Showing posts with label 40d. Show all posts
Showing posts with label 40d. Show all posts

Velbon El Carmagne 530 Carbon Fiber Tripod with Pan Head and Case Review

Velbon El Carmagne 530 Carbon Fiber Tripod with Pan Head and Case
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Being new to photography,I purchased the Velbon Carmagne 530 carbon fiber tripod with PH-250B magnesium head for my Canon A95 camera, based upon several other favorable reviews. I wanted a lightweight but durable tripod that was easy to use. This tripod has fulfilled all expectations with its superb quality and close tolerances--there isn't a sloppy component anywhere and it looks as if it were made for the space program. The matt-black finish is beautiful. The carbon fiber legs (the main sections have a black foam covering) extend smoothly and are secured easily with snap-locks. The locking mechanism that controls the splay of the legs works beautifully, allowing the tripod to be positioned for macro shots of ground-level subjects. The 3-way panhead is adjusted with a locking knob and two removable handles (one of which must be removed to store the tripod in the included carrying case--no big deal). The tripod should be able to support even SLRs with telephoto lenses. Fully collapsed, the tripod is roughly 26" long and is easily transported with the case's carrying strap. Although I may never use the "stone" bag (for weighting the tripod down) including it was a thoughtful touch. More expensive models extend to greater heights, but I preferred the fewer leg sections (three) of the model 530. If you think you'll be doing a lot of indoors and outdoor photography and value superb engineering and quality, consider this tripod. It is worth the price, but be prepared to spend over $200. Now having tried a carbon fiber-magnesium tripod, I would never go back to a run-of-the-mill metal one.

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U)VELBON ELCARMAGNE 530 CARBON TPOD

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Giottos SP8251 Aegis Protector 56.3 X 46.7MM Review

Giottos SP8251 Aegis Protector 56.3 X 46.7MM
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I bought the Giotto's LCD screen protector for my Pentax K10D DSLR after first using a PDA screen protector film. The film ruining the image quality on the screen, smudged easily and in general made my LCD screen virtually useless. I thought the price of the Giotto's screen protector was a bit steep but, decided to give it a go anyways and am I glad I did! The difference it night and day, the screen is brighter and clearer now and better protected than before. If you can live with the price this is a great item to have.

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Giotto's new professional optical screen protector is named "AEGIS" a rigid optic glass from Zeiss, Germany. It protects the LCD panel against abrasion, scratches or incident impact. Multi-layer efficient anti-reflective coatings can help with clarity and color blindness. No more residual image or ghost image, always high definition and transmission on your LCD screen. Suitable for all digital cameras and DV's.

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Tamrac 5515 Adventure Zoom 5 (Red/Black) Review

Tamrac 5515 Adventure Zoom 5 (Red/Black)
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this bag is super. Holds the Canon 40D w/ Tamron 28-300 lens w/o a problem. Super efficient with pockets in the right places to offer easy access to extra battery, cards, filters, etc. Comfy shoulder strap. Good zippers to seal it shut, very convenient for travel when the big camera bag is just too much.
The price is sweet, I looked at a lot of these on ebay and elsewhere, this purchase cant be beat. And you get the Amazon warranty so there is no down side I see

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The Adventure Zoom 5 holds a digital or film SLR with a zoom lens up to 4½" longattached and ready for action. The front pocket features Tamrac's US-patented Memory & Battery Management System, which uses red flags to identify fresh memory cards and batteries from ones that are used up.Side pockets are perfectfor carrying a cell phone and additional accessories. An EasyGrip carrying handle, adjustable, removable shoulder strap and belt loops in back provide convenient carrying options.An additional Windowpane-Mesh pocket organizes other small accessories. A smooth nylon pocket in the lid holds lens-cleaning paper. Add Tamrac accessories to the Strap Accessory System (S.A.S ) attachment slots to customize the bag.

