Showing posts with label canon eos. Show all posts
Showing posts with label canon eos. Show all posts

Letus Hawk DSLR Viewfinder Review

Letus Hawk DSLR Viewfinder
Average Reviews:

(More customer reviews)
I direct documentaries. I normally shoot with the hvx200 or the ex1. I thought I would test the waters in the dslr market for a recording trip to Europe. I got this a few days before the trip. I thought I would start off with the Canon T2I. It works great with the Letus Hawk, I love it. The quality seems great. It said on the Letus site that it did not work with the t2i yet, but i just flipped one of the connector pieces opposite to how it came and it works perfectly. It doesn't feel jimmy rigged at all. It looks great as Letus claims. They say they have found the sweat spot of something like 2.7 or 2.75x magnification. It is perfect so you can see the whole screen. It makes focusing very easy, and especially is optimal when outside or in bright situations. To me it is a 5 star product. I would like to see some kind of quick release, but I imagine that will come out at some point. As for Letus's first attempt at an eyepiece they have hit the nail on the head.

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The Letus Hawk viewfinder is 100% custom designed from the ground up. We were not satisfied with viewfinders on the market so using our knowledge of optics, we decided to build our own. Unlike others on the market, our viewfinder uses totally custom optics designed and manufactured by Letus. We use a 3 lenses in 2 groups rather than a single, off-the-shelf diopter. Diopters are inexpensive but they tend to "pin cushion" the image. Our lens groups produces a totally flat image with no warping or sharpness loss on the edges of the image frame.The Letus Hawk attaches to your DSLR without any modifications to the camera. The Hawk includes a camera plate as a standard feature. The plate threads into the tripod mounting hole on the bottom of your camera and is adjustable in X,Y, and Z directions for compatibility with a full range of current and future DSLR cameras. The plate is threaded on the bottom so you can attach your existing quick release tripod plates, base plates, etc. We also added an additional option so you can mount the Hawk using any articulating arm. This allows you to have a virtually limitless mounting options for special situations where standard mounting is difficult or impossible. We offer a micro articulating arm custom milled from stainless steel.

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DXA-5DA Professional XLR Adapter for DSLR Cameras Review

DXA-5DA Professional XLR Adapter for DSLR Cameras
Average Reviews:

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I do a lot of interview shoots and I like the portability and results from my Canon 5D MKII but as a professional I need levels and a way to monitor the audio. This makes that all possible and the quality is amazing. I have used Beachteck products in the past and this one is in the right place at the right time

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Capture professional sound with control and monitoring features. Works with any DSLR camera that has a mic jack.Robust, passive circuitry requires no power to pass the audio signal. Ideal for wireless microphones, sensitive self powered condenser microphones, or as an interface with mixing boards.Now you can easily attach two professional audio devices to your camera with monitoring and control features. The DXA-5Da is very easy to set up and use. The level meters show the exact signal strength at a glance while the headphone output lets you monitor what you are recording. A unique AGC Disable feature controls the wild swings of the Auto Gain Control that plague most cameras. This reduces the noise during quiet moments of recording allowing you to record two channels of clean audio. Fits neatly under any camera and can also be mounted to a tripod. Operates on one 9 volt battery.Key Features
Impact resistant polycarbonate chassis

LINE / MIC input switches
Ultra-slick trim controls
MONO / STEREO output switch
Headphone volume control
Headphone jack
GROUND switch for noise free operation
Two balanced XLR inputs
Auxiliary mini-jack inputideal for wireless mics
Output mini-jack to camera
AGC Disable feature
LCD display
Camcorder mounting bolt
Tripod socket


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SquareTrade 3-Year Camera/Camcorder Warranty ($1500-2000 Items) Review

SquareTrade 3-Year Camera/Camcorder Warranty ($1500-2000 Items)
Average Reviews:

(More customer reviews)
I am a FAN of Square Trade Warranties. I buy them for everything because the price is reasonable. I have already had a claim on two items and true to their promise Square Trade settled my claims quickly. In both cases neither item could be fixed so Square Trade refunded the purchase price of the item which was way more than what I paid for the warranty. I prefer a warranty that refunds the item purchase price instead of replacing the item. A refund allows you to purchase a new item that you want...it doesn't have to be the same item if you discovered it was cheaply made and that is why it broke! I bought a used cell phone on ebay and after 3 or 4 months the phone stopped working and they refunded my money! On my other claim I purchased the accidental insurance and I dropped the camera a month after I bought it and they gave me my money back (after a $50 deductible). In both cases I bought new, better items. You can't go wrong with Square Trade!

Click Here to see more reviews about: SquareTrade 3-Year Camera/Camcorder Warranty ($1500-2000 Items)

SquareTrade Care Plans are great value and cost 70% lower on average than traditional warranties.  Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Canon EOS 60D Digital SLR Camera Body with 18-135mm IS Lens & 55-250mm IS Lens + 32GB Card + Case + Accessory Kit Review

Canon EOS 60D Digital SLR Camera Body with 18-135mm IS Lens and 55-250mm IS Lens + 32GB Card + Case + Accessory Kit
Average Reviews:

(More customer reviews)
I got the Canon 60D kit as a gift and I absolutely love it. I have an interest in pursuing photography professionally and I could definitely take this camera to that level. I was surprised at how well it takes pictures indoors. I have been using a Rebel EOS SLR 8 megapixel and the pictures indoors were always a little fuzzy and I had to use a flash when it was sometimes obtrusive, but this camera takes great pictures indoors even without the flash. This camera also takes great pictures outdoors, the colors are so crisp and the continuous shooting on this camera versus the Rebel I was using before is amazing, it is so much faster. With the continuous shooting being faster it is easier to capture images of sports which is something I enjoy shooting. I love everything about this camera and the kit comes with everything you will need to be successful. If you have a fairly serious interest in photography this kit is definitely worth it, I absolutely love it and would definitely recommend it to everybody.

