Sigma EX - Telephoto zoom lens - 50 mm - 150 mm - f/2.8 APO DC HSM II - Minolta A-type Review

Sigma EX - Telephoto zoom lens - 50 mm - 150 mm - f/2.8 APO DC HSM II - Minolta A-type
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I switched to this since my Nikno 70-200 was really getting heavy for a day of wedding photography. What i like: Very light, good working distance, nice easy zoom, fairly good images. What i dislike, a little soft at F2.8. Much better at F4.5. Not as vibrant colors...slighly cooler. Can easily flare...make sure you use the hood. No VR means you better shoot at fast shutter speeds or have really steady hands. Overall, a keeper for me. I now use this more than my 70-200. :-)

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This F2.8 large aperture telephoto zoom lens is designed exclusively for digital SLR cameras with APS-C size sensors and its compact, lightweight body provides freedom of movement and versatility. The super multi-layer coating reduces flare and ghosting and ensures sharp images throughout the entire zoom range. The addition of the optional 1.4x EX DG APO or 2x EX DG APO Tele Converters produce a 70-210mm F4 AF tele-zoom lens and a 100-300mm F5.6 AF ultra-telephoto zoom lens respectively.

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Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Sigma SLR Cameras Review

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Sigma SLR Cameras
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I shoot 2-3 sports events a week and while I love my D3 needed more reach (had been trying to shoot soccer & track meets with Nikon 70-200 & Sigma 100-300). I concluded after a lot of thought & soul searching it would be more strategic for me to buy D300/Sigma 120-300mm combo than a 200-400mm for the D3. [the 100-300mm is a great lens too, but that extra stop is so sweet!]
For me, I definitely wanted a f/2.8 lens and felt a zoom would be more versatile than the Nikon 300 f/2.8 (& cheaper too).
There's no question it's a heavy lens by most people's standards, but I always use with a Monfrotto 681B monopod (which I love too).
Have only had this combo for about a 2 weeks but love it. The pictures are tack sharp, and the bokeh is awesome--rivaling Nikon 70-200mm IMHO. People always mention you have to get a good copy from Sigma but buying new I was fairly certain this would not be a problem, and I knew I could always send it right back to Amazon for another copy with no problem.
[....]In summary this combo has helped me take my game to a whole new level, and I'm very, very happy with this lens.



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The Sigma APO 120-300mm f2.8 EX DG HSM Lens for Sigma Digital SLR Cameras features a large aperture of f2.8 at the 300 millimeter focal length and is optimized for used with digital SLR cameras. This lens transforms a large-aperture f2.8 300 millimeter lens into a zoom lens that allows you to determine the picture composition you want without having to change your vantage point. It has two SLD (Special Low Dispersion) glass elements in front group and another SLD element in the rear group for excellent correction of chromatic aberration.The latest in multi-layer lens coating technology and lens design reduce flare and ghosting, which is a common problem with digital cameras, and it also creates an optimum color balance through the entire zoom range. The lens' AF drive is equipped with a silent, responsive and high speed Hyper Sonic Motor (HSM), which also provides full-time manual focus function. Since focusing and zooming do not change its overall length, this lens is easy to hold and use. In addition, since the front of the lens does not rotate, a circular polarizing filter can be easily attached and used. High-speed focusing is possible when this lens is used with dedicated APO EX 1.4 x or 2x tele-converters (sold separately).

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Letus Hawk DSLR Viewfinder Review

Letus Hawk DSLR Viewfinder
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I direct documentaries. I normally shoot with the hvx200 or the ex1. I thought I would test the waters in the dslr market for a recording trip to Europe. I got this a few days before the trip. I thought I would start off with the Canon T2I. It works great with the Letus Hawk, I love it. The quality seems great. It said on the Letus site that it did not work with the t2i yet, but i just flipped one of the connector pieces opposite to how it came and it works perfectly. It doesn't feel jimmy rigged at all. It looks great as Letus claims. They say they have found the sweat spot of something like 2.7 or 2.75x magnification. It is perfect so you can see the whole screen. It makes focusing very easy, and especially is optimal when outside or in bright situations. To me it is a 5 star product. I would like to see some kind of quick release, but I imagine that will come out at some point. As for Letus's first attempt at an eyepiece they have hit the nail on the head.