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Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens Review

Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens
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I have divided this review into two sections. The first is a brief summary of how I feel about the camera. The second is a detailed comparison of the 30D and 40D based on my experiences with both cameras. After reading this section you will see why I gave this camera a 5 star rating. I loved my 30D but the 40D simply blows it away.
Update: 1/6/2008
I have added a third section to discuss general guidelines for determining if this is the right camera for you.
Update: 2/2/2008
In this section I discuss my thoughts about how the new Canon Rebel XSi might impact your buy/upgrade decision.SUMMARY:
In less than a couple of months I have gone from a S3 to a S5 to a 30D and I just got my 40D earlier on today. Wow! What a fantastic camera! The pictures that this camera takes are just amazing. I thought it could not get any better than the 30D but Canon has really taken it a notch or two up with the 40D. I want anyone considering buying this camera to know to get it right away. Trust me. It is worth every penny.

DETAILED REVIEW OF THE CANON EOS 40D:
-The Outside
The first thing that stood out is the larger, 3 inch, LCD screen. This makes reading the menus and changing settings a lot easier. Canon did not stop there. When I used the 30D I really wished reading the LCD screen was a lot easier when I was shooting outdoors in bright sunlight. When I did a shot I would sometimes have to quickly find a shaded area to view the screen. I am happy to say that Canon did address this issue as well. It is now a lot easier to read the screen in bright sunlight.
There are 2 new buttons on the outside that you can use to quickly access settings rather than wasting time going through the menu.
-Info
This allows you to quickly review your shooting information for an image - ISO speed, Picture Style and Metering Mode etc. There are two things that I really like here:
1. Highlight Alerts
When this feature is enabled, if there any overexposed areas in the image they will blink when the shooting information is displayed.
2. AF Point Display
When this feature is enabled, you will see the AF point(s) that achieved focus displayed in red.
There is another use of the Info button that I really like. It can be used to set the shooting information right there on the LCD screen. I prefer this option of setting shooting information as the names of the various icons are also displayed along with the icons. I remember when I just started using my 30D that I would sometimes forget which icon was for Tungsten Light vs. White Fluorescent Light when I was setting the White Balance using the control panel. Now the name of each icon is clearly displayed as I scroll through them on the LCD screen.
-Picture Style
I really love this feature. There are times when I make a standard shot and then need to make a landscape shot. Then I would need to switch back to a standard shot. I can now do this really quickly without having to wade through the menu.
There is a new Auto Focus (AF-ON) button. Assuming that you hold the camera in a conventional way, this new button will be just below your thumb. It allows you to auto focus independently of pressing the shutter button. I found this feature really useful when making continuous shots of a trainer riding on the belly of Lolita the killer whale at Miami Seaquarium. I was able to maintain continuous focus right throughout the shots.
There are 3 new positions on the mode dial - C1, C2 and C3. You can register most of the current camera settings under them. Believe it or not but this includes not just the current shooting mode but even the menus and custom function settings. I cannot express enough what a time saver these new positions are to me. I find that I have to do different types of shots frequently so with my 30D I had to really change settings frequently. I can now save 3 of the settings that I use most often and have instant access to them. I also like the fact that I still have the option of making changes even after selecting one of these positions. For example, if my C1 was saved with an ISO speed of 400 I am not restricted to that ISO when I select C1. If I find that I only need an ISO speed of 320 I can make that change just as normal.
One feature that has been removed is the ability to use the Delete button to delete all images. I really liked this feature as there were times I wanted to delete all the images and it was more convenient to use the Delete button rather than having to go through the menu. However, I think it might have been removed because it was rather easy for someone to inadvertently erase all the images when they really wanted to erase the currently selected image.
- Start Up and Power Off
