared data transmission system * High-quality, HDTV-proportion movie recording at 1280 x 720 pixels and at 25 frames per second Pentax smc P-DA 18-55mm f3.5-5.6 Zoom Lens: Equivalent focal length 27.5-84 millimeter in the 35 millimeter format with *ist DS. Responsive "Quick-Shift Focus System" allows instant shift from auto focus to manual focus. The image circle is designed to match the CCD used in Pentax digital SLRs.++PLUS++ 16GB Deluxe Accessory Kit: 16 Gigabyte SD Memory Card - Card Reader - Memory Card Wallet - LCD Screen Protectors - Lens Care Cleaning Kit - Camera Gadget Bag - Full Size 59" Tripod W/Case - BONUS!! Jumpstart DVD Guide to Digital SLR Cameras - Free 25 Quality Prints.

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Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens + 16GB Card + Battery + Case + Tripod + Accessory Kit Review

Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens + 16GB Card + Battery + Case + Tripod + Accessory Kit
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I got this package deal as it was the same price as getting just the camera and lens without all the other stuff in the package, so I figured it couldn't hurt. Everything promised is included and new, but some of the additional stuff is pretty cheap, though not all of it. The bag is pretty nice and actually larger than I had anticipated, with plenty of room for this gear and quite a bit more. The memory card is large and fast enough for HD video recording. The extra battery works fine and it is always nice to have a spare. The cleaning kit is pretty simple, but it works. The screen protector works well, you must cut it out to the proper shape though, really not a big deal. The UV filter was incredibly difficult to get threaded properly on the lens, and I will be replacing it soon with a different brand. The main weak point of the kit is the tripod. The tripod is cheap feeling and not very sturdy. As I tightened the screws to lock everything in place, the plastic pieces creaked with even slight pressure. I will use this tripod for now while indoors, but will be replacing it as soon as I can.
All in all:
Great camera
Good lens, bag, battery, screen protector, cleaning kit and memory card
Pretty bad UV filter
Very bad tripod
Still, everything but the body and lens came as a free bonus, so I don't see why you wouldn't go with this over just the body and lens. If you already have a lens that fills the space of the 18-135 in this kit, just get the body and save the money to get nicer accessories.
Update: The price of the bundle has increased, and I would strongly consider getting just the body or body + kit lens. The extra stuff was nice, but I would not have bought this kit at the current price ($100 ish more than the body+kit lens)

Click Here to see more reviews about: Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens + 16GB Card + Battery + Case + Tripod + Accessory Kit

Kit includes:♦ 1) Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens♦ 2) Transcend 16GB High-Capacity SecureDigital (SDHC) Card♦ 3) Spare LP-E6 High-Capacity Lithium-Ion Battery Pack♦ 4) Vivitar 67mm UV Glass Filter♦ 5) Digital SLR Camera Carrying Case♦ 6) Precision Design Deluxe Camera Tripod with Carrying Case♦ 7) Precision Design Memory Card Storage Wallet♦ 8) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit♦ 9) Digital Camera LCD Monitor Screen ProtectorsThe Canon EOS 60D features an APS-C sized 18.0-megapixel CMOS sensor for tremendous images, Full 1080p HD Video, DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO up to 12800 for uncompromised shooting even in the dimmest situations. It features a refined Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor, supercharged Live View Function with Face Detection Live Mode, plus a number of automatic Image Correction settings and HDMI output for viewing images on an HDTV.The Canon EF-S 18-135mm IS Lens boasts a 35mm equivalency of 29-216mm when used with a Canon APS-C EOS Digital SLR. Measuring just 4" in length and weighing about a pound, the lens offers a convenient wide angle to telephoto focal length.
Take more high-resolution pictures faster with this 16GB High-Capacity SecureDigital (SDHC) memory card.
Increase your shooting capacity with this powerful LP-E6 Lithium-ion rechargeable battery.
This camera case will easily hold your camera with attached zoom lens, plus four lenses, flash and accessories. Features a fully padded main compartment with dividers, and numerous pockets.
Avoid camera shake and achieve maximum image quality by setting your camera on this sturdy, lightweight 57-inch tripod.


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Sony Alpha SLTA33 DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Camera Body only) (Black) Review

Sony Alpha SLTA33 DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Camera Body only) (Black)
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I bought the a33 after owning an a300 for a couple years and it's a nice upgrade. The build quality is about the same as the a300, which is a little plasticky but mostly solid feeling with good balance. Physically it's smaller/lighter than the a300 but still is easy to handle for those with medium-sized hands (if you have giant sausage fingers you may have issues). The buttons are better arranged and the screen is larger/sharper with better tilting/rotation.
The main reason for my upgrading was for the video recording and I am very satisfied with this. Since the a300 doesn't have video recording I can't compare it to another DSLR, but compared to my point-n-shoot HD camera this is awesome. Being able to control the depth of field on videos is great and the auto focus is very fast, but sometimes hunts a little. You definitely hear the focus motor turning on the video if you're recording a quiet scene but it's not terrible. If you're outside with ambient noises (cars, wind, random noises) you barely hear it. The mic jack is a regular audio jack so you can use any third party mic and this should eliminate the focus noise and would be worth looking into. You can also use manual focus and then there is no noise from zooming/focusing.
Photos are somewhat better than the a300. There is less noise at high ISO settings and AUTO ISO now will go up to 1600, compared to only 400 on the a300; this should help a good bit in low light conditions. It focuses faster and more accurate than the a300 and the a33 will shoot much faster in continuous shooting mode as well. The panoramic setting is great as well and works reliably and quickly, just push the shutter button once and rotate the camera quickly towards the direction indicated on the screen in one smooth motion (like recording a video) and the camera does the rest; there is no aligning ghost images one at a time like I've seen on other panoramic enabled cameras.
Other than noted above the a33 is pretty much the same as the a300 in most respects. I've used it with some Minolta glass and it's worked well so there are no issues I know of in regards to compatibility. It's like the a300 but faster, sharper, easier to use, has video, is lighter and a little smaller. The only real negative I have noticed compared to the a300 is the battery doesn't last as long (but not too bad), so a 2nd battery pack is somewhat mandatory if you'd like to go out and shoot for a full day.
All in all it's a great camera and I'm happy with it. However if you don't really need video or high-speed continuous shooting the older/traditional alpha DSLR cameras would be a good alternative for a little less money.

