Showing posts with label prosumer. Show all posts
Showing posts with label prosumer. Show all posts

Retrospective 10 (Black) Review

Retrospective 10 (Black)
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In my personal opinion/experience I've found Think Tank to be the brand to go to for top of the line camera bags. If you've got top of the line expensive equipment why not invest likewise in the bag?
Said that, I will try not to come off in this review as a bias "Think Tank" fan boy. To note, I have tried out other shoulder bags in camera stores and spent hours reading reviews from photographers on the field on their opinions on various camera bags before deciding upon this bag.
Then another headache and hurdle I went through was deciding upon the Pinestone or Black color (which I evidently went with the Black as it was more of a neutral color and could easily go with your various attire plus be used at more formal events).
I believe this is a fantastic bag to carry around short trails, to the beach, and especially around urban settings as a casual bag for travel. If you want something to go on for long hikes I'd probably look into getting a backpack or waistpack, in which this case I use the Think Tank Speed Demon which can be used as a smaller shoulder bag or waist pack when I want to travel even lighter. The bag is slightly heavy but feels like a Tank and could take a beating.
By no means is this a small bag, even as the smallest of the retrospective series it's a pretty large bag, but still within a bearable size to sling around town. The comfort padding along the shoulder strap is most welcomed and even for its size another reason I do try not to over pack the bag and weigh it down. You can fit 2 bodies with non-grips (recommended to reverse in opposite directions so their prisms don't bang against one another) or you can fit your D-SLR (non grip) body + standard size zoom lens attached with 2 more lenses in this bag with no problem. The bag is pretty deep and given you could probably thrown in a couple more lenses if they were small primes. It has a designated pocket within to keep a speedlite if you so choose to desire. There is a designated zipper and non zipper pocket within the interior dimension, with the outside pocket which they say you could fit in another dslr body only or an Ipad if you so wish - I personally just keep this outside pocket to keep trail food and snacks in while the zipper pocket on the other side to store the wallet, phone, and keys.
For event shooting and many other reviews you'll find on this bag the velcro options to silence the flaps is a cool feature which is very usable for events or churches. As with most Think Tank products is does give the option to attach accessories which sometimes I may loop my "R U Thirsty" Think Tank bottle carrier on one end when on a short trail or around town.
I will get to uploading a picture of the bag being worn to give a better idea of the size of the bag.

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Inconspicuous, soft-sided shoulder bag with a simple exterior that blends into the environment. Carries 1 pro size DSLR plus 2 - 4 lenses.FEATURES:
Minimalist outer appearance conceals expensive photo equipment
Carries a pro size DSLR with standard zoom lens attached
Accommodates 2-4 lenses in main compartment with DSLR body in front pocket
Front pocket fits a pro size DSLR (body only)
Organizer pocket built into main compartment for pens, note pad, batteries, etc.
Hook and Loop "Sound Silencers" on the front flap eliminate noise while opening the bag
Soft, adjustable shoulder strap with cushioned non-slip pad
Clear business card holder under front flap
Removable short carrying handle for convenience
Seam-sealed rain cover included for protection against the elements


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Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens Review

Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens
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I have divided this review into two sections. The first is a brief summary of how I feel about the camera. The second is a detailed comparison of the 30D and 40D based on my experiences with both cameras. After reading this section you will see why I gave this camera a 5 star rating. I loved my 30D but the 40D simply blows it away.
Update: 1/6/2008
I have added a third section to discuss general guidelines for determining if this is the right camera for you.
Update: 2/2/2008
In this section I discuss my thoughts about how the new Canon Rebel XSi might impact your buy/upgrade decision.SUMMARY:
In less than a couple of months I have gone from a S3 to a S5 to a 30D and I just got my 40D earlier on today. Wow! What a fantastic camera! The pictures that this camera takes are just amazing. I thought it could not get any better than the 30D but Canon has really taken it a notch or two up with the 40D. I want anyone considering buying this camera to know to get it right away. Trust me. It is worth every penny.

