Canon PowerShot S90 10MP Digital Camera with 3.8x Wide Angle Optical Image Stabilized Zoom and 3-inch LCD Review

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(More customer reviews)Early Impressions
I was delighted to have finally received my Powershot S90, and without further adieu, let me say that this is one heck of a camera. It's not perfect -- you can take truly terrible pictures with it just like you can take terrible pictures with a D700 -- but when used properly, the camera turns out remarkable shots that make us find it hard to accept the images are coming from a camera that fits in your pants pocket.
What struck me first upon using it? First, it's size. This thing is small, and it's light, too. It's a bit smaller than my Panasonic TZ3 and TZ5, and it's lighter, too. (The camera uses a front and back metal construction with plastic on the top and bottom, but the Panasonic's, while also using metal, use a thicker gauge steel which adds a feel of sturdiness but also adds some weight, as well). The camera also has a high-quality feel to it. The buttons click and depress well (although the rear wheel is a bit too easy to turn, in my opinion). It has a rounded shape, so it feels comfortable in the hands, and when you stick it in your pocket, it will slide right in and out without snagging. The screen on this thing is simply gorgeous: why can't every camera have a screen like this? It's large, bright, and pretty high in resolution (461,000 pixels). You can't help but admire the camera's design once you get looking at it and using it.
Next, the camera seems to perform well in terms of speed and overall operational use. The screen has the typical lag when taking shots, but you can adjust this somewhat in the menu system to speed things up, and quite frankly, every small camera I've ever owned exhibits this behavior. It is easy to use most of the camera's functions, and you may have heard about the programmable control ring around the lens on the front of the camera. It's operation is easy, solid (the ring "clicks" with detents at different positions), and, to boot, there is the standard programmable "S" button that the Powershots "S" cameras have typically had.
But of course, I'm interested in high ISO operation, and so I immediately took it into the livingroom where it was quite dark, and just started shooting. I was quite surprised at the results. You are not going to necessarily submit these to win any contests, but for the most part, the camera took nice shots even in that bad shooting environment, and the vast majority of the photos came out quite well (I will post a few with this review). The camera is the first (along with the Powershot G11) to deploy Sony's new ICX685CQZ sensor, a 9.31mm diagonal sensor with high performance specifications. With a little post processing, many of them look quite good. As the ISO crept into the very high ranges (800 and above) some sensor noise became apparent, but this is certainly the best low-light performance I've seen in a non-DSLR so far. (See my explanations, below, to see why this is possible). Surprisingly, some shots as high as 1600 ISO seemed to be acceptable as long as you are not a "pixel peeper." I was quite surprised when I discovered that a few of the shots had been taken at this high ISO 1600 level -- I've never had this experience before with a point and shoot camera.
Outdoor operation is fantastic. My outdoor shots for the most part have come out very well, with rich color, great detail, and little sensor noise. Like most Canon portables, these images seem to respond well to post-processing (you can sharpen them quite easily, and Canon now uses a standard meta-data tagging format that is readable by virtually all photo editor programs.) I even turned the EV down -2/3 while outside, and the sensitivity of the camera is so good that, even with this reduction in EV, my shots came out sharp and clear. Again, I will post a few shots with this review.
The camera TRULY excels at macro photography. The macro shots I've taken thus far are clear, sharp, and have great depth of field. In a word, they are superb: this camera is a macro shooter's delight. (A nice touch, too, is that in AUTO mode the camera automatically shifts into macro mode, without having to press any buttons!) The functionality just begs us to keep shooting macros over and over again. I've been able to take macro shots that I only dreamed of before, and the camera makes it easy to do so.
And although this is not an objective measure, the camera is just plain fun to use. It works smoothly, is light, has a beautiful screen, and seems to keep cranking out one nice shot after another. Wow.Early Pro's and Cons
-- PROS --
1. Exceptionally small and lightweight (100 x 58 x 31 mm and 175 g)
2. Increased sensor size for a portable with a lower megapixel count (Sony's new ICX685CQZ sensor, 9.31mm diagonal)