Click Here to see more reviews about: Sony Alpha SLTA33 DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Camera Body only) (Black)

Capture your perfect moments with the world\'s first Translucent Mirror Technology DSLR enabling simultaneous focusing and capture. Continuous shooting is 7 frames per second, complete with continuous auto focus. Auto focus is also visibly faster in Live View and HD Movie modes.

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Fotodiox Lens Mount Adapter, C-Mount Movie Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10 Review

Fotodiox Lens Mount Adapter, C-Mount Movie Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10
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I have an Olympus EP2 and I had some problems getting this adapter on at first. I soon realized that a small screw on the adapter was preventing the adapter from seating into the lens mount. I simply removed it and now the adapter works fine. I use it with a Pentax CCTV 25mm f1.4 that I purchased from B&H Photo for about $90.00. This adapter opens up a whole new realm of possibilities with the micro four-thirds systems.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter, C-Mount Movie Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Sony Alpha SLTA55V DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Camera Body only) (Black) Review

Sony Alpha SLTA55V DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Camera Body only) (Black)
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I like this camera! For $750 I can't find another camera with these specs. It is well made and is now my do everything, go everywhere, second camera to my big gear.
Pros: Clean high ISO
6 fps with full functionality, 10 fps with limits
FAST autofocus, especially in video mode!
LCD screen swivels into the body for protection, great for hikes
In body stabilization, great for the vast selection of old "Minolta" lenses
Menus are very helpful and easy to navigate
Button layout is very efficient
Small body great for travel
Mirror does not move lessening camera shake during shooting
In camera GPS
$750!
Cons: None that match this price range, this camera beats everything else in my opinion
Yes, this is a small body, semi-limited function camera designed to be a step-up camera or second body to pros. Many of the complaints are pros who are trying to use this little speedgun inside a studio with a full flash set-up. That is not the function of this camera, buy a Canon 5d mkII, Nikon D700, or Sony a900 if that is what you are looking for. For $750 I can't find anything similar in functionality. I bought this camera with a full complement of lenses for under the price of the new Nikon D7000.

Click Here to see more reviews about: Sony Alpha SLTA55V DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Camera Body only) (Black)

Capture your perfect moments with the world\'s first Translucent Mirror Technology DSLR enabling simultaneous focusing and capture. Continuous shooting is an amazing 10 frames per second, complete with continuous auto focus. Auto focus is also visibly faster in Live View and HD Movie modes.

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Pentax K-r 12.4 MP Digital SLR Camera with 3.0-Inch LCD and 18-55mm f/3.5-5.6 and 55-300mm f/4-5.8 Lenses (Black) Review

