Showing posts with label lx3. Show all posts
Showing posts with label lx3. Show all posts

Canon PowerShot S90 10MP Digital Camera with 3.8x Wide Angle Optical Image Stabilized Zoom and 3-inch LCD Review

Canon PowerShot S90 10MP Digital Camera with 3.8x Wide Angle Optical Image Stabilized Zoom and 3-inch LCD
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Early Impressions
I was delighted to have finally received my Powershot S90, and without further adieu, let me say that this is one heck of a camera. It's not perfect -- you can take truly terrible pictures with it just like you can take terrible pictures with a D700 -- but when used properly, the camera turns out remarkable shots that make us find it hard to accept the images are coming from a camera that fits in your pants pocket.
What struck me first upon using it? First, it's size. This thing is small, and it's light, too. It's a bit smaller than my Panasonic TZ3 and TZ5, and it's lighter, too. (The camera uses a front and back metal construction with plastic on the top and bottom, but the Panasonic's, while also using metal, use a thicker gauge steel which adds a feel of sturdiness but also adds some weight, as well). The camera also has a high-quality feel to it. The buttons click and depress well (although the rear wheel is a bit too easy to turn, in my opinion). It has a rounded shape, so it feels comfortable in the hands, and when you stick it in your pocket, it will slide right in and out without snagging. The screen on this thing is simply gorgeous: why can't every camera have a screen like this? It's large, bright, and pretty high in resolution (461,000 pixels). You can't help but admire the camera's design once you get looking at it and using it.
Next, the camera seems to perform well in terms of speed and overall operational use. The screen has the typical lag when taking shots, but you can adjust this somewhat in the menu system to speed things up, and quite frankly, every small camera I've ever owned exhibits this behavior. It is easy to use most of the camera's functions, and you may have heard about the programmable control ring around the lens on the front of the camera. It's operation is easy, solid (the ring "clicks" with detents at different positions), and, to boot, there is the standard programmable "S" button that the Powershots "S" cameras have typically had.
But of course, I'm interested in high ISO operation, and so I immediately took it into the livingroom where it was quite dark, and just started shooting. I was quite surprised at the results. You are not going to necessarily submit these to win any contests, but for the most part, the camera took nice shots even in that bad shooting environment, and the vast majority of the photos came out quite well (I will post a few with this review). The camera is the first (along with the Powershot G11) to deploy Sony's new ICX685CQZ sensor, a 9.31mm diagonal sensor with high performance specifications. With a little post processing, many of them look quite good. As the ISO crept into the very high ranges (800 and above) some sensor noise became apparent, but this is certainly the best low-light performance I've seen in a non-DSLR so far. (See my explanations, below, to see why this is possible). Surprisingly, some shots as high as 1600 ISO seemed to be acceptable as long as you are not a "pixel peeper." I was quite surprised when I discovered that a few of the shots had been taken at this high ISO 1600 level -- I've never had this experience before with a point and shoot camera.
Outdoor operation is fantastic. My outdoor shots for the most part have come out very well, with rich color, great detail, and little sensor noise. Like most Canon portables, these images seem to respond well to post-processing (you can sharpen them quite easily, and Canon now uses a standard meta-data tagging format that is readable by virtually all photo editor programs.) I even turned the EV down -2/3 while outside, and the sensitivity of the camera is so good that, even with this reduction in EV, my shots came out sharp and clear. Again, I will post a few shots with this review.
The camera TRULY excels at macro photography. The macro shots I've taken thus far are clear, sharp, and have great depth of field. In a word, they are superb: this camera is a macro shooter's delight. (A nice touch, too, is that in AUTO mode the camera automatically shifts into macro mode, without having to press any buttons!) The functionality just begs us to keep shooting macros over and over again. I've been able to take macro shots that I only dreamed of before, and the camera makes it easy to do so.
And although this is not an objective measure, the camera is just plain fun to use. It works smoothly, is light, has a beautiful screen, and seems to keep cranking out one nice shot after another. Wow.Early Pro's and Cons
-- PROS --
1. Exceptionally small and lightweight (100 x 58 x 31 mm and 175 g)
