Showing posts with label gf1. Show all posts
Showing posts with label gf1. Show all posts

Voigtlander Nokton 58mm f/1.4 SL-II Manual Focus Lens for Pentax Film & Digital Cameras Review

Voigtlander Nokton 58mm f/1.4 SL-II Manual Focus Lens for Pentax Film and Digital Cameras
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The Voigtlander Nokton 58mm is made by Cosina in Japan. On Pentax DSLRs, it is equivalent to an 87mm lens - a very useful focal length for portrait photography. The lens is all-metal, but its online photographs don't really do it justice - it's a real pleasure to hold and control, but you wouldn't be able to tell that just from looking at its photos. Build quality is in the same class as the Pentax Limited series - at 380$ (price as of August 2009), that makes it quite a bargain, given that few of the Pentax Limited sell for less.
The Nokton is a manual focus lens, which doesn't bother me at all, as I rarely use AF, but YMMV here. The focus ring is smooth and allows very accurate control - it's a real pleasure to use. Aperture can be controlled in camera, so the aperture ring is not something you'll need to use (just set it to A). Some reviews mentioned that the exposure is not determined correctly, but so far, I have no complaints in this area - the exposure was always set correctly for the photos I shot. You will have to enter the focal length when starting the camera, because the Pentax DSLRs won't recognize the Nokton - I just selected 55mm, as that was the closest option available.
As far as sharpness goes, this is a very sharp lens - you'll be hard-pressed to find a sharper lens regardless of price and it's the kind of sharpness that can convince one to prefer prime lenses over zooms. I am very pleased with the bokeh as well.
Pros:
- useful focal length
- superb quality all-metal build
- fast and sharp
- buttery bokeh
- excellent focus ring
- great quality-price ratio
Pros/Cons depending on how you look at it:
- MF only - bad if you want AF, good if you like MF (AF lenses just don't control like this)
Cons:
- need to set focal length when starting camera


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Voigtlander Nokton 58mm f/1.4 SL-II Manual Focus Lens for Pentax Film & Digital Cameras: Manual focus lens with fully compatible metering. CPU matrix metering for full meter compatibility with current Digital Slr's. Penatx KA mount. Lets you control the F stop from the camera (set the aperture ring to F22.

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Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens Review

Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens
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Bottom line up front: The elusive compact camera with interchangeable lenses, DLSR Image Quality, DSLR Focusing speed and DSLR performance has finally been made. It is the GF1.
I live in Japan so I have been lucky enough to have been playing with this camera since 18 Sep. This camera sold out on the first day from Bic Camera in Japan so it is going to be hard to get a hold of one. Please be aware that this camera is "region" coded so if you buy a Japanese version you will not be able to change the menu language to English.
This review is equally applicable to both versions of the GF1. I personally prefer the 20MM (40MM equivalent) f1.7 lens to the 14-45MM (28-90MM equivalent) f3.5-5.6 lens for the following reasons: 1) Since the m43 is relatively small compared to a full frame sensor you need a fast lens to get shallow depth of fields. 2) As a fast lens it is far more usable in low light situations. This lens is ~2 to 3.5 f stops faster than the 14-45MM lens. What this means is that given a certain situation, if you were to select the same shutter speed you would let in 4-11 times more light (Each full f stop change changes the light by 2. Going to a small f stop doubles the light. Therefore, you arrive at how much more light there is by raising 2 to the number of f stops. 2^2=4 and 2^3.5 =11) allowing the use of a lower ISO setting or you could set a 4-11 times faster shutter speed to allow you to prevent motion blurring. 3) This lens is smaller so it makes the camera eminently more portable. What you give up is the ability to zoom with your hand. There is a work around for this and it is called zooming with you feet. However, in confined situations, you may not be able to move back are far as you need to. If this is the type shooting you routinely do then the 14-45MM zoom is probably for you. For me, and I believe for most people, I like the great flexibility the faster lens gives me and I am not usually constrained by space. Additionally, the 20MM lens, in my non-scientific tests, appears to focus faster than the zoom. Both focus fast but the 20MM feels faster.STILLS
This camera along with the G1 and GH1 has the best contrast detection autofocus on the market. It is as fast if not faster than my Nikon D40 and is almost as fast as my D700. This is a great technological breakthrough and is what allows the camera to be smaller than a DSLR while giving nearly identical performance. With this camera you will not miss photos of your children or other fast moving subjects while you wait for your camera to focus. Bravo.
On top of the great focusing performance , this fresh design allows this camera to handle exceedingly well. In many ways it takes the best of the point-and-shoot (P+S) world and mixes it with the best of the DSLR world. It doesn't have as many dedicated buttons as my D700 but the Q Menu system works very well and allows for quick changes of most shooting parameters. There is a detailed menu system but I don't find myself using it very much while shooting. I feel that this setup allows photographers moving up from the P+S world to feel immediately comfortable on this camera while also giving experienced photographers the control they need to work their craft. It seems many reviewers find fault with the Panasonic one control click wheel that changes aperture and shutter speed (other cameras have two wheels or have a button and 1 wheel combination). I actually prefer the click wheel on this camera. With the other types of setups (which I have on the D700 -- two wheels and D40 -- 1 wheel plus button) I usually have to look away from the scene to find the other wheel or button. With the setup on this camera my finger is already close by the wheel and I just push it to change functions.
I don't know what kind of plastic Panasonic uses on this camera but I love the way it looks and feels. Also, I think having a red, white, or grey camera is cool (unfortunately only available in black in the US. The G1 was available in multiple colors but so far the GH1 and GF1 are "available in any color as long as it is black.") and this combined with its size makes it look more like a "consumer" camera rather than a "professional" camera. With the photographer unfriendly laws proliferating the world, it is nice to have an incredibly capable camera that doesn't look like a professional camera.
This is a micro-4/3s camera system. That has some pros and cons. The chip is smaller than most DSLR chips. A full frame (FX in Nikon speak) sensor is ~860 sq mm, a Nikon DX sensor is ~370 sq mm, the 4/3 sensor is ~225 sq mm, and the typical sensor used in a point and shoot range between ~25-50 sq mm. However, a 2/3 sensor like many TV shows are shot with is ~60 sq mm and a 1/4 sensor like most home video recorders is only ~10 sq mm. What does all of these numbers mean? From a "stills" perspective the 4/3 format is relatively small when compared to DSLRs. That means that for the same megapixel rating, the 4/3 sensor will have smaller photoreceptors and that means more noise. However, the 4/3 sensor is roughly 60% of a DX chip so while this is a great physics discussion, in real life you will not be able to tell the noise difference based on sensor size even with a picture blown up to 100%. This is born out by the GF1's excellent noise control up to ISO800. You can also still use shots taken at ISO 1600 and 3200 but those low light shots are usually better turned into black and whites for that noire grainy look. That is the "downside" (not really much of a downside especially when compared to the up side) of the micro 4/3 system. The upside is that because you have a smaller area to cover, you can make lenses smaller (less weight and less cost). You also get a 2x multiplication factor on your lenses. So now that 200mm lens gives you 400mm of reach. Yea. However, a down side of the 2x multiplication side is if you want to shoot wide. You need a 7mm lens to get a 14mm viewing angle and those can get pretty expensive (panasonic makes are really nice and small 7-14mm that is more expensive than this camera). The point of all of this mumbo jumbo is that this camera takes great pictures and the lenses are smaller than DSLR lenses. Less weight and smaller size with no practical image quality compromise equals great camera.
On thing that is a negative is the slow 1/160 flash sync speed. This will be very limiting for off camera flash during bright light. With such a slow sync it will be exceedingly difficult (impossible?) to get shallow depth of fields while lighting. Most people probably won't use this feature but for those that do it will be a bummer. (Super FP mode and ND filters can help with this though)
This camera, also, does not have in Camera IS. The IS is in the lenses. The reason that Canon, Nikon, Panasonic do this is they say on-lens IS performs better. From what I have seen that is a true statement. However, in camera IS is better than no IS. Also, this camera can mount lens from numerous other systems. None of those will have IS. If you have an on board IS, then all of those other lenses will now have IS. The Olympus E-P1 does have in camera IS. The camera has many flaws but that is a benefit. Also, the E-P2 is supposed to be announce on 31 Oct 09 so hopefully many of the flaws of the E-P1 will be fixed.
I also love the face recognition on this camera. When I am taking group photos, the faces that I really care about are my families'. Now I can register 6 peoples' faces and it will focus on them. Nice
VIDEO
In many ways, this camera lacks some of the features of a dedicated video recorder and doesn't do the 1080P of the GH1 or have the manual shutter speed control. So why would I want to use this camera for video. There are two main reasons. The first reason is Depth of Field (DOF). As I mentioned earlier the micro 4/3 sensor has 4 times more area than the 2/3 sensor used for many TV shows and is 22 times more area than many video recorders. Smaller sensors = larger DOF. This makes it harder to isolate your subject from the background by having the background out of focus. Pay attention to movies when you watch them and you will notice how they shift focus to "highlight" their subject. If you have wondered why you can't do that with a home video recorder, now you know. If you shoot with a F4 lens on a 4/3 system you will need a .8 aperture on a 1/4 system to get the same DOF (by the way there is no such home video recorder). The second major reason to use the GH1 is the ability to change lenses. Right now there are not many micro 4/3 lenses. However, the micro 4/3 format is so flexible that, with an adaptor you can use just about any camera lens you want (Nikon, Canon, Leica, etc). The trade off is that you lose autofocus with most non-4/3 lenses. The ability to change lenses grants two major benefits. First, you can put all sorts of exotic lenses on. For example if you put on a 7mm lens, you would give your video a perspective not often seen in home footage. On a 1/4 sensor of a video recorder you would need a 1.4mm lens to get the same perspective as the 7mm on the 4/3 system. (Most camcorders are not going to go wider than 4mm which is roughly equivalent to a 20mm lens on a 4/3 system.) Secondly, you can put exceedingly "fast" (a fast lens is one with a low aperture number. A lower aperture number means more light hitting the sensor so you can run your shutter speed faster. Hence fast lens) lenses on to get shallow DOF. You could easily put a f1.4 lens on this camera. You would need a f0.3 lens to get the equivalent DOF on a 1/4 sensor.
Anyway, it is relatively easy to make beautiful videos with this camera. It does not do 1080P. However, I don't...Read more›