Pentax K-r 12.4 MP Digital SLR Camera with 3.0-Inch LCD and 18-55mm f/3.5-5.6 and 55-300mm f/4-5.8 Lenses (Black)
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Amazon was selling the K-r kit with 18-55 and 55-300 lenses for a really good price around Thanksgiving 2010. I had been wanting to upgrade from my k200d for sometime and jumped at the opportunity. 3 weeks with the camera have given me a good perspective on the pros/cons of this upgrade.
My primary motivation for upgrading was the rave reviews about low-light/high-iso performance of the K-r (and K-x). I chose the K-r over the K-x because the high fps and focus point in viewfinder features were well worth the minor difference in price. Here are the pros (+) and cons (-):
+ high ISO performance is excellent. I am shooting ISO1600 indoors all the time. Processed images have no noise at this setting. The performance is comparable (or better) than the k200d at ISO400
+ auto-focus is really fast as promised
+ burst shooting is really fast.
+ camera button controls are much better than k200d (direct iso/flash etc. buttons)
+ it's a much lighter camera (but that's a negative as well)
+ automatic white balance without flash is way better than the k200d (the latter had very warm overtones in tungsten for example - the K-r produces perfectly natural white balance for common indoor and outdoor lighting situations)
+ the supplied 55-300 kit lens is excellent. compared to my current 70-300 Tamron lens - it's much sharper on the long end.
+ live view is cool and allows shooting holding the camera at all sorts of angles. the screen is bright enough to be visible from just about any angle.
- focusing is fast but not as accurate. in particular my camera was front focusing and i found this to be a commonly reported problem on the web. i almost considered returning my camera before reading about the focus fine adjustment option. setting the camera for the maximum front-focus adjustment got rid of the problem for the most part (although it still doesn't seem perfect). not all lenses suffer equally badly - unfortunately my favorite lens (Tamron 28-75 f2.8) does.
- auto white balance with flash feels weird (it seems that it over-compensates for flash)
(updated: i found that (for my home shots) changing the white balance to 'warm white flourescent' in the raw editor (silkypix) largely fixed the issue).
- the supplied software is absolutely terrible. i process RAW images on the PC and the old software was simple but usable. The new one is a labyrinth of features - except the ones u really need (like not resetting the adjustment settings on every new image). Morever it crashes (i cannot even start it on one of my pcs)
- the new 18-55 lens feels cheap to the one that was supplied with previous models (plastic mount and no hood). i am planning to dispose off the new one and hang on to the old one.
- no weather sealing and body doesn't feel as substantial. the k200d used to sell at the same price point but had a magnesium alloy body and was weather sealed. the K-r is neither. The body is not as substantial to hold - in particular the battery compartment is smaller and the hand grip around the compartment doesn't feel as secure as before.
- doesn't take AA batteries by default. this is really lame - i will have to spend extra money to buy a special adapter. rechargable AA batteries are much better than proprietary ones.
- movie mode is pretty much useless because of lack of auto-focus. almost all DSLRs are like this - so it's not a ding against K-r - just dont buy it for taking videos. (Updated: i have found the video to be very jittery even slow moving everyday scenes. it's not clear why that is the case since 24fps is supposedly good enough)
- (Updated) one additional annoyance is that choosing the fully automatic 'A' mode does not reset all the customized settings - specifically the focus point and AF mode. This means i can't simply set the camera to 'A' mode and hand it off to a P&S photographer (since i always leave the camera at center point focus). That's really painful.
there are a lot of new image processing features in the K-r (HDR, shadow lighting, filters etc.) - but these can all be done in software and are not so valuable for me (may be for other users).
if i was shooting daylight/outdoors in good light - the K-r is actually a downgrade from the k200d. however - the gain in low light conditions are exemplary and outweigh the negatives (of which there are many). So it's a keeper for me. Considering that i would give a five star to the k200d - this is at least a four star.
For people looking to buy Pentax for the first time - one word of caution. Pentax seems to be falling further and further behind in the choice of lenses available on their platform. For example the Tamron 18-270 lens is still not available and the 18-250 lens has been taken off the market. There's no cheap 50mm prime lens available (the cheapest one is now $350). It's a rather sorry state of affairs and if i was not already invested in some Pentax mount lenses i would have definitely taken a much closer look at the Nikon D5000 that seems really close to the K-r in price/capabilities. At the same time - the supplied kit lenses are very good and if you don't plan to buy a lot of lenses - the Pentax is an excellent value (always more functionality and nicer build per $ than Canon/Nikon).

