Showing posts with label lx5. Show all posts
Showing posts with label lx5. Show all posts

Lowepro Dublin 30 Slim Profile Pouches for Cameras and Compact Video Cameras (Black/Bordeaux Red) Review

Lowepro Dublin 30 Slim Profile Pouches for Cameras and Compact Video Cameras (Black/Bordeaux Red)
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I brought this case for the Panasonic LX5 base on the dimension posted here on Amazon. The dimensions given are external and the walls of the case is very thick. The LX5 can BARELY squeeze in and almost imposstible to take it out. If your device fits this case, then I can highly recommand this over the zipper take cases. The zipperless design can saves you alot of LCD scratches!

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Lowepro Dublin 30 camera pouch offers reliable screen protection, fast access and a variety of ways to carry ultra-compact to pro point & shoot cameras and compact video cameras. A padded foam flap with topstitching quickly opens and securely shuts with a hook/loop closure. The pouches are constructed of smooth, jersey-faced neoprene foam, providing cushioned protection and a snug fit to camera or video camera. Inside, the pouches are lined in soft, brushed tricot and reinforced with sturdy PE board to protect LCD screens. A unique memory card pocket is built right into the front of the pouch for secure storage. Carry the Dublin three ways: as a protective pouch to toss in a bag, tote or backpack; around the wrist when a camera strap is threaded through the top opening; or on a belt or strap via the integrated belt loop on the back.

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Sony Alpha NEX NEX5A/B Digital Camera with Interchangeable Lens (Black) Review

Sony Alpha NEX NEX5A/B Digital Camera with Interchangeable Lens (Black)
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I purchased the Sony Alpha NEX 5 as a gift for someone with lots of artistic ability, but who is intimidated by the typical DSLR. So far, it seems like a good choice.
For me, there were four possibilities:
- The Sony NEX 5
- Olympus E-PL1
- Panasonic GF1
- Leica X1 (I'm a "red dot" softie)
In retrospect, I wish I had spent more time thinking about a small DSLR, such as the Nikon D3100. The price difference isn't too great, and it would have opened up the door to a more versatile collection of lenses and accessories. The NEX 5 is about the most compact of any of the above though, so perhaps the size versus quality trade-off will come in handy. The NEX 5 body is about 10 ounces - half the weight of most of the others (although it gets closer when you compare camera plus lens).
In terms of construction quality, I found the Sony to be very solid and well made, even though it's more compact than its peers. The body is a mix of magnesium alloy and plastic parts, and it feels rugged and comfortable in my hands. To be clear though, the Sony lenses seem quite a bit larger than the competition, and the combination of a small body plus enormous lens can look quite weird till you get used to it.
Most of the camera's functions are only accessible through an extensive menu system. I use Nikon's DSLRs, but was able to adjust to the Sony menus pretty quickly. Still, I think the camera might have benefited from a few more user-assignable buttons that let you keep commonly used functions closer than wading through the menus. Otherwise, I found the operation pretty straightforward. The screen is large and easy to read, even in daylight. There are a lot of built-in tips to guide you through the more complex or seldom-used features...another plus.
Speaking of lenses, Sony has the typical fixed 16mm wide-angle and an 18-55 zoom, with a 18-200 zoom supposedly coming soon. To their credit, Sony also makes an adapter that lets you use their DSLR lenses on the NEX 5, although you lose autofocus this way. To me, this is a big plus, even without autofocus. I found the images created by the 16mm to be quite good, but the 18-55 seems a little soft in the edges. It's also a slow f/6.3 at 55mm, which makes it a challenge to use in dark locations. Also, because Sony is using a bigger sensor, the 16mm seems quite a bit wider (it's like a 24mm in 35mm film camera equivalents) - great for landscapes, no so great for portraits.
As for image quality, the Sony uses a full APS-C size sensor - the same one they use in their larger DSLRs - so it has an advantage over micro four-thirds and any point-and-shoot, especially at high ISO in low light. I found the photos to be about what you'd expect from any modern camera: sharp, contrasty, vivid colors and so on. More to the point, they're about the best you can get without breaking out a high-end DSLR and pro-grade lenses, or breaking the bank on something like the Leica M9.
The NEX5 also has extensive video capabilities, and seems to be one of the few that can zoom, adjust exposure and so on while taking a video. I don't use video much so I won't comment further other than to say that it seems well implemented, easy to use and it produces very high quality results.
Sony also bundles in all their usual wizardry, including their panorama and built-in HDR (High Dynamic Range) capabilities. You can do most of this in the computer after the shoot, but it's nice to also have this stuff in the camera to get a sense of how it might look. The NEX comes with a built-in flash that you can remove if you want to keep the weight down as low as possible. It's not the most powerful, but it's nice that Sony includes it with the camera rather than making it an add-on.
In conclusion, I like the Sony a lot...it's small, easy to use and takes about the best pictures I've seen for a total system weight under two pounds. My only gripe would be the relatively limited range of lenses and accessories available for it, but as a second camera for casual or travel use, it probably deserves a place in the bag.