2. Increased sensor size for a portable with a lower megapixel count (Sony's new ICX685CQZ sensor, 9.31mm diagonal)
3. Reasonably large zoom factor (28-105mm, approximately 3.8X zoom)
4. Wide end is very wide for landscape shots, vistas, group photos (28mm)
5. Fast f/2 lens permits high levels of light passage in low light situations
6. f/2 lens makes shallow depth of field shots incredibly effective - this camera is a macro shooter's delight
7. Two types of highly effective shake reduction technologies
8. Design makes lens cap unnecessary
9. Extremely high image quality for a pocket sized camera
10. HUGE 3 inch LCD screen with 461,000 pixel resolution and 100% coverage of the shot you wish to take
11. RAW mode allows for highest image quality and post processing
12. Virtually every camera setting is user adjustable (ISO, shutter speed, aperture, EV, white balance, etc.)
13. Ring-based control implementation one of the best on ANY current camera
14. Reasonable cost for a camera of this ability (but watch the prices climb as the camera stays in and out of stock)
16. Metadata being properly written to the file so they can be read by photo editing software (a problem with earlier Canons and some other brands)
17. SDHC flash card is highly standardized, and is coming in larger and faster formats (necessary if you are taking many RAW shots)
18. Extremely attractive physical design
19. High quality construction apparent on first use
20. Reasonably good battery life - most people are reporting about 300 shots (without flash) between charges-- CONS --
1. Zoom ends at 108mm (3.8X zoom), which may be a deal breaker for some
2. Does not take HD videos (but does shoot 640 x 480 at full 30fps)
3. LCD screen not at the highest current resolution as seen in some DSLR's (but is great, anyway)
4. Proprietary battery is an expensive proposition, as two or three are needed for daylong trips
5. Camera case not included, and is expensive to purchase afterword
6. No prices below retail due to the high demand of the device
7. May be difficult to initially acquire due to high demand
8. Still no "universal standard" RAW mode file format - the camera manufacturers need to address this soon!
9. Mechanical noise when setting focus and moving between bright and dimply lit areas - this is the aperture being adjusted, but it can be annoyingSome Other Things I Can Tell You about this Camera (and the Powershot Line in general)
Canon's reinstatement of the venerable "S" series within the Powershot line is a welcome move to thousands of photographic enthusiasts. Although the S90 announcement a few months ago caught the photographic community by surprise, the announcement was greeted with overwhelmingly positive reactions. As a person who had been greatly impressed by my older Powershot S80, a phenomenal camera for its time and a pleasure to use, I was one of them.
Read the online posts of virtually any photography forum, and you'll quickly see there is no shortage of individuals, many of them longtime professional photographers, who have tired of carrying around anywhere from four to ten pounds of photographic equipment simply to get a few shots while out on a trip. (I think it may have been Scott Kelby who said, and I paraphrase, "The best shot is the one you take," and if the weight and size of your equipment makes it so that you end up not bringing your camera with you, you won't take any photos at all! This is a corollary to one famous photographer`s statement that there is an inverse relationship between the amount of photos you take and the amount of equipment you bring.) The problem has generally been, however, that the smaller you make the camera, the worse the image quality of the photos the device can produce. This has set up a tradeoff between image quality and camera size, and, more specially, image quality and sensor size, which for years has forced photographers to take a stand with one side of the equation or the other, and then defend to the community why they made such a choice.
Without going into too much detail here, the problem in manufacturing a compact camera that takes excellent images under a wide range of environments essentially boils down to the sensor, the electronic device that takes the place of film in older cameras. The larger the sensor, the more surface area for light to fall, and the higher the density of the sensor (in megapixels) the higher the sensor's resolution. Camera manufacturers have excelled at developing ever higher densities in sensors of the same physical dimensions -- many 12 and 14 mexapixel cameras are using sensors sized no larger than those on previous cameras possessing only 3 or 4 mexapixels -- but where they have fallen flat on their faces is in the development of sensors that have good resolution AND low noise. And the most direct impact of increasing mexapixel count on a sensor that remains static in size is the increase of electronic "noise" (also known as the "signal to noise...Read more›