DETAILED REVIEW OF THE CANON EOS 40D:
-The Outside
The first thing that stood out is the larger, 3 inch, LCD screen. This makes reading the menus and changing settings a lot easier. Canon did not stop there. When I used the 30D I really wished reading the LCD screen was a lot easier when I was shooting outdoors in bright sunlight. When I did a shot I would sometimes have to quickly find a shaded area to view the screen. I am happy to say that Canon did address this issue as well. It is now a lot easier to read the screen in bright sunlight.
There are 2 new buttons on the outside that you can use to quickly access settings rather than wasting time going through the menu.
-Info
This allows you to quickly review your shooting information for an image - ISO speed, Picture Style and Metering Mode etc. There are two things that I really like here:
1. Highlight Alerts
When this feature is enabled, if there any overexposed areas in the image they will blink when the shooting information is displayed.
2. AF Point Display
When this feature is enabled, you will see the AF point(s) that achieved focus displayed in red.
There is another use of the Info button that I really like. It can be used to set the shooting information right there on the LCD screen. I prefer this option of setting shooting information as the names of the various icons are also displayed along with the icons. I remember when I just started using my 30D that I would sometimes forget which icon was for Tungsten Light vs. White Fluorescent Light when I was setting the White Balance using the control panel. Now the name of each icon is clearly displayed as I scroll through them on the LCD screen.
-Picture Style
I really love this feature. There are times when I make a standard shot and then need to make a landscape shot. Then I would need to switch back to a standard shot. I can now do this really quickly without having to wade through the menu.
There is a new Auto Focus (AF-ON) button. Assuming that you hold the camera in a conventional way, this new button will be just below your thumb. It allows you to auto focus independently of pressing the shutter button. I found this feature really useful when making continuous shots of a trainer riding on the belly of Lolita the killer whale at Miami Seaquarium. I was able to maintain continuous focus right throughout the shots.
There are 3 new positions on the mode dial - C1, C2 and C3. You can register most of the current camera settings under them. Believe it or not but this includes not just the current shooting mode but even the menus and custom function settings. I cannot express enough what a time saver these new positions are to me. I find that I have to do different types of shots frequently so with my 30D I had to really change settings frequently. I can now save 3 of the settings that I use most often and have instant access to them. I also like the fact that I still have the option of making changes even after selecting one of these positions. For example, if my C1 was saved with an ISO speed of 400 I am not restricted to that ISO when I select C1. If I find that I only need an ISO speed of 320 I can make that change just as normal.
One feature that has been removed is the ability to use the Delete button to delete all images. I really liked this feature as there were times I wanted to delete all the images and it was more convenient to use the Delete button rather than having to go through the menu. However, I think it might have been removed because it was rather easy for someone to inadvertently erase all the images when they really wanted to erase the currently selected image.
- Start Up and Power Off
When you turn the camera on or off you can't help noticing the "Sensor Cleaning" message. This was one feature that I really eagerly anticipated. Buying a camera at this price plus quality lens represents a substantial investment. It is really reassuring to know that the camera has dust reduction built into it. What I like further is the fact that if I need to do a quick shot at start up, as soon as I press the shutter button half way to focus, the self cleaning operation is suspended. I also have the ability to turn this option off for start up and power off and run it manually whenever I feel like. I also have the added comfort of knowing that if the self cleaning sensor unit does not get rid of all the dust, I can always append the Dust Delete Data to images and then use Digital Photo Professional (one of the provided software) to remove the dust spots. At first I was a little concerned about the impact on file sizes as a result of appending the dust delete data. It is important to understand that once the dust delete data is obtained it is attached to every image that is captured after that so I was really concerned about the impact of increased file sizes. However, it turns out that this data is so small that its impact on file sizes is really negligible.- Shooting
When I first put my eye to the optical viewfinder I could immediately see the benefit of Canon increasing the magnification from 0.90x to 0.95x - images are much clearer and brighter and of course, it is also easier to read the various settings. Another welcome change is the displaying of ISO right there in the viewfinder. I really love this. I never liked having to move from the viewfinder to the control panel just to see what the ISO was. Another small change in the viewfinder is the displaying of a warning (B/W icon) when you are shooting in black and white.
This camera focuses really fast and accurately. At the Miami Seaquarium I had to do several quick shots of dolphins doing jumps. The problem here is that you never quite know from which direction they will be starting. Despite this I never missed a shot. The 40D has the same nine focus points as the 30D. The increase in speed and accuracy is as a result of the points on the 40D being cross-type. This means that they are sensitive to both horizontal and vertical detail when shooting with lenses of F5.6 or faster. In addition, if you are using a lens of F2.8 or faster the center point is twice as sensitive as any other point.
If you want to increase the focusing speed and accuracy even more you can take advantage of the two optional interchangeable focusing screens for the 40D - the Precision Matte with Grid (Ef-D) and Super Precision Matte (Ef-S). The first optional screen is pretty much the standard included screen, with a grid that makes it easier to align vertical or horizontal lines when you are composing the image. The second screen is optimized for f/2.8 and faster lenses and makes it easier to focus manually with these lenses. However, if you are using a lens that is not f/2.8 or faster the viewfinder will look darker than with the standard screen.
Something that really stood out with the very first shot from this camera was the shorter blackout time and the quieter, more professional, shutter release sound. The 30D used a spring to lift the mirror while the 40D uses a motor in both directions which means that the mirror mechanism is both quicker and quieter.
At first I did not think much of the increase from 5 to 6.5fps for continuous shooting. However, when you couple this with the fact that the buffer can now hold twice the images that the 30D did you get some amazing results when doing continuous shooting. I have several action shots from the Miami Seaquarium with trainers riding dolphins and the killer whale and with the dolphins and whale pushing up trainers in the air. Trust me - they are awesome. It is fantastic that a non-professional can find a reasonable priced camera that takes such awesome action shots.
I am really happy that Canon decided to add Live View Mode shooting. I really liked that mode on the S5 point-and-shoot camera. I never used the optical viewfinder on that camera. I definitely will use the viewfinder most of the times on my 40D but I know there will be situations where it is more convenient to use Live View. Also, sometimes I just don't feel like putting my eye to the viewfinder. Well, I thoroughly tested Live View Mode shooting and, no surprise here, it works just as well as it did on my S5. You can even use auto focus while in Live View Mode. The new AF-ON button can be used for this. You can set just about every shooting function, such as ISO speed and drive mode, while in live view mode. The only thing you cannot change is the metering mode. There are two silent (quiet) modes to go along with Live View. Pay attention to the high temperature warning when shooting in this mode.
I have...Read more›

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Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens

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Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens Review

Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens
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Bottom line up front: The elusive compact camera with interchangeable lenses, DLSR Image Quality, DSLR Focusing speed and DSLR performance has finally been made. It is the GF1.
I live in Japan so I have been lucky enough to have been playing with this camera since 18 Sep. This camera sold out on the first day from Bic Camera in Japan so it is going to be hard to get a hold of one. Please be aware that this camera is "region" coded so if you buy a Japanese version you will not be able to change the menu language to English.
This review is equally applicable to both versions of the GF1. I personally prefer the 20MM (40MM equivalent) f1.7 lens to the 14-45MM (28-90MM equivalent) f3.5-5.6 lens for the following reasons: 1) Since the m43 is relatively small compared to a full frame sensor you need a fast lens to get shallow depth of fields. 2) As a fast lens it is far more usable in low light situations. This lens is ~2 to 3.5 f stops faster than the 14-45MM lens. What this means is that given a certain situation, if you were to select the same shutter speed you would let in 4-11 times more light (Each full f stop change changes the light by 2. Going to a small f stop doubles the light. Therefore, you arrive at how much more light there is by raising 2 to the number of f stops. 2^2=4 and 2^3.5 =11) allowing the use of a lower ISO setting or you could set a 4-11 times faster shutter speed to allow you to prevent motion blurring. 3) This lens is smaller so it makes the camera eminently more portable. What you give up is the ability to zoom with your hand. There is a work around for this and it is called zooming with you feet. However, in confined situations, you may not be able to move back are far as you need to. If this is the type shooting you routinely do then the 14-45MM zoom is probably for you. For me, and I believe for most people, I like the great flexibility the faster lens gives me and I am not usually constrained by space. Additionally, the 20MM lens, in my non-scientific tests, appears to focus faster than the zoom. Both focus fast but the 20MM feels faster.STILLS
This camera along with the G1 and GH1 has the best contrast detection autofocus on the market. It is as fast if not faster than my Nikon D40 and is almost as fast as my D700. This is a great technological breakthrough and is what allows the camera to be smaller than a DSLR while giving nearly identical performance. With this camera you will not miss photos of your children or other fast moving subjects while you wait for your camera to focus. Bravo.
On top of the great focusing performance , this fresh design allows this camera to handle exceedingly well. In many ways it takes the best of the point-and-shoot (P+S) world and mixes it with the best of the DSLR world. It doesn't have as many dedicated buttons as my D700 but the Q Menu system works very well and allows for quick changes of most shooting parameters. There is a detailed menu system but I don't find myself using it very much while shooting. I feel that this setup allows photographers moving up from the P+S world to feel immediately comfortable on this camera while also giving experienced photographers the control they need to work their craft. It seems many reviewers find fault with the Panasonic one control click wheel that changes aperture and shutter speed (other cameras have two wheels or have a button and 1 wheel combination). I actually prefer the click wheel on this camera. With the other types of setups (which I have on the D700 -- two wheels and D40 -- 1 wheel plus button) I usually have to look away from the scene to find the other wheel or button. With the setup on this camera my finger is already close by the wheel and I just push it to change functions.
I don't know what kind of plastic Panasonic uses on this camera but I love the way it looks and feels. Also, I think having a red, white, or grey camera is cool (unfortunately only available in black in the US. The G1 was available in multiple colors but so far the GH1 and GF1 are "available in any color as long as it is black.") and this combined with its size makes it look more like a "consumer" camera rather than a "professional" camera. With the photographer unfriendly laws proliferating the world, it is nice to have an incredibly capable camera that doesn't look like a professional camera.
This is a micro-4/3s camera system. That has some pros and cons. The chip is smaller than most DSLR chips. A full frame (FX in Nikon speak) sensor is ~860 sq mm, a Nikon DX sensor is ~370 sq mm, the 4/3 sensor is ~225 sq mm, and the typical sensor used in a point and shoot range between ~25-50 sq mm. However, a 2/3 sensor like many TV shows are shot with is ~60 sq mm and a 1/4 sensor like most home video recorders is only ~10 sq mm. What does all of these numbers mean? From a "stills" perspective the 4/3 format is relatively small when compared to DSLRs. That means that for the same megapixel rating, the 4/3 sensor will have smaller photoreceptors and that means more noise. However, the 4/3 sensor is roughly 60% of a DX chip so while this is a great physics discussion, in real life you will not be able to tell the noise difference based on sensor size even with a picture blown up to 100%. This is born out by the GF1's excellent noise control up to ISO800. You can also still use shots taken at ISO 1600 and 3200 but those low light shots are usually better turned into black and whites for that noire grainy look. That is the "downside" (not really much of a downside especially when compared to the up side) of the micro 4/3 system. The upside is that because you have a smaller area to cover, you can make lenses smaller (less weight and less cost). You also get a 2x multiplication factor on your lenses. So now that 200mm lens gives you 400mm of reach. Yea. However, a down side of the 2x multiplication side is if you want to shoot wide. You need a 7mm lens to get a 14mm viewing angle and those can get pretty expensive (panasonic makes are really nice and small 7-14mm that is more expensive than this camera). The point of all of this mumbo jumbo is that this camera takes great pictures and the lenses are smaller than DSLR lenses. Less weight and smaller size with no practical image quality compromise equals great camera.
On thing that is a negative is the slow 1/160 flash sync speed. This will be very limiting for off camera flash during bright light. With such a slow sync it will be exceedingly difficult (impossible?) to get shallow depth of fields while lighting. Most people probably won't use this feature but for those that do it will be a bummer. (Super FP mode and ND filters can help with this though)
This camera, also, does not have in Camera IS. The IS is in the lenses. The reason that Canon, Nikon, Panasonic do this is they say on-lens IS performs better. From what I have seen that is a true statement. However, in camera IS is better than no IS. Also, this camera can mount lens from numerous other systems. None of those will have IS. If you have an on board IS, then all of those other lenses will now have IS. The Olympus E-P1 does have in camera IS. The camera has many flaws but that is a benefit. Also, the E-P2 is supposed to be announce on 31 Oct 09 so hopefully many of the flaws of the E-P1 will be fixed.
I also love the face recognition on this camera. When I am taking group photos, the faces that I really care about are my families'. Now I can register 6 peoples' faces and it will focus on them. Nice
VIDEO
In many ways, this camera lacks some of the features of a dedicated video recorder and doesn't do the 1080P of the GH1 or have the manual shutter speed control. So why would I want to use this camera for video. There are two main reasons. The first reason is Depth of Field (DOF). As I mentioned earlier the micro 4/3 sensor has 4 times more area than the 2/3 sensor used for many TV shows and is 22 times more area than many video recorders. Smaller sensors = larger DOF. This makes it harder to isolate your subject from the background by having the background out of focus. Pay attention to movies when you watch them and you will notice how they shift focus to "highlight" their subject. If you have wondered why you can't do that with a home video recorder, now you know. If you shoot with a F4 lens on a 4/3 system you will need a .8 aperture on a 1/4 system to get the same DOF (by the way there is no such home video recorder). The second major reason to use the GH1 is the ability to change lenses. Right now there are not many micro 4/3 lenses. However, the micro 4/3 format is so flexible that, with an adaptor you can use just about any camera lens you want (Nikon, Canon, Leica, etc). The trade off is that you lose autofocus with most non-4/3 lenses. The ability to change lenses grants two major benefits. First, you can put all sorts of exotic lenses on. For example if you put on a 7mm lens, you would give your video a perspective not often seen in home footage. On a 1/4 sensor of a video recorder you would need a 1.4mm lens to get the same perspective as the 7mm on the 4/3 system. (Most camcorders are not going to go wider than 4mm which is roughly equivalent to a 20mm lens on a 4/3 system.) Secondly, you can put exceedingly "fast" (a fast lens is one with a low aperture number. A lower aperture number means more light hitting the sensor so you can run your shutter speed faster. Hence fast lens) lenses on to get shallow DOF. You could easily put a f1.4 lens on this camera. You would need a f0.3 lens to get the equivalent DOF on a 1/4 sensor.
Anyway, it is relatively easy to make beautiful videos with this camera. It does not do 1080P. However, I don't...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens

The Panasonic LUMIX DMC-GF1 is the latest addition to the award-winning LUMIX G Series, which debuts as the world\'s smallest and lightest system digital camera with a built-in flash. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic\'s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects--something typically only possible with expensive professional camcorders.FEATURES:
Ver

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Marumi 72mm Super DHG (Digital High Grade) Circular Polarizer Filter Review

Marumi 72mm Super DHG (Digital High Grade) Circular Polarizer Filter
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Very good but not the best available from Marumi. Remember this is 52mm Marumi DHG (Digital High Grade) Circular Polarizer as mentioned in the product description. The pictures for this product are misleading as there are of the 72mm "Super" (= better coated) line of filters from Marumi. Even then, this is supposed to be technically better than most other well-known brands according to [...]. My decision to buy this was based on their assessment. I must say I am quite happy with the performance of this product for the price (I would have preferred "Super"). See my user pictures for more details. Good luck!

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Marumi 72mm Super DHG (Digital High Grade) Circular Polarizer Filter

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Vanguard GH-100 Pistol Grip Ball Head Review

Vanguard GH-100 Pistol Grip Ball Head
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I'm thoroughly impressed with the Vanguard Pistol Grip Ball Head! I decided to take a chance with an unfamiliar brand and am so happy I did. I inherited a Manfrotto tripod from my father and was looking to update the mount with something a little more versatile than the basic quick release.
I've been wanting a ball head for quite some time, but hated the idea of spending $200+ for the Really Right Stuff brand that Scott Kelby recommends. So I started looking at the Manfrotto Joystick that Sandy Puc swears by and realized it had a limited range of motion when using heavier equipment and larger lenses (like my Nikon D700 with 70-200mm lens)! Thank goodness I picked up a copy of Popular Photography Magazine...I noticed they had announced their POP Awards and that the Vanguard GH-100 had won one of the coveted spots on their list of top products for 2010! After reading their endorsement I decided to take chance and judge the product for myself.
For less than $100 I have a professional grade ball head with bonus trigger grip. I love how adjustable it is and I feel confident my equipment is safe and won't sag under the weight of my camera/lens or tip the tripod over. I highly recommend you give a try and see for yourself how versatile and durable it is.