When you turn the camera on or off you can't help noticing the "Sensor Cleaning" message. This was one feature that I really eagerly anticipated. Buying a camera at this price plus quality lens represents a substantial investment. It is really reassuring to know that the camera has dust reduction built into it. What I like further is the fact that if I need to do a quick shot at start up, as soon as I press the shutter button half way to focus, the self cleaning operation is suspended. I also have the ability to turn this option off for start up and power off and run it manually whenever I feel like. I also have the added comfort of knowing that if the self cleaning sensor unit does not get rid of all the dust, I can always append the Dust Delete Data to images and then use Digital Photo Professional (one of the provided software) to remove the dust spots. At first I was a little concerned about the impact on file sizes as a result of appending the dust delete data. It is important to understand that once the dust delete data is obtained it is attached to every image that is captured after that so I was really concerned about the impact of increased file sizes. However, it turns out that this data is so small that its impact on file sizes is really negligible.- Shooting
When I first put my eye to the optical viewfinder I could immediately see the benefit of Canon increasing the magnification from 0.90x to 0.95x - images are much clearer and brighter and of course, it is also easier to read the various settings. Another welcome change is the displaying of ISO right there in the viewfinder. I really love this. I never liked having to move from the viewfinder to the control panel just to see what the ISO was. Another small change in the viewfinder is the displaying of a warning (B/W icon) when you are shooting in black and white.
This camera focuses really fast and accurately. At the Miami Seaquarium I had to do several quick shots of dolphins doing jumps. The problem here is that you never quite know from which direction they will be starting. Despite this I never missed a shot. The 40D has the same nine focus points as the 30D. The increase in speed and accuracy is as a result of the points on the 40D being cross-type. This means that they are sensitive to both horizontal and vertical detail when shooting with lenses of F5.6 or faster. In addition, if you are using a lens of F2.8 or faster the center point is twice as sensitive as any other point.
If you want to increase the focusing speed and accuracy even more you can take advantage of the two optional interchangeable focusing screens for the 40D - the Precision Matte with Grid (Ef-D) and Super Precision Matte (Ef-S). The first optional screen is pretty much the standard included screen, with a grid that makes it easier to align vertical or horizontal lines when you are composing the image. The second screen is optimized for f/2.8 and faster lenses and makes it easier to focus manually with these lenses. However, if you are using a lens that is not f/2.8 or faster the viewfinder will look darker than with the standard screen.
Something that really stood out with the very first shot from this camera was the shorter blackout time and the quieter, more professional, shutter release sound. The 30D used a spring to lift the mirror while the 40D uses a motor in both directions which means that the mirror mechanism is both quicker and quieter.
At first I did not think much of the increase from 5 to 6.5fps for continuous shooting. However, when you couple this with the fact that the buffer can now hold twice the images that the 30D did you get some amazing results when doing continuous shooting. I have several action shots from the Miami Seaquarium with trainers riding dolphins and the killer whale and with the dolphins and whale pushing up trainers in the air. Trust me - they are awesome. It is fantastic that a non-professional can find a reasonable priced camera that takes such awesome action shots.
I am really happy that Canon decided to add Live View Mode shooting. I really liked that mode on the S5 point-and-shoot camera. I never used the optical viewfinder on that camera. I definitely will use the viewfinder most of the times on my 40D but I know there will be situations where it is more convenient to use Live View. Also, sometimes I just don't feel like putting my eye to the viewfinder. Well, I thoroughly tested Live View Mode shooting and, no surprise here, it works just as well as it did on my S5. You can even use auto focus while in Live View Mode. The new AF-ON button can be used for this. You can set just about every shooting function, such as ISO speed and drive mode, while in live view mode. The only thing you cannot change is the metering mode. There are two silent (quiet) modes to go along with Live View. Pay attention to the high temperature warning when shooting in this mode.
I have...Read more›

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Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens

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Lowepro Rezo TLZ 20 Digital Camera Case and Gadget Bag Review

Lowepro Rezo TLZ 20 Digital Camera Case and Gadget Bag
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Perfect fit for Nikon D90 with Nikon 18-200mm VR zoom lens with lens hood attached (reversed). Also room for camera strap attached to camera and polarizing filter (in its case) but that fills the main compartment. Front pocket has room for remote, extra SD cards and extra battery. Convent top handle, belt loop and shoulder strap. Has some padding but probably not enough to protect the camera if the bag is dropped. Fairly easy to access equipment and carry bag. Material and construction appear first class. Fully met my expectations but if you need to carry extra lenses or filters this is not the bag for you.