3. Reasonably large zoom factor (28-105mm, approximately 3.8X zoom)
4. Wide end is very wide for landscape shots, vistas, group photos (28mm)
5. Fast f/2 lens permits high levels of light passage in low light situations
6. f/2 lens makes shallow depth of field shots incredibly effective - this camera is a macro shooter's delight
7. Two types of highly effective shake reduction technologies
8. Design makes lens cap unnecessary
9. Extremely high image quality for a pocket sized camera
10. HUGE 3 inch LCD screen with 461,000 pixel resolution and 100% coverage of the shot you wish to take
11. RAW mode allows for highest image quality and post processing
12. Virtually every camera setting is user adjustable (ISO, shutter speed, aperture, EV, white balance, etc.)
13. Ring-based control implementation one of the best on ANY current camera
14. Reasonable cost for a camera of this ability (but watch the prices climb as the camera stays in and out of stock)
16. Metadata being properly written to the file so they can be read by photo editing software (a problem with earlier Canons and some other brands)
17. SDHC flash card is highly standardized, and is coming in larger and faster formats (necessary if you are taking many RAW shots)
18. Extremely attractive physical design
19. High quality construction apparent on first use
20. Reasonably good battery life - most people are reporting about 300 shots (without flash) between charges-- CONS --
1. Zoom ends at 108mm (3.8X zoom), which may be a deal breaker for some
2. Does not take HD videos (but does shoot 640 x 480 at full 30fps)
3. LCD screen not at the highest current resolution as seen in some DSLR's (but is great, anyway)
4. Proprietary battery is an expensive proposition, as two or three are needed for daylong trips
5. Camera case not included, and is expensive to purchase afterword
6. No prices below retail due to the high demand of the device
7. May be difficult to initially acquire due to high demand
8. Still no "universal standard" RAW mode file format - the camera manufacturers need to address this soon!
9. Mechanical noise when setting focus and moving between bright and dimply lit areas - this is the aperture being adjusted, but it can be annoyingSome Other Things I Can Tell You about this Camera (and the Powershot Line in general)
Canon's reinstatement of the venerable "S" series within the Powershot line is a welcome move to thousands of photographic enthusiasts. Although the S90 announcement a few months ago caught the photographic community by surprise, the announcement was greeted with overwhelmingly positive reactions. As a person who had been greatly impressed by my older Powershot S80, a phenomenal camera for its time and a pleasure to use, I was one of them.
Read the online posts of virtually any photography forum, and you'll quickly see there is no shortage of individuals, many of them longtime professional photographers, who have tired of carrying around anywhere from four to ten pounds of photographic equipment simply to get a few shots while out on a trip. (I think it may have been Scott Kelby who said, and I paraphrase, "The best shot is the one you take," and if the weight and size of your equipment makes it so that you end up not bringing your camera with you, you won't take any photos at all! This is a corollary to one famous photographer`s statement that there is an inverse relationship between the amount of photos you take and the amount of equipment you bring.) The problem has generally been, however, that the smaller you make the camera, the worse the image quality of the photos the device can produce. This has set up a tradeoff between image quality and camera size, and, more specially, image quality and sensor size, which for years has forced photographers to take a stand with one side of the equation or the other, and then defend to the community why they made such a choice.
Without going into too much detail here, the problem in manufacturing a compact camera that takes excellent images under a wide range of environments essentially boils down to the sensor, the electronic device that takes the place of film in older cameras. The larger the sensor, the more surface area for light to fall, and the higher the density of the sensor (in megapixels) the higher the sensor's resolution. Camera manufacturers have excelled at developing ever higher densities in sensors of the same physical dimensions -- many 12 and 14 mexapixel cameras are using sensors sized no larger than those on previous cameras possessing only 3 or 4 mexapixels -- but where they have fallen flat on their faces is in the development of sensors that have good resolution AND low noise. And the most direct impact of increasing mexapixel count on a sensor that remains static in size is the increase of electronic "noise" (also known as the "signal to noise...Read more›

