Showing posts with label cls. Show all posts
Showing posts with label cls. Show all posts

Nikon SG-31R IR Panel for Built-in Flash Repl - 4905 Review

Nikon SG-31R IR Panel for Built-in Flash Repl - 4905
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The IR panel has a spring-loaded locking pin that locks into the hot-shoe of the camera. My D300 has a recess hole that this pin falls into, making it near impossible to remove by pulling it back out. I was forced to pull up on the top side of the pin to unseat it. I have since took a metal file and filed the pin down to a more manageable size. Otherwise, the IR panel works great and I do not have to worry about exposure from the pop-up flash. Worth the investment.

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The SG-3IR IR Panel for Built-in Flash prevents pre-flash light from built-in Speedlight (D200, D70s or D70) from influencing exposures in extreme close-up situations.

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SU-800 Wireless Speedlight Review

SU-800 Wireless Speedlight
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First of all if you want a general purpose, reliable, long distance remote trigger, you really should look into Radio Popper, Cactus, PovertyWizard, and such. Don't get me wrong, there's a place and time to use RP, Cactus, PW, and the SU-800. They all have their niches. For example when I go shoot outdoors where I place the flash units far away from the camera, I'll use the PW-- you get superior range over the SU-800, and good reliability. However it is very expensive, and the older PW units don't have TTL so if you don't set your power setting correctly the first time you end up having to walk to/from different flash units to change their power setting. I've not used Radio Popper myself but I've heard good things about it since it preserves TTL functionality. As for Cactus, it's very cheap, but also has limited range and is not as reliable as the other alternatives. In all cases, these are 3rd party vendor solutions with yet one more piece of equipment (battery, configuration, etc) to worry about, and one more point of failure in your day-to-day shoot.
On the other hand... if you're shooting indoors, or doing on-site portrait work, this is THE remote unit to use. In the literature, the range of this commander unit is 66 feet. However, in practice, I've seen it vary between 30-50 feet, and almost always line of sight. If I'm indoors, I prefer this unit because it is very light and you will not feel any extra weight on your camera. So despite the lack of range, I still love the SU800. It offers a fully integrated Nikon CLS solution, and is simply easy to use when you do portrait work. i-TTL is built in with 3 channels so you can adjust power (or not have to think about power at all when you do portrait work). Sure, the built in commander flash in D80/90/200/300/D700 is nice, but they only have 2 channels, and frequently the pre-flash from those cameras makes people blink excessively. On the SU-800 there is no preflash so you can take pictures of people and pets without bothering them with the preflash, and you end up having more usable shots. In addition, this is a must have accessory if you're doing very low light, no flash, walk-around shooting using SU-800's discrete red light focus beam. Yes you can achieve the same on the SB-800/900 by turning off flash and only enabling the red AF-assist, but they weigh a lot more, and make the camera very bulky. Lastly, this is a nice item to have with the R1C1 kit, though not absolutely necessary since you can use the on-camera flash, and macros aren't usually affected by the on-camera flash.
The SB-800 and SB-900 have commander units too, and when you point them towards other flashes in the commander mode, the range is about 50% greater than that of SU-800: I've gotten about 50 feet of range with the SU-800, and about 75-80 feet of range with the SB-800 and SB-900. Clear line of sight (from the commander to the optical receiver) is the key. The down-side to using SB-800/900 as commanders is that they weigh a lot more, and they emit pre-flash making people blink more than necessary.
I'm giving it 4 stars because it does extremely well for what it was designed and built for-- indoor portrait commander device. If Nikon came out with a longer range radio unit, I'd give it 5 stars, but that was not what the SU-800 was originally designed for. For outdoor strobists, I still recommend radio signal commander/receiver alternatives, at a price of course.