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The Letus Hawk viewfinder is 100% custom designed from the ground up. We were not satisfied with viewfinders on the market so using our knowledge of optics, we decided to build our own. Unlike others on the market, our viewfinder uses totally custom optics designed and manufactured by Letus. We use a 3 lenses in 2 groups rather than a single, off-the-shelf diopter. Diopters are inexpensive but they tend to "pin cushion" the image. Our lens groups produces a totally flat image with no warping or sharpness loss on the edges of the image frame.The Letus Hawk attaches to your DSLR without any modifications to the camera. The Hawk includes a camera plate as a standard feature. The plate threads into the tripod mounting hole on the bottom of your camera and is adjustable in X,Y, and Z directions for compatibility with a full range of current and future DSLR cameras. The plate is threaded on the bottom so you can attach your existing quick release tripod plates, base plates, etc. We also added an additional option so you can mount the Hawk using any articulating arm. This allows you to have a virtually limitless mounting options for special situations where standard mounting is difficult or impossible. We offer a micro articulating arm custom milled from stainless steel.

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Sigma 100-300mm f/4 EX DG IF HSM APO Fast Aperture Telephoto Zoom Lens for Sigma SLR Cameras Review

Sigma 100-300mm f/4 EX DG IF HSM APO Fast Aperture Telephoto Zoom Lens for Sigma SLR Cameras
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I bought this lens to use with my Canon 30D for high school sports (soccer, football, baseball, etc). I already had the Sigma APO 70-200mm f/2.8 EX DG HSM Lens for Canon Digital SLR Cameras and needed more focal length. Like the 70-200 F/2.8, this lens is big, heavy, and built like a tank. The bare lens is about an inch longer than the 70-200, but the 100-300's hood is longer than the 70-200's hood.
The zoom and focus rings are wide and move smoothly with just the right amount of resistance. This lens is sharp wide open. At the overlapping focal lengths, the 70-200 at F/4 is just barely sharper than this lens at F/4 (wide open). At 200mm, this lens is actually sharper (200mm is this lens's sweet spot.) At 300mm, the lens is still sharp wide open, but I like to stop down to F/4.5 just to keep things super-sharp. Up to 250mm, I would not hesitate to use it wide open.
This Sigma lens has HSM which means the focus is fast and quiet. The lens focuses a little slower than the 70-200 F/2.8, but I've found that the 30D is more of a limiting factor in focus speed than the lens is. Servo tracking is very good with this lens, the only time it can't keep up is when track runners are sprinting straight at me (although again, I think the body is the limiting factor here.) For almost every other situation, the focus will definitely keep up.
All in all, this is not an indoor lens by any means, but as an outdoor sports (or wildlife/nature) lens, it is awesome.

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This telephoto zoom lens provides a large F4 aperture at all focal lengths. With minimal light-fall-off, superior peripheral brightness is ensured. It's the ideal lens for digital SLR cameras.The new multi layer lens coating and lens design reduce flare and ghost, which is a common problem with digital cameras and also creates an optimum color balance through the entire zoom range.This lens uses two pieces of SLD glass elements in the front lens group and another two in the rear group for excellent correction of chromatic aberration. High optic performance is demonstrated throughout the entire zoom range.This lens incorporates an internal focusing system, which eliminates front lens rotation, allowing the use of a Petal-type Hood and more convenient to use of circular polarizing filter. Since focusing and zooming do not change its overall length, this lens is easy to hold and use.The use of an Apochromatic design and 4 SLD (The Special Low Dispersion) glass elements (two SLD glass elements are utilized in the front lens group and two in the rear group) provide for full correction of chromatic aberration and a high level of optical performance.The DG designation applied to certain newer Sigma lenses (mostly wide-angle and wide zoom type lenses) indicates that the lens is especially suited for use with digital SLR cameras. The DG lenses feature improved (more even) light distribution from image center to edge, especially at maximum aperture, compared to conventional fast wide-angle lenses. This is important in digital photography, but is also useful in 35mm photography, especially when slide film is used. Also, the shorter focal lengths are desirable, because most digital SLR cameras have image sensors whose dimensions are considerably smaller than a 35mm negative (usually by a factor of 1.3X to 1.7X), making the lens' angle of view equivalent to that of a longer lens on a 35mm camera.

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Steiner 12x40 Predator Binocular Review

Steiner 12x40 Predator Binocular
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A solid work horse for great distance. Not too heavy, comfortable and easy to focus. One draw back is unless you are three to four hundred yards away, stay with the smaller 8X30 Predator. The 12X50 is almost too powerfull causing excessive movement. It also brings your subject matter too close. I have found myself having to move back to get better clearity.