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By combining a 10 megapixel CCD sensor and Canon's advanced DIGIC 4 Image Processor, the PowerShot S90 offers dramatic low light sensitivity with minimal noise. Impressive ISO 3200 capability reduces blur and subject movement for crisp photos with spectacular sharpness and clarity. The S90 boasts an incredibly slim profile and lightweight body for true pocket-sized convenience. For the photographer that never wants to miss an opportunity, the S90 the high quality camera that you can carry every day. With an equivalent zoom range of 28-105mm, Canon's 3.8x Optical Zoom Lens captures everything from sweeping landscapes to telephoto action shots with ease. An impressive f/2.0 aperture allows you to create dramatic portraits by emphasizing your subject's face and blurring the background with a soft, shallow depth-of-field. Boasting 461,000 dots of resolution, the 3.0" Pure Color LCD screen of the S90 offers exceptional color and contrast for composing and reviewing photos and video. Advanced multi-coatings prevent visual interference from dust, scratches, and reflections. The new control ring around the lens of the S90 offers precise adjustment to focus, exposure, ISO, zoom, or white balance settings. Intuitive and easy to use, the ring is fully customizable to meet your shooting preferences. RAW files allow you to capture images without the loss of detail associated with JPEG compression. Using the included Canon software or a compatible 3rd party RAW converter.