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The multi-functional Nikon SU-800 unit forms the nerve centre of any i-TTL multiple flash-lighting situation.Capable of metering and triggering groups of remote Speedlights in the Nikon Creative Lighting System, a one-touch switch fully automates accurate exposures of small subjects instantly. Manual adjustment of the balance of each units output is simple to control through the comprehensive LCD panel.When using i-TTL compatible Nikon digital SLR cameras and Speedlight, user can divide the Speedlight units into three groups and control the flash output independently for each group Features a Commander function that can trigger wireless remote flash (SB-800, SB-600, or SB-R200) units without a master flash unit One-touch switching between close-up and Commander modes Two types of close-up operation: Dual-light close-up flash & Triple-light close-up flash.

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Nikon R1 Wireless Close-Up Speedlight System Review

Nikon R1 Wireless Close-Up Speedlight System
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Well, let us be clear on what this kit is and what it is intended for: this is not a powerful lighting system designed to meet the demands of a professional photographer taking thousands of pictures in a single session, nor is it intended to be. If you attempt to use it continuously, taking photos at full power at six shots per second, you are going to burn it out.
Instead, it is a well thought out lighting kit that easily meets the needs of an advanced amateur for close-up photography, portraiture, and a lot more. Don't let the name of the kit fool you. This thing does a lot more than close-ups. I can think of no single tool that will improve most photographers' life more.
The SB-R200 flash units which are the heart of the system are dirt simple to use. They have only two dials and two buttons. One dial selects group; the other the channel. One button turns it on and off; the other fires a "target" light to assist with autofocus. That is it. No messing around with bunches of dials and knobs, reading LCDs, or fumbling through menus.
The flash units have special feet that mount in a ring that is attached to the front of your lens with adaptors. Five adaptors are included which fit the vast majority of Nikkor lenses. I could wish that the kit included the UR-5 adaptor for the 60mm Micro-Nikkor, but it does not. Screwing the R1 kit onto the front of this lens will obstruct close focusing. But this is the only lens that has this issue. Other micro-Nikkors do not need the UR-5. I should also mention that with a lens like the 60mm micro-Nikkor you will have to use manual focus (which is how most people use it anyway). The front of this lens travels in and out a couple of inches over the focusing range. As small as the SB-R200s are, they are still too much of a strain on the tiny focusing motor. Anyway, the lack of a UR-5 ring is why I rate the kit only 4 stars instead of 5.
The mounting feet of the SB-R200 will not fit in a normal flash shoe. Neither would you want to do that in normal operation. The whole point of these flash units is to use them off camera. I suspect that most of the time they will be used simply by having the photographer, the model, or an assistant hold in a hand. If you do need to mount them on anything, they come with special shoes so that you can set them on any flat surface or mount them on a tripod or bracket.
The SB-R200 flash units cannot be attached to the camera in any way that will allow them to be used as a primary flash. You have to trip them wirelessly with either the SU-800 Commander unit, the built-in flash on Nikon CLS compatible cameras, or a Nikon Speedlight that has a commander mode, such as the SB-800. The SB-R200s can be also tripped using cables running from the SU-800 Commander unit mounted on any camera, including non-CLS cameras.
Nikon's Creative Lighting System allows flashes to be set up in three groups: A, B, and C. Each 'group' (usually a single light), can have its own exposure adjustments and can be set either for TTL metering or manual firing. A group can have as many flash units as you want, but more than three and they start to interfere with each others' ability to read exposure.
So, you can set up, say, one light mounted on the front of the lens in Group A and another light in Group B held in the hand down and to one side of a subject such as a flower. Group B will give definition and depth to the picture, while Group A will provide the main lighting.
Or you could set up three lights off camera to light a food display on a table -- Group B an SB-R200 from the side; Group C another SB-R200 bounced off the wall on the other side to soften shadows, and Group A your main flash, such as an SB-800, from above. You use the built-in camera flash in commander mode, with the little shield included in the kit so that its light does not get in the way, to trigger the whole thing. The result is a well-lit display with soft, barely visible shadows.
You can do some pretty good stuff with portraits, too, eliminating the shadows behind your subject and even using colored gels to liven up the background a bit by bouncing one of the SB-R200s off the wall behind the subject.
Recycling time has been reported to be slow, but I don't see it. Anyway, this system is targeted toward a photographer who likes to take a shot, rearrange things a bit, and take another one. So recycling time should not be an issue anyway. Its small size, light weight, and many methods of mounting flash units will encourage the photographer to experiment.
Everything is very small and portable. The essentials can easily be packed up and taken into the field in three small pouches included with the set.
The vinyl storage box that comes with the set is not particularly robust. It has a short shoulder strap, but it is obviously not meant to be knocked around a lot or carried for long distances. Use the field pouches for that. They are tough and heavy and appear able to withstand just about anything.
The flexible arm clamp appears to be a little above average quality and strength for such a gadget. The diffuser is unusually thick plastic and seems hardy enough.
The instruction manuals are all geared to using this on a Nikon D70 with the SU-800 Commander unit that is included only in the R1C1 kit. The SB-800 flash does everything that the SU-800 does (except it does not have a specific close-up mode and it cannot fire the target lights of all the SU-R200s simultaneously; features the SB-800 hardly needs) but you will have to study the manual for that flash thoroughly if you want to use the SB-800 with this system. And that is the big weakness of the manuals included with the R1 system. They do not include specific instructions on how to set things up with any camera other than the D70 or any commander unit other than the SU-800, so while you are learning to use this thing you are constantly referring to other manuals.
Everything in this kit uses CR123A lithium batteries. None are included in the kit. The poor Nikon user now has to add these batteries to his kit, along with extra EN series batteries for the camera and AA batteries for his SB-600 or SB-800 flash units. Well, at least the CR123As don't weigh much.