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The Rezo TLZ 20 by Lowepro is designed specifically for distinctive, optical zoom digital cameras and compact digital SLRs.This holster-style bag has stretch-to-fit lid, quick-release buckle and SlipLock\' attachment tab. Soft, brushed-tricot lining protects the camera and LCD screens.

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Opteka 650-1300mm High Definition Telephoto Zoom Lens for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i, & T2i Digital SLR Cameras Review

Opteka 650-1300mm High Definition Telephoto Zoom Lens for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i, and T2i Digital SLR Cameras
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There are many positive features about this lens and there are a few negative this too. I have used this lens on Canon and Nikon cameras, it can be adapted to any mount with the correct t-adapter.
-This lens produces very sharp pictures only if you have your camera on a tripod. With all lenses, the more zoom, the less area of view. Do not think you will be holding this lens in your hands shooting.
-This lens needs light. It works great outdoors. I have taken many shots of birds, houses, trees, ect)
Overall, it is the only lens under $600 that can zoom as far as it can. You just need to understand want it can and cannot do. I am happy with it.


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The Opteka 650-1300mm high definition super telephoto zoom lens is perfect for the professional and amateur photographer alike. There is a built-in, rotating tripod mount for easily attaching to your tripod or monopod. It's an extremely powerful telephoto zoom lens with the versatility that you need. This lens is great for the wildlife or nature photographer who wants to be hidden while taking photos of the subject. Advances in ultra high-index / low-dispersion optical glasses, new barrel materials, and exotic anti-reflection coatings, along with the latest in computer-aided-design / computer-aided-manufacturing), are combined to produce lenses of unprecedented quality. Diamond-cut from crystal-clear, water-white optical glass, Opteka lenses are ground and polished to a precise precision.SpecificationsZoom Type: Push/Pull (Two-touch)Focus Modes: Manual FocusMinimum Focus Distance: 16' (4.9 m)Angle of View: 3.8 to 2 DegreesAperture: f/8-16Filter Size: 95mmMax Diameter: 4.1" (105mm)Length: 18.5" (23.3" at full zoom)Weight: 4.4 lb (2 kg)Included Items~ Opteka High Definition 650-1300mm Super Telephoto Zoom Lens~ T-Mount Lens Adapter~ Lens Hood~ Padded Pouch with Shoulder Strap~ Front and Rear Lens Caps

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BrushOFF Sensor Cleaning Brush Review

BrushOFF Sensor Cleaning Brush
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Well I found a review online regarding this and it seemed to be a cheaper but not inferior version to an butterfly or similar sensor brush, but one problem, the packaging it comes in is not dust proof and it seems the makers know this and give you a pec pad to clean the brush for first use, the worry is that even with the cap it can get dirty and need cleaning prior to use meaning you will need to keep some pec pads around or get a good zip lock bag for it.
Well I will say it does work but only if your careful to first clean it and then keep it clean. it gets 4 stars as it is reusable and works on loose dust that can blow off but ends up just falling back ( or floating back in as it happens ). You will still need a wet clean to get the oil or that stuff that just wants to stick on.