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Brains, meet beauty. The Pentax K-r has it all. On the brain side, it's a powerful DSLR with advanced features like 12.4 Megapixels, HD video, a 2.7-inch LCD display and custom modes and functions.On the beauty side, taking photos has never looked this good. There's basic black of course. But the K-r also comes in classy white and PENTAX red, with even more body colors to come. The PENTAX K-r competes with higher-end DSLRs and looks great doing it. Now, that’s brilliantly colorful.

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Pentax K-5 16.3 MP Digital SLR with 18-55mm Lens and 3-Inch LCD (Black) Review

Pentax K-5 16.3 MP Digital SLR with 18-55mm Lens and 3-Inch LCD (Black)
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This is quite simple the best camera I've ever owned. It takes great photos and is very well built. I wasn't going to upgrade yet. I'm the type to wait until a new electronics product has been out for a while and dropped in price, but the reports I've seen about this camera triggered my choice to take a chance.
The first thing I noticed is how petite the K-5 looks, though looks are deceiving. This baby is dense and weighs much more than you'd expect from the size. I'm sure that the magnesium body and extensive weather seals have a lot to do with that. This is one solid piece of kit. The camera has plenty of external controls, about what you'd expect from a body in this price range. I've shot with my sealed K20D in the Pacific Northwest rain a lot with no problems. My two shoots with the K-5 in the wet show it to be as least as good. Though Pentax has dropped the multiple exposure button. You can program the custom program button to duplicate that feature. As far a programming, the K-5 has the extensive customizability I came to love with my K20D. The feature list is extensive and way too long to go over in a short review.
And the photos! This camera has a huge dynamic range, over 14 stops! Even at ISO 800 it has the same exposure range of my K20D at 100 ISO. The tonality you can get from a print is beautiful. Another nice feature is the ability to choose 14 bit as opposed to 12 bit RAW files. It's a small thing but brings the camera in line with Nikon's offerings. I can't comment on the many shooting modes and effects available. They only apply to JPEG images. I don't understand why anyone would buy a camera this costly and capable and throw away so much potential image quality by shooting JPEG. That's not to say that the JPEGs from the K-5 aren't perfectly fine. They are. It's just that RAW files from this camera hold so much more information than a JPEG can. And that information translates into a very real difference in what you can print if you take the time and care to. My experience seems to mirror the incredible sensor abilities that DXO Labs has published for the K-5.
One other huge advance is the focus speed. This is the fastest and most accurately focusing camera Pentax has ever built, easily in line with Canon and Nikon's offerings in the price range. One small disappointment is that the fast focus and 7 fps capture rate makes the camera suitable for sports and wildlife photography, but the camera has a somewhat limited buffer. The 40 frames of JPEG is reasonable but the 15 image RAW buffer is a bit cramped. But then Pentax doesn't make the long lenses for that kind of photography anyway. Though Sigma does make some with Pentax mounts. With the few ballgame or bird photos I take, I haven't found the buffer limit to be a problem.
Looking at my histograms shows that the K-5 has a tendency to underexpose about a third of a stop. That's really no problem as I've pulled usable photos out of totally black portions of the initial image, great reason to shoot RAW. Another is the great low ISO capability of the K-5. the quality of my 6400 ISO photos is slightly better than what I get with the K20D at 1600 ISO, easily 2 1/2-3 stops improvement depending on situation. And the camera focuses much faster in low light, too.
If I were a video shooter I might find a problem with the lack of autofocus in video mode. The newest Canon and Nikon cameras have that ability, though the autofocus is slow on both during video capture. That's the nature of phase detection focusing that true DSLRs use in Live View or Video. The couple of videos I've shot look great. It's enough for me. And the camera does allow for an external microphone.
P.S.
It was commented that this review is to impersonal and that I use terms that people don't understand. To make this more clear:
14 stops of DR means in the real world is that my photos look better than any I've ever taken. Color gradations are smoother and more subtle. It means that I'm able to pull usable details out of parts of the image that I would have given up on before because they were too dark. It means that I can take single shots in situations where before I would have used HDR or exposure blending to pull in detail in both bright and dark areas of a scene. It means that I can the same tonal range at ISO 800 that I get with a K20D at ISO 100. It means that this is a terrific camera. I guess I'm a bit excited that a Pentax camera finally gets great press. I'm a bit tired of having equipment that I very much like ignored by most photographers.