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Sony Cyber-shot DSC-TX1/H 10MP "Exmor R" CMOS Digital Camera with 3-inch Touch-Screen LCD (Grey) Review

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(More customer reviews)It was probably a month or two ago that I saw some press releases on a new point and shoot Sony had coming out, the WX1, which intrigued me. Like a lot of photo enthusiasts, while a DSLR is the weapon of choice, the elusive holy grail seems to be a small point and shoot camera that can slip in your pocket so you can be packing at all times, yet would still take good looking photos that are not so riddled with noise (a problem almost always plaguing point and shoots because of their small sensors) that they look like your tv screen when the test pattern has gone off. As the old adage goes, the best camera is the one you have on you when you need it and a DSLR is a little tough to integrate into your daily accessories.
So in evaluating this camera, perspective is required. This is not the camera you would go to for your best work. It is not the same package of everything you have with your DSLR and collection of lenses shrunk down to something the size of a couple of packs of gum. It is a tiny point and shoot camera that easily slips into your pocket with room to spare that does way better than the average point and shoot. In other words, it's a top performer for the junior varsity but its not ready to hang with the varsity.
Here's the reasons I wanted one:
1. I wanted a small camera I could keep in my pocket for daily use. What a lot of photographers call a "street shooter", something you can pull out and use to grab shots of whatever you happen to run into during your day.
This camera is certainly small. I've seen a few people refer to it as "chunky" and they must consider Ellen Page to be fat. This is tiny. I was surprised at how small the box it came in was, and even more surprised when I found the camera in the small box. My first impression was it wasn't much bigger than one of those old minolta spy cameras. My previous point and shoot camera was the Sony W300, which most people considered slim and stylish, and this camera is smaller in all respects than that. Side by side the WX1 seems slight smaller than the W300, but looking at it alone it looks like a tiny toy camera. I gave the W300 to my wife, and when she caught a view of the WX1 her reaction was "But yours is so much smaller." She was thrilled when I gave her the W300 but now has taken to calling it a hand me down. I went from hero to goat. As they say, size matters.
2. Stealth factor - I wanted a camera that I could sneak into places that don't allow cameras.
You could drop this baby into the front pocket of your levis and still have room for a decent game of pocket pool. I can easily get it, a wallet and even a cell phone all in the front pocket of my jeans. Alone in the pocket, it scarcely makes even a bump that a security guard might notice.
3. Low light capabilities - I dislike using a flash and wanted something that could take good pictures in natural light, and could function well in dark places.
The low light capabilities of this camera are astonishing. The camera can basically see better in the dark then you can. Lots of the pictures I took in dark rooms look way more illuminated in the photos then they were in reality.
Because it seemed to be everything I had been searching for in a point and shoot, I went ahead and ordered this as soon as Amazon had them available. Because they were not yet widely available, there were no hands on reviews by the usual photography sites and blogs. While waiting to get the camera, I would check Amazon every day to see if anyone who had actually used the camera had put up any reviews yet. The initial few reviews were alarming. People who said they wanted to love the camera didn't. The gist of their complaints seemed to be that the camera took good pictures in low light (although a few didn't even agree with that) and crappy pictures in good light. Sample photos that people began posting on Flickr also didn't look too hot. Because of this I regretted ordering the camera so quickly and almost just sent it back to Amazon without even opening the box.
I decided to try it for myself before deciding whether to send it back, and found it to be much better than the initial reviews had painted it (and subsequent reviews on Amazon now seem to be swinging towards the positive).
I do have to agree that a lot of the shots I've taken outdoors in bright sunlight seem a little overexposed and dull, but I've also had this problem with my Canon DSLRs when set on automatic. In any case, I've found that with the WX1, all you have to do is open the photo in Photoshop and click "Auto Contrast" and the problem is instantly corrected. A reviewer on Amazon has also noted that you can get more vivid, warm outdoors photos from the WX1 by using the Program mode and moving the White Balance setting from Auto to Flash. I tried this, and with the White Balance set to Flash the pictures basically look the same out of the camera as they do after I've run them through Photoshop and hit Auto Contrast. Another user mentioned in some of his posts that turning off the DRO in the menu greatly improves outdoor photos.
The argument that most people just want nice looking snapshots right out of the camera and don't want to mess with Photoshop is valid, but those are probably not the people who are going to be interested in this camera anyway. The camera's not cheap and those people would be very happy with the snapshots they could get with an inexpensive entry level point and shoot.
In any event, after a couple of weeks with the camera, my recommendation for everyday daylight shots is not to use the Intelligent Auto mode, but rather put the camera in the "P" or program mode. This will allow you to fix the ISO at 160, which is fine 90% of the time. Decrease the EV setting by .07. Most shots will now come out great. If you want warmer colors put the white balance on Flash, or increase the saturation a little after the fact in Photoshop. As noted above, turning off the DRO also seems to help.
As for claims that the WX1 photos come out noisy, I don't agree. Even the low light pictures don't seem to have a noise problem. This is not to say they are DSLR quality, but they don't look bad at all for a point and shoot.
Other positives:
4. A nice 24mm wide angle lens, which lets you get very close to things and is also great for cramped indoor settings, buildings and landscapes. Speaking of getting close to things, the macro feature springs into gear automatically when you stick the camera within an inch or two of an object.
5. Fast on, little lag time between shots unless you're using the Burst, Panoramic, Anti-Blur or hand held Twilight modes which take a little time to process.
6. HD Video. I never really use this but nice to have in case I ever catch the You Tube bug.
7. Panoramic mode. In this mode simply press the shutter and sweep your arm and the camera creates a panorama all by itself. You don't have to take a bunch of single shots and try to stitch them together later with a photo program. The only drawback is that it sets the exposure for the area you start, which can make it difficult to get a good one in uneven lighting.
8. Battery life seems pretty good.
So what's not to like about this camera?
1. No manual controls.
The W300 had full manual controls, and I wonder why Sony couldn't have included them here and really made this a top of the line point and shoot. Many serious amateur photographers who would otherwise love this camera won't even consider it because it doesn't allow them the ability to manually control aperture, shutter speed, etc. This, along with the lack of RAW capabilities, will probably keep this camera from competing with the Panasonic LX3 and upcoming Canon S90.
As note above, there is a limited work around. Using the Program (as opposed to Automatic) Mode allows you to set the ISO between 160 and 3200, which will force the camera to use a slower or faster shutter speed. You should note that if the DRO is on, you can't use a ISO higher than 800. Turn it off if you want to go higher. You can also put the camera in High ISO mode, which allows for faster shutter speed.
Canon's soon to be released S90 seems to have become the great new hope for shutterbugs longing for a small point and shoot that takes great low light photos instead of the WX1, primarily because it not only also has a fast lens and improved sensor, but also manual controls and raw capabilities.
2. No viewfinder.
I read somewhere this morning that 25% - soon to be a third - of the population are aging baby boomers. If they're anything like me, they have a hard time reading a restaurant menu in dim light, or for that matter anything else a few feet from their face without reading glasses. Translated to small point and shoot cameras, it's almost impossible for an older pair of eyes to clearly see what's on a 2.7 or 3 inch LCD screen on the back of camera, even if bright sun isn't washing out the screen. Most of the time with the WX1 I really can't make out what's on the screen, because to me its all out of focus (the problem is my eyes, not the camera). I just have to sort of aim the camera in the direction I want and estimate the framing and have faith. The W300 had a viewfinder, which was why I bought it. Sure wish this one did too, even if they had to make the camera a little bigger.
3. Mediocre zoom.
The WX1 has a 5x zoom, which would seem to be better than the standard 3x zoom found on a typical point and shoot. In practice, because this camera has such a wide angle lens to start with, zooming out 5x doesn't seem to get you any closer than a 3x zoom on a point and shoot without a wide...Read more›