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Photographic Solutions\' Brushoff brush is a unique sensor brush, originally designed to NASA specifications. Brushoff is a solidly designed and built electronic tool with a remarkably soft brush head and a the brush core that\'s electronically conductive through its grounding plug.Brushoff is conductive because the dust and lint that attaches to the sensor or lens surface is attached there electronically (dust has a negative charge and the sensor/ lens a positive one). Breaking that electronic bond is the only way to both remove the debris and discharge the sensor or lens surface so new particles are not again immediately attracted to it. Simple artist brushes cannot clean all of the dust, nor can they prevent dust accumulation, even immediately after its use.The only way to always remove all of the particles clinging to the sensor is by discharging both the sensor and the particles. Then, and only then, can you be certain of having a clean sensor that electronically wants to remain clean. Brushoff\'s unique blend of extremely fine fibers provides not only a conductive path, but includes fibers with characteristics that make the debris want to mechanically cling to them. Brushoff utilizes an especially designed microscopically fine special filament. This fiber acts as the "vacuum" to pick up negatively charged dust from the positively charged sensor. The grounding plug provides a path to ground for the charges on both the debris and the sensor, and insures that the brush is grounded and electronically neutral. The plastic handle itself is a non-conductor which isolates the human from the brush. This allows the brush to be used in the field, away from any grounding source until one can locate a ground and discharge the Brushoff. Cleaning it is also quite simple. Use a clean PEC-PAD & Eclipse to wipe the bristles befo

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Jenis J-C50D-D-I Dual-Channel IR Wireless Controller for Canon 50D/40D/30D/20D (Black) Review

Jenis J-C50D-D-I Dual-Channel IR Wireless Controller for Canon 50D/40D/30D/20D (Black)
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Love the divice. It works well. Can't say for the durability because that's too early to tell. The one thing I really like is that you can turn the sensor module in any direction wich means that it can be triggered from any direction besides just in front. NOTE that it won't work with the Janis battery grip sensor though. Perhaps the Grip is faulty...I don't know...although that was also the case with my friend's Janis battery grip as well.

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Jenis Infrared Wireless Controller provides the same basic function as the original manufacturer's product, such as short to medium distance remote control, trigger and delayed shutter release\'etc. There are two user selectable channels to prevent interference from the other IR controller nearby. The shutter button has two steps enable the AF on the first step and release shutter on the second step just like the camera's shutter button.

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Jenis J-C50D-S-B Standard Battery Grip for Canon 20D/30D/40D/50D (Black) Review

Jenis J-C50D-S-B Standard Battery Grip for Canon 20D/30D/40D/50D (Black)
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The shutter adjustment is not as solid as my canon, and the "on-off" switch feels like its going to break soon.
But other than that it works great and i like it. very worth the price i paid.

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Due to the convenience of deleting unwanted photos and inexpensive media storage, we take a lot more photos than the film era. Today's digital camera puts a lot of stress and loading on the battery, hence the battery grip becomes an essential accessory to most of us. Jenis battery grip uses the same build material as the original manufacture on all its product lines, to ensure a long time trouble free operation with your beloved digital SLR camera. The build quality and ergonomic not only matches the original equipment, there are some added functions on the higher end products that are designed with the professionals in mind. The extra features are not available either from the original equipment or the other battery grip on the market. The S model (Standard) provides the same function/capability as the original equipment. It can take up to two Li-ion battery or 6 to 8 AA batteries (depending on the model) to provide extra power reserved for longer shooting time. Depending on the camera design, some can also increase the continue shooting speed. There is an extra vertical shutter button to provide easy operation when shooting in portrait/vertical position. The control wheel provides the same functions as the original control wheel with easy access when operating in vertical position. The P model (Professional) has all the features in the S model but with some advanced essential functions. There is a clock which not only display time, but also serves as a self-timer or long exposure shutter control that can provide up to 99hr 59min 59sec delay time/B shutter. The SD model (Super Dual Storage) has all the features the P model has except the remote capability, but adds two extra high speed CF slots for people who like to take a lot of photos on a trip. A larger B&W LCD screen is provided to display some of the important shooting information. The grip also does some basic file operation. A high speed USB2.0 connection is also provided.