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The performance of a DSLR, in about half the size and weight.5 The NEX-5 is the interchangeable lens camera that goes wherever you do. Enjoy Full HD 1080/60i movies,2 astounding low-light pictures, continuous shooting up to 7 fps, incredible panorama shots, and Live View on a tilting 3.0-inch6 LCD.

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Lowepro Classified 30 (Black) Review

Lowepro Classified 30 (Black)
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Well, someone had to be the first to review this wonderful little camera bag, so here is my short review.
There is no such thing as the perfect camera bag. What may be perfect for some will undoubtedly be all wrong for someone else. Not only are camera bags not perfect, but they can never be perfect all the time. Like luggage, camera bags fit the occasion.
I bought my Canon Powershot G11 at the same time as this bag. I have another Lowepro bag so I was already familiar with Lowepro quality. I believe my G11 fits the bag perfectly -- not too tight, not too loose. When you open the latched cover, you will find a pocket in front that will accommodate two SD cards. The case will not hold anything else like an extra battery or flash. For these items you either need a bigger bag or try putting them in a pocket. For me, I would rather put these extras in a pocket to keep the bag small.
The bag has a snap-closed belt loop and another smaller slot for a thin belt such as a man's dress belt. The bag itself will not fit a neck strap, but I attached the Canon WS20 Wrist Strap to the right strap slot on the camera and can store the strap under the front flap when closed. This arrangement makes it very easy to quickly remove the camera with strap around your wrist.
Finally, I would like to comment on the bags conservative good looks. I would have no problem hanging this bag from my shoulder when wearing a suit -- I'm thinking this camera and this bag would be a great combination to bring to a wedding or graduation. Of course, the Canon Powershot G11 is just an all around great camera for many an occasion! The G11 is well covered here at Amazon in many a glowing review.


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Lowepro\'s Classified 30 pouch protects a pro compact point-and-shoot (like a Canon G10 or G11, Nikon P6000, Ricoh GX200, Sigma DP1, Leica D LUX 4, Panasonic DMC LX3) with ease. Its lean profile and well-padded interior are the perfect combination of modern design and thoughtful protection. The single-flap design gives you fast access to your camera. An adjustable shoulder strap lets you wear the pouch over your shoulder or across your body. A streamline belt loop brings you another carrying option. And leather touchpoints add a bit of refinement. All this—wrapped in Lowepro\'s durable, abrasion-resistant fabric.

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Nikon WC-E68 Wide Angle Converter Lens for Coolpix 4300, 4500, 5000, 700, 800, 880, 885, 900, 950, 990, and 995 Digital Cameras (#25105) Review

Nikon WC-E68 Wide Angle Converter Lens for Coolpix 4300, 4500, 5000, 700, 800, 880, 885, 900, 950, 990, and 995 Digital Cameras (#25105)
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This lens is even more than I expected it would be. There is no chromatic aberration (the WC-24 did have some). It is very well corrected for a ultra wide angle lens (I get no curving of straight lines), the horizon is straight even when placed close to the edge of the frame. I wish it had a lens hood and you can't put filters on it but it is a great addition to my Coolpix 5000.

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CL) RE) WC-E68 WIDE ANGLE LENS