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Fusing the smooth precision of a ball head with impressive ergonomic control, GH-100 enables you to position your camera or spotting scope quickly with unmatched versatility. This well-engineered ball head has the Grip Position Release System with an industry-leading pistol grip-style handle, which rotates 360 degrees and enables you to unlock, reposition and lock gear into place with ease. Its one-handed, maximum comfort and convenient operation frees your other hand to make lens zoom adjustments. Depression of the handle allows 360-degrees of panning movement and -32 to +90-degrees of side-to-side tilt and -8 to +90-degree back to front tilt movement all round. It instantly locks into place with simple release of the handle. Other impressive features include its Friction Control System which allows you to modify the level of friction on the ball to accommodate changing equipment weight such as switching to heavier lenses.The anodized center ball allows for extremely fluid movement without sacrificing precise control. GH-100 ensures the safety of your expensive equipment with a dual-locking quick shoe mechanism that prevents accidental release. It lets you attach and detach your gear quickly and efficiently. Other notable features include its 72-click point panorama, offering 72-point rotation with click-into-place positioning that moves the camera 5 degrees per click and prevents jumps in shots to ensure a perfect 360-degree panorama.GH-100 provides impressive versatility in positioning with 360-degree horizontal movement and 90-angle tilt.

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Lexar Platinum II 16 GB 200x CompactFlash Memory Card LCF16GBSBNA200 Review

Lexar Platinum II 16 GB 200x CompactFlash Memory Card LCF16GBSBNA200
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So far, it works well. I bought it at a great price and have encountered no problems thus far in my Canon 40D (but will be using it soon in a Canon 7D). If I do run into any problems, then I will update this review.
I consider 16GB to be very roomy, more than I'll probably need in the next few years. It's great how cheap flash memory has become.

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Lexar offers a complete line of award-winning memory cards in various speeds, formats, and capacities. With so many options, it\'s easy to find the right Lexar solution to fit your needs and lifestyle. Designed for photo and video enthusiasts, the Lexar Platinum II CompactFlash (CF) memory card is a high-performance card designed for sustained rapid-fire picture-taking and full-motion video, two of the most popular features in today's digital cameras. The Lexar Platinum II CF card is speed rated at 200x, the equivalent of a minimum sustained write speed capability of 12 MB/s, and is available in 4 GB, 8 GB, and 16 GB capacities.

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Canon PowerShot S90 10MP Digital Camera with 3.8x Wide Angle Optical Image Stabilized Zoom and 3-inch LCD Review