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Canon EF-D Focusing Screen for Canon EOS 40D Digital SLR Camera Review

Canon EF-D Focusing Screen for Canon EOS 40D Digital SLR Camera
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The usefulness of the grid lines on this focusing screen grows on me as I use it. This should really be the default focusing screen that Canon installs on every 40D since it is quite easy to ignore the grid lines within the viewfinder if you do not care to use them for reference. Note that the grid lines do not divide the viewfinder image exactly into thirds, if you were expecting some "rule of thirds" composition aid here.
The installation instructions are fairly clear; I switched the focusing screen in just a couple of minutes. After screen installation, remember to set the 40D to use the "Ef-D" Focusing Screen option: (1) From the Menu, go to the Custom Function Set IV (Fn IV : Operation/Others); (2) Select and set the (1 : Ef-D) option.
One thing that is not mentioned in the installation instructions is that the Canon-Europe Web site actually has a nice video how-to that describes how to replace the focusing screen (see the "Comments" section of this review :-)

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The Canon Focusing Screen EF-D - Precision Matte surface with etched grid lines. The EOS 40D's AF points remain fully visible.

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Tokina 12-24MM F/4.0 Pro II Zoom Lens for Digital Canon SLR Cameras Review

Tokina 12-24MM F/4.0 Pro II Zoom Lens for Digital Canon SLR Cameras
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I received my Tokina 12-24mm DXII wide angle lens very quickly. I could not wait to put it through some paces even though I was hesitant at first to try anything but Nikon lenses. I use a Nikon D90 and this lens is flawless with it. The auto focus is very quiet and responsive. I ran it through the gamut of fstops at every setting from 12mm to 24mm. My results indicate that it is a little soft wide open but quickly sharpens as you progress through the settings. At 14-15 mm seems to be very sharp. The colors are true and vibrant. I took over a hundred pictures at church, mostly outside, both in the shade and sunshine. I did not see any distortion or chromatic aberrations. If there were any, my camera must have corrected them automatically. I probably should mention I compared this lens to my Nikon 18-105mm with VR, side by side and picture for picture, at all settings. The Tokina is actually sharper at 18mm than the Nikon 18-105. Up to and including 24mm, they both were very good. This was a pleasant surprise to me and I would not hesitate to recommend this lens to anyone who might being trying to decide whether to purchase it.

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Tokina 12-24MM F4 Pro II Zoom Lens for Digital Canon EOS SLR Cameras.

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Lowepro Rezo 170 AW Camera Bag Review

Lowepro Rezo 170 AW Camera Bag
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I was looking for a small bag that I could use on day trips or hikes. I did not want a huge bag to keep all my lenses and accessories. This is perfect for my needs. I have a Konica Minolta 5D with a 28-75 f2.8 lens attached, along with a 18-70 and a 70-210. I can fit the camera, lenses, my battery charger, and various cables. The lenses fit with their hoods on backwards. There are a couple of small pouches to keep extra battery and cards. Two features I really like: 1) the micro fiber cloth that lies across the camera's lcd to protect it from scratches and 2) the top of the bag opens from the back for quick access to the camera.
Small enough to carry all day, big enough to fit the essentials needed for a great day of shooting.

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Designed specifically for digital equipment, the Rezo 170 AW is a lightweight shoulder bag packed with features. This bag offers plenty of protection with a well padded interior, soft, brushed-tricot lining plus a memory card pouch that's integrated right into the reverse-open lid and an All Weather¿.A soft, micro fiber cloth built into the main compartment cleans delicate LCD screens and protects against scratches from camera straps. Carry accessories in the roomy front pocket and stretchy side pocket; and use the SlipLock¿ attachment tab for additional accessories.