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The Panasonic LUMIX DMC-GF1 is the latest addition to the award-winning LUMIX G Series, which debuts as the world\'s smallest and lightest system digital camera with a built-in flash. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic\'s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects--something typically only possible with expensive professional camcorders.FEATURES:
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Fotodiox Lens Mount Adapter, C-Mount Movie Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10 Review

Fotodiox Lens Mount Adapter, C-Mount Movie Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10
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I have an Olympus EP2 and I had some problems getting this adapter on at first. I soon realized that a small screw on the adapter was preventing the adapter from seating into the lens mount. I simply removed it and now the adapter works fine. I use it with a Pentax CCTV 25mm f1.4 that I purchased from B&H Photo for about $90.00. This adapter opens up a whole new realm of possibilities with the micro four-thirds systems.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter, C-Mount Movie Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Fotodiox Pro shift Lens Adapter, Contarex Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-PL2, E-P1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10 Review

Fotodiox Pro shift Lens Adapter, Contarex Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-PL2, E-P1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10
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This is the great adapter for superb ZEISS contarex lenses,price is very reasonable,I used for few hours and it shows great workman ship,I highly recommend it if you have cotarex lens.

Click Here to see more reviews about: Fotodiox Pro shift Lens Adapter, Contarex Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-PL2, E-P1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Panasonic Lumix DMC-G10 12.1 MP Live MOS Interchangeable Lens Camera with 14-42mm Lumix G Vario f/3.5-5.6 MEGA OIS Lens Review

Panasonic Lumix DMC-G10 12.1 MP Live MOS Interchangeable Lens Camera with 14-42mm Lumix G Vario f/3.5-5.6 MEGA OIS Lens
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This review is in response to recent price movements for this camera. It's now offered around two-thirds the MSRP. I don't expect the price to go back up too much. This is the same money as a good point-and-shoot. For that, you get a really lightweight SLR-style camera with pretty good ergonomics and good features. I had used Panasonic point-and-shoots for the last six or seven years and have always been really pleased with the performance and build quality. However, I wanted more detail in my pictures and better low light ability. This camera has a better flash, a bigger sensor (not in terms of megapixels, but in terms of physical size, meaning similar sized image files of about 5 Mb per file, but less useless noise). The user interface is good, allowing more experimentation than my old Panasonic point-and-shoots. I feel like I have some growing room. Also, I tried the Olympus PEN E-PL1 competitor and found the autofocus system incredibly annoying. It was slow OR constantly hunting loudly. I love the feel of the G10/G1 much more than the E-PL1 (or the GF1 for that matter - I was surprised by that).
The real thing that sets this camera apart is the interchangeable lenses. I was able to buy an Olympus 9-18mm lens to get breathtaking landscapes that are 18mm equivalent ultra-wide, without stitching together pictures to make panoramas.
So why only four stars? Well, I prefer the G1, which this camera is supposed to replace. That camera may still be available from Amazon for a very good price not too much more than this camera. My advice: buy the G1. It has a better screen (with articulation), better viewfinder (with a nifty sensor to detect when you're using it!), and a much better kit lens. I know the lenses look very similar and the one for the G10 is lighter, but it's a significantly worse lens. Even I can tell the difference! Since the whole point of this camera for me was to buy good glass and occasionally replace the body, it did not make sense to invest in this particular kit.
That having been said, if you can't do the extra sixty dollars or need a movie mode, this is still a great camera. I'd also have a look at the GF1, although that's the price that the G10 is supposed to be. Both make the G2 look conspicuously over-priced right now, although that touch screen is cool. As far as lenses, I recommend the Panasonic 20mm f1.7 lens and the Olympus M Zuiko 9 - 18mm (don't worry about lack of image stabilization on this one).