Canon PowerShot S90 10MP Digital Camera with 3.8x Wide Angle Optical Image Stabilized Zoom and 3-inch LCD
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Early Impressions
I was delighted to have finally received my Powershot S90, and without further adieu, let me say that this is one heck of a camera. It's not perfect -- you can take truly terrible pictures with it just like you can take terrible pictures with a D700 -- but when used properly, the camera turns out remarkable shots that make us find it hard to accept the images are coming from a camera that fits in your pants pocket.
What struck me first upon using it? First, it's size. This thing is small, and it's light, too. It's a bit smaller than my Panasonic TZ3 and TZ5, and it's lighter, too. (The camera uses a front and back metal construction with plastic on the top and bottom, but the Panasonic's, while also using metal, use a thicker gauge steel which adds a feel of sturdiness but also adds some weight, as well). The camera also has a high-quality feel to it. The buttons click and depress well (although the rear wheel is a bit too easy to turn, in my opinion). It has a rounded shape, so it feels comfortable in the hands, and when you stick it in your pocket, it will slide right in and out without snagging. The screen on this thing is simply gorgeous: why can't every camera have a screen like this? It's large, bright, and pretty high in resolution (461,000 pixels). You can't help but admire the camera's design once you get looking at it and using it.
Next, the camera seems to perform well in terms of speed and overall operational use. The screen has the typical lag when taking shots, but you can adjust this somewhat in the menu system to speed things up, and quite frankly, every small camera I've ever owned exhibits this behavior. It is easy to use most of the camera's functions, and you may have heard about the programmable control ring around the lens on the front of the camera. It's operation is easy, solid (the ring "clicks" with detents at different positions), and, to boot, there is the standard programmable "S" button that the Powershots "S" cameras have typically had.
But of course, I'm interested in high ISO operation, and so I immediately took it into the livingroom where it was quite dark, and just started shooting. I was quite surprised at the results. You are not going to necessarily submit these to win any contests, but for the most part, the camera took nice shots even in that bad shooting environment, and the vast majority of the photos came out quite well (I will post a few with this review). The camera is the first (along with the Powershot G11) to deploy Sony's new ICX685CQZ sensor, a 9.31mm diagonal sensor with high performance specifications. With a little post processing, many of them look quite good. As the ISO crept into the very high ranges (800 and above) some sensor noise became apparent, but this is certainly the best low-light performance I've seen in a non-DSLR so far. (See my explanations, below, to see why this is possible). Surprisingly, some shots as high as 1600 ISO seemed to be acceptable as long as you are not a "pixel peeper." I was quite surprised when I discovered that a few of the shots had been taken at this high ISO 1600 level -- I've never had this experience before with a point and shoot camera.
Outdoor operation is fantastic. My outdoor shots for the most part have come out very well, with rich color, great detail, and little sensor noise. Like most Canon portables, these images seem to respond well to post-processing (you can sharpen them quite easily, and Canon now uses a standard meta-data tagging format that is readable by virtually all photo editor programs.) I even turned the EV down -2/3 while outside, and the sensitivity of the camera is so good that, even with this reduction in EV, my shots came out sharp and clear. Again, I will post a few shots with this review.
The camera TRULY excels at macro photography. The macro shots I've taken thus far are clear, sharp, and have great depth of field. In a word, they are superb: this camera is a macro shooter's delight. (A nice touch, too, is that in AUTO mode the camera automatically shifts into macro mode, without having to press any buttons!) The functionality just begs us to keep shooting macros over and over again. I've been able to take macro shots that I only dreamed of before, and the camera makes it easy to do so.
And although this is not an objective measure, the camera is just plain fun to use. It works smoothly, is light, has a beautiful screen, and seems to keep cranking out one nice shot after another. Wow.Early Pro's and Cons
-- PROS --
1. Exceptionally small and lightweight (100 x 58 x 31 mm and 175 g)
2. Increased sensor size for a portable with a lower megapixel count (Sony's new ICX685CQZ sensor, 9.31mm diagonal)
3. Reasonably large zoom factor (28-105mm, approximately 3.8X zoom)
4. Wide end is very wide for landscape shots, vistas, group photos (28mm)
5. Fast f/2 lens permits high levels of light passage in low light situations
6. f/2 lens makes shallow depth of field shots incredibly effective - this camera is a macro shooter's delight
7. Two types of highly effective shake reduction technologies
8. Design makes lens cap unnecessary
9. Extremely high image quality for a pocket sized camera
10. HUGE 3 inch LCD screen with 461,000 pixel resolution and 100% coverage of the shot you wish to take
11. RAW mode allows for highest image quality and post processing
12. Virtually every camera setting is user adjustable (ISO, shutter speed, aperture, EV, white balance, etc.)
13. Ring-based control implementation one of the best on ANY current camera
14. Reasonable cost for a camera of this ability (but watch the prices climb as the camera stays in and out of stock)
16. Metadata being properly written to the file so they can be read by photo editing software (a problem with earlier Canons and some other brands)
17. SDHC flash card is highly standardized, and is coming in larger and faster formats (necessary if you are taking many RAW shots)
18. Extremely attractive physical design
19. High quality construction apparent on first use
20. Reasonably good battery life - most people are reporting about 300 shots (without flash) between charges-- CONS --
1. Zoom ends at 108mm (3.8X zoom), which may be a deal breaker for some
2. Does not take HD videos (but does shoot 640 x 480 at full 30fps)
3. LCD screen not at the highest current resolution as seen in some DSLR's (but is great, anyway)
4. Proprietary battery is an expensive proposition, as two or three are needed for daylong trips
5. Camera case not included, and is expensive to purchase afterword
6. No prices below retail due to the high demand of the device
7. May be difficult to initially acquire due to high demand
8. Still no "universal standard" RAW mode file format - the camera manufacturers need to address this soon!
9. Mechanical noise when setting focus and moving between bright and dimply lit areas - this is the aperture being adjusted, but it can be annoyingSome Other Things I Can Tell You about this Camera (and the Powershot Line in general)
Canon's reinstatement of the venerable "S" series within the Powershot line is a welcome move to thousands of photographic enthusiasts. Although the S90 announcement a few months ago caught the photographic community by surprise, the announcement was greeted with overwhelmingly positive reactions. As a person who had been greatly impressed by my older Powershot S80, a phenomenal camera for its time and a pleasure to use, I was one of them.
Read the online posts of virtually any photography forum, and you'll quickly see there is no shortage of individuals, many of them longtime professional photographers, who have tired of carrying around anywhere from four to ten pounds of photographic equipment simply to get a few shots while out on a trip. (I think it may have been Scott Kelby who said, and I paraphrase, "The best shot is the one you take," and if the weight and size of your equipment makes it so that you end up not bringing your camera with you, you won't take any photos at all! This is a corollary to one famous photographer`s statement that there is an inverse relationship between the amount of photos you take and the amount of equipment you bring.) The problem has generally been, however, that the smaller you make the camera, the worse the image quality of the photos the device can produce. This has set up a tradeoff between image quality and camera size, and, more specially, image quality and sensor size, which for years has forced photographers to take a stand with one side of the equation or the other, and then defend to the community why they made such a choice.
Without going into too much detail here, the problem in manufacturing a compact camera that takes excellent images under a wide range of environments essentially boils down to the sensor, the electronic device that takes the place of film in older cameras. The larger the sensor, the more surface area for light to fall, and the higher the density of the sensor (in megapixels) the higher the sensor's resolution. Camera manufacturers have excelled at developing ever higher densities in sensors of the same physical dimensions -- many 12 and 14 mexapixel cameras are using sensors sized no larger than those on previous cameras possessing only 3 or 4 mexapixels -- but where they have fallen flat on their faces is in the development of sensors that have good resolution AND low noise. And the most direct impact of increasing mexapixel count on a sensor that remains static in size is the increase of electronic "noise" (also known as the "signal to noise...Read more›

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By combining a 10 megapixel CCD sensor and Canon's advanced DIGIC 4 Image Processor, the PowerShot S90 offers dramatic low light sensitivity with minimal noise. Impressive ISO 3200 capability reduces blur and subject movement for crisp photos with spectacular sharpness and clarity. The S90 boasts an incredibly slim profile and lightweight body for true pocket-sized convenience. For the photographer that never wants to miss an opportunity, the S90 the high quality camera that you can carry every day. With an equivalent zoom range of 28-105mm, Canon's 3.8x Optical Zoom Lens captures everything from sweeping landscapes to telephoto action shots with ease. An impressive f/2.0 aperture allows you to create dramatic portraits by emphasizing your subject's face and blurring the background with a soft, shallow depth-of-field. Boasting 461,000 dots of resolution, the 3.0" Pure Color LCD screen of the S90 offers exceptional color and contrast for composing and reviewing photos and video. Advanced multi-coatings prevent visual interference from dust, scratches, and reflections. The new control ring around the lens of the S90 offers precise adjustment to focus, exposure, ISO, zoom, or white balance settings. Intuitive and easy to use, the ring is fully customizable to meet your shooting preferences. RAW files allow you to capture images without the loss of detail associated with JPEG compression. Using the included Canon software or a compatible 3rd party RAW converter.

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67MM Infrared Filter - IR760 - for Kodak, Fuji, Sony, Canon, Nikon + MORE Review

67MM Infrared Filter - IR760 - for Kodak, Fuji, Sony, Canon, Nikon + MORE
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Simply put; it indeed is a true infrared filter, without 'leaks,' without 'thin spots,' and without defects in the threading and glass.
If you insist on getting a Hoya or similarly much-more-expensive filter, get this first to experiment with (of course, once you've confirmed you CAN shoot infrared,) and should serve you quite nicely.

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Use for photography with infrared films. Infrared film is also sensitive to ultraviolet rays and the shorter wavelengths of the visible spectrum so it is necessary to filter out all but the infrared rays.IR760 passes only infrared rays above 760nm.Infrared filters, often used in crime detection, medical photography, etc, can also be used for creative and artistic photography!

Specifications:- Infrared Filter- Material: high quality optical glass- Size: 67mm

Tips:The IR Filters we offer are double-threaded with 720nm, 760nm, 850nm, or 950nm. We offer them in a variety of sizes, be sure to purchase the correct size.We recommend that you choose the suitable ones for your camera.You can use the filter individually or in any combination to meet your demand.Different IR filters have different effects.
950nm is suitable for outdoor and strong light use.850nm is suitable for outdoor and strong light use.760nm is suitable for indoor and weak light use.720nm is suitable for indoor and weak light use.