Click Here to see more reviews about: Canon EOS 60D Digital SLR Camera Body with 18-135mm IS Lens & 55-250mm IS Lens + 32GB Card + Case + Accessory Kit

Kit includes: ♦ 1) Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS ♦ 2) Canon EF-S 55-250mm IS Zoom Lens ♦ 3) Transcend 32GB High-Capacity SecureDigital (SDHC) Card ♦ 4) Spare LP-E6 High-Capacity Lithium-Ion Battery Pack ♦ 5) Vivitar 58mm UV Glass Filter ♦ 6) Vivitar 67mm UV Glass Filter ♦ 7) Digital SLR Camera Carrying Case ♦ 8) Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader ♦ 9) Precision Design Memory Card Storage Wallet ♦ 10) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit ♦ 11) Digital Camera LCD Monitor Screen ProtectorsThe Canon EOS 60D features an APS-C sized 18.0-megapixel CMOS sensor for tremendous images, Full 1080p HD Video, DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO capabilities up to 12800 for uncompromised shooting even in the dimmest situations. It features a refined Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor, supercharged Live View Function with Face Detection Live Mode, HDMI output and much more.The Canon 18-135mm IS Zoom Lens boasts a 35mm equivalency of 29-216mm when used with a Canon APS-C EOS Digital SLR. Measuring just 4" in length and weighing about a pound, the lens offers a convenient wide angle to telephoto focal length.
The Canon 55-250mm IS Zoom Lens features UD-glass lens element and Optical Image Stabilizer technology while retaining compactness and lightness. Equivalent focal length of 88-400mm in the 35mm format, with a four-stop image stabilizer effect.
Take more high-resolution pictures faster with this 32GB High-Capacity SecureDigital (SDHC) memory card.
Increase your shooting capacity with this powerful LP-E6 Lithium-ion rechargeable battery.


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LCDVF Viewfinder for Canon 550D Rebel T2I Kiss X4 LCD Screens Review

LCDVF Viewfinder for Canon 550D Rebel T2I Kiss X4 LCD Screens
Average Reviews:

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I didn't think this viewfinder would be as helpful as it is. For the price, it does exactly what you want it to: magnifies the image, lets you focus on what you're filming and is really great in bright daylight.
The installation couldn't be easier, also. The metal band that glues to your camera's LCD is super easy to apply and does not in any way negatively impact the camera. The viewfinder then just snaps on with magnets whenever you want to use it.
Highly recommended. The combination of this viewfinder, the cowboy studio shoulder mount ($25), a good Rode shotgun mic, and the magic lantern firmware hack = really great T2i...

Click Here to see more reviews about: LCDVF Viewfinder for Canon 550D Rebel T2I Kiss X4 LCD Screens

The LCDVF is the missing link of this hybrid "photovideography" era. The essential accessory that enables todays photographers to take advantage of the video features of the new generation DSLR cameras like Canon 5D MKII, 7D and many others. LCD ViewFinder turns your video enabled DSLR LCD screen into a huge electronic viewfinder for precise image evaluation - it's like viewing a 42" screen from 140cm (4.6 feet).

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SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items) Review

SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items)
Average Reviews:

(More customer reviews)
If anyone is thinking of purchasing an extended warranty through Squaretrade I highly recommend it. Great communication and worth every penny.....and I do mean penny!!!

Click Here to see more reviews about: SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items)

SquareTrade Care Plans are great value and cost 70% lower on average than traditional warranties.  Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) Review

Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black)
Average Reviews:

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I am using this lens on a Canon 5D Mark II. I have several zoom lenses in this range, but was looking for a fast, superwide prime. The choice would be this or the Canon 14L II. This is the same as the Samyang, rebranded.
After receiving the lens, I ran some tests against 16-35 2.8, and sigma 12-24, and was floored. The corner to corner sharpness of this lens is fantastic. I peaks at around 5.6, but the corners at 2.8 are better than the other 2 lenses at f11. the microcontrast and color is very good. The barrel distortion is hefty, and complex with a mustache distortion, however, often not well visible in landscape, but visible in architectural images. It is correctable using a $25 program called ptlens, and there is also a profile for acr 6.1 out there, which works great. It is an absolute bargain. I purchased a focus confirmation chip for 14 from ebay, glued it on, and I get focus confirmation too.

Click Here to see more reviews about: Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black)

Rokinon 14mm F/2.8 IF ED UMC Aspherical Ultra Wide Angle Lens for Canon; Lens is designed for full frame cameras but also works on APS-C sensors. The lens features 2 ED lens elements, one hybrid aspherical element, and one glass aspherical lens element. The lens offers an impressive 114-digree field of view on full frame cameras and 92.5-digree on APS-C cameras.

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Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle with Accessory Shoe for Flash, Mic, or Video Light (Orange) Review

Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle with Accessory Shoe for Flash, Mic, or Video Light (Orange)
Average Reviews:

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Bought this for my Son as a Christmas present. Fantastic and simple device. Works great for their Skateboarding video's. Might have created the next Steven Spielberg !

Click Here to see more reviews about: Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle with Accessory Shoe for Flash, Mic, or Video Light (Orange)

The Opteka X-GRIP handle can be used by both a professional or amateur user. This incredible support offers stability and control. The removable shoe attachment enables you to add a video light, flash or microphone. Extremely useful product for shooting events especially skateboarding and other extreme sports.~ Fits most compact cameras and camcorders with a standard 1/4-20 thread~ Cushioned NBR padded handle alleviates the stress of lengthy filming~ High-grade ABS impact-absorbent plastic~ Non-slip rubber rails~ Shoe mount (removable) for video lights, flashes, or microphones~ Max camera height: 4.75" (120mm) ~ Dimensions: 8.25" X 9.75" X 3.50" HxLxW (209mm X 247mm X 89mm)~ Weight: 12.2 oz (345g) without devices~ 1 Year Opteka Warranty

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Zing SLR "Action Covers" f/Nikon FM2, Canon Rebels, Minolta X700/X370, Maxxum's, Pentax ZX'S, Contax G1/G2, Leica M/R Review

Zing SLR Action Covers f/Nikon FM2, Canon Rebels, Minolta X700/X370, Maxxum's, Pentax ZX'S, Contax G1/G2, Leica M/R
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Keep your camera clean and safe while ready to take that unforgettable shot! I used this on a bike tour in South America. My camera was kept dust free and this product made it available for me to take pictures quickly without having to get off my bike! one handed, I could remove the cover and shoot great pics of wildlife and my friends!
Highly recommended!