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Go ahead and feed your photography obsession with the PENTAX K-5.For you, capturing that great shot isn't a casual interest. It's a part of your life. One spectacular image after another.This camera is the perfect piece of equipment to help you get your photo fix. With the compact, rugged K-5, the world is truly your studio.

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Sony Alpha SLTA33L DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Black) Review

Sony Alpha SLTA33L DSLR with Translucent Mirror Technology and 3D Sweep Panorama (Black)
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I've been using the a33 for about a week now, rigorously testing all aspects of the camera as well as pushing the new tech (SLT) to its limits in both video and high-speed shooting. I consider myself a prosumer, currently using Canon 7D. In fact, I've been using canon for the past 10 years. With the recent hype about large sensor video functionality found on almost all new releases, I found myself craving for a more functional AF in DSLRs. Because I'm no pro videographer, manual focusing (follow focusing) is terribly difficult for me, especially for high speed, erratic subjects like my kids running around the backyard. And contrast AF found on most DSLRs is a joke. Then came the SLT technology. A fixed mirror that feeds AF data constantly to dedicated AF sensor full-time, even when shooting video. For the price comparable with other entry-level DSLR's, it sounded like a worthy investment. And being able to shoot 7fps (10fps for a55) with that constant phase-detection AF on a body that sells for 650 - certainly a head-turner if you've been following the DSLR trends the past couple of years.
Well, Sony was able to deliver most of its promises. And I was pleasantly surprised by its PDAF video capability. However, as with all things in life, all that glitters is not gold. There are certainly limitations with this camera, especially noticeable/annoying if you're a prosumer level user. I will not go into details about the specs. Those can be found by just googling "sony a33". And I will not go into in-depth review either. Probably the best source for that is dpreview.com or imaging-resource.com. I will only list the limitations I found using this camera from a user who's been using Canon line (currently the 7D). Don't get me wrong. Overall the camera does deliver in most everything it promises to do (and thus, 4 star rating). All the positives have been pointed out over and over again on various reviews you read online, so I just don't feel the need to repeat them again. I just wanted to point out the major issues that I experienced first-hand. These might be of significance to those who are thinking about getting this camera based on its new technology (like me).
1) First and foremost, battery life is a joke. I guess because the camera is on a live view mode full time, it is inevitable to use up more power than traditional dslr, but sony should've took this into consideration. On paper, a33 is rated to take about 340 images using the LCD (about 270 with EVF), but with a little bit of video and looking through the menus to setup different functions, the battery gets drained VERY VERY QUICKLY. how bad? On a fully charged battery, I've turned on the camera, set the time/date/location info, entered my shooting preference, then took the first shot and about 40 sec video. It was at 83%. Not kidding. After about 2 hours of intense use, it was pretty much depleted. That's how fast the power goes. But YMMV since battery life depends on a lot of different factors. I never really had to think about whether my particular way of shooting would use up more power than necessary because all of the DSLR's I've used to date, I never once had to worry about draining the power quickly. But now its just one more thing I need to keep in mind. Another thing to keep in mind is that this battery takes about 4 to 4.5 hrs to fully recharge, much longer than most others.
2) No dedicated RAW/JPEG conversion. If you're moving up from compact and only use JPEG, this is a non-issue. But if you are half serious about your IQ and PP, then you'll most likely want to use RAW. The reason why a dedicated button to switch RAW/JPEG is so important, IMO, is because all of the fancy new modes - Auto HDR, Panorama, Handheld Twilight mode, high ISO capture - can only be accessed in JPEGs only. Either Sony should include these potentially useful functions in RAW, or at the very least should include a dedicated button to swtich format quickly and efficiently. For me to access sweep panorama, for example, would require me a minimum of 12 button presses. Another thing to keep in mind is that the menu always defaults to the first part of the shooting menu every time. It does not stay at the menu you last used as with Canon cameras. So if the section that you use is hidden inside the middle part of the menu, you are out of luck. Every time you enter into the menu system, you'll have to start from the top (beginning) then move into the section/option you want to change.
- Steadyshot (in-body image stabilization). Coming from Canon where IS is on the lens (and therefore, the effect can be viewed through OVF), I was skeptical of Pentax, Sony, Olympus and other camera makers that place IS function on the imaging sensor itself. Whether one is superior than the other is a whole different topic of discussion. Knowing that a33/a55 is EVF/LCD, I automatically assumed that steadyshot effect can be seen through EVF/LCD with every lens I put on. THIS IS NOT TRUE. For whatever reason, neither EVF or the LCD displays the anti-shake effect. It only tells you that Steadyshot is on through a mere 5-bar indicator on the side of the EVF. Because both EVF/LCD receives data directly from the sensor, I thought WYSWIG - the exposure, dynamic range, color, and steadyshot.
- Lack of manual control during video. If you want to take advantage of the phase detection AF during video, everything else must also be controlled by the camera. There's no way for you to set the speed, ISO, and most importantly, the aperture. That last part is critical since your HD video will look no different than any compact that also takes HD video if you can't control the aperture (depth of field). Why Sony wouldn't allow these manual settings to be controlled by user is beyond me. I doubt these will have significant impact in AF, unless the aperture is so small that no enough light falls on the AF sensor, in which case, Sony should at least give the users an option to pick either (the AF) or (aperture). Anyway, this is a big let down from my point of view.
- Buffer clearing time between shoots. I am honestly puzzled by this one. Sony has provided the public with this awesome, state of the art technology (translucent) implemented into imaging world that could potentially be as significant as when SLR's first turned digital. Yet, the image processing engine is remarkably slow. What's the point of capturing 7 fps images when you have to wait 40 seconds afterwards until the camera becomes fully functional (normal) again? I don't understand why Sony didn't bother to upgrade the processor/imaging algorithms when they proudly put 7 fps constant AF shooting as one of the main headliner. I've heard a55 is even slower with its 10 fps shooting. When shooting RAW at maximum 6 fps (for both a55 and a33), things are even slower and your buffer fills up after about 10 shots or so. And yes, I was using one of the fastest SDHC cards available - the transcend class 10 16gb card. So unless you have a lot of patience and don't mind your camera freezing for 40+ seconds after rigorous action-catching shots, you'll have some serious problem and may potentially miss many opportunities.
- Limited overall customization. I didn't expect this camera to provide the kind of customization that I got from Canon 7D. After all, there is a price difference of about a grand. Nonetheless, many entry DSLR's these days that a33/a55 supposedly should be competing, offers many more practical customization options for users of varying demands. A33/a55 is so limited in customization that you start to wonder whether you're holding a aps-c sensored interchangeable lens camera. The menu and setup options are very very basic (if that). I think Canon powershot G11 provides more customization than a33. For example, under video, one of the most intriguing features that people would buy this camera for, you basically have two formats. Either HD or VGA. No control over frame rate or any other combination. If using AVCHD format, your only option is 1920x1080i. If using MPEG, your options are 1440x1080 or standard VGA (I think 640x480). That's it. Those are your ONLY options. All other areas pretty much lack control and customization similar to video format. Talk about letting your camera to take control of YOUR shooting...
- Lack of options and limited display data. Here's an example - not being able to set ISO in 1/3 increment is one thing. Not DISPLAYING the ISO just because you're in auto ISO mode is just lame. I understand the range is between 100 and 1600, but when in auto ISO, the display just says "AUTO ISO". there's no way what ISO the camera is choosing until after you've taken the shot and reviewing the image (data).
Again, despite these limitations (more like frustrations), the camera does deliver in it's core technology. All the positives cited by online reviews are true. If you are graduating from compacts, this camera, by all means, would make an excellent DSLR alternative. However, those of you who are more experienced DSLR shooters drawn into a33/a55 because of its new technology, my advice is to wait a little longer until Sony comes up with a SLT model that is geared more towards the enthusiast/prosumer market. I heard rumors that early part of 2011 Sony will implement its translucent technology in the alpha 7 series (a77?) that would potentially address many of the concerns I've pointed out. Just wanted to give everyone a head's-up.


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Capture your perfect moments with the world’s first Translucent Mirror Technology DSLR enabling simultaneous focusing and capture. Continuous shooting is 7 frames per second, complete with continuous auto focus. Auto focus is also visibly faster in Live View and HD Movie modes.What's in the Box :SAL - 1855 SAM lens, lens cap(Battery Charger (BC-VW1)Rechargeable battery (NP-FW50)Shoulder strapBody CapUSB cableCD-ROM

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Sony Alpha DSLR-A550L 14.2MP Digital SLR Camera with 18-55mm Lens Review