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Equipped with Steiner's exclusive Penetrator infrared lenses, the Steiner 12x40 Predator binoculars let you cut through foliage and darkness to uncover hidden game. They give your eyes maximum contrast by enhancing game colors against a dark wooded background.These binoculars provide 12x magnification with a 40mm lens for exceptional brightness and a field of view of 295 feet at 1,000 yards.The rugged, forest green, rubber construction provides both water and shock resistance to withstand rain, moisture, and jarring.The design also features 20-millimeter eye relief and soft rubber eyecups to provide comfort for long periods of use.Steiner, Europe's binocular specialist for more than 50 years, backs its 12x40 Predator binoculars with a 10-year warranty.

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LensCoat Neoprene Body Bag with Lens Cover, Designed for a Camera Body With Lens up to 4.5" - Black Review

LensCoat Neoprene Body Bag with Lens Cover, Designed for a Camera Body With Lens up to 4.5 - Black
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I wondered if this camera bag would fit the Canon 7D with the 15-85mm lens together with the reversed lens hood attached - it does! It is a very close fit with some bulges and I do not know yet how durable the material will be in the long run, but for now it does the job perfectly.
(The 15-85mm lens is well under 4 inches long, but a very wide lens and there is no indication of the maximum lens width in the product description. The 15-85mm lens with lens hood attached has a 12.2 inches(31 cm) perimeter and 3.9 inches (10 cm) diameter.)
I would like to note though that it will definitely take more than just a second to get the camera out of the case or back in for storage, it is NOT a fast "walkaround" storage. It does however provide some protection to scratches or bumps and it is so light and the material is so flexible that the camera bag will not take up much space in a pocket or camera backpack. For me the latter was an important plus, so I am very happy with my purchase. Also the feel of the material is very nice and you can carry the camera on its neckstrap while it is in the neoprene bag.
All in all exactly what I was looking for with the only exception that it takes some time to get the camera in and out of the case.

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The LensCoat BodyBag w/lens is a camera body and lens cover made from soft shock-absorbing neoprene, protecting your camera from the nicks, dings and scratches of accidental impact. It also keeps the camera body and lens free from dust and dirt as well as protects it from the elements.The BodyBag also features a removable front element protection disc made from rigid plastic and firm foam to further protect your glass from damage. The BodyBag's Velcro closure makes storage and access quick and easy and the retaining strap attaches the case easily around the camera strap.The BodyBag is great for storage, travel and everyday use. Designed to fit consumer/prosumer camera bodies with lenses attached up to 4.5" long without the optional body grip installed such as:Canon 10D 20D 20Da 30D, 40D Digital Rebel/XT/XTi (300D/350D/400D/450D), 5D, 5D Mark IINikon D40 D40x D50 D70 D70s D80 D90 D100 D200 D300 D700Also fits SLR bodies approximately 6"w x 4.5"h x 6"dThe BodyBag is available in Black, Forest Green, Realtree Max4 HD, Realtree Hardwoods Snow, and Digital Camo.

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Kata KT DR-466 DPS Digital Rucksack Review

Kata KT DR-466 DPS Digital Rucksack
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I purchased this bag after trying out a Lowepro Flipside 200 which was nice and I enjoyed the security aspect but it could not fit much, nor could it handle my netbook. I have a small Samsung NC10 which I wanted to carry with me on a recent trip and this was just the bag. It allows me to store my camera gear in the lower portion and tuck away the netbook or laptop in the back which rests against your back. The upper storage area above the camera gear is also quite nice which gives you an area for misc. items, cell phone, pens, etc. If I had to pick a Con for the bag it would be the fact that its a little difficult to push the bottom padded area that stores the camera back into the bag once filled. Not a biggie because if you are carrying this bag you understand that you will not be able to easily change lenses with the bag attached to only one arm like the Lowepro Fastpack, etc. Most of the time once I remove my camera I usually carry it around my kneck and just need a secure place to keep my lenses, etc. This bag looks great and it's a perfect size, not too bulky and looks very inconspicuos when traveling, which is a bonus. It also comes with a rain pouch that you can easily cover the entire bag during those pop up showers.
This is the medium size bag of the DR series. The DR-465 does not have a laptop storage area, and the DR-467 is the big brother of the 466 which allows for a larger laptop and a bit bulkier.
I would not hesitate to recommend this product to a friend. Also Amazon has a good price on this which appears to be the going rate amongst other e-tailers.