Click Here to see more reviews about: Zing SLR "Action Covers" f/Nikon FM2, Canon Rebels, Minolta X700/X370, Maxxum's, Pentax ZX'S, Contax G1/G2, Leica M/R

Same design and sizing as the Standard and Large SLR Covers, with the addition of a removable elastic waist strap. Used in conjunction with the photographer's own camera neck strap (not included), the waist strap holds the camera tight to the body. Camera can be removed from cover for shooting without having to unfasten waist strap. Ideal for skiing, hiking, and other outdoor activities. Action covers are not reversible.

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Rogue FlashBender Bendable Flash Bounce Reflector Card / Flag with Attachment Belt + Nikon Cleaning Accessory Kit for D300s, D90, D7000, D5000, D3000, D40 Digital SLR Cameras with Speedlight SB-900, SB-800, SB-600 Review

Rogue FlashBender Bendable Flash Bounce Reflector Card / Flag with Attachment Belt + Nikon Cleaning Accessory Kit for D300s, D90, D7000, D5000, D3000, D40 Digital SLR Cameras with Speedlight SB-900, SB-800, SB-600
Average Reviews:

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The whole package came as it said it would, and the reflector is just fine. Haven't had much time to play with the Flashbender yet, but when I do, I will send photos. Aii, but the cleaning kit is great.

Click Here to see more reviews about: Rogue FlashBender Bendable Flash Bounce Reflector Card / Flag with Attachment Belt + Nikon Cleaning Accessory Kit for D300s, D90, D7000, D5000, D3000, D40 Digital SLR Cameras with Speedlight SB-900, SB-800, SB-600

Kit includes: ♦ 1) Rogue FlashBender Bendable Flash Bounce Reflector Card / Flag with Attachment Belt ♦ 2) Nikon 3-Piece Lens Cleaning Kit ♦ 3) Precision Design Deluxe Hurricane Blower ♦ 4) Precision Design Memory Card Storage Wallet ♦ 5) Digital Camera LCD Monitor Screen Protectors ♦ 6) Precision Design Microfiber Lens Cloth with Neoprene PouchThe Rogue FlashBender Bendable Bounce Card/ Flag can be used either as a reflector to bounce light onto a subject, or as a flag (using either the built-in white surface, or the included black fabric attachment) to shield light away from it. The design incorporates (1) positionable rod that allows it to be molded into position and held in place.This FlashBender is made from the highest quality materials, including genuine Cordura nylon. The white reflective surface is made from a durable, wipeable, synthetic fabric whichhas been tested for neutrality so that it won't alter the color temperature of the reflected light.
The Nikon Lens Cleaner Kit contains everything you need to keep your lenses, optical equipment and other gear fresh and clean. Includes 1 fl. oz. Spray Bottle of Liquid Lens Cleaner, Pack of 3 Moist Lens Cleaning Cloths and a Microfiber Cleaning Cloth.
The Precision Design Deluxe Hurricane Blower is very powerful and easy to use cleaning system. The super air stream blows off dust particles, even those attracted by static electricity, without any physical contact. It works great when used on digital camera sensors, lenses, telescopes, computer keyboards, microscopes, communications equipment, musical instruments and much more.
Keep multiple memory cards protected and organized with this durable storage wallet.


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Gary Fong LSUBASIC Lightsphere Universal BASIC kit (Translucent) Review

Gary Fong LSUBASIC Lightsphere Universal BASIC kit (Translucent)
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I enjoy it and use it all the time. I us it when i do event shooting and it does well. Spreads the light to just where i need it.
used it on a photo shoot in small area and again it did well.
It does help with the shadows when doing portraits.
I just wish there was a lightsphere universal in a clear.
Thank you Lilly


Click Here to see more reviews about: Gary Fong LSUBASIC Lightsphere Universal BASIC kit (Translucent)

GFLSUBASIC Gary Fong Light Sphere Universal Basic Kit The Light Sphere Universal Basic Kit consists of the Universal Cloud Diffuser, one Amber Dome, one Chrome Dome, one Accessory Universal Mounting Kit. The latest offering from Gary Fong! Light Sphere Universal fits virtually all flashes including the Nikon SB-600 and SB-800 and Canon 430 and 540 models. LightSphere Universal features the patented \'Grip" mounting system, so strong that it can support the entire weight of the camera and flash! All other diffusers "point" the light somewhere like a flashlight. Light Sphere is the only diffuser that lights up the entire room, softening your images tremendously.Light up the entire room and eliminate unwanted shadows. Light Spheres were referred to as the \'Best Diffusion" we\'ve ever tested by \'Professional Photographer Magazine." And \'By far the best diffusion" as tested by \'Nikonians"

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Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only) Review

Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only)
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No, but it's so good that one starts to contemplate this question, which was never the case before the 7D was introduced. Both systems, crop and full frame, have their pros and cons and place in photography. But before I get into that let me say I have not been as excited about a camera since the introduction of the 5D MK I four years ago. That's because the 7D raises the crop camera bar to the point where crop users will not feel at a disadvantage to full frame camera users, especially if coupled with awesome ef-s lenses such as the 17-55 f2.8.
How so? The 7D sets a new standard in four major ways.
1.It produces whopping 18MP pictures, which are just 3MP shy of the current top of the line full frame Canon cameras. Just few years ago most pros were producing stellar results using the 1Ds MKII 16MP camera. Now you have more MPs in a crop sensor, that's a major achievement. This achievement translates into bigger prints and, perhaps more importantly, cropping power. Out shooting wildlife with a 300mm instead of 400mm? You can crop the 7D files down to 50% of their original file size and still obtain sharp pictures. It's just not that easy with the 1D MK III 10MP files.
2.Many worried that extra MPs in small crop sensors would translate into nosier pictures, but the amazing thing is that this camera produces images with what seems to be less noise than the 1Ds MKII. The noise level is very good. At ISO 1600 I still prefer pictures coming from my 5D MKII, but below ISO1600 they are very close. Frankly, I can go with either camera because most of my professionally shot portraits and product pictures are shot at ISO100. At ISO100 both produce very clean files and are practically indistinguishable.
3.Focus is the one area that was lacking on the previous 1.6 crop Canon cameras and this camera changes that. It's not a 1D in focus speed and accuracy, but it's the next best thing compared to them. It's faster than the Canon 5D MKII, which is known to be slightly faster or around the focus performance range of the 50D and 40D.
4.The drive chain is fast, so fast it's beyond anything I needed in my professional work in portrait, commercial, and product photography. Going through pictures taken at 8fps produces very little difference from frame to frame. One probably has to shoot a very fast moving subject/object to see the advantage of such fast drive system.
There are obviously many other things that I have not covered in this review. But based on the above, all I can say is that this camera has really raised the bar for all cameras and made it much more affordable to obtain a professional level camera for all types of photography. If you were considering buying the 5D MKII as an upgrade give this camera a test because it might be all you need. As for the advantages of crop cameras I always find it odd that casual users who shoot many things but focus on landscape think they need a full frame to realize their potential. Crop cameras such as the 7D and 50D are fine for most users and offer many advantages including:
1.greater depth of field at lower aperture for landscape photography
2.greater tilt and shift effect because of sensor size relative to effect (8mm in shift is greater in effect relative to a 22mm sensor compared to a 35mm sensor)
3.greater magnification with micro lenses and extension tubes because of smaller sensor (1:1 in full frame equals 35mm, 1:1 in crop equals 22mm)
4.smaller lighter lenses with wider aperture that achieve greater reach (such as the 17-55 2.8 vs the 24-70 2.8 similar reach but much lighter and smaller)Traditionally the three areas full frame cameras outshine crop cameras are a bigger brighter viewfinder, shallower depth of field for portrait photography, and better ISO performance, which on the last point the 7D has proven not be an issue anymore.
And for the second point really, most beautiful low depth of field portraits are done around f2.8-2.0 in full frame (going wider will make depth of field too narrow to place two eyes in focus). Hence, if one is using a wide prime, a crop sensor will produce the same depth of field at 2.0-1.4. Considering an affordable 50mm f1.4 lens on crop has the same field of view as 85mm lens on full frame there is really no reason to discount a crop camera any more as the 7D levels the playing field.


Click Here to see more reviews about: Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only)


Features

18.0 Megapixel CMOS Sensor and Dual DIGIC 4 Image Processors The EOS 7D features a Canon-designed 18.0 Megapixel APS-C size CMOS sensor that captures such a high level of resolution it's easy to crop images for enlargement without concern of losing detail. A major factor in reducing noise, the CMOS sensor assures that images shot at highest sensitivity will be remarkably smooth. Dual DIGIC 4 Image Processors ensure that images are captured, processed and saved with remarkable speed. The EOS 7D's ability to capture and process data of images shot at 18.0 Megapixels at 8 fps, as well as Face Detection Live Mode, Full HD video recording, Auto Lighting Optimizer and Lens Peripheral optimization are all possible thanks to the Dual DIGIC 4 Image Processors.
ISO 100-6400 (expandable to 12800) With a broad range of ISO settings, the EOS 7D enables shooting from dawn through dusk and ensures capture of the finest detail. With enhanced, low-noise high-sensitivity optimization, shooting in situations previously possible only with flash are easier than ever before.
Advanced Movie Mode with Manual Exposure Control and Selectable Frame Rates The EOS 7D offers the enhanced image quality, smooth frame rates and adaptive exposure compensation necessary in a professional movie-making tool. By shooting video with a large sensor camera, it's simple to take advantage of the image characteristics intrinsic to SLR photography and not necessarily to video cameras. In addition to a number of different recording size and frame rate modes, the EOS 7D enables easy manual control of exposure, focus and Live View features and even allows for in-camera editing. The large CMOS sensor and compatibility with over 60 lenses provide a wealth of depth-of-field options. And it's all as easy as the press of a bu

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SquareTrade 3-Year Camera/Camcorder Warranty Plus Accident Protection (Camera/Camcorder $1000-1250) Review

SquareTrade 3-Year Camera/Camcorder Warranty Plus Accident Protection (Camera/Camcorder $1000-1250)
Average Reviews:

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I purchased a Sony camera a few days before my daughter's wedding. I expected a quality product from Sony, but our cameras don't always seem to last as long as we'd expect them to, so I purchased the extra warranty from Square Trade. My son picked up the camera to use it about 6 weeks after the manufacturer's warranty ran out, and it wouldn't work. I went online for help, and nothing did help. I contacted Square Trade and explained the problem. After a short conversation, they e-mailed me a postage paid mailing label, and told me they would refund my entire purchase price. It only took a few days from the time I called until I had received my refund. I was able to purchase another camera(upgrading it this time), and a Square Trade warranty for less than the price of the original camera! I was thoroughly pleased with their service. I will stick with them for all my warranty needs.

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Accidental Damage from Handling (ADH) guards you against life's little mishaps, whether you drop your cell phone on the street or splash coffee on your laptop.  ADH must also be purchased within 30 days of when you bought your item. ADH coverage begins on the 31st day after the item's purchase - issues in the first 30 days are not covered. Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Polaroid Optics 67mm 4 Piece Close Up Filter Set (+1, +2, +4, +10) Review

Polaroid Optics 67mm 4 Piece Close Up Filter Set (+1, +2, +4, +10)
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Very easy to use and get amazing macro shots (just make sure not to tighten the filter too much; you may have a hard time getting it out). I had planned on getting a macro lens but I saw these filters and thought of giving it a try. The result: I am satisfied with this product and would recommend this to people who is into macro photography with a limited budget.