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Panasonic DMC-G10 Interchangeable Lens System Digital Camera

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Novoflex Adapter to Mount Nikon Lenses on a Leica M Body Review

Novoflex Adapter to Mount Nikon Lenses on a Leica M Body
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Novoflex built this slick little adapter so that you can take advantage of your vast collection of Nikkor lenses. It fits like a charm, and works well with Leica's in-camera metering systems. I used this on a Leica M6TTL as well as a Leica MP. There were no conflicts. I used a variety of lenses from the 13mm f/5.6 Nikkor AIS exotic ultra-wide to the 58mm f/1.2 Noct-Nikkor (head to head testing of the Noctilux by Leica with the Nikon high speed lens). No problems with mounting nor conflict issues. While I did mount my Fisheye-Nikkor 7.5mm f/5.6 lens on the M6 successfully, I did notice some image cutoff. Will test that again with the MP. I have no idea why that would happen. For the most part, this adapter is not a problem. Of course, the focusing cam is non-functional and focus should be via the manual method or using hyperfocal rules.

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The LEM/NIK is Novoflex Adapter to mount Nikon lenses on a Leica M Body.

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Prolite 2.8X DSLR LCD Screen Viewfinder for Canon EOS 1D Mark IV, 5D Mark II, 7D & T1i, Nikon D90, D300S & D3, Pentax K-7 Digital SLR Cameras Review

Prolite 2.8X DSLR LCD Screen Viewfinder for Canon EOS 1D Mark IV, 5D Mark II, 7D and T1i, Nikon D90, D300S and D3, Pentax K-7 Digital SLR Cameras
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I bought this LCD Viewfinder for making videos on my Caon 7D and Panasonic GF1. It works very well for what it was intended: an LCD sun shade.
You can find other LCD viewfinders that look very simialr to this but priced between $100 and $180. There are a few reviews on different websites that claim that cheaper LCD viewfinders are exactly the same as the more expensive ones, I cant say for sure if they are, but this one is very well constructed and works perfectly.
This LCD viewfinder comes with and adhesive backed thin metal mount that attaches to your camera. The viewfinder has magnets that securely connect to the thin metal mount. The only problem with the metal mount is that it isn't exactly the same size as the LCD on my GF1 so you have to be careful when sticking it on. It does not block any information on the display if you position it properly.
The inside of the LCD viewfinder is lined with felt to minimize reflections.
I was worried that this did not have an adjustable diopter. I think I read somewhere where the diopter was a -1 to +4 fixed diopter. I'm not sure what that means, but I normally wear +1.25 reading glasses but I do not need them with this LCD viewfinder. I also read that you can pop out the diopter and replace it with a lens from some inexpensive reading glasses with a little work.
An added benefit of using a viewfinder like this is that it stabilizes the camera a lot when you are shooting video.
I'm very happy with this purchase!

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The Prolite 2.8X LCD Screen Viewfinder for Canon EOS 1D Mark IV, 5D Mark II, 7D & T1i, Nikon D90, D300S & D3, Pentax K-7 Digital SLR Cameras is worth investing on

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RAINBOWIMAGING Nikon Lens to Micro 4/3 Four Thirds System Camera Mount Adapter, Olympus PEN E-P1, Panasonic Lumix DMC-GF1, GH1, G1, G2, G10, (RainbowImaging Adapter, MSRP 24.99) Review

RAINBOWIMAGING Nikon Lens to Micro 4/3 Four Thirds System Camera Mount Adapter, Olympus PEN E-P1, Panasonic Lumix DMC-GF1, GH1, G1, G2, G10, (RainbowImaging Adapter, MSRP 24.99)
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I got this so I could use my few remaining Nikon lenses, slide copier, etc. on my GF1. The reviews on the more expensive one said that it wouldn't let go of the Nikon lens, so I went for this one. It works ok. The lens release button does not work smoothly, but it works. It lets go of the Nikon lens when you push (or really slide) the button. It has a more difficult time letting go of the camera body, but if I am patient, it releases ok, without forcing. It fits well, with no slop. Bear in mind that focus and aperture will be manual.

Click Here to see more reviews about: RAINBOWIMAGING Nikon Lens to Micro 4/3 Four Thirds System Camera Mount Adapter, Olympus PEN E-P1, Panasonic Lumix DMC-GF1, GH1, G1, G2, G10, (RainbowImaging Adapter, MSRP 24.99)

High quality metal lens mount allows Nikon lenses to be used on micro 4/3 camera body.The adapter has no electrical connection and diaphragm & focusing are required to be set by manual.Compatible to:Panasonic: G1, GH1, E-P1Olympus: E-P1Material:Made of Copper & AluminumDesign for

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