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The DR-466 Digital Rucksack with Laptop Compartment features unique TST RIB structural protection for two D/SLR cameras with mounted lens, 3-4 lenses, flash, personal gear and a laptop. By removing the padded bottom camera insert you can easily convert this rucksack from a camera bag to a daypack when not shooting. The main compartment holds a D/SLR in top grip position while the modular dividers system will separate, organize and protect lenses, flashes and other accessories to suit your particular needs. The dedicated rear padded compartment will protect a 15” laptop or hold paperwork. The large top compartment will hold personal gear or additional equipment, and the internal pockets and mp3 player pouch will allow you to organize your personal effects as efficiently as your photographic gear. Ample external pockets allow quick zippered access to supplies and a water bottle/ tripod support pocket pulls out from a side pocket. The included rain cover folds neatly away into an integrated pocket and can be hung out to dry on the small buckle next to the handle, or tucked away for storage in one of the pockets. When carrying, a chest belt and balancing waist strap are available for ultimate comfort. The rucksack is also compatible with the Kata Insertrolley (KT VG-DTS) if wheel along transportation is needed.

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Sigma 85mm f/1.4 EX DG HSM Large Aperture Medium Telephoto Prime Lens for Pentax Digital SLR Cameras Review

Sigma 85mm f/1.4 EX DG HSM Large Aperture Medium Telephoto Prime Lens for Pentax Digital SLR Cameras
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I've always been hesitant to try sigma lenses because I hear a lot of problems that people have with the focusing on them. I passed up on the widely regarded 50mm f1.4 and 30mm f1.4 even though they got stellar reviews for the most part. When Sigma came out with the 85mm f1.4 for less than half the price of Canon's 85mm f1.2 L II, I had to see if it would save me a bundle in my search for a great 85mm.
I took some time to compare this one to the 85mm f1.8 and the 85mm f1.2 L II by renting all three before making any decisions, and I have to say that this lens really impresses!
The Sigma lens is much lighter than the Canon f1.2 and therefore, much easier to handle. The first thing that comes to mind when putting the canon f1.2 on my camera is how awkward everything feels - it's weight and "top-heaviness" really throw the balance off (I'm using a 7D) and makes the whole set-up feel wrong. With the sigma, I don't get this feel.... it feels right. It feels like almost a rubbery-plastic, and while the canon f1.2 feels more solid, the Sigma feels more modernized to me. The Canon f1.8 is no slouch, but feels lacking compared to the other two in build quality. The Sigma comes with a unique 2-part lens hood to help avoid hood vignetting on full-frame cameras. There is a middle section that you leave off if you are using a full-frame camera, but then add back on if you have a crop camera.
As for image quality, I'm not going to go too much into detail here because other reviews across the web have conducted much more scientific tests than me and provide images to compare. I will just summarize my experiences though: in my opinion, the Canon f1.2 has the sharpest photos, especially in the center of the image. The Sigma bests the other 2 in corner sharpness though. The f1.8 has the fastest autofocus, with the f1.2 far behind and Sigma trailing only slightly behind. For bokeh quality, I actually prefer the Sigma to the f1.2. Color and contrast is a tie between the Sigma and f1.2... the Sigma offers slightly warmer photos. The Sigma handles flares better than the f1.8, but not as well as the f1.2. All three seemed to handle chromatic abrasion well in my tests. Just as an overall picture, I really found that I enjoyed the f1.2 pictures the best, but did I enjoy them $1000 more? Probably not. The Sigma really wasn't far behind the f1.2 in image quality.
If I were a professional photographer, I would probably go with the canon f1.2 over the Sigma just because that slight edge in image quality and extra light from the f1.2 would probably pay for itself over time. As a hobbyist though, I can't see myself paying over twice as much for the only slightly better lens. The Sigma really provides an excellent option for a midpoint between the Canon f1.8 and f1.2. In addition, it opens up a new way for indoor sports photographers to capture fast action. Because of its slower autofocus, I constantly found that the f1.2 had less keepers when I did indoor fast action photography. The Sigma and f1.8 handled these situations fine. I shoot a lot of indoor dog shows and competitions, so the Sigma is now going to be my go-to lens for those. The f1.8 would have been a great option and still is probably one of the best quality/value ratios out there in my opinion, but the better image quality of the Sigma is apparent. Plus, the extra light from the wider aperture really does help in many situations. I also like the bokeh quality much better than the f1.8.

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Vivitar 19-35mm Series One Zoom Lens For Minolta SLR Cameras Review

Vivitar 19-35mm Series One Zoom Lens For Minolta SLR Cameras
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I wanted a wide-angle lens for some while, but they were just too expensive. Plus, I had never tried a 3rd party lens with my Minolta, and was not sure what to expect. This lens produced results that I found quite acceptable. Like any cheapie wide angle lens, it is prone to flare. Oh, well. The edges do not appear soft to me, as I believe someone claimed, but I have not made any really large prints. One major downer is the very dull unimpressive looking plastic case. The picture at least looks like aluminum. The real thing does not. Also, I have not taken any pictures in the 30-35mm range (I have an expensive lens for that). If your Maxxum is one with a panoramic mode the pictures you take at 19mm will look pretty cool.