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The TX1 features a 10.2 megapixel 1/2.4-Inch Exmor R CMOS image sensor that delivers fast speed, high resolution, and twice the low-light sensitivity of traditional CMOS sensors, resulting in outstanding image clarity and drastically reduced noise. Get up close to your subject with the Carl Zeiss Vario-Tessar lens featuring a 4x telescopic zoom for distant subjects and Close Focus mode for close-ups up to just under ½-Inch from the subject.

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Sony Cyber-shot DSC-HX5V 10.2MP CMOS Digital Camera with 10x Wide Angle Zoom with Optical Steady Shot Image Stabilization and 3.0 inch LCD Review

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(More customer reviews)I'm usually a digital SLR user, but I've been waiting for a camera like this to come out so I have something to put in my pocket. The features that really made me decide to buy this camera were:
1. AVCHD 1080i FULL QUALITY video. Check the bitrate -- it's the same as the camcorders. Better than the flip or handheld 'HD' bitrates
2. Wide Picture Stitching. I am astounded by the quality of these pictures. Dumbfounded. Check out the ones I've posted.
3. GPS Tagging. Yep- been waiting for this since iPhoto introduced the feature into its software.
4. Low-light performance. For a point-and-shoot, you're not going to beat this. Sure, it's no DSLR, but it's pretty great for the price.
5. Price- a zillion features and a totally reasonable price!!!
Mac Compatibility:
I tried out the camera with iMovie, and it worked seamlessly!!! I imported 2 minutes of low-light video footage AVCHD in about 30 seconds from an SDHC Class-6 card. Also used the camera with iPhoto and Aperture, and everything worked great.
Update: I've had time to play around with the different settings -- you can see some of my results in the customer uploaded images. The panoramas today came out great! I am still awed by this feature (amazon's tiny photos don't do it justice). Shooting inside in the MOMA was excellent. Outside, I tried the HDR mode, with limited success (still need to experiment, but see what I got). The handheld twilight mode does what it is supposed to, impressively.

Click Here to see more reviews about: Sony Cyber-shot DSC-HX5V 10.2MP CMOS Digital Camera with 10x Wide Angle Zoom with Optical Steady Shot Image Stabilization and 3.0 inch LCD

Capture stunning low-light images and sweeping panoramic views with the DSC-HX5V featuring an \'Exmor R" CMOS Sensor.Plus catch fast action shots with up to 10 frames per seconds shooting. Full HD Movie Mode9 records amazingly detailed video and a 25mm equivalent wide angle 10x high-zoom G Lens allows you to take captivating images.featuring an \'Exmor R" CMOS Sensor.Plus catch fast action shots with up to 10 frames per seconds shooting. Full HD Movie Mode9 records amazingly detailed video and a 25mm equivalent wide angle 10x high-zoom G Lens allows you to take captivating images.

