Showing posts with label 18-55mm. Show all posts
Showing posts with label 18-55mm. Show all posts

Opteka 58mm Screw-in Collapsible Rubber Lens Hood / Shade Review

Opteka 58mm Screw-in Collapsible Rubber Lens Hood / Shade
Average Reviews:

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Lens hoods or shades are used to prevent flare from light sources at close angles to the shooting axis. They are usually necessary on telephoto lenses. Using a hood on a wide angle lens can cause vignetting, which is why 'petal' style shades, with the corners cut out, are used on shorter lenses. (Not just because they look cool.)
If you've never used a rubber lens shade, here are a few things you should know:
1. Even when collapsed, a rubber lens shade acts as a bumper to protect the lens from banging into things. This is especially important on long lenses.
2. The hood is useful for shooting through glass by eliminating reflections, even from your own flash. You can angle the lens a little without losing the contact.
3. The hood can be shaped to fit into special situations and will bounce back.
4. Adding or changing filters can be accomplished without removing the hood from the lens.
ABOUT THIS SHADE:
A very good shade for the money. The threads fit smoothly on both the lens and filter sides. The rubber is flexible, but rigid enough to keep its shape. The hood is configured in a Z-fold which gives you different degrees of shading.
BUT: The hood is too deep to use on shorter lenses without vignetting. Also, it sticks out about a 1/2 inch from the lens, making the lens an inch wider at the front. You might have issues with fitting into some holster style camera bags.

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Opteka rubber lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended you also get the added benefit of some extra protection from accidental impact.

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Mennon DC-sn 58 Improved Screw Mount 58mm Flower Lens Hood with Cap, Black Review

Mennon DC-sn 58 Improved Screw Mount 58mm Flower Lens Hood with Cap, Black
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"I ordered a "Mennon DC-sn 58 Improved Screw Mount 58mm Flower Lens Hood with Cap, Black". When the item arrived it did not have "58 mm center pinch lens cap with leash" as described in the product page and was of a different brand than I ordered. I tried calling their customer service and I got to an answering machine. I'm extremely disappointed."

Click Here to see more reviews about: Mennon DC-sn 58 Improved Screw Mount 58mm Flower Lens Hood with Cap, Black

The main function of the lens hood is to shade the lens from stray light, improving your contrast and image quality. But it will also protects the front barrel from the inevitable impacts against walls, door frames, and other real-life obstacles and in inclement weather, it can assist in keeping moisture or wind-blown debris off the lens.The advantage of the petal shape design is, that it offers the same prevention of flare as the corresponding circular or rectangular design, but with a smaller size and a lighter weight. Installation: *Rotate lock-ring to expose the thread's mounting thread*Attach the hood by screwing it on the filter or lens thread.*Rotate lock-ring back to fix the hood on the thread.*While fixating the hood with the lock-ring, keep the " " symbol on the hood exactly at 12 o'clock position for the correct perpendicular orientation of the higher sides of the hood.

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Mennon DC-sn 52 Improved Screw Mount 52mm Flower Lens Hood with Cap, Black Review

Mennon DC-sn 52 Improved Screw Mount 52mm Flower Lens Hood with Cap, Black
Average Reviews:

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This lens hood seems well made,fits good,and its center snap cap is a plus.Works and looks good on a canon 50mm/1.8 lens.Can't go wrong for the price.

Click Here to see more reviews about: Mennon DC-sn 52 Improved Screw Mount 52mm Flower Lens Hood with Cap, Black

The main function of the lens hood is to shade the lens from stray light, improving your contrast and image quality. But it will also protects the front barrel from the inevitable impacts against walls, door frames, and other real-life obstacles and in inclement weather, it can assist in keeping moisture or wind-blown debris off the lens.The advantage of the petal shape design is, that it offers the same prevention of flare as the corresponding circular or rectangular design, but with a smaller size and a lighter weight. Installation: *Rotate lock-ring to expose the thread's mounting thread*Attach the hood by screwing it on the filter or lens thread.*Rotate lock-ring back to fix the hood on the thread.*While fixating the hood with the lock-ring, keep the " " symbol on the hood exactly at 12 o'clock position for the correct perpendicular orientation of the higher sides of the hood.

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Pro Center Pinch 67mm Snap-on Lens Cap with Leash fits universal lens (Canon, Nikon, Olympus, Sigma and etc.) Review

Pro Center Pinch 67mm Snap-on Lens Cap with Leash fits universal lens (Canon, Nikon, Olympus, Sigma and etc.)
Average Reviews:

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I am really thankful to get this lens cap since I lost mine, however, this one does not fit as nicely. It sometimes falls off whereas the oringinal never did.

Click Here to see more reviews about: Pro Center Pinch 67mm Snap-on Lens Cap with Leash fits universal lens (Canon, Nikon, Olympus, Sigma and etc.)