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Vivitar's Series1 19-35mm AF zoom lens is designed to work with Minoltaautofocus single-lens reflex cameras. This lens is compact and lightweight, withan aperture range of f/3.5 to f/4.5 and a minimum focusing distance of 1.6 feet. Its macro ratio is 1:12x at 35mm and it takes 77mm accessories.

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Tamron SP Autofocus 24-135mm f/3.5-5.6 AD Aspherical (IF) Lens for Canon SLR Cameras Review

Tamron SP Autofocus 24-135mm f/3.5-5.6 AD Aspherical (IF) Lens for Canon SLR Cameras
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Using a Canon Digital Rebel, sold my 28-135mm lens for this lens. Quality is superior. Is almost at the Canon "L" series level. It's lighter, more compact & weighs less. Very satisfied with the photos I've taken. A serious contender.

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Versatile and Flexible New Super Performance Lens. Introducing in the third in our series of high power zoom lenses, following on the successes of the 28-200mm and the 28-300mm mega-zoom lenses. The new zoom lens from Tamron covers everything from the 24mm real wideangle that professionals and serious amateurs demand to 135mm telephoto suitable for portraits-all in one compact package. The first SP lens among Tamron's high power zoom lenses, the lens represents a new concept in high power zoom lenses, achieving outstanding performance characteristics worthy of the name SP (Super Performance).

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Sigma AF 300mm F2.8 APO EX DG/HSM Lens (Canon mount) Review

Sigma AF 300mm F2.8 APO EX DG/HSM Lens (Canon mount)
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The Sigma 300 F2.8 lens for Sony/Minolta is a great lens for the price. I could not afford The Sony/Minolta equivalent as it was over twice the price. The color,contrast and resolution of this lens is excellent and works great with 1.4 and 2.0 Sigma teleconverters. It also works great with the in-camera image stabilization on the Sony DSLR cameras.

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A versatile, fast aperture telephoto lens for both digital and film SLR cameras.Two ELD glass elements reduce chromatic aberration to a minimum and also ensure sharp, quality images of high contrast.The new multi layer lens coating reduces flare and ghost, which is a common problem with digital SLR cameras. The overall length of the lens does not changeduring focusing, ensuring convenient handling and ease of use.The HSM (Hyper Sonic Motor) models provide fast, silent AF function as well as full- time manual focus override. A drop-in 46mm filter holder in the rear part of the lens barrel can be rotated to facilitate the use of filters, including a polarizing filter,Simply adding an APO teleconverter (optional extra), means that this lens can be used as a 420..m ..4 AF ultra-telephoto lens with a 1.4X EX teleconverter, or a 600mm F5.6 AF ultra-telephoto lens with a 2X teleconverter.

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18-200 mm DC 3.5-6.3 Lens f/Canon DSLR Review

18-200 mm DC 3.5-6.3 Lens f/Canon DSLR
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These lenses are not easy to find, but I have found a few dealers who sell them.
I know that Sigma makes the lenses for Quantaray, but as for quality, I am guessing that the Quantaray line is Sigma's inexpensive line for hobbyists and amateurs. That said, I wanted to comment on how well my Quantaray 18-200mm has been for me.
Ever since I first bought this lens, I have enjoyed countless photos. The lens has seen trips & vacations, portraits, weddings, and even an engagement session. I have captured some wonderful memories for myself and clients with this lens.
Granted, it is not Sigma's top brand, but it does do the job and after 3 years of owning this lens, I can say, I am wholly pleased with my choice. It doesn't pack the sucker-punch to the wallet, but it's still great quality. :)A Canon equivalent would cost three times as much, but if you're on a budget, like I am, sometimes you just have to compromise.
All in all, if you go for this lens, you wouldn't be sacrificing much. If you're just starting out, I'd highly recommend this to get you going, as this is a highly versatile product.
One thing to note tho, is if you own a full-frame camera, you'll want to stay away from this lens and go for the Sigma DG series. The DC series, is for crop-sensor cameras (XXXD Rebels, XXD's, et. al). Thankfully this works wonderfully on my Canon EOS 30D flawlessly. It,sadly, does not work with my 5D mark II; even though it fits on the camera, it causes severe vignetting. Even though that's a drawback, it's not something to warrant one less star for this wonderful lens.