Sony Alpha DSLR-A550L 14.2MP Digital SLR Camera with 18-55mm Lens
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Sony has been trying really hard to compete with Canon, Nikon, Olympus and other major DSLR players since the release of the alpha 100. The 550 along with 500 are the latest additions to Sony's already very crowded DSLR line-up.
Unlike its other live-view siblings, the 550 is a very fast live-view enabled DSLR. Clocking at 4 frames per second under live-view (with continuous focusing), the frame rate surpasses many of the earlier Sony DSLRs, trailing behind only the alpha 700 and 900. None of these models are live-view enabled. There are a few options for continuous shooting for the 550 here: Hi, Lo, and speed priority. At "Hi" mode, the DSLR blasts away at 4 fps while it tracks the subject's movements. There are few instances of hesitation here, where the camera slows down a little, but the bottom line is, Sony did not lie about the 4 fps capability. Switching to speed priority, however, was a bit of a let down for me. Although the continuous rate immediately went up to an amazing 7 fps (you can literally hear the shuttle slamming away like mad at 7fps), the live view was disabled and the screen went dark. Therefore, you can't track the subject while you're firing at 7fps with the live view mode turned on. Also, the camera can't track a subject moving toward or away from you.
The maximum number of continuous shots according to the manual is as follows: Fine (JPEG) = 32 shots, Standard (JPEG) 116 shots, RAW & JPEG = 7 shots and RAW = 14 shots. One good thing about the camera is that it does not slow down as you're reaching toward the limit of these figures, so far I've tested Fine and Standard mode, and the camera does not disappoint.
The Exmor sensor is impressive, although it won't impress Canon or Nikon DSLR owners (Do refer to the sample images on top, and observe how the noise level of this new sensor increases with the increase in sensitivity). Maintaining details and color all the way up to ISO 1600 is no easy feat, but the 550 does it well with the new APS-C CMOS Exmor sensor. There is unfortunately still enough chroma noise visible at full zoom, probably due to the fact that Sony's noise reduction engine has never been great to begin with (all their earlier alpha models had alot of chroma noise at high ISOs), but the Exmor sensor helped alot in bringing the 550's sensitivity up to 12,800. Granted, chroma noise is really high at that ISO and details are being sacrificed with the noise reduction engine aggressively filtering out those stray signals, but when you really need to shoot at that sensitivity, you'd be glad that the 550 actually gives you the option to do so. Earlier alpha models maxed out at ISO 3200, with heavy noise reduction that had no effect whatsover on chroma noise. Entry level models, especially the a300 series (including the latest a390), suffer horribly from color blotches at ISO 1600 to ISO 3200 (the results are actually worse than the a200 models (including the latest a290)), which renders their full resolution exposures completely useless.
The Auto HDR should only be turned on during really severe back-lit conditions. When applied, it brings the shadows out of the dark and produces a well balanced image without the use of fill-in flash. However, when used under normal conditions, the Auto HDR will over-compensate the shadows and produces a dull and "flat" image. The effect is however adjustable, from +1.0 EV to +3.0EV. The Auto HDR should also not be used for capturing moving objects, as two consecutive frames will be captured and overlapped against each other to produce the final image. A football flying across the football field will turn into two footballs in the final image. Dynamic Range Optimizer (DRO, 5 different selectable levels) should be used under normal shooting conditions and when shooting fast moving subjects. However, do note that as the DRO function pushes the shadow areas out of the dark electronically, the noise level in those dark areas will increase along with the DRO setting. DRO Lv4 and Lv5 produce very noticable noise in darker areas, so should be used sparingly.
The new DT 18-55mm lens has less zooming power than the DT 18-70mm model that comes with older alphas, but the resolving power of this new lens is somewhat impressive. The DT 18-70 could barely make it past the 10MP mark, whereas the DT 18-55 seems to be able to capture details beyond what the alpha 550's 14.2MP sensor could see. The focusing mechanism is very quiet and responsive, making it easy for you to get close to pets and creatures that are easily startled by sounds. But if you already have an army of alpha mount lenses waiting for the 550, I would recommend that you skip this camera-lens combo and go straight for the body only package.
Another thing to note about the DT 18-55mm lens is that is has an amazingly minimum focusing distance, at 25cm. This is the shortest distance you can place the camera's sensor from your subject. With the zoom dial set all the way to 55mm, this entry level lens is able to capture very impressive macro photos. The DT 18-70mm (bundled with older entry level alphas) had a minimum focusing distance of about 40cm, so this new lens, unlike its older sibling, makes a great macro lens too, if you are not trying to magnify a button or a bead. The actual distance of the subject from the glass of the lens is alot less than 25cm, as the minimum distance is measured from the surface of the sensor to the subject.
After using the a550 for almost 10 months, I'm having no luck finding any reasons to regret having replaced my a350 with this model. Granted it is not one of the best cameras out there, with limited customization (no control over maximum ISO, minimum ISO when the ISO is set to auto, like a Nikon, and no minimum shuttle speed control) and a few missing external controls (like white balance or steadyshot switch, both can be found on a350) and the LCD screen is little bit crowded with alot of unnecessary information for the sake of point-and-shoot camera users (but can be turned off, thankfully), the design of the updated graphic user interface is simply sublime.
And more importantly, for anyone who has been using an entry level Sony DSLR (200, 230, 290, 300, 330, 350, 380, 390), the quality of the images produced by the a550 at high ISO (800 and above) will astound you. Your low light pictures will now be almost clean, with minimal chroma noise, with smooth, film-like grains added to the exposures progressively as the ISO climbs to the maximum value of 12,800.

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Sony Alpha A550L 14.2MP Digital SLR Camera w/ 18-55mm Lens

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Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC Review

Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC
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I'm not a pro or semipro photographer but I wanted a nice SLR camera! This one fits my demand but I'm desapointed with its display/screen. You can't see through the display/screen before shooting, only after shooting you can see the review on the screen! It's a pitty! All the rest is awesome! I have taken excellent pictures! And the kit has everything I needed.