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The Nikon R1 wireless close-up speedlight system enables superb, close-up lighting control with exceptional flexibility and innovative options. Designed especially for use with compatible Nikon i-TTL SLRs digital cameras, such as the D200, D70S, and D70, this system offers wireless control convenience. The built-in speedlights on the compatible digital cameras serve as the system's master controller. The combined result of the speedlights and the camera's built-in flash makes it easy to produce desired close-up lighting effects.The process and application of the system is straightforward and uncomplicated. It includes two SB-R200 wireless remote speedlights, and it can accommodate up to three remote groups and four channels that can be arranged to enable creative lighting from the left, right, above, or below the subject. The SB-R200 speedlights can be titled up to 60-degrees, making them a perfect choice for lenses with short working distances, allowing you to get the proper lighting on super-close-up subjects. You can even control the flash compensation or flash ratio to fine-tune the system for the most minute lighting effect. The included SX-1 master attachment ring accommodates up to eight SB-R200 speedlights. And don't think you're only limited to the SB-R200; this systems is also ready for the SB-800 and/or SB-600 speedlights for maximum versatility.What's in the box Nikon R1 wireless close-up speedlight system, two SB-R200 speedlights, SX-1 master attachment ring, 52mm, 62mm, 72mm, 77mm mounting rings, AS-20 speedlight stands, SJ-2 color filter set, SW-C1 flexible arm clip, SW-11 extreme close-up adapter, SW-12 diffusers, and a fitted storage case.

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Nikon School presents A Hands-on Guide to Creative Lighting Review

Nikon School presents A Hands-on Guide to Creative Lighting
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Several years ago, Nikon created the "Speed of Light" DVD, featuring Joe McNally demonstrating the (then) new SB-800 speedlight. Nikon missed an opportunity to create a true educational resource in its quest to quickly highlight the features of its flagship speedlight.
Not this time.
Roughly five times as long as the "Speed of Light" DVD, "Hands-On" is a Nikon flash seminar in a box, chock full of highly detailed information. Photographers Bob Krist and Joe McNally start you in the studio with the basics and then hit the road for some high-end location shooting.
They walk you through both the theory and practice in detail -- you will walk away with a thorough understanding of how to use what is widely considered to be the best flash system in the industry.
They go from simple, one-light setups to a tour de force *13-light* shoot at dusk. The DVD is suitable for all levels, from absolute beginner to long-time CLS users looking for fresh ideas.
You will watch this one more than once, and it will influence the way you light for years to come. Highly recommended for Strobist-style lighting, it is the best resource to date for learning Nikon's Creative Lighting System.David Hobby
Columbia, MD