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Tamron AF 28-300mm f/3.5-6.3 XR Di LD VC (Vibration Compensation) Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras Review

Tamron AF 28-300mm f/3.5-6.3 XR Di LD VC (Vibration Compensation) Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras
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I have owned and tested the Tamron 28-300mm VC zoom lens for about 2 months now. Here is an early review from my experience so far.
Pros:
Excellent optical quality (stronger at shorter focal length)
Versatile multi-purpose walk around lens. Leave this one on your camera and no need to lug around extra lenses.
Amazing focal length range 28-300 equals to 44-480 on 1.6x crop sensor.
Compact size and light weight.
Vibration compensation works very well zoomed out and in macro shots
Solid and well built quality
Rubberize grip feels much better then most Canon lenses
Reasonable price relative to comparable lenses
Included hood
Center-pinch lens cap should be an industry standard.
Extra peace of mind with standard 6 year manufacturer warranty
Cons:
Wider angle would be nice on a 1.6x crop sensor. If you shoot a lot of landscapes 44mm may not be enough.
In low light, indoor conditions, the f3.5-6.3 aperture means I have to increase the ISO and use longer shutter speeds to shoot brighter.
Occasionally, the AF searches a bit in low light shooting
Not a big deal but, the lens creeps (extends with gravity) when lens lock is off and the lens is pointing down.
In conclusion, the Tamron AF 28-300mm VC lens is an exceptional choice if you are looking for a general walk around lens to keep on your camera. You can not beat the optical performance with such range from a relatively compact, light and well-built package, especially considering the price.

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L1) 28-300MM F3.5-6.3 XR DI VC F/EOS

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Giottos SP8300 Aegis Multi-coated LCD Screen Protector Review

Giottos SP8300 Aegis Multi-coated LCD Screen Protector
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I received the item and attached to my camera as per instructions. After about a month with light camera use, the screen came lose and will now not stay on. Bummer.


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2.7" Aegis Multi-coated LCD Screen Protector for digital compact cameras, as well as digitial point and shoot cameras. Made from tempered Schott glass from Germany. Efficient, effective 12-layer anti-reflective coating.

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OP/TECH USA 7401104 Soft Pouch - Digital D-Pro, Neoprene Pouch for Digital SLR Camera with Pro Grip (6 x 6.5 x 6 Inch) (Black) Review

OP/TECH USA 7401104 Soft Pouch - Digital D-Pro, Neoprene Pouch for Digital SLR Camera with Pro Grip (6 x 6.5 x 6 Inch) (Black)
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This camera pouch snugly fits my Nikon D200 with Battery Grip and mid-sized lenses PERFECTLY! It is perfect for traveling or when you are going to be moving your camera from bag to bag and don't want it to get banged up. The neoprene gives it a slight level of protection from the elements (although is not waterproof) and the lens mounted rubber ring lets you quickly pull the pouch on/off while keeping it "attached" to the camera. This makes it super easy and convenient to put the pouch back on and lessens liklihood of loss.

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The Digital D-Series pouches from Op/Tech USA offer ideal protection against impact, moisture and dust. Avoid expensive repair and clearing bills by protecting your camera while in use or in storage. Mon Marring snaps securely close the flap cover on the base of the pouch. A unique retaining strap attaches the case around the lens so that it is out of the field of view when taking a pictureThis case is great for use in the field as it is light weight. weather resistant and the case closes around the neck strap the neck strap is still usable. This makes the pouch a streamline and convenient way to protect your gear. There is no need to carry the bulk of an oversized bag when you can have the protection and convenience of the Soft Pouch Digital D-SeriesD-SLR fits most SLR-style cameras without the extended battery packs that measure 6"w x 4.5"h x 6"d with a maximum lens size of 3.25"dia. x 4.5"long. (ie. Nikon D70, D100, Canon 10D, D60, D30 & Digital Rebel, Olympus E1

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B+W 77mm UVA (Ultra Violet) Haze MRC Filter #010 Review