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Nikon School presents A Hands-on Guide to Creative Lighting Review

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(More customer reviews)Several years ago, Nikon created the "Speed of Light" DVD, featuring Joe McNally demonstrating the (then) new SB-800 speedlight. Nikon missed an opportunity to create a true educational resource in its quest to quickly highlight the features of its flagship speedlight.
Not this time.
Roughly five times as long as the "Speed of Light" DVD, "Hands-On" is a Nikon flash seminar in a box, chock full of highly detailed information. Photographers Bob Krist and Joe McNally start you in the studio with the basics and then hit the road for some high-end location shooting.
They walk you through both the theory and practice in detail -- you will walk away with a thorough understanding of how to use what is widely considered to be the best flash system in the industry.
They go from simple, one-light setups to a tour de force *13-light* shoot at dusk. The DVD is suitable for all levels, from absolute beginner to long-time CLS users looking for fresh ideas.
You will watch this one more than once, and it will influence the way you light for years to come. Highly recommended for Strobist-style lighting, it is the best resource to date for learning Nikon's Creative Lighting System.David Hobby
Columbia, MD

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A Hands-on Guide to Creative Lighting.Learn how to make light work for you with the power and versatility of the Nikon Creative Lighting System, featuring the SB-900, SB-800, SB-600 and SB-R200. Nikon Speedlights deliver the ability to turn an ordinary subject into a striking image or even into a stunning work of art.Bob Krist will lead you on a tour of lightingfundamentals and techniques in the studio, joined later by Joe McNally in the field. Watch and learn as the amazing potential of Nikon\'s Creative Lighting system is unleashed in a variety of real–world shooting scenarios—from the Boston Ballet School to the charm of Gloucester, Massachusetts.

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Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 VR & 55-200 f/4-5.6G IF-ED AF-S DX VR Nikkor Zoom Lenses Review

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(More customer reviews)This small camera is really good. Photo quality are excellent.
from ISO 100 to ISO 3200.
The guide mode is very good to set the camera to a particular situation.
The camera feels very solid. The autofocus 11 points is fast with the ViewFinder
You feels like a pro.
The results are superior than the D5000 or D90 at 1600ISO and 3200 ISO
The video mode is light. It is not a camcorder. But the video is good.
The sound is mono but I knew that. I didn't buy it for the video mode.
I already have a CANON HFS21 which is better than any DSLR.
The price is reasonable. you can buy the D3100 , 18-55, 55-300mm , 35mmf1.8, SB700 for
the same price than a D7000 ( which is not superior to the D3100 up to 1600 ISO. it is maybe
a bit better at 3200 and better at 6400 but not that far).
I highly recommend it.


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The Nikon D3100 Digital SLR Camera is an affordable, compact and lightweight photographic power-house. It features a high-resolution 14.2 MP CMOS sensor along with a feature set that's comprehensive yet easy to navigate - the intuitive onboard learn-as-you-grow guide mode allows the photographer to understand what the 3100 can do quickly and easily. This particular package includes two stellar NIKKOR lenses; the all-purpose 18-55mm and its long-range sister and the 55-200 VR lens. These lenses allow you to photograph everything from groups in small rooms to subjects far in the distance. Capture beautiful pictures and amazing Full HD 1080p movies with sound and full-time autofocus. Easily capture the action other cameras miss with a fast start up time, split-second shutter release, 3 frames per second shooting and 11-point autofocus. Capture pictures and make movies in near darkness with an ISO range of 100 to 3200 (expandable to 12800-Hi2). EXPEED 2, Nikon's new image processing engine, assures breathtakingly rich image quality, managing color, contrast, exposure and noise. One-touch Live View and movie recording lets you see the action on the 3" monitor and the Scene Recognition System automatically chooses the ideal settings. You can also select from 6 Automatic Exposure Scene Modes- Portrait, Landscape, Child, Sports, Close-up or Night Portrait for stunning results in otherwise challenging conditions. Active D-Lighting restores picture-enhancing detail in s

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Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