Click Here to see more reviews about: Polaroid Optics 67mm 4 Piece Close Up Filter Set (+1, +2, +4, +10)

Polaroid filters continue the brand's long legacy of superior optical solutions. All our filters are carefully formulated to ensure consistent color and accuracy throughout the entire surface of the glass. Why? Consistent color means consistent high quality results. We know that a poorly made filter makes a great lens and camera worthless, that's why the our frame rings are constructed of special alloys that won't expand or contract over time or due to temperature extremes-it's also why we back our filters with an 10 year warranty-because we engineer them to last.Like all Polaroid optics, Polaroid filters are precision manufactured to the most demanding of tolerances. This ensures consistent high quality results even after years of use.

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Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD (Body Only)
Average Reviews:

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I just got this camera today (finally an available body only since I have no use for the kit lens) and I am awed. I had done a lot of research on this before buying it so I knew what to expect in terms of both the big upgrade issues as well as the little tweaks they have done, some of which turn out to be really terrific. If you are coming from another Canon the menus and interface will be second nature. Based on another very positive review just posted, coming from Nikon it's also an easy step. Here are some early observations:
The Best:
A huge bump in ISO. This was one of the two main reasons I upgraded from my trusty (and still good) XSI. I have made some test shots and despite going up to an 18 MP sensor the noise is not much of an issue and I shot several pics at ISO 3200 which look quite good. I then shot some in 6400 which did start to show some noise in the low light but still made for serviceable pictures. I am looking forward to seeing what it will do around a campfire at an upcoming camping trip with my daughter! My XSI despite a F/2.8 lens could not do much with that in the past.
The other main draw for me was video. I dream of being able to bring just one camera to, say, Disney and have it do double duty and I think this one may do it. So far, I have only shot a couple scenes in fairly low light and focus is a bit of a challenge but by zooming in and allowing the camera to come to focus before the shot it is manageable. I expect this to not be as much of an issue in brighter light. Be sure to enable auto focus during video in the menu - I suspect it is disabled by default due to the noise many lenses make with focusing as that would be recorded as well. I have two USM / "L" lenses so that should not be a problem for me but your milage may vary. I also plan to try some manual focusing. Keep in mind that video clips for full 1080P 30 FPS are limited to about 12 minutes - I worried about this a bit until I realized that when I edit my videos shots are rarely longer than 4 minutes (and of that I usually keep just 2 or less). That said, this camera is not the one to choose to record, say, a stage production. For that a dedicated video camera able to record an hour or more at a time is a must.
The Good:
Better Live View - Live view mode is now much more accessible and in more modes.
Sensor Size - 18 MP sensor is nice for cropping and taking full advantage of "L" glass if you have it. Other than that, this is not a major draw from my perspective. I would actually have preferred this be a 12 MP camera allowing low-noise great pics to, say, over 20000 ISO.
Memory Type - This camera uses SD type cards including the new ultrahigh capacity cards. I know it is a small matter but I like being able to use the cards I have rather than having to but some expensive CF cards (such as used by the 7D). Keep in mind that they recommend Class 6 or higher cards for video (I got a couple 16 GB Class 10 cards for about $40 each which should fit the bill). I'll use my older cards just for stills.
Stereo Mic Input - This allows the option of using a better mic than the built in mic. I may never take advantage of that but I suspect I will, actually. Of course, inclusion of a stereo mic would have been even better!
Misc - A lot of little things about this camera already impress me. For example, they moved the "no flash" setting on the main dial to right next to full auto and my most used setting "portrait" mode and away from the far end since they realized a lot of people use it (that's according to a video I saw online with a Canon employee). There are a lot of little touches like that which I have already noticed.
The Bad: (really not so bad in many ways)
The build quality is not 7D (which I have just handled at a store). The magnesium body on that bad boy just makes it feel very solid and by comparison the T2i does feel not cheap but does feel light. On the other hand less weight is good (especially at places like Disney) and this camera is appropriately being labeled a "baby 7D" in terms of sensor chip, etc. Of course, having an extra $1000 in your pocket (or not on your charge card) is another huge advantage over the 7D.
It is not a full frame camera. This means there is a "crop factor" due to the chip size which effectively multiplies by 1.6 the focal length of lens you are using (as compared to 35 mm film cameras or full-frame cameras like the 5D Mk II. Since I was coming from an XSI which of course is also a smaller sensor for me there is no transition to make here.
In summary, I am VERY pleased with this purchase and expect this to be my camera body until my ultimate camera is released (full frame, stereo mic, uses SD cards, useable ISO to >100,000 all for under $1000 - I know, I know this is a pipe dream now but an (old) kid can dream, can't he?)
UPDATE: I have had this camera for a couple weeks now and have had the opportunity to shoot hundreds of pictures and quite a few videos. I am still very impressed. Stills are great and the focusing is markedly improved over the XSI. The only blurry shots I get are when panning to follow my dogs running among trees - to the sensor the trees seem to be moving and are deemed the subject - stopping down the lens to increase DOF (or just taking a whole bunch of pictures) is the easy fix.
Now, regarding video. It is more challenging than I thought to use a DSLR camera for video. This is more an ergonomic issue with the form factor for the camera than any issue with the T2i itself. Video is of course composed by looking at the LCD screen and so the camera must be held out a bit - and with the weight of a good lens it gets pretty heavy in contrast to typical small camcorders of today. Thinking about it, modern video cameras have gotten to this stage of evolution after over 20 years (anyone remember the old VHS camcorders?), so I guess it is to be expected there would be a difference. Focus is not quick like it is with a good video camera but seems best achieved to me anyway with manual focus. The large, bright LCD screen helps in this regard. The quality of the resulting video is excellent. Although I don't see this as replacing my Sony HD video camera for day-to-day and holiday recording I do think that it will be useable to take the role of both still and video camera during an upcoming trip to Disney. I also suspect as I get more used to it that the ease of use will increase further and perhaps one day it will be my only video camera. Overall, this is a great product and I remain very pleased.
UPDATE 2-27-2011
Thanks to all for the positive feedback on this review! I am updating after many months with this great camera. I have taken thousands of pictures and continue to be amazed at the quality. The T3i is now coming out and to me appears to be the same camera with a couple upgrades. One feature which may be of interest is the ability to trigger external flash units from the camera itself (the T2i can't do this); but I suspect most people shooting in the studio will have that covered in some other way already. I think the most exciting feature of the T3i is an articulating LCD screen on the back. If you plan to use this camera for a lot of video this may be worth the additional cost. Please note that most of the limitations in my review above for T2i still apply, however. I am hoping for some method of rapid autofocus on a future model. If like me you shoot mostly stills and use the video "in a pinch" or when you desire VERY high quality video - then my recommendation would be to get the T2i and put the money saved into a nice prime lens or perhaps put it away for some "L" glass zooms. This camera works great with the 24-70 and 70-200 f2.8 zooms, by the way, the combination for me is unbeatable.
As a side note, if you happen to have any 16 GB Class 10 SD cards from AData (as I did) please check out reviews before trusting them with the recording of any important pictures / video.