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Exclusively designed for use with digital SLR cameras featuring APS-C size image sensor.
High zoom ratio 11:1.
Compact, Lightweight and Durable construction with diameter of 70mm (2.8 in.), length of 78.1mm (3.1 in.) and weight of 405g./14.3oz. Lens has Metal Mount.
Minimum focusing distance of 45cm (17.7 in.) at all focal lengths.
Compact, Lightweight Superzoom lens, with high zoom ratio 11:1
This high zoom ratio lens is exclusively designed for digital SLR cameras and capable of covering a wide range of focal lengths from wide-angle to telephoto. Two Special Low Dispersion (SLD) glass elements and two hybrid aspherical lenses offer the utmost correction for all types of aberrations, and enables this extended range super zoom lens to be housed in a compact and lightweight construction of 70mm (2.8 in.) diameter, and 78.1mm (3.1 in.) in length, and weighing just 405g/14.3oz. The new lens coating reduces flare and ghost, which is a common problem of digital cameras and also creates an optimum color balance. This lens has a minimum focusing distance of 45cm (17.7 in.) at all focal lengths and has maximum magnification of 1:4.4.
The lens design incorporates an inner focusing system, which prevents the front of the lens from rotating, making it particularly suitable for using circular polarizing filters and petal shaped lens hoods. The overall length of the lens does not change during focusing, ensuring convenient handling and ease of use. A zoom lock switch eliminates zoom creep during transportation, a convenient addition when traveling.

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Lowepro Nova 5 AW Camera Bag (Black) Review

Lowepro Nova 5 AW Camera Bag (Black)
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I use this big and durable bag ALL the time for my 35mm SLR equipment including large heavy lenses and battery (lots of AA's) powered film winder. I do mostly outdoor shoots and my equipment is well protected.

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B1)LOWEPRO NOVA 5 AW (BLACK)

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Sony Alpha DSLRA350X 14.2MP Digital SLR Camera with Super SteadyShot Image Stabilization with DT 18-70mm f/3.5-5.6 & DT 55-200mm f/4-5.6 Zoom Lenses Review

Sony Alpha DSLRA350X 14.2MP Digital SLR Camera with Super SteadyShot Image Stabilization with DT 18-70mm f/3.5-5.6 and DT 55-200mm f/4-5.6 Zoom Lenses
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This camera is really unbelievable for the price. If we're talking about the camera body (with no lens), I prefer it over the Canon Rebel XSi anyday (and I've used both). The problem for Sony is that their lens is sooooo crappy that the image quality goes straight down the toilet, and Canons lenses are for the most part very sharp and colorful.
The solution? Minolta lenses. I got my camera in the mail this morning and have played with it all day. From the second I unpacked the lens I was disappointed- even before I put it on the camera. It has an extremely cheap and plasticy feel, probably because it is cheap and made of only plastic. I'm actually pretty sure there's not a single piece of glass in the lens (which means, for those of you are new to this, that it sucks). I put it on and sure enough the results were not pretty. Don't run off to Canon's page so quickly, though- remember that this IS a 5 star review.
What makes up for sony's crappy crappy lens is the fact that you can use any Minolta lens from the past 20 years. In anticipation of purchasing this camera I brought 2 Minolta lenses from a garage sale a few weeks ago for a hundred bucks, and when I put them on the camera it was like magic. The autofocus still works in an instant, and the sharpness and color combined with Sony's 14megapixel sensor have left this former film-snob utterly impressed.
So my advice to advanced amateur photographers is to buy this camera. But just the body only. Save the hundred bucks to buy yourself a Minolta lens (or two). I thought I'd throw in the extra hundred bucks with this cam just to have an extra lens for my collection, and it was absolutely not worth it. I don't even know if I'll mount it onto my camera ever again. Seriously- It's a big plastic turd. I wouldn't buy it again if it was 20 bucks.
Also- I learned the complete menu for this camera in less than a day. The only negative things about this camera (except for the crappy turd plastico lens) are that it's not a full frame sensor (look it up, and then decide if you really want to spend and extra 1300 dollars to get a full frame sensor DSLR), and that there's a really dumb and pointless digital zoom button that is a total tragic use of space. I could think of ten more used/usable functions that could have gone there instead.
Really though, I couldn't be happier with this camera.

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With incredible 14.2 MP detail, Sony¿s ¿ (alpha) DSLR-A350 raises the standard of excellence for step-up digital photographers shooting both family memories and fine-art photos. Live Preview in a large 2.7¿ LCD screen links you and your subject -- and you¿ll have special features like super-quick AF response, continuous shooting at 2 fps while you see your subject in the viewfinder, Creative Style modes for quick recall of custom settings, and in-camera Super SteadyShot image stabilization that reduces blur with every Sony, Carl Zeiss and legacy Minolta a-mount lens.