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By combining a 10 megapixel CCD sensor and Canon's advanced DIGIC 4 Image Processor, the PowerShot S90 offers dramatic low light sensitivity with minimal noise. Impressive ISO 3200 capability reduces blur and subject movement for crisp photos with spectacular sharpness and clarity. The S90 boasts an incredibly slim profile and lightweight body for true pocket-sized convenience. For the photographer that never wants to miss an opportunity, the S90 the high quality camera that you can carry every day. With an equivalent zoom range of 28-105mm, Canon's 3.8x Optical Zoom Lens captures everything from sweeping landscapes to telephoto action shots with ease. An impressive f/2.0 aperture allows you to create dramatic portraits by emphasizing your subject's face and blurring the background with a soft, shallow depth-of-field. Boasting 461,000 dots of resolution, the 3.0" Pure Color LCD screen of the S90 offers exceptional color and contrast for composing and reviewing photos and video. Advanced multi-coatings prevent visual interference from dust, scratches, and reflections. The new control ring around the lens of the S90 offers precise adjustment to focus, exposure, ISO, zoom, or white balance settings. Intuitive and easy to use, the ring is fully customizable to meet your shooting preferences. RAW files allow you to capture images without the loss of detail associated with JPEG compression. Using the included Canon software or a compatible 3rd party RAW converter.

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Nikon WC-E68 Wide Angle Converter Lens for Coolpix 4300, 4500, 5000, 700, 800, 880, 885, 900, 950, 990, and 995 Digital Cameras (#25105) Review

Nikon WC-E68 Wide Angle Converter Lens for Coolpix 4300, 4500, 5000, 700, 800, 880, 885, 900, 950, 990, and 995 Digital Cameras (#25105)
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This lens is even more than I expected it would be. There is no chromatic aberration (the WC-24 did have some). It is very well corrected for a ultra wide angle lens (I get no curving of straight lines), the horizon is straight even when placed close to the edge of the frame. I wish it had a lens hood and you can't put filters on it but it is a great addition to my Coolpix 5000.

Click Here to see more reviews about: Nikon WC-E68 Wide Angle Converter Lens for Coolpix 4300, 4500, 5000, 700, 800, 880, 885, 900, 950, 990, and 995 Digital Cameras (#25105)

CL) RE) WC-E68 WIDE ANGLE LENS

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Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
Average Reviews:

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This camera is really fantastic and a nice upgrade from the LX3. That's not to say that everyone should upgrade, but I think there are some significant advantages.
For me, I really needed the additional zoom and was very excited to hear that this is exactly what the LX5 had, without sacrificing the f2.0 lens. My brother needed a new camera anyway and was happy to get my 2 year old LX3. (By the way that camera is in nearly perfect condition. Panasonic really build a quality product with the LX line and I think the LX5 is even better.)
Here are the major comparisons to the LX3. Decide if these are worth it to you:
- Better image stabilization. I am getting crisp photos at speeds as low as 1/10sec.
- Better sensor than the LX3. The colors are slightly more accurate and the auto white balance works better (I need to make less adjustments).
- Better low-light shooting. Perfectly usable up to 1600 out of the camera. Shots in ISO 3200-6400 can be used with some photoshopping. ISO 12800 won't be very good, but nice to have if you don't care about quality and just need a quick shot in the dark. With the LX3 I was getting usable shots at ISO 800.
- Faster autofocusing.
- Face detection.
- Autofocus tracking!
- Better processor. Faster startup and shot-to-shot time.
- Better battery life... this camera lasts almost twice as long!! And I always thought the battery life on the LX3 was already outstanding. I'm going on a weekend trip soon and feel confident that this will last the entire weekend without needing a charge.
- As mentioned, the added zoom is terrific. It's interesting to note that the overall size of the camera has remained roughly the same as the LX3 despite the upgrade.
- Easier to get into the film mode with the dedicated movie button. I've tested this a few times and it's very useful for quick recording.
- Better quality video. Uses the newer avchd codec, but you can always record in motion jpeg.
- More comfortable to hold and better build quality.
- Hot shoe, but I don't see this as a benefit to myself. The option to add an EVF or flash is nice, but defeats the purpose of keeping this camera compact. At that point you may as well get an SLR.
- Better control with the GF1 style click wheel on the back. Seriously, this is the best PaS camera in terms of usability. You literally forget about the controls. Really well thought out. The menus are similar to the LX3 and "just work". Really a nice interface and plenty of options to tweak.
- Improved screen. Looks better in the bright Singapore sun than my LX3 ever did. Wish it had more pixel density, but still looks great.
- Added 1:1 square format is really neat. Not a major addition, but nice to have. I really like that the LX-series has a dedicated image ratio button. Very useful and unique. (note: the LX3 has 1:1 ratio as well, with the latest firmware, but the LX5 has a dedicated hardware button for it).Complaints:
- The lens cover needs to be built in. I really don't mind the one it comes with much, but there were lots of complaints about the lens cover on the LX3. Not sure why Panasonic chose to ignore these. I would definitely prefer not to worry about losing the lens cover.
- Should be a better panorama mode. I think sony's "Sweeping panorama" feature is fantastic. Panasonic should adopt something similar if they can. The current mode works fine, but could be improved.Wish list for the "LX6":
- Larger sensor, like m4/3.
- Brighter lens, F1.7 or lower would be nice :)
- Built in EVF!
- Articulating screen.
- Built in lens cover.
- Weather sealed to make it even more durable against splashes and dust.
- Manual focus/zoom wheel that can be programmed like the canon S90/95.
I think adding these would make for a nearly perfect PaS.Other cameras to consider:
Canon S95: I tried this camera out the other day and it's not as good as the LX5 in many ways, but does have a few advantages. Image quality on the S90 was not as good as the LX3/LX5. The LX cams are also wider at 24mm (I think the canons are 28mm). The jog dial on the back of the S95 is cool but since the camera is so small I found myself hitting it accidentally a few times and changing the settings. Can be kind of annoying, especially if you want to take a quick shot. The LX5 is also much nicer to hold and easier to dive into the menus as a result of the control placement. But to be fair, the Canon does start at a lower price point and is smaller. Assuming size and price are more important to you, I would say it makes for a fine choice. It's still better than most other cameras out there and also has an f2.0 lens. The addition of 720p on the S95 is nice as well (but doesn't allow for an AVCHD format, zooming while recording or continuous autofocus like the LX5). Also, having a programmable front selection wheel on the S95 is really smart and useful.
Canon G11: Not a big fan of this camera as it uses the same sensor as the Canon S90 and doesn't use as fast a lens. Lacks HD video recording and is more expensive. It's also larger and bulkier than the LX5. Overall I just don't feel like it is a strong competitor. The G12 will probably be something better to compare against the LX5 or any of the other cameras mentioned here. To the G11's credit, it does have an articulating screen and a view finder which is nice.
Canon G12: The G12 has since been announced and while it's surely seems like a nice camera I still think it's rather large and didn't add too many features to make it a good competitor to the LX5. It's probably still built like a tank, adds HD recording, but the lens isn't really that impressive to me. The LX5 matches it's zoom capabilities, but with a brighter/wider lense.