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Canon EOS Rebel T2i Digital SLR Camera - 18 Megapixel - 3" Active Matrix TFT Color LCD 4462B001 31

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Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
Average Reviews:

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Simply put: Chances are good that your expectations and what you are looking for will determine whether or not you like this camera.
The newest addition to Canon's XXD line might initially seem like a minor downgrade to the previous XXD cameras, but several new capabilities actually help make this a nice, well-featured camera that will appeal to many people who don't get caught up in whether or not this is a better camera than it's predecessor. Canon certainly made this camera for the price point and was careful to add just enough features to make it desirable over the T2i, but not desirable enough to compete with the 7D. In some respects though, it seems like a beefed-up version of the Rebel line (a "Super-Rebel") instead of a new addition to the XXD line.
As someone who has now had the opportunity to use all three of Canon's mid-range lineup (the T2i, 60D, and 7D), I have to say that I really like the feel of the 60D. Even though it no longer has the magnesium alloy body, it feels solid. In no way does it feel cheap. I have fairly small hands and the 60D feels like it was made for me. It's significantly lighter than the 7D and feels like it would be much more friendly on long hikes. The 7D feels much more robust; however, the 60D feels much more "comfy". It is definitely bigger in size than the T2i, but the angles and design of the camera have a nicely updated feel to them that makes it seem like you are getting a much more substantial camera. The articulating screen was also done very well. My initial worries that the screen would feel cheap and break easily were immediately relieved after using it. The hinges are very solid and feel almost stiff to the point where you are comfortable with it staying right where you want it. It also is very flush with the rest of the body and offers little space in between.
Aside from the feel, the camera takes beautiful pictures. Quality-wise, there is very little difference between the pictures that come out of the T2i, 60D, and 7D. ISO performance is very similar and therefore can not be much of a deciding factor between the models. Most of the decision factors really will focus on which user interface and camera system best appeals to your type and level of photography. Each of Canon's mid-range models has it's own pros and cons, and while there are MANY differences between each camera, these are the main points I considered when deciding between cameras to purchase (hopefully it helps those going through the same decision I did):

60D vs. 50D:
(+) New Sensor - the same 18MP sensor that the 7D and T2i have, better ISO coverage/performance
(+) 63 zone dual-layer metering
(+) Better viewfinder - 96% coverage vs 95% coverage
(+) Video
(+) Articulating screen
(+) Wireless flash control
(+) Horizontal electronic level
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Control over max auto-ISO
(+) Eye-Fi wifi file transfer functions(-) The magnesium alloy body of the 50D has been replaced with a polycarbonate body
(-) 6.3 fps shooting is down to 5.3 fps
(-) No lens microadjustment in 60D(+/-) Compact flash card slot has been changed to a SD card slot
(+/-) Joystick replaced by directional pad60D vs. T2i
(+) 9 all cross-type AF points vs T2i's 9 points w/ 1 center cross-type
(+) 96%, .95 magnification pentaprism viewfinder vs T2i's 95%, .87 magnification pentamirror viewfinder
(+) Articulating screen
(+) Wireless flash control
(+) Horizontal electronic level
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Top LCD screen
(+) 5.3 fps vs 3.7 fps
(+) Built in adjustable audio level capability in video60D vs. 7D
(+) Articulating screen
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Control over max auto-ISO
(+) Eye-Fi wifi file transfer functions
(+) Built in adjustable audio level capability in video