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Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
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This camera is really fantastic and a nice upgrade from the LX3. That's not to say that everyone should upgrade, but I think there are some significant advantages.
For me, I really needed the additional zoom and was very excited to hear that this is exactly what the LX5 had, without sacrificing the f2.0 lens. My brother needed a new camera anyway and was happy to get my 2 year old LX3. (By the way that camera is in nearly perfect condition. Panasonic really build a quality product with the LX line and I think the LX5 is even better.)
Here are the major comparisons to the LX3. Decide if these are worth it to you:
- Better image stabilization. I am getting crisp photos at speeds as low as 1/10sec.
- Better sensor than the LX3. The colors are slightly more accurate and the auto white balance works better (I need to make less adjustments).
- Better low-light shooting. Perfectly usable up to 1600 out of the camera. Shots in ISO 3200-6400 can be used with some photoshopping. ISO 12800 won't be very good, but nice to have if you don't care about quality and just need a quick shot in the dark. With the LX3 I was getting usable shots at ISO 800.
- Faster autofocusing.
- Face detection.
- Autofocus tracking!
- Better processor. Faster startup and shot-to-shot time.
- Better battery life... this camera lasts almost twice as long!! And I always thought the battery life on the LX3 was already outstanding. I'm going on a weekend trip soon and feel confident that this will last the entire weekend without needing a charge.
- As mentioned, the added zoom is terrific. It's interesting to note that the overall size of the camera has remained roughly the same as the LX3 despite the upgrade.
- Easier to get into the film mode with the dedicated movie button. I've tested this a few times and it's very useful for quick recording.
- Better quality video. Uses the newer avchd codec, but you can always record in motion jpeg.
- More comfortable to hold and better build quality.
- Hot shoe, but I don't see this as a benefit to myself. The option to add an EVF or flash is nice, but defeats the purpose of keeping this camera compact. At that point you may as well get an SLR.
- Better control with the GF1 style click wheel on the back. Seriously, this is the best PaS camera in terms of usability. You literally forget about the controls. Really well thought out. The menus are similar to the LX3 and "just work". Really a nice interface and plenty of options to tweak.
- Improved screen. Looks better in the bright Singapore sun than my LX3 ever did. Wish it had more pixel density, but still looks great.
- Added 1:1 square format is really neat. Not a major addition, but nice to have. I really like that the LX-series has a dedicated image ratio button. Very useful and unique. (note: the LX3 has 1:1 ratio as well, with the latest firmware, but the LX5 has a dedicated hardware button for it).Complaints:
- The lens cover needs to be built in. I really don't mind the one it comes with much, but there were lots of complaints about the lens cover on the LX3. Not sure why Panasonic chose to ignore these. I would definitely prefer not to worry about losing the lens cover.
- Should be a better panorama mode. I think sony's "Sweeping panorama" feature is fantastic. Panasonic should adopt something similar if they can. The current mode works fine, but could be improved.Wish list for the "LX6":
- Larger sensor, like m4/3.
- Brighter lens, F1.7 or lower would be nice :)
- Built in EVF!
- Articulating screen.
- Built in lens cover.
- Weather sealed to make it even more durable against splashes and dust.
- Manual focus/zoom wheel that can be programmed like the canon S90/95.
I think adding these would make for a nearly perfect PaS.Other cameras to consider:
Canon S95: I tried this camera out the other day and it's not as good as the LX5 in many ways, but does have a few advantages. Image quality on the S90 was not as good as the LX3/LX5. The LX cams are also wider at 24mm (I think the canons are 28mm). The jog dial on the back of the S95 is cool but since the camera is so small I found myself hitting it accidentally a few times and changing the settings. Can be kind of annoying, especially if you want to take a quick shot. The LX5 is also much nicer to hold and easier to dive into the menus as a result of the control placement. But to be fair, the Canon does start at a lower price point and is smaller. Assuming size and price are more important to you, I would say it makes for a fine choice. It's still better than most other cameras out there and also has an f2.0 lens. The addition of 720p on the S95 is nice as well (but doesn't allow for an AVCHD format, zooming while recording or continuous autofocus like the LX5). Also, having a programmable front selection wheel on the S95 is really smart and useful.
Canon G11: Not a big fan of this camera as it uses the same sensor as the Canon S90 and doesn't use as fast a lens. Lacks HD video recording and is more expensive. It's also larger and bulkier than the LX5. Overall I just don't feel like it is a strong competitor. The G12 will probably be something better to compare against the LX5 or any of the other cameras mentioned here. To the G11's credit, it does have an articulating screen and a view finder which is nice.
Canon G12: The G12 has since been announced and while it's surely seems like a nice camera I still think it's rather large and didn't add too many features to make it a good competitor to the LX5. It's probably still built like a tank, adds HD recording, but the lens isn't really that impressive to me. The LX5 matches it's zoom capabilities, but with a brighter/wider lense.