Click Here to see more reviews about: Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC

Kit includes: ♦ 1) Nikon D3000 Digital SLR Camera & 18-55mm G VR DX AF-S Zoom Lens ♦ 2) Nikon AF-S 55-200mm f/4-5.6G DX Zoom-NIKKOR Lens ♦ 3) Transcend 16GB High-Capacity SecureDigital (SDHC) Card ♦ 4) Spare EN-EL9a High Capacity Lithium-Ion Battery Pack ♦ 5) Nikon Compact Digital SLR System Case ♦ 6) Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader ♦ 7) Precision Design Memory Card Storage Wallet ♦ 8) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit ♦ 9) Image Recall Digital Image Recovery SoftwareThe 10.2-megapixel Nikon D3000 Digital SLR Camera enables users to capture stunning images with superior performance. Features include a 3.0-inch monitor, Active D-Lighting, 23 Scene Modes, In-Camera retouch image editing, shooting as fast as 3 FPS, ISO sensitivity from 100 to 1600, built-in sensor cleaning, 11-point AF System and much more.The Nikon 18-55mm VR DX Lens is an ultra compact, lightweight standard zoom lens that has a 3x focal zoom range. The Vibration Reduction (VR) system allows handheld telephoto zoom shooting even in poorly lit conditions.
The 55-200mm lens is a ultra-compact with a compact rod-type Silent Wave Motor that enables high speed auto focusing and super-quiet operation. The Super Integrated Coating minimizes ghosting and flare, and two Extra-low Dispersion (ED) glass elements.
Take more high-resolution pictures faster with this 16GB High-Capacity SecureDigital (SDHC) memory card.
Increase your shooting capacity with this powerful EN-EL9a Lithium-ion rechargeable battery.Made from durable Cordura Nylon, this multi-compartment, Nikon-brand case will easily hold your camera, lenses, flash, and accessories.

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Sony A390 Digital SLR Camera (Black) Review

Sony A390 Digital SLR Camera (Black)
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This is an excellent camera with many cool features! I compared this with the Nikon D3000 and the Canon Rebel XS, and ended up with this one due to the extra megapixels (14.1 vs. 10.1) and features. The image stabilization is actually in the camera, not in the lenses as with the other 2 cameras mentioned (and then only in the more expensive lenses). Very easy to use. Nice to have the "guide book" with you at all times built into the camera. The tilting live screen is also very handy when taking photos over a crowd or down low and not wanting to get down on your knees to take it. Just remember to purchase a higher speed memory card with the camera. Excellent photo quality - definitely worth the money!

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The Sony α390 DSLR camera brings you the freedom of Live View, which lets you compose and shoot photos using a tiltable 2.7" (diag.) LCD screen. SteadyShot INSIDE in-camera image stabilization reduces blur in every shot, while 14.2 megapixel resolution preserves those special moments in spectacular clarity and detail.

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Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC Review

Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC
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I am very HAPPY with my purchase of my NIKON D3000. It has been well worth every Penny spent on it. I am here in Iraq and I bought this Camera to get some memorable shots before I leave. It is very user friendly and takes wonderful pictures. It is perfect for new users and the seller had it in the mail and to me within a few Days. The only thing I did not get with it was a filter kit.
Nikon D3000 10MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens & 55-200mm DX Zoom Lens with 8GB Card + EN-EL9a Battery + Nikon Gadget Bag + Accessory Kit

Click Here to see more reviews about: Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC

The D3000 is a high-performance DX-format SLR that delivers superb images and boasts a range of functions, which make photography simple and fun. Nikon's intelligent Guide Mode offers incredibly user-friendly in-camera assistance, enabling even beginners to capture wonderful images. Perfect for shots that you are not sure how to take, and guide mode will ask you about the image you want to capture and automatically optimize the camera settings for the best possible results. When you want to learn more, you can use Guide Mode to find out how to adjust the settings yourself. The 10.2-megapixel image sensor and fast autofocus performance ensure precise, detailed images. The large, 3-inch LCD screen is highly convenient for composing and reviewing images, and makes it easy to use the in-camera retouch menu that enables you to modify images without a computer. The D3000 - the camera that shows you how to capture stunning shots with ease.

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Click here for more information about Nikon D3000 - Digital camera - SLR - 10.2 Mpix - Nikon AF-S DX 18-55mm VR and 55-200mm lenses - optical zoom: 3 x - supported memory: SD, SDHC

Nikon D3100 Digital SLR Camera & 18-55mm VR + 55-200mm VR Lens with 16GB Card + Filters + Case + Tripod + Accessory Kit Review

Nikon D3100 Digital SLR Camera and 18-55mm VR + 55-200mm VR Lens with 16GB Card + Filters + Case + Tripod + Accessory Kit
Average Reviews:

(More customer reviews)
I ordered this package on Amazon after doing my research at a lot of local electronics shops plus one very well-respected camera shop. I found this to be much less expensive on amazon and I thought this package was absolutely perfect...exactly what I wanted. It included everything except a USB which is a standard connection so I happened to have one around the house that worked. I cannot tell you how many people have seen my pics and are now ordering this camera. It's easy to use for those who want to use in fully automatic mode, but it will allow you to use it fully manually as well, and at many different steps in between fully manual and automatic. I ordered this through Cameta Camera and took a HUGE gamble trying to get it a week before our disney world trip. I did not pay for extra shipping and their shipping window extended after the time I was leaving on my trip. However, I was extremely impressed that they were able to get it in my hands within 5 days of ordering it, in perfect time for me to practice a day before we left, and take along on our vacation. (I was even more impressed because the camera was stalled in Chicago because of a snow storm and still made it to me quickly). Love everything about my purchase from Amazon...NIKON....and Cameta Camera. Recommend to all!!!!