B+W 77mm UVA (Ultra Violet) Haze MRC Filter #010
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I felt I had to write these comments after reading all of the other reviews on this company's filters. Having been a working photographer for more years than I care to remember, my main reason for settling on B+W filters was/is their optical correction capabilities, as well as the "obvious to the touch" construction quality.
The brass rings never bind (often a problem with aluminium rings), so you'll never find yourself struggling & cursing while trying to remove it! Smooth as silk.
The primary function of any UV filter is to counteract the presence of haze, something mostly noticeable over long distance. Therefore, the only true benefit comes when shooting scenic panoramas with wide lenses, or the exact opposite; long telephoto work. In fact, telephoto/long zoom lenses are the ones that seem to benefit the most, be it with either film or digital. Don't get suckered into this "Designed for Digital" sales-pitch either. Some of my filters are years old, and function perfectly well on newer digital cameras. Even B+W themselves are guilty of this by having the nerve to place the very same type of filter in a silver ( brushed aluminium?) ring in lieu of the usual black one, stick the word DIGITAL on it, AND charge extra for it! Cheeky!
Many people I've met over the years have made the mistake of buying cheap, almost useless filters for high quality lenses, and for all the good they do, they might as well be shooting through a window pane! If you're going to buy a high quality optic, then do your research on filters, too. They are an absolutely essential part of the optical train. Among photographers, it's always been a bone of contention!
I personally haven't come across any other filters (apart from Heliopan: they use "Schott" glass; some of the finest in the world) that can cut through murky haze quite as effectively as B+W's. I'm no optical engineer, so I have no idea how the company has gone about it, I only know that it works extremely well. Crisp, well-defined images in situations where lesser lights may likely have failed.
In what is now going to seem like a contradiction, not all B+W filters are capable of this high level of correction. You'll notice that they often come in two, and sometimes three different labelings at vastly different prices, (something that some unscrupulous dealers have been known to take advantage of!) so watch what you're buying.
If it's going to be just a protection filter (no real advantage in B+W here), or used primarily for Macro work, then the plain or Single-coated ones will suffice. However, if your intention is to do landscapes, or a lot of Tele work, then the Multi-coated version is essential. Just look for the "#010 UV-Haze MRC (2C)" on the inner front of the ring.

You may have also noticed that B+W manufacture slim-mount filters (more costly) especially for wide-angle lenses. A point worth noting is that this particular type of filter has a wider-than-usual front, so comes supplied with its own slip-on Schneider lens cap (in this case, 95mm, on a 77mm filter), meaning that you cannot use the original one supplied with the lens. The only real drawback is the rather fiddly fitting of the filter if you're using a lens hood (advisable) as it must be attached AFTER fitting the hood. Not easy, I can tell you!

The standard models do very slightly vignette at the 16mm setting on my full frame digital body, so the wide-angle version (not the above-mentioned model) are the way to go if that is your set-up.

The Heliopan versions do have a slimmer ring admittedly, but for some strange reason, although their rings are also brass, they often tend to bind. Odd?

One note here for anyone with a large aperture, drop-in filter type lens.... B+W MRC filters in both 48mm & 52mm will slip in perfectly, unlike some others. The difference to the eye may be purely a figment of my imagination, but I still feel it is noticeable!
If you're also in the market for a Circular Polarizer, and you don't mind spending twice the usual price, then look no further than B+W's Kaesemann MRC model. It knocks the socks off anything out there by a mile!
(See my review on the 77mm version)
B+W (and Heliopan) are untouchable, and their graduated ND filters are also truly something else!

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High Quality German Filters

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Zeikos Professional Power Grip For Nikon D60/D40X/D40 Review

Zeikos Professional Power Grip For Nikon D60/D40X/D40
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I've used a Opteka grip for a couple of years now and thought it was pretty good.
But this Zeikos really kinda put it to shame in terms of feel and build. A much-more faithful copy of the BG-E2, I think. Better cover material for gripping, buttons felt more like the ones on the camera, down to how much "give" the shutter button had.
I'd have to give this the slight nod over the Opteka.

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The Zeikos Power grip for the Nikon D60 / D40/ D40X is the perfect solution for doubling your shooting time. It holds either 2 EN-EL9 Lithium-Ion Rechargeable batteries or 6 AA batteries. It has a vertical firing release with a lock and dramatically improves stability. It has a 1 year warranty.

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