(-) 9 all cross-type AF points vs 7D's 19 all cross-type points
(-) Less AF features (such as Zone AF and Point Expansion)
(-) Polycarbonate body vs 7D's magnesium alloy
(-) 96%, .95 magnification pentaprism viewfinder vs 7D's 100%, 1.0x magnification pentaprism viewfinder
(-) Transmissive LCD screen on focus screen on 7D
(-) Only horizontal electronic level vs both horizontal and vertical level on 7D
(-) 5.3 fps vs 7D's 8 fps
(-) No lens microadjustment in 60D
(-) Shutter life of 100,000 vs 7D's 150,000
(-) Dual DIGIC 4 processors in 7D
(-) 3 custom settings in 7D; 1 custom settings in 60D
(-) No PC Sync in 60DBy comparing these features, it's easy to see that the 60D fits well in the price point directly between the T2i and 7D, but of course, a large segment of previous 40D and 50D owners hoping for a true successor that isn't watered down to a certain price point will still undoubtedly be disappointed. It's easy to see in comparing the 60D to the 7D and also to Nikon's newest offerings that Canon chose to limit functionality merely so that 60D sales didn't interfere with the 7D. In fact, if you are not completely entrenched in the Canon camp, I would also suggest looking at the new Nikon D7000. It looks like a spectacular camera for not much more than the 60D. I have not used it nor will I, so I can't comment on whether it's a better choice or not.
Even so, the quality of the 60D and new functionality offer enough new aspects that many customers will surely be happy with it. The articulating screen offers a way to attain tough shots that would have previously demanded extra equipment or odd contortions to reach. It also gives a great new avenue for video capture. Eye-fi wireless transfers work well and help out on those lazy days where you just want to set your camera down and have the work of transferring photos be done for you. Much of the in camera post-production comes off as being a little "gimmicky" to me, but having the option to add effects and process photos definitely doesn't detract from the camera. And many people who don't do much of their own post-processing after transfer to a computer will probably find the in camera RAW conversion and creative effects to be a nice addition.
To me, it really came down to one major factor though: autofocus. I tend to do a lot of shooting involving fast moving subjects, so autofocus for my photography is key. The T1i and T2i were disappointing in this respect. 9 points with one cross-type in the T1i/T2i is respectable, but I found that I really could only rely on using the center point in AI servo mode to get many speedy subjects in focus. I purchased a 7D later, and was blown away by the accuracy. The options of using extra points for expansion, using autofocus zones, having 19 full cross-type points, superior subject tracking, and even the option for narrowing the points in spot autofocus really opened up new areas of photography for me. I get about 10x the amount of usable shots than I would with the T1i and T2i. The 60D isn't THAT good, but it is still much better than the T1i/T2i. In fact, just like with almost everything else about the camera, it's just about right in between the T2i and 7D. Autofocus is fast and accurate, but there are still moments where subjects just move too fast and unfortunately, the 60D doesn't have the capabilities of the 7D. If you are deciding between the 7D and 60D, this is the area you should really look at, because this is the real difference between the 2 cameras. I chose the 7D, and then decided to give the 60D a try just to see if I made the right decision. I am happy with my 7D, but the 60D was no slouch.
In my honest opinion, I think this is a huge sticking point for 40D and 50D owners though. The autofocus system needed to be updated from the previous 2 XXD editions. It has the same 9 cross-type points as the 40D and 50D did before it, and same functionality. To be a good upgrade for previous XXD users, it didn't have to be as good or better than the 7D, but it would have been nice for it to be better than the previous 2 models. Removing the magnesium alloy body and lens microadjustment really comes across as a slap in the face to some users who valued those aspects. I have to say that the body is much lighter, doesn't feel significantly less sturdy (even though it probably is less sturdy), and I've never needed to use lens microadjustment though, so I'm not overly upset about those aspects. I am not thrilled about the "non-update" of the autofocus system though.
Now that I have handled and used all 3 cameras currently in Canon's mid-range lineup, I can definitively say that they are all stellar cameras, but just made for different segments of the market. The T2i is an amazing starter camera and takes great photos for those who want to save a little extra money by going without some of the features they might not use. It might be the best budget option for those who don't take many action shots. For an extra few hundred dollars, the 60D adds some intriguing new features and seems to be aimed at the people who want a slightly higher-end camera than the T2i, but aren't ready to shell out the money for the 7D. It's a great compromise, and to me, the main thing you are missing out on is superior autofocus capabilities. The 7D is more aimed towards the pro-sumer market who want/need a faster autofocus and overall faster, more rugged camera. It's hard to go wrong with any of them, but the 60D offers a great blend of features from both the T2i and 7D along with new...Read more›

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Canon EOS 60D 18 Megapixel Digital SLR Camera (Body Only) - Black 4460B003 Digital SLR Cameras

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Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens Review