Olympus EP-L1: This camera is also a worthy competitor and has the benefits of a larger sensor and interchangeable lens. However, the build quality is not as good, the lens that comes with the EP-L1 isn't very impressive and it's a bit larger. You will need to spend some serious money on the 20mm f1.8 lens which makes this purchase almost twice that of the LX5. If you are okay with the kit lens this is a great bargain for just slightly more than the LX5.
Pansonic GF1: This was the most difficult decision to make for me. Relatively speaking, the GF1 costs slightly more than the LX5, but comes with a better lens (20mm f1.8) and is m4/3 like the EP-L1. While the 20mm kit the GF1 does take noticeably better pictures, I still ended up choosing the LX5. Why? The LX5 is still cheaper (the price difference does matter to me, it might not to you), has image stabilization (the GF1 does not) and it's substantially smaller. I like the GF1 and think it is tiny compared to traditional digital SLRs, but it's still not as convenient as a compact PaS like the LX5. Basically, I see myself taking the LX5 to more places and using it more in general. I think that beats out the image quality edge that the GF1 has.
Ricoh GR Digital III: Looks interesting and has a nice spec'd 28mm f1.9 lens, but is fixed (no zoom) and has no HD video recording. I didn't test this because I need zoom and HD recording, and it's also larger and a good amount more expensive than the LX5. I've heard the menu system on the Ricoh's is one of the best to use, but it seems to be targeted at a very niche audience.
Samsung TL500: Was really impressed and seriously considered this camera because I read about it having a f1.8 lens at 24mm! And it has a nice articulating AMOLED screen. I played with the camera a bit and was impressed, but it's larger than the LX5, doesn't have as good a zoom range and about 1/2 the battery life. I've also examined the TL500 image samples on the web and don't think they are good as the LX5. Low light performance is a little less impressive, but the LX5 just produces more crisp images with better colors IMO. This is comparing jpg's straight out of the camera, not RAW files. Lastly, there is no HD video recording (only does 480p). The price on this camera is great though and it looks and feels like it will last a LONG time. Great design here by samsung.
Sony NEX3/5: Gorgeous cameras for sure. First I've seen that come with a metal kit lens. This oozes quality and I really wanted to like these cameras. With the pancake lens they are fairly tiny and remember they use a full size APS-C sensor. Also, the NEX3 is not much more expensive than an LX5. I didn't purchase either for a few reasons. First, the flash isn't built in. You need to screw it on, which is annoying because it doesn't go on easily. It took me a few tries to get the threading to interlock. I don't take off too many points for this, because you can just leave the flash attached all the time. The biggest problem I have is the manual functionality and the firmware in general is lacking and isn't very fluid. This is also partially a result of the sparse manual controls the cameras have. It's hard to adjust any settings and really seems to be designed for users who want to just use the auto mode. This is completely OK, just not the camera for me. If you purchase this camera and intend to use the manual functionality (and don't mind digging around the menu a bit) I'm confident this camera will give you excellent results. You also get the great Sony "sweep" panorama mode I wish Panasonic would implement. And let's not forget the useful tilt screen. Out of the two, the NEX3 (the NEX5 adds 1080p video) is probably the most direct competitor to the LX5 in terms of price and could be a good choice for many people. Like I said, I really wanted to like these cameras, but the controls and software feel a bit like...Read more›

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The Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and High Definition (HD) video. With an ultra-bright F2.0 ultra-wide-angle 24mm Leica DC Vario-Summicron lens, the Lumix LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail. The 24mm wide angle lens offers extraordinarily large viewing space and now the optical zoom is extended to 3.8x (90mm) making the LX5 even more versatile.The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light. In addition to the newly-designed lens, the Lumix LX5 features an image processing engine that combines technologies resulting in professional-quality photos, especially in low-light situations. Like its predecessor, the Lumix LX5 features the highly-acclaimed 10.1-megapixel CCD, but it has an expanded dynamic range by increasing the sensitivity and the saturation.FEATURES:
Venus Engine FHD image processor - The newly developed Venus Engine FHD image processor enables higher-speed, higher-performance while compiling the Intelligent Resolution technology. The triple CPUs in this imaging engine dramatically speeds up processing while achieving exceptional noise reduction performance. With its high-sensitivity CCD and the brightness of the lens, minimum illumination of the Lumix LX5 is as low as 3 lux while shooting video.
Record HD videos in AVCHD Lite - In addition to capturing high-quality still photos, the Lumix LX5 can record HD videos in AVCHD Lite, a format that allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. Creative video shooting modes include Creative Movie

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