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Zeikos 52mm 3-Piece Ultra Slim Pro Glass Filter Set (UV Ultraviolet, Circular Polarizing & Warming) with Pouch Review

Zeikos 52mm 3-Piece Ultra Slim Pro Glass Filter Set (UV Ultraviolet, Circular Polarizing and Warming) with Pouch
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I love these filters and the convenient holder. I can buy several more filters and still have a safe place to store them. The filters screw on perfectly and stack, just like the description says.

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Filter Set Includes: • 1) Zeikos 52mm Ultra Slim Pro Glass UV Ultraviolet Filter • 2) Zeikos 52mm Ultra Slim Pro Glass Circular Polarizing Filter • 3) Zeikos 52mm Ultra Slim Pro Glass Warming Filter • 4) Soft Nylon Filter Case
The Ultraviolet UV Glass Filter is multi-purpose, fine-weather filter that is designed to optimize the photography experience of the digital SLR user.UVfilters absorb ultraviolet rays that often make outdoor photographs hazy and indistinct, and should be constantly fitted to a lens to provide improved clarity and color balance, as well as to provide protection to your lens.
The Circular Polarizing (PL) Filter allows you to remove unwanted reflections from non-metallic surfaces such as water and glass, and they also improve color saturation, clarity and contrast. This threaded filter is often used to increase the contrast and saturation in blue skies and white clouds, for example.
The Warming Filter is used to control the bluish coloration that affects daylight film. They can also remove excessive blue from the effects of electronic flash. Reduces blue to a warmer color of human skin look healthier. Recommend combining with a pro UV filter for outdoor shooting.


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Schneider 28mm F2.8 PC Nikon Mount Shift Lens Review

Schneider 28mm F2.8 PC Nikon Mount Shift Lens
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This lens is so sharp you might even cut yourself with it!
If your photography application requires any kind of shift movement from your lens, such as architecture, this lens is a must have in your camera bag.
I use it exclusively when I photograph buildings to correct for converging verticles and it never ceases to amaze. Low distortion and as mentioned, incredible sharpness and contrast.
Two thumbs way up!

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Camera Lens.

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David Busch's Nikon D700 Guide to Digital SLR Photography, Softcover Book by David Busch Review

David Busch's Nikon D700 Guide to Digital SLR Photography, Softcover Book by David Busch
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This book is fantastic and easy to read for all levels of experience. The book is easy to follow; you don't need to read in order as each chapter stands on it's own. David has described non-Nikon tips to make greater functional use of your D700 camera. He has also included descriptions of software and hardware additions that you might want to purchase to enhance your use of the D700. David is very pragmatic in his examples, telling the reader how it is in an unbiased manner.

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"David Busch's Nikon D700 Guide to Digital SLR Photography" shows readers how, when and why to use all the cool features, controls and functions of their camera to take great photographs of anything. Beautiful, full-color images illustrate where the essential buttons and dials are and tips and techniques that can be applied to any type of photography will help readers take better pictures with their new digital SLR.Whether they are new to digital SLR photography or experienced pros, "David Busch's Nikon D700 Guide to Digital SLR Photography" will help readers maximize their camera's capabilities.

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Manfrotto 055XPROB Pro Tripod Legs (Black) Review

Manfrotto 055XPROB Pro Tripod Legs (Black)
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Isn't it both amazing and quite frustrating that we as consumers must weed through what seems like hundreds of reviews just to gather enough information about a single product that ONE review should be able to produce? After literally reading hundreds of reviews for a camera body, lenses, tripods, etc, I feel like the work and time should go towards saving someone else from the toil of doing the same.
First of all, if you're like me, you're out looking for the tripod recommended by Scott Kelby's great, simple book, The Digital Photography Book. He recommends the Bogen 3001BD as the most affordable tripod which is still of good build quality. This recently has become the Bogen Manfrotto 190XPROB which is very, very similar to the 055XPROB. The differences are as follows:
055XPROB - can support 15.4 pounds
190XPROB - supports 11 pounds
055XPROB - leg diameters 29.4, 25, 20 mm
109XPROB - leg diameters 25, 20, 16 mm
055XPROB - min/max. height 3.9"/70.3"
190XPROB - min/max. height 3.3"/57.5"
055XPROB - weighs 5 pounds
190XPROB - weighs 4 pounds
Otherwise, they are the same basic tripod. Both are made out of patented aluminum and have the same features such as Bogen's fold-down center column which allows you to get great macro shots as close as a few inches from the ground and they both have the newer flip type leg locks which are a little stiff when new but hold the legs nice and tightly.
In summary, if you're looking for the best, cheapest tripod for your point and shoot or entry level digital SLR, I'd recommend the 190XPROB for the few dollars in savings, the pound you save in weight, and all of the professional quality and features of a Bogen tripod. If you are like me and are using that entry level DSLR and are looking to upgrade in the future with a larger camera body, larger lenses, flashes, etc, I'd recommend the 055XPROB for it's larger size (I'm 6'1"), heavier construction and higher load capacity. All in all, they are both excellent tripods that are nearly identical. If you ask me, I'd go with the 055XPROB regardless; is the fifteen dollars and the pound in difference really worth gaining, in sacrifice of a sturdier tripod? I don't think so. I hope this helped.
I purchased this product from Amazon on Jan 13th. The shipping was amazingly fast and the price was the best I could find on the internet, hands down. The one I ordered actually shipped from one town away so it arrived next day! It was a perfect transaction.

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The 055XPROB makes the famous Manfrotto-patented horizontal center column feature even easier to use. By extending the column to its highest vertical position, it can be swung around to horizontal without removing the head or disassembling the column itself, so switching between framing and positioning setups is more convenient than ever. The ergonomics of the leg angle release mechanism and the quick action leg locks themselves have also been greatly improved.

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Polaroid 72mm 3 Piece Filter Kit UV Circular Polarizer FLD - PL3FIL72 Review

Polaroid 72mm 3 Piece Filter Kit UV Circular Polarizer FLD - PL3FIL72
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These are very well made filters. Glass with metal ring. Thin, so it doesn't cause to much of a problem with vignetting when shooting with your zoom lens at wide angle settings. Overall I am very satisfied. Great value for such well made filters. This IS a circulating polarizing filter. Does a great job at capturing those blue skies and filtering out reflections in water, glass and uv rays. No photographer should be without this set.

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Polaroid filters continue the brand's long legacy of superior optical solutions. All our filters are carefully formulated to ensure consistent color and accuracy throughout the entire surface of the glass. Why? Consistent color means consistent high quality results. We know that a poorly made filter makes a great lens and camera worthless, that's why the our frame rings are constructed of special alloys that won't expand or contract over time or due to temperature extremes-it's also why we back our filters with an 10 year warranty-because we engineer them to last.Like all Polaroid optics, Polaroid filters are precision manufactured to the most demanding of tolerances. This ensures consistent high quality results even after years of use.