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A Hands-on Guide to Creative Lighting.Learn how to make light work for you with the power and versatility of the Nikon Creative Lighting System, featuring the SB-900, SB-800, SB-600 and SB-R200. Nikon Speedlights deliver the ability to turn an ordinary subject into a striking image or even into a stunning work of art.Bob Krist will lead you on a tour of lightingfundamentals and techniques in the studio, joined later by Joe McNally in the field. Watch and learn as the amazing potential of Nikon\'s Creative Lighting system is unleashed in a variety of real–world shooting scenarios—from the Boston Ballet School to the charm of Gloucester, Massachusetts.

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Nikon SB-900 AF Speedlight Flash for Nikon Digital SLR Cameras Review

Nikon SB-900 AF Speedlight Flash for Nikon Digital SLR Cameras
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I can't believe the amount of misinformation presented in customer reviews for this product.
First of all, it is true -- Nikon added a thermal cut-off that allows the customer to be absolutely certain that the flash never overheats. If that sensor is turned on, the flash can't shoot fast enough or often enough for professional usage -- particularly for weddings. Try shooting the bridal party introductions at a reception, for example. Even if you limit yourself to two flash pops per couple, by the time the third couple is walking in the door, the thermal shutdown will kick in, and you'll be swearing at the thing.
However, you can simply turn the sensor off. In my experience, the flash is no more delicate than previous Nikon and Canon speedlights. Every Nikon and Canon flash has a duty cycle carefully described in their manual that virtually all professionals ignore and exceed, and yet -- most of us get years of usage from the flashes with no problem. I can't tell you the number of times I've taken batteries out of my flashes that were simply too hot to hold, and the flash housing was burning hot too -- but the thing just kept on working. So I think, if you turn off the thermal cut-off, the SB-900 will behave just like earlier flashes like the SB-800, in terms of overheating.
So the simple answer is. . . if you turn off the thermal sensor, the SB-900 is at least as useful as a professional tool as it's predecessors -- no more, no less susceptible to overheating. I don't know why Nikon and Canon are so conservative in the duty-cycle ratings of their flashes, but I've talked with dozens of fellow pros over the years -- we all abuse the flashes, and we rarely have issues. I'm not saying that it's not possible to abuse these speedlights to the point where they will die -- I'm just saying I have used them professionally and repeatedly put hundreds of very fast, high-power pops on them, significantly exceeding the rated duty cycle, and have yet to kill a Canon or Nikon speedlight.
As far as batteries go, Nikon fully supports and recommends the use of NiMH batteries -- both normal and Eneloops. The chart in the manual shows NiMH as being the best combination for a good number of pops and the shortest recycling time. Only the expensive Lithium non-rechargeables have better battery life, but they have a recycle time almost double NiMH. Alkalines give the smallest number of pops, and have the second longest recycle time.
So fear not -- the SB-900 is the nicest speedlight I've owned yet -- I have three of them, and I like it far better than it's predecessors. Turn off the thermal sensor as soon as you take the flash out of the box, load it up with Eneloop batteries, and you will experience flash nirvana.
Finally, I highly recommend the SD-9 accessory battery pack. Load it up with Sanyo Eneloops, and you can easily shoot an entire wedding (actually, probably two weddings) without swapping batteries, while enjoying the fastest recycle time possible with this flash.
Update after using three of the SB-900s for a full wedding season: We encountered some flakiness (random flashing of the flashtube and AF assist lights) which I THINK is related to a loose fit of the SB-900's hot shoe base in the D700 camera's hot shoe. So far, it seems like applying Deoxit contact cleaner to both the camera and flash camera contacts makes the problem go away.

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D3)NIKON SB-900AF SPEEDLIGHT (4807)

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