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Quantum Q Flash X5DR Digital Review

Quantum Q Flash X5DR Digital
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I'm a believer in Nikon's "Creative Lighting System" (CLS) because it makes it so simple to use multiple portable flashes off-camera to get serious looking professional lighting effects without cumbersome studio flashes. Only problem is that as much as I love my SB-900s (and no, I never had the overheating problem everyone complains about), it's just not nearly as powerful and flexible as the Quantum units. With Quantum's addition of the (separately sold) QNexus unit, however, I can have the best of both worlds: a mix of Quantum and Nikon flash units, all operated under control of the Nikon CLS system.
The QNexus unit is the "glue" here, translating Nikon's CLS infrared signals to a form the Quantum flashes can understand. You get virtually all the same features except for (high-speed flash), but with a mix of Nikon and Quantum units acting together in unison. Plus, when I need a super-powerful flash with a heavy duty external battery pack, I can use the Quantum solo. Given the flexible Quantum system - interchangeable reflectors, diffusers and bulbs - I feel like I finally have the best of both worlds. Quantum also has their own radio control system, similar to Pocket Wizard...500 foot range that doesn't require line-of-sight placement - although of course, this wouldn't work with the Nikon lights.
Of course, the Quantum isn't perfect...it tends to be really heavy (especially with the battery, which can be attached under your camera or worn at your side). Plus, with a Quantum, you'll probably be using some type of heavy-duty bracket, adding even more to the weight. Still, the light quality is pretty amazing...somehow softer and more diffused than the SB-900, while also being more powerful. Still, I also like that the SB-900s can be powered with off-the-shelf AA batteries if necessary, versus the Quantum's custom external power pack. The Quantum is also rather expensive...last time I looked, I could have bought three SB-900s and an SB-600 for the price of the X5, its battery and the QNexus unit.
Some will tell you that the Nikon and Quantum units don't work well together because the color temperature of the lights differ slightly. This is indeed true, but the effect is very, very small. I have a color temperature meter, and I find the two are within about 100-200 degrees of one another, with the Quantum being consistently warmer. If I want a precise mix, I simply put a CC05 yellow filter on the SB900, and I find the colors are dead on.
Otherwise, the Quantum seems like it's built like a tank and will stand up to even the most demanding day-to-day use. No regrets whatsoever about this purchase.
Highly recommended.

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NEW Qflash 5d-R -("d" for digital and "R" for Ratio)- is the latest evolution in Quantum's proven Qflash portable flash line. The new 5d-R series used with Quantum's FreeXwire digital radio system, now support wireless control of all dedicated camera-flash functions-Manual , TTL, Auto, Auto-fill and TTL-Ratio-up to 500 ft. away!Qflash "Digital" model T4d & X4d are "dedicated" to the latest digital and film camera systems through its own QTTL through-the-lens dedicated exposure control. Parabolic reflectors produce softer, cleaner light. And they quickly interchange for bare bulb, wide angle, diffused, and telephoto reflectors.Qflash "Digital" models T5d and X5d are "dedicated" to the latest digital and film camera systems through its own QTTL® through-the-lens dedicated exposure control. Parabolic reflectors produce softer, cleaner light. And they quickly interchange for bare bulb, wide angle, diffused, and telephoto reflectors.Qflash "digitals" are smaller and lighter than their predecessors. Flash heads swivel and bounce and lock into position with one button control.In addition to full dedication Qflash operates in Manual, Auto, TTL, and Strobo modes. In automatic mode, Qflash power adjusts in 1/3 steps over wide ranges-- from f/1.4 to f/22 for ISO 100 film- in 25 precision settings. In manual mode Qflash displays 19 power settings from full to 1/64th power, in 1/3 step increments.Mul

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Sigma SD14 14MP Digital SLR Camera (Body Only) Review