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens
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The Canon Rebel T3i takes the consumer level dSLR a couple steps closer to the mid-level Canon 60D with the addition of the rotating rear LCD screen, remote flash firing, and in-camera processing features. The already highly competent, older Rebel T2i already shared many important features with the 60D (and even features of the semi-pro 7D) including the 18 MP sensor, 63-zone exposure metering system, high ISO performance, HD movie capabilities, and Digic 4 image processor. With these new upgrades, it might make it even more difficult to choose between them. But there are some important differences.
If you are considering the Rebel T3i vs T2i, the Rebel T3i is replacing the T2i. Since both cameras share the same 18 megapixel sensor and Digic 4 processor, both the T2i and T3i will create images with exactly the same image quality, produce the same low light/ high ISO performance, shoot at 3.7 frames per second, and have nearly the same size and build quality. They are both offered with the same 18-55mm kit lens (with some minor cosmetic differences on the new T3i kit lens). The T3i is very slightly larger and heavier due to the addition of the rotating rear LCD monitor. And that is one of the biggest differences between the two cameras. Do you want and need a vari-angle rear screen or not? The other major difference is the ability of the T3i to remotely control multiple off-camera flashes. Like the 60D and 7D, you can use the built-in flash of the T3i to trigger other Canon Speedlites. Some other minor additions to the T3i include the Scene Intelligent Auto Mode, which is a feature borrowed from point and shoot cameras. When in Auto mode, the T3i will make a determination of what type of scene you are shooting - close-up, portrait, landscape, etc. - and automatically configure the camera settings accordingly. However, if you want to use a powerful and costly digital SLR as a point and shoot, you should probably save the money and just buy a nice, high quality point and shoot like the Canon S95. Other additional but not essential upgrades include the in-camera processing Creative Filters, and the ability to choose different image size ratios and to rate your images. (Helpful hint: press the Q Button while in image playback and you can access features like rating, rotating, and Creative Filters.) There is also a marginally helpful Feature Guide which gives brief descriptions of various settings and some additional video features like Video Snapshot, which you can use to shoot short video clips that are automatically joined together into a video, with music.
Canon Rebel T3i vs. 60D vs. 7D
Sensor and Image Quality: All three cameras share a very similar sensor and 18 megapixels, and so their image quality will be virtually the same. All are capable of taking professional quality images.
Exposure Metering: The three cameras all share the latest 63-zone, dual-layer exposure metering system and 4 metering modes. That means they will all determine the exposure virtually identically and enable you to take properly exposed photos in most every situation, including difficult back-lit scenes. The size of the areas metered for Partial and Spot metering vary slightly between the cameras, but that isn't anything critical.
Autofocus: The T3i shares a similar autofocus system to the 60D, with 9 focus points and three auto focusing modes. However the 9 AF points of the 60D are more sensitive than those of the T3i: all are cross-type in the 60D, only the center is cross-type in the T3i. The 60D autofocus system is much less complex than the sophisticated AF system of the 7D with its 19 AF point system and its additional Zone, Spot, and Expansion focus modes. These various modes address how you want to deal with and group the numerous AF points. Plus the custom settings of the 7D allow one to customize how the AF system works - how it tracks subjects, how it deals with objects that come between you and your initial subject, how quickly it responds to these changes of possible subjects that are at different distances from you, etc. However, if you are not an avid sports photographer, a wildlife shooter, or someone who understands, needs, and will use the elaborate features of the 7D AF system, then this shouldn't sway you.
Construction: As you can probably figure out from the prices, each camera is not built the same. The T3i has relatively strong construction of a stainless steel frame with polycarbonate body. The 60D has a stronger and lighter aluminum frame and polycarbonate body, but not as strong as the 7D's magnesium alloy construction. The 60D also has some amount of weather sealing - more than the T3i, less than the 7D. But for most users, including even those using the camera daily or in travel situations, the construction of any of these cameras is far more than good enough, strong enough, and durable enough.
ISO: Since they all share a very similar sensor, the ISO sensitivity and performance at high ISO settings is virtually the same for these three cameras. But don't take my word for it, don't be swayed by pixel peepers on forums, instead check out the camera sensor tests at dxomark to verify this. As you can see, they all share the exact same overall score, and show very similar performance.
Controls: As with construction, the buttons and controls vary with these cameras. Unlike the T3i, the 60D and 7D have nearly every control an advanced photographer needs on the exterior of the camera and they also have the top LCD panel and rear Quick Control Dial that are not on the T3i. With all the cameras, any controls can also be easily accessed with the Q Button and Q Menu or in the other menus on the rear LCD monitor. The top buttons of the 60D set only one setting each, so this is less complicated than the multiple-setting buttons of the 7D. Canon has removed the white balance (WB) button on the 60D that the 7D has, but that isn't a big deal - use the Q Menu. Another change on the 60D is that the Multi-controller has been moved from the thumb joystick like the 7D and 50D and placed in the middle of the rear Quick-control dial. This doesn't change how it functions, and should just be a matter of getting used to the difference. If you plan on using your camera on Auto or Program most of the time, then the controls of the T3i are more than sufficient for your needs. If you work in Av, Tv, or M modes and need quicker and more direct access to your controls and the additional top LCD screen to view and change your current settings, then you need to consider the 60D or 7D over the T3i.
Menus and Custom Functions: These allow for greater control over customizing how the camera functions. The T3i has less Menu and Custom Function setting options than the 60D, and the 7D has yet a few more than the 60D. These settings enable you to customize the operation, function, and controls to work how you want them to, including things like exposure increments, peripheral illuminations correction for lenses (fixes dark corners), tweaking how the autofocus system operates, setting more precise white balance settings, and customizing which button does what. There are ebooks such as Canon T3i Experience - The Still Photographer's Guide to Operation and Image Creation With the Canon Rebel T3i / EOS 600D and Your World 60D - The Still Photographer's Guide to Operation and Image Creation with the Canon EOS 60D which walk you through all of the Menu settings and Custom Function settings so that you can set up your camera to work best for how you photograph, and also begin to learn to master all the advanced features, settings, and controls of these powerful dSLR camera.
Wireless Flash: Like the 7D and 60D, the T3i incorporates wireless flash triggering. This allows you to trigger multiple off camera flashes at different output levels. The T2i does not have this feature.
Articulating LCD Screen: The big new feature that the 60D and T3i have that the 7D and T2i do not is the articulating rear LCD screen. This may prove useful for videographers, as well as for setting up compositions while the camera is on a tripod, for macro use, or for using it from unusually low or high vantage points. Some users will be able to avoid buying an expensive angle finder because of this feature. There is also an electronic level in the 7D and 60D, visible in the viewfinder, rear LCD, or top LCD.
Viewfinder: The T3i has a pentamirror viewfinder with 95% coverage of the actual resulting image. The 60D has a large, bright pentaprism viewfinder with 96% coverage, not quite as nice as the nearly 100% view of the 7D pentaprism.
Processor: The T3i shares the same Digic 4 processor as the 60D. The 7D has dual Digic 4 processors. However, if you don't need to shoot dozens of continuous images, you probably won't notice any processing speed issues.
Continuous Shooting Speed: The T3i can shoot 3.7 frames per second. The 7D can shoot a blazing 8 frames per second, in which the photos barely change from frame to frame. The 60D can shoot a respectable 5.3 fps which is actually a more useful rate. If you need the extremely high fps for sports, wildlife, or other action shooting, get the 7D. If not, don't be swayed by this excessive feature.
Memory Card: The T3i and 60D use the SD memory card. The 7D uses the CF card.
Battery: The T3i and T2i use the smaller LP-E8 battery with less capacity than the LP-E6 battery used by the 60D and 7D.
Size and Weight: The T3i is smaller and lighter than the 60D, which in turn is smaller and lighter than the 7D. Go to a store and hold them to get a...Read more›

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Photographers looking for an easy-to-use camera that will help them create their next masterpiece need look no further than the Canon 18MP EOS Rebel T3i 18-55mm IS II Digital Camera Kit. Featuring Canon's newest DIGIC 4 Image Processor and an 18.0 Megapixel CMOS Image Sensor - plus cutting-edge technologies like Full HD video recording, Live View shooting, Wireless flash photography and even a Vari-angle 3.0-inch LCD monitor - the EOS Rebel T3i offers the best of EOS photography in a compact package. Order the Canon 18MP EOS Rebel T3i 18-55mm IS II Digital Camera Kit today!

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