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(More customer reviews)I am making this review of the Nikon D700 from the perspective of someone who also owns a Nikon D300.
Without qualification, the Nikon D300 is a superb camera. So many superlatives have been used with the D300 that I will not repeat them here. All the superlatives used with the D300 applies equally well to the D700. I will add however that as good as the superlatives may have been with the D300, the D700 deserves a bit more.
Let me explain.
The Nikon D700 is equipped with a full frame FX sensor (36.00mm x 23.90mm). This is the same sensor used by the Nikon D3. Nikon D3 12.1MP FX Digital SLR Camera (Body Only) The D300 on the other hand uses the APS-C sensor (23.60mm x 15.80mm). Both the D700 and the D300 have about the same 12 megapixel rating (with the D300 actually slightly higher).
The D700 having a bigger sensor than the D300 but with about the same megapixel rating means that the size/pixel density of the D700 is much lower than the D300. The ratio is 1.4MP/cm2 vs 3.3MP/cm2 for the D700 and the D300 respectively. A lower ratio means lower noise and this ratio favors the D700. For the D700, this translates to lower noise in capturing the same image than when using using the D300.
The D700 lower noise level in turn translates to the D700 being able to operate at a higher ISO level than the D300. The D700 can operate as high as ISO 25,600 while the D300 can go up to ISO 6,400. It is of course quite rare to shoot at such high ISO as it will always be better to shot at a lower ISO rating. But if both the D700 and D300 were shooting at the same ISO, the D700 will have lower noise levels. Simply put, the higher ISO capability of the D700 versus the D300 indicates the higher level of performance of the D700's sensor vs the D300.
My actual use validates this theoretical advantage. I noticed that while the noise level of the D300 is very good at ISO 1600 and even 3200, the D700 consistently showed lower noise level than the D300 shooting at the same ISO setting and light condition. This is most noticeable when shooting at night with many bright lights in the periphery of the main subject.
In terms of color rendition, I have not noticed any significant differences between the D300 and the D700 in the limited time that I have been using the D700. It may be due to the fact that I have conducted my test at dusk and at night.
When using the D700, the full frame sensor means that one will not need to convert the focal length of the lens by a factor of 1.5x. So a 50mm lens will be a 50mm lens for the D700 rather than its 75mm equivalent when used with the D300.
While this may appear to be a disadvantage on the telephoto side, its gain on the wide angle side is considerable and can only be described as an eye opener. The D700 advantage in wide angle application does not just come from its wider perspective. Rather, it is how the D700 maximizes and makes full use of such excellent lens as the Nikon 14-24mm f/2.8 that makes buying the D700 such an eye opener.
The resulting images taken with the Nikon D700 and the Nikon 14-24mm are clearer, sharper and crisper compared to the D300 even when the focal length in the D700 is zoomed out to its equivalent in the the D300 (21mm in D700 and 14mm in D300). Vignetting is not noticeably worse even when the D700 is used with the 14-24mm glass fully open at its widest focal length (14mm, f/2.8). This is surprising considering that the D700 is now using the full lens instead of just its sweet spot in the center (which would have been to the advantage of the D300 due to its APS-C sensor).
It is not just the wide angle lens that benefited from the D700. Even the slight vignetting I noticed with my 85mm f/1.4 shot with the D300 at f/2.8 is not considerably worse in the D700. I am very surprised at this rather unexpected results as I had expected the opposite. At any rate, vignetting is easily corrected in post-processing.
Still, I should add that for corner to corner sharpness (such as in landscape photography), the D700 with its full-frame sensors will be more demanding on the lens than the D300 with its smaller APS-C sensor.
As to the physical differences between the D700 and the D300, while these two models are roughly equal in size, the D700 is slightly heavier than the D300. This is not an issue for me at all.
What tilts the balance in favor of the D700 is its view finder which is significantly brighter and better than the D300. This difference is very noticeable when switching from the D700 to the D300 and vice versa.
This much improved viewfinder however is a mixed blessing. One disadvantage that the D700 has over the D300 is that the D700 viewfinder captures only 95% of the image while the D300 viewfinder captures 100% of the image shot. So the actual image captured is slightly bigger than what appears in the D700 viewfinder. I understand that this resulted from fitting the bigger sensor from the D3 into the body size of a D300. Given the better image quality of the D700 viewfinder and the better quality of its pictures, I am willing to work with this disadvantage and simply compensate for it during actual use. But I hope that Nikon corrects this though in its next iteration of the D700.