Sigma SD14 14MP Digital SLR Camera (Body Only)
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The SD10 had problems. The battery charge system was just weird. The camera was not up to the hype when light was poor. But the images with good light were stunning. So it was with some angst, sustained by a delayed product release, that I opened my camera SD14. Very early on I knew I had a problem in that the camera hung... motion? But I got off some really spectacular images before sending it to NY repairs. They got it back quickly. I suspect something loose.
Well the images are simply wonderful. Just so you know, I have cameras at 5 & 6 times the price considered high end professional. I can get lots more pixels, but the color quality is not better.
The real test was low light. All the digital cameras fail in low light. So just a matter of how bad. OK, something is new here. This camera is far better in dim light than the SD10. When it starts to fail to low light the images become blotchy - like camoflage - rather than sandy as the GRGB cameras tend.
The SD14 X3F RAW images do well in Adobe's new Lightroom, and interestingly with the many controls for image modification in that program, there are none that set this camera aside (for punishment for being different).
The SD10 used a 1 GByte card but did not take larger. I tested the SD14 on 1 Gig (mechanical IBM type) and on 2 Gig, and 4 Gig, and 8 Gig CFII cards. Though, beware, some cards do badly with certain cameras across the board. So, I cannot say that ALL CFII's are OK. But I was able to find cards that worked a large range of memory capacity.
The camera saves images as RAW or JPEG. You can select two "color spaces", sRGB or AdobeRGB. I found that odd. Why not a 16 bit option? I suspect that is simply understood for RAW.
The booklet that comes with the camera may be the clearest such booklet of any camera. There were a few minor areas where referring the user to other sources seemed lazy(C1----v C2----v C3----v for camera strobes might be obvious to those who have these but ought to be explained to those who don't and maybe might want to).
Also the SD14 can shoot "tethered" - a huge fact that gets barely any mention other than an arrow pointing at the port. Those who do that, know, but maybe some need to learn how?
The camera body is nicely shaped, the controls are very logical, and shooting is easy.
There is something about the color. The SD10 drove me nuts because I had to charge batteries in shifts (they didn't all fit in the charger at once... grrrr). I almost dismissed this camera from that experience alone. The low light limits of the SD10 were also hard to take. But, that color. Seems even better in the SD14. It is not like other cameras. Just isn't. Very pleasing rich deep textural color.
So, down side? Well Sigma is not a magnet for lenses made by other manufacturers. So you will probably be a Sigma all the way person. But the Sigma lenses I used were quite good and cost way way less than other brands. There is a specific flash kind for the flash shoe. So, maybe your current flash might not work? The built-in flash, does what built in flashes do.
The SD14 battery system is quite nice. There is a built-in dust protector to assist lens swaps - very nice.
Want to do very high end photography with a wide array of lenses without going broke? Look at this model.

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Capture the beauty of the world around you with the Sigma SD14 14 Megapixel Digital SLR Camera. The image sensor captures pure, rich light efficiently and gives the SD14 its high resolution and richly graduated tones. The mirror lock-up mechanism raises the mirror thus preventing vibration when the shutter is released. This prevents camera shake, and is especially effective for macro photography. FOVEON X3 Direct Image Sensor (CMOS) - 20.7mm x 13.8mm - approx. 7-12x larger than the image sensors used in ordinary compact digital cameras Lens Mount - SIGMA SA bayonet mount Compatible Lenses - SIGMA SA mount interchangeable lenses Angle of View - Equivalent to approx 1.7x the focal length of the lens for 35mm cameras Manual & Auto Focus Fast & precise focusing with 5-point AF Shutter Speed - 1/4000 - 30 sec. + bulb (up to 30 sec.) Image Sensor Dust Protector High speed continuous shooting at 3 frames per second 3 metering modes - 8-segment Evaluative Metering, Center Area Metering, Center Weighted Average Metering Built-in Flash Hot shoe (contact X synchronization at 1/180 sec. or less, with dedicated flash linking contact) Storage (Not included) - CompactFlash (Type I/II), Microdrive (FAT32 compatible) Recording Mode - Lossless compression RAW data (12-bit), JPEG ISO Sensitivity - Equivalent to ISO 100, 200, 400, 800, 1600 USB 2.0, Video Out (NTSC/PAL) Li-ion Battery BP-21, Battery Charger BC-21, Optional AC Adapter White Balance - Auto, Sunlight, Shade, Overcast, Incandescent, Fluorescent, Flash, Custom Exposure - Program AE (Program Shift is possible), Shutter Priority AE, Aperture Priority AE, Manual 144mm/5.7 W 107.3mm/4.2 H 80.5mm/2 D & 700g/24.7 oz (without batteries)

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QF8 Qflash Trio for Canon Review

QF8 Qflash Trio for Canon
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I had some problem with my Canon flash over heating in rapid shots,now the new QFLASH TRIO works like a champ.it is made in USA and quantum solve my over heating problem,highly recommended

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The Qflash TRIO QF8 combines a Qflash head with built-in FreeXwire TTL radio and QTTL adapter for your digital camera. Slip it onto the camera hot-shoe, connect a Turbo with the included long power cable CQ8, and go.TRIO's radio sends TTL commands to other remote Qflash TRIO's. Configure distinct modes and settings of remote Qflash TRIO's from the on-camera TRIO.

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