Click Here to see more reviews about: Nikon D3100 Digital SLR Camera & 18-55mm VR + 55-200mm VR Lens with 16GB Card + Filters + Case + Tripod + Accessory Kit

Kit includes:♦ 1) Nikon D3100 Digital SLR Camera & AF-S 18-55mm VR Zoom Lens♦ 2) Nikon AF-S 55-200mm VR Zoom Lens♦ 3) Transcend 16GB High-Capacity SecureDigital (SDHC) Card♦ 4) Vivitar 52mm UV Glass Filter♦ 5) Additional Vivitar 52mm UV Glass Filter♦ 6) Nikon Compact Digital SLR System Case♦ 7) Precision Design Deluxe Camera Tripod with Carrying Case♦ 8) Precision Design Memory Card Storage Wallet♦ 9) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit♦ 10) Digital Camera LCD Monitor Screen ProtectorsThe 14.2-megapixel Nikon D3100 Digital SLR Camera enables users to capture stunning images with superior performance. Features include a 1080p HD Video, 3.0-inch LIVE View monitor, In-Camera retouch image editing, shooting as fast as 3 FPS, ISO 100 to 3200, built-in sensor cleaning, 11-point AF System and much more.The Nikon 18-55mm VR Lens is an ultra compact, lightweight standard zoom lens that has a 3x focal zoom range. The Vibration Reduction (VR) system allows handheld telephoto zoom shooting even in poorly lit conditions.
The Nikon 55-200mm VR Lens is a 3.6x zoom lens. Vibration Reduction reduces the effects of camera shake, allowing hand-held shooting at up to 3 shutter speeds slower. An ED (Extra-low Dispersion) glass element minimizes chromatic aberration, and a compact rod-type Silent Wave Motor.
Take more high-resolution pictures faster with this 16GB High-Capacity SecureDigital (SDHC) memory card.
The Vivitar UV Filter is a multi-purpose, fine-weather filter that is designed block out unwanted ultraviolet light and prevents the UV fogging/haze effect.
This multi-compartment, Nikon-brand case will easily hold your camera, lenses, flash, and accessories.Avoid camera shake and achieve maximum image quality by setting your camera on this sturdy, lightweight 57-inch tripod.

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Click here for more information about Nikon D3100 Digital SLR Camera & 18-55mm VR + 55-200mm VR Lens with 16GB Card + Filters + Case + Tripod + Accessory Kit

Nikon D90 12.3 MP Digital SLR Camera with 8 Lens Deluxe Camera Outfit # Nikon 18-55 VR Lens # Nikon 70-300 G Lens + 42X Super Wide Angle Fisheye Lens + 2X Telephoto Lens (doubles the power of your lens) # Extra Rechargable Battery + 2 UV Filters + Circular Polarizing Filters # 2 Cases (holster case plus system case) + 2 Tripods (full size & mini travel) + 6 Piece Starter Kit Review

Nikon D90 12.3 MP Digital SLR Camera with 8 Lens Deluxe Camera Outfit # Nikon 18-55 VR Lens # Nikon 70-300 G Lens + 42X Super Wide Angle Fisheye Lens + 2X Telephoto Lens (doubles the power of your lens) # Extra Rechargable Battery + 2 UV Filters + Circular Polarizing Filters # 2 Cases (holster case plus system case) + 2 Tripods (full size and mini travel) + 6 Piece Starter Kit
Average Reviews:

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This was an excellent purchase, the kit is very complete and all items are very useful. The only reason I did not give it the five stars is that the kit should have had the Nikon 18-105 lens instead of the 18-55, don't get me wrong, the 18-55 is an excellent lens it's just that the 18-105 is more useful. I am sure that if I had contacted the sell he would have substituted the lenses. Overall I believe it was an excellent purchase in my part.The last time I took photos of this quality was when I had my Nikon 35mm F3hp.

Click Here to see more reviews about: Nikon D90 12.3 MP Digital SLR Camera with 8 Lens Deluxe Camera Outfit # Nikon 18-55 VR Lens # Nikon 70-300 G Lens + 42X Super Wide Angle Fisheye Lens + 2X Telephoto Lens (doubles the power of your lens) # Extra Rechargable Battery + 2 UV Filters + Circular Polarizing Filters # 2 Cases (holster case plus system case) + 2 Tripods (full size & mini travel) + 6 Piece Starter Kit

Nikon D90 12.3MP Digital SLR Camera> Nikon18-55 vr F3.5-5.6G AF-S DX VR Zoom LensNikon 70-300mm f/4-5.6G AF D Nikkor Telephoto Zoom Lens - Black.42x HD Super Wide Angle Panoramic Macro Fisheye Lens 2x Telephoto Lens Close-Up +1 +2 +4 +10 Macro lens Set with PouchUV filterCircularPolarizer filter57" Tripod2 Cases (holster case plus system case) 6 Piece Starter Kit; which includes: Mini Travel Tripod3 Piece Screen Protector Memory Card Wallet Lens Cleaning FluidSoft-tex Fiber Cloth5 Piece Cotton Swabs

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Click here for more information about Nikon D90 12.3 MP Digital SLR Camera with 8 Lens Deluxe Camera Outfit # Nikon 18-55 VR Lens # Nikon 70-300 G Lens + 42X Super Wide Angle Fisheye Lens + 2X Telephoto Lens (doubles the power of your lens) # Extra Rechargable Battery + 2 UV Filters + Circular Polarizing Filters # 2 Cases (holster case plus system case) + 2 Tripods (full size & mini travel) + 6 Piece Starter Kit