The D700 has an advantage over the D3 as it has an integrated flash which the D3 does not have. The integrated flash is extremely useful when used with the other components of Nikon's Creative Lightning System.
The Nikon MB-D10 Battery Pack Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras from the D300 fits the D700 perfectly well. This is very convenient as I can opt for a smaller and lighter package when I do not need the MB-D10 for high-speed shooting. This is one advantage that the D700 has over the D3 where the battery pack is integrated with the camera. But a D700 with an MB-D10 is bigger and heavier than a D3. And even when the D700 is equipped with an MB-D10, the D3 is still faster. This makes the D3 a better unit for sports photography.
Since I shoot mostly portrait, special events and landscape and seldom shoot sports, the D700 is perfect for my needs and I can do without the D3. The D700 lower price tag means that I can get the D700 with at least one of Nikon's professional lens.
Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon 16-35mm f/4G ED VR II AF-S IF SWM Wide Angle Zoom Nikkor Lens for Nikon Digital SLR Cameras
Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens
Nikon 135mm f/2.0D AF DC-Nikkor Lens for Nikon Digital SLR Cameras
Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras
Ideally, the D700 should not be used with the DX lenses. This said, it is possible to use the DX lenses with the D700. The D700 makes the switch to DX lens automatically without need to fiddle with any control. Because the DX lens covers only a section of the D700 sensor, the maximum resolution of using a DX lens on the D700 is only 5.1 megapixel. This smaller coverage is automatically delineated by a box in the D700 viewfinder. In addition to the lower resolution, the extreme two ends of a zoom lens is not usable. Within these limitations, the D700 can use DX lens and produces very good pictures albeit on a smaller resolution / file size.
The D700/FX (1.0x factor) and the D300/DX (1.5x factor) effectively doubles my lens option. For those planning to own both the D300 and the D700, it would be wise to choose a glass that would be usable with both bodies.
In closing, I consider the D700 a good complement to my D300. Except for my Nikon 18-200mm DX lens (which I bought for my Nikon D200), all my glasses and accessories for the D300 can be used with the D700 at its full resolution. I will use the D700 in those times when I need the best results shooting wide angle and/or at high ISO speed. In those times when I need the extra reach, the D300's 1.5x crop factor makes the best use of my telephoto lenses.
Edit: November 22, 2008
I continue to use both the Nikon D300 and the Nikon D700 and often bring both together whenever I go out to shoot. In those times when I just bring one camera body, I choose the D300 whenever range and higher pixel density is a major concern (bec. of the 1.5x crop factor effect on the field of view due to the smaller APS-C sensor but with resolution still at 12megapixel). The D300 is an excellent camera and its 1.5x factor is very handy when I need to reach out with a 70-200mm f/2.8 zoom or with my 180mm f/2.8 prime without need of using a teleconverter. For almost every other instance, including portrait, landscape and low light photography however, I find myself reaching out for the D700.
After over 3 and a half months of use, I can safely say that the color depth of the D700 is significantly much...Read more›

Click Here to see more reviews about: Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)

The new D700 digital SLR camera featuring a 12.1-effective megapixel Nikon FX-format sensor that measures 23.9 x 36mm, which is nearly identical to the size of 35mm film. Benefiting from Nikon's legacy of imaging technology innovation, the D700 offers both advanced and professional photographers stunning image quality, accurate color reproduction and revolutionary low light performance.Building on the immense success of the Nikon D3 professional D-SLR camera, the D700 offers pro-level performance and an extensive array of features and innovations in a comfortably nimble platform. In addition to the Nikon-original FX-format CMOS sensor, the D700 incorporates Nikon's EXPEED Image Processing System, Nikon's renowned 51-point auto focus system with 3D Focus Tracking and two Live View shooting modes that allow photographers to frame a shot using the camera's three-inch high-resolution LCD monitor. The D700 also features Nikon's sophisticated Scene Recognition System and a new active dust reduction system.Nikon's flagship FX and DX-format cameras, the D3 and D300 respectively, established new benchmarks for digital image quality, speed, and unmatched ISO performance. The D700 maintains this new measure with exceptional overall image quality, broad tonal range and depth, and extremely low noise throughout its native ISO range of 200 to 6400.

Click here for more information about Nikon D700 12.1MP FX-Format CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)