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Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
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This camera is really fantastic and a nice upgrade from the LX3. That's not to say that everyone should upgrade, but I think there are some significant advantages.
For me, I really needed the additional zoom and was very excited to hear that this is exactly what the LX5 had, without sacrificing the f2.0 lens. My brother needed a new camera anyway and was happy to get my 2 year old LX3. (By the way that camera is in nearly perfect condition. Panasonic really build a quality product with the LX line and I think the LX5 is even better.)
Here are the major comparisons to the LX3. Decide if these are worth it to you:
- Better image stabilization. I am getting crisp photos at speeds as low as 1/10sec.
- Better sensor than the LX3. The colors are slightly more accurate and the auto white balance works better (I need to make less adjustments).
- Better low-light shooting. Perfectly usable up to 1600 out of the camera. Shots in ISO 3200-6400 can be used with some photoshopping. ISO 12800 won't be very good, but nice to have if you don't care about quality and just need a quick shot in the dark. With the LX3 I was getting usable shots at ISO 800.
- Faster autofocusing.
- Face detection.
- Autofocus tracking!
- Better processor. Faster startup and shot-to-shot time.
- Better battery life... this camera lasts almost twice as long!! And I always thought the battery life on the LX3 was already outstanding. I'm going on a weekend trip soon and feel confident that this will last the entire weekend without needing a charge.
- As mentioned, the added zoom is terrific. It's interesting to note that the overall size of the camera has remained roughly the same as the LX3 despite the upgrade.
- Easier to get into the film mode with the dedicated movie button. I've tested this a few times and it's very useful for quick recording.
- Better quality video. Uses the newer avchd codec, but you can always record in motion jpeg.
- More comfortable to hold and better build quality.
- Hot shoe, but I don't see this as a benefit to myself. The option to add an EVF or flash is nice, but defeats the purpose of keeping this camera compact. At that point you may as well get an SLR.
- Better control with the GF1 style click wheel on the back. Seriously, this is the best PaS camera in terms of usability. You literally forget about the controls. Really well thought out. The menus are similar to the LX3 and "just work". Really a nice interface and plenty of options to tweak.
- Improved screen. Looks better in the bright Singapore sun than my LX3 ever did. Wish it had more pixel density, but still looks great.
- Added 1:1 square format is really neat. Not a major addition, but nice to have. I really like that the LX-series has a dedicated image ratio button. Very useful and unique. (note: the LX3 has 1:1 ratio as well, with the latest firmware, but the LX5 has a dedicated hardware button for it).Complaints:
- The lens cover needs to be built in. I really don't mind the one it comes with much, but there were lots of complaints about the lens cover on the LX3. Not sure why Panasonic chose to ignore these. I would definitely prefer not to worry about losing the lens cover.
- Should be a better panorama mode. I think sony's "Sweeping panorama" feature is fantastic. Panasonic should adopt something similar if they can. The current mode works fine, but could be improved.Wish list for the "LX6":
- Larger sensor, like m4/3.
- Brighter lens, F1.7 or lower would be nice :)
- Built in EVF!
- Articulating screen.
- Built in lens cover.
- Weather sealed to make it even more durable against splashes and dust.
- Manual focus/zoom wheel that can be programmed like the canon S90/95.
I think adding these would make for a nearly perfect PaS.Other cameras to consider:
Canon S95: I tried this camera out the other day and it's not as good as the LX5 in many ways, but does have a few advantages. Image quality on the S90 was not as good as the LX3/LX5. The LX cams are also wider at 24mm (I think the canons are 28mm). The jog dial on the back of the S95 is cool but since the camera is so small I found myself hitting it accidentally a few times and changing the settings. Can be kind of annoying, especially if you want to take a quick shot. The LX5 is also much nicer to hold and easier to dive into the menus as a result of the control placement. But to be fair, the Canon does start at a lower price point and is smaller. Assuming size and price are more important to you, I would say it makes for a fine choice. It's still better than most other cameras out there and also has an f2.0 lens. The addition of 720p on the S95 is nice as well (but doesn't allow for an AVCHD format, zooming while recording or continuous autofocus like the LX5). Also, having a programmable front selection wheel on the S95 is really smart and useful.
Canon G11: Not a big fan of this camera as it uses the same sensor as the Canon S90 and doesn't use as fast a lens. Lacks HD video recording and is more expensive. It's also larger and bulkier than the LX5. Overall I just don't feel like it is a strong competitor. The G12 will probably be something better to compare against the LX5 or any of the other cameras mentioned here. To the G11's credit, it does have an articulating screen and a view finder which is nice.
Canon G12: The G12 has since been announced and while it's surely seems like a nice camera I still think it's rather large and didn't add too many features to make it a good competitor to the LX5. It's probably still built like a tank, adds HD recording, but the lens isn't really that impressive to me. The LX5 matches it's zoom capabilities, but with a brighter/wider lense.
Olympus EP-L1: This camera is also a worthy competitor and has the benefits of a larger sensor and interchangeable lens. However, the build quality is not as good, the lens that comes with the EP-L1 isn't very impressive and it's a bit larger. You will need to spend some serious money on the 20mm f1.8 lens which makes this purchase almost twice that of the LX5. If you are okay with the kit lens this is a great bargain for just slightly more than the LX5.
Pansonic GF1: This was the most difficult decision to make for me. Relatively speaking, the GF1 costs slightly more than the LX5, but comes with a better lens (20mm f1.8) and is m4/3 like the EP-L1. While the 20mm kit the GF1 does take noticeably better pictures, I still ended up choosing the LX5. Why? The LX5 is still cheaper (the price difference does matter to me, it might not to you), has image stabilization (the GF1 does not) and it's substantially smaller. I like the GF1 and think it is tiny compared to traditional digital SLRs, but it's still not as convenient as a compact PaS like the LX5. Basically, I see myself taking the LX5 to more places and using it more in general. I think that beats out the image quality edge that the GF1 has.
Ricoh GR Digital III: Looks interesting and has a nice spec'd 28mm f1.9 lens, but is fixed (no zoom) and has no HD video recording. I didn't test this because I need zoom and HD recording, and it's also larger and a good amount more expensive than the LX5. I've heard the menu system on the Ricoh's is one of the best to use, but it seems to be targeted at a very niche audience.
Samsung TL500: Was really impressed and seriously considered this camera because I read about it having a f1.8 lens at 24mm! And it has a nice articulating AMOLED screen. I played with the camera a bit and was impressed, but it's larger than the LX5, doesn't have as good a zoom range and about 1/2 the battery life. I've also examined the TL500 image samples on the web and don't think they are good as the LX5. Low light performance is a little less impressive, but the LX5 just produces more crisp images with better colors IMO. This is comparing jpg's straight out of the camera, not RAW files. Lastly, there is no HD video recording (only does 480p). The price on this camera is great though and it looks and feels like it will last a LONG time. Great design here by samsung.
Sony NEX3/5: Gorgeous cameras for sure. First I've seen that come with a metal kit lens. This oozes quality and I really wanted to like these cameras. With the pancake lens they are fairly tiny and remember they use a full size APS-C sensor. Also, the NEX3 is not much more expensive than an LX5. I didn't purchase either for a few reasons. First, the flash isn't built in. You need to screw it on, which is annoying because it doesn't go on easily. It took me a few tries to get the threading to interlock. I don't take off too many points for this, because you can just leave the flash attached all the time. The biggest problem I have is the manual functionality and the firmware in general is lacking and isn't very fluid. This is also partially a result of the sparse manual controls the cameras have. It's hard to adjust any settings and really seems to be designed for users who want to just use the auto mode. This is completely OK, just not the camera for me. If you purchase this camera and intend to use the manual functionality (and don't mind digging around the menu a bit) I'm confident this camera will give you excellent results. You also get the great Sony "sweep" panorama mode I wish Panasonic would implement. And let's not forget the useful tilt screen. Out of the two, the NEX3 (the NEX5 adds 1080p video) is probably the most direct competitor to the LX5 in terms of price and could be a good choice for many people. Like I said, I really wanted to like these cameras, but the controls and software feel a bit like...Read more›