Olympus EP-L1: This camera is also a worthy competitor and has the benefits of a larger sensor and interchangeable lens. However, the build quality is not as good, the lens that comes with the EP-L1 isn't very impressive and it's a bit larger. You will need to spend some serious money on the 20mm f1.8 lens which makes this purchase almost twice that of the LX5. If you are okay with the kit lens this is a great bargain for just slightly more than the LX5.
Pansonic GF1: This was the most difficult decision to make for me. Relatively speaking, the GF1 costs slightly more than the LX5, but comes with a better lens (20mm f1.8) and is m4/3 like the EP-L1. While the 20mm kit the GF1 does take noticeably better pictures, I still ended up choosing the LX5. Why? The LX5 is still cheaper (the price difference does matter to me, it might not to you), has image stabilization (the GF1 does not) and it's substantially smaller. I like the GF1 and think it is tiny compared to traditional digital SLRs, but it's still not as convenient as a compact PaS like the LX5. Basically, I see myself taking the LX5 to more places and using it more in general. I think that beats out the image quality edge that the GF1 has.
Ricoh GR Digital III: Looks interesting and has a nice spec'd 28mm f1.9 lens, but is fixed (no zoom) and has no HD video recording. I didn't test this because I need zoom and HD recording, and it's also larger and a good amount more expensive than the LX5. I've heard the menu system on the Ricoh's is one of the best to use, but it seems to be targeted at a very niche audience.
Samsung TL500: Was really impressed and seriously considered this camera because I read about it having a f1.8 lens at 24mm! And it has a nice articulating AMOLED screen. I played with the camera a bit and was impressed, but it's larger than the LX5, doesn't have as good a zoom range and about 1/2 the battery life. I've also examined the TL500 image samples on the web and don't think they are good as the LX5. Low light performance is a little less impressive, but the LX5 just produces more crisp images with better colors IMO. This is comparing jpg's straight out of the camera, not RAW files. Lastly, there is no HD video recording (only does 480p). The price on this camera is great though and it looks and feels like it will last a LONG time. Great design here by samsung.
Sony NEX3/5: Gorgeous cameras for sure. First I've seen that come with a metal kit lens. This oozes quality and I really wanted to like these cameras. With the pancake lens they are fairly tiny and remember they use a full size APS-C sensor. Also, the NEX3 is not much more expensive than an LX5. I didn't purchase either for a few reasons. First, the flash isn't built in. You need to screw it on, which is annoying because it doesn't go on easily. It took me a few tries to get the threading to interlock. I don't take off too many points for this, because you can just leave the flash attached all the time. The biggest problem I have is the manual functionality and the firmware in general is lacking and isn't very fluid. This is also partially a result of the sparse manual controls the cameras have. It's hard to adjust any settings and really seems to be designed for users who want to just use the auto mode. This is completely OK, just not the camera for me. If you purchase this camera and intend to use the manual functionality (and don't mind digging around the menu a bit) I'm confident this camera will give you excellent results. You also get the great Sony "sweep" panorama mode I wish Panasonic would implement. And let's not forget the useful tilt screen. Out of the two, the NEX3 (the NEX5 adds 1080p video) is probably the most direct competitor to the LX5 in terms of price and could be a good choice for many people. Like I said, I really wanted to like these cameras, but the controls and software feel a bit like...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)

The Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and High Definition (HD) video. With an ultra-bright F2.0 ultra-wide-angle 24mm Leica DC Vario-Summicron lens, the Lumix LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail. The 24mm wide angle lens offers extraordinarily large viewing space and now the optical zoom is extended to 3.8x (90mm) making the LX5 even more versatile.The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light. In addition to the newly-designed lens, the Lumix LX5 features an image processing engine that combines technologies resulting in professional-quality photos, especially in low-light situations. Like its predecessor, the Lumix LX5 features the highly-acclaimed 10.1-megapixel CCD, but it has an expanded dynamic range by increasing the sensitivity and the saturation.FEATURES:
Venus Engine FHD image processor - The newly developed Venus Engine FHD image processor enables higher-speed, higher-performance while compiling the Intelligent Resolution technology. The triple CPUs in this imaging engine dramatically speeds up processing while achieving exceptional noise reduction performance. With its high-sensitivity CCD and the brightness of the lens, minimum illumination of the Lumix LX5 is as low as 3 lux while shooting video.
Record HD videos in AVCHD Lite - In addition to capturing high-quality still photos, the Lumix LX5 can record HD videos in AVCHD Lite, a format that allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. Creative video shooting modes include Creative Movie

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