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The Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and High Definition (HD) video. With an ultra-bright F2.0 ultra-wide-angle 24mm Leica DC Vario-Summicron lens, the Lumix LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail. The 24mm wide angle lens offers extraordinarily large viewing space and now the optical zoom is extended to 3.8x (90mm) making the LX5 even more versatile.The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light. In addition to the newly-designed lens, the Lumix LX5 features an image processing engine that combines technologies resulting in professional-quality photos, especially in low-light situations. Like its predecessor, the Lumix LX5 features the highly-acclaimed 10.1-megapixel CCD, but it has an expanded dynamic range by increasing the sensitivity and the saturation.FEATURES:
Venus Engine FHD image processor - The newly developed Venus Engine FHD image processor enables higher-speed, higher-performance while compiling the Intelligent Resolution technology. The triple CPUs in this imaging engine dramatically speeds up processing while achieving exceptional noise reduction performance. With its high-sensitivity CCD and the brightness of the lens, minimum illumination of the Lumix LX5 is as low as 3 lux while shooting video.
Record HD videos in AVCHD Lite - In addition to capturing high-quality still photos, the Lumix LX5 can record HD videos in AVCHD Lite, a format that allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. Creative video shooting modes include Creative Movie

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Precision Design HDMI to Mini-HDMI Digital A/V HD Camera Conversion Cable (6 ft/1.8m) for Nikon D3s, D90, D300s, D5000, D700 Digital SLR Cameras Review

Precision Design HDMI to Mini-HDMI Digital A/V HD Camera Conversion Cable (6 ft/1.8m) for Nikon D3s, D90, D300s, D5000, D700 Digital SLR Cameras
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I needed a cable for live viewing of the image being captured or shot. Using an LCD TV achieved an excellent result using this HDMI cable.

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The Precision Design HDMI to Mini-HDMI Digital A/V HD cable provide an ideal way to connect digital cameras, camcorders, and other digital devices with the new mini-HDMI connector directly to your HDMI equipped HDTV. These cables are HDMI 1.3 compliant, providing optimum video and multiple channel audio signals. Gold-plated connectors ensure the ultimate in error-free signal transfer.
Key Features:♦ HDMI 1.3 ♦ Length: 6.0 ft/ 1.8 meter ♦ Supports up to 1080p Resolutions and 8 Channel Suround Sound ♦ Fully HDCP compliant to Provide highest level of signal quality ♦ Perfect for both high-definition video and standard video formats ♦ Supports uncompressed audio/video signals ♦ Connects a mini HDMI-equipped component with an HDMI-equipped display device

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Battery Grip MB-D80 for Nikon D80 D90 SLR Digital Camera Review

Battery Grip MB-D80 for Nikon D80 D90 SLR Digital Camera
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Since there's no reviews for this product, I thought I'd at least give my first impressions.
The battery grip fits my D90 really well. The color and texture of the plastic isn't a perfect match, but close enough for non-perfectionists like me. I really like the shape and feel of the grip when holding the camera in portrait mode. It has a soft non-slip texture where the fingers grip the front. I also like how they've provided stowage for the camera's battery compartment cover. And the Amazon description doesn't mention it, but the kit does include adaptors for using AA batteries.
I just received the item today, so haven't used it extensively. But I did try a few quick snaps, and it seems to work. If anything, I might even prefer the feel of the shutter button over the one on the camera itself. And the two dials seemed to duplicate the operation of the on-camera ones in my limited testing. Update 1: I just noticed that, other than the main picture, all the other pictures are of a different variant. If you want to know what this grip actually looks like, or at least the Meike MK-D90 I was sent when I ordered this, it's virtually identical to the Zeikos D90 grip.


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Battery Grip Features:Brand New Pro Battery Grip for NIKON D80/D90.Hold up to 6 AA batteries or one/two EN-EL3e Li-ion batteries.Professional edition with vertical-grip shutter-release button, Main command dial, Sub-command dial, AE-L/AF-L button.Vertical shutter with half-press function.Power ON/OFF Button.IR remote included. Control the shutter with infrared remote controller.1/4" Tripod screw mount.Same function as original NIKON battery grip MB-D80. High quality product with big discount from the original one.More comfortable vertical shooting.One Year USA Warranty.Quantity: 1Specifications:Type:Battery grip for the NIKON D80/D90Power Sources:(1)Battry Pack EN-EL3e(2)AA size batteries: Alkaline, Ni-MH, Lithium or Nickel-manganesePower Switch:Camera's power switchDimensions:138(W)x110(H)x73.5(D) mm / 5.4(W)x4.3(H)x2.9(D) inchWeight:Approx. 231g / 7.4oz. (without batteries and battery magazine)This item is 100% BRAND NEW! 1 Year Seller Warranty!

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Vivitar VIV-PG-D700 Deluxe Power Grip fits Nikon D-300 & D-700 Review

Vivitar VIV-PG-D700 Deluxe Power Grip fits Nikon D-300 and D-700
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Bought this product to use with my D300 and has worked wonderful! It's comfortable and lightweight (at least when you have another En-El3e battery in it) The extra shutter speed and F stop dials work great and feel very similar to the ones on the camera. Great addition to any pro/amateur bag
If you are looking for a battery pack that won't break the bank, this is it

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Vivitar VIV-PG-D700 Deluxe Power Grip fits Nikon D-300 & D-700

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