Professional design center pinch snap-on lens cap with keeper not only protects your lens from dust and scratches, but also protects you from loosing this cap.

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Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Lens Cap Center Pinch (52mm) + Lens Cap Holder + Nwv Direct Microfiber Cleaning Cloth. Review

Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Lens Cap Center Pinch (52mm) + Lens Cap Holder + Nwv Direct Microfiber Cleaning Cloth.
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Replacement cap for lost cap to Nikon D-60. Perfect fit. The cleaning cloth is nice, soft, and lovely. And the strap will protect the cap from getting lost again. Worked perfectly during a week long vacation to Disney World!

Click Here to see more reviews about: Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Lens Cap Center Pinch (52mm) + Lens Cap Holder + Nwv Direct Microfiber Cleaning Cloth.

This Item Includes: 1. Lens Cap w/ Center Pinch 2. Lens Cap Keeper (Holder) 3. Microfiber Cleaning Cloth

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Mennon DC-s 58 Screw Mount 58mm Flower Lens Hood, Black Review

Mennon DC-s 58 Screw Mount 58mm Flower Lens Hood, Black
Average Reviews:

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Works just as anyone would expect it to. As a function of the smaller less expensive lenses (not the hood), focusing will rotate the hood.

Click Here to see more reviews about: Mennon DC-s 58 Screw Mount 58mm Flower Lens Hood, Black

The main function of the lens hood is to shade the lens from stray light, improving your contrast and image quality. But it will also protects the front barrel from the inevitable impacts against walls, door frames, and other real-life obstacles and in inclement weather, it can assist in keeping moisture or wind-blown debris off the lens.The advantage of the petal shape design is, that it offers the same prevention of flare as the corresponding circular or rectangular design, but with a smaller size and a lighter weight. Installation: *Rotate lock-ring to expose the thread's mounting thread*Attach the hood by screwing it on the filter or lens thread.*Rotate lock-ring back to fix the hood on the thread.*While fixating the hood with the lock-ring, keep the " " symbol on the hood exactly at 12 o'clock position for the correct perpendicular orientation of the higher sides of the hood.

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Polaroid Studio Series 52mm Lens Hood With Exclusive Pushbutton Mounting System - No More '"screwing around" With Old Fashioned Threaded Hoods Review

Polaroid Studio Series 52mm Lens Hood With Exclusive Pushbutton Mounting System - No More 'screwing around With Old Fashioned Threaded Hoods
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this is a great product, you do not have to screw or unscrew the lens hood through the threads you can just push the button and it comes right off, great product

Click Here to see more reviews about: Polaroid Studio Series 52mm Lens Hood With Exclusive Pushbutton Mounting System - No More '"screwing around" With Old Fashioned Threaded Hoods

Instructions #1- Gently Press 2 Locking Buttons On the bottom of the hood#2- While Keeping buttons depressed place hood on to the threaded area of your lens or filter#3- When hood is in position release buttons to lock in placeTo Remove: Simply Follow steps #1 while gently pulling hood towards you Ifyou're tired of missing great photos because you were busy attaching or detaching a lens hood, Polaroid's Clip Mount Lens Hood is just what you've been waiting for. All it takes is a gentle squeeze on its twin release tabs to attach/detach the unique Clip-Mount mechanism. from the barrel of your lens. Yet despite its simplicity -and the fact it's compatible with virtually all threaded lenses, Polaroid's Clip Mount lens hood is every bit as versatile as conventional ones-case in point, it even features a rotating barrel. If you're tired of "screwing around" with conventional lens hoods , turn your attention to Polaroid's Clip Mount Lens Hood.

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Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens Review

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens
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The Canon Rebel T3i takes the consumer level dSLR a couple steps closer to the mid-level Canon 60D with the addition of the rotating rear LCD screen, remote flash firing, and in-camera processing features. The already highly competent, older Rebel T2i already shared many important features with the 60D (and even features of the semi-pro 7D) including the 18 MP sensor, 63-zone exposure metering system, high ISO performance, HD movie capabilities, and Digic 4 image processor. With these new upgrades, it might make it even more difficult to choose between them. But there are some important differences.
If you are considering the Rebel T3i vs T2i, the Rebel T3i is replacing the T2i. Since both cameras share the same 18 megapixel sensor and Digic 4 processor, both the T2i and T3i will create images with exactly the same image quality, produce the same low light/ high ISO performance, shoot at 3.7 frames per second, and have nearly the same size and build quality. They are both offered with the same 18-55mm kit lens (with some minor cosmetic differences on the new T3i kit lens). The T3i is very slightly larger and heavier due to the addition of the rotating rear LCD monitor. And that is one of the biggest differences between the two cameras. Do you want and need a vari-angle rear screen or not? The other major difference is the ability of the T3i to remotely control multiple off-camera flashes. Like the 60D and 7D, you can use the built-in flash of the T3i to trigger other Canon Speedlites. Some other minor additions to the T3i include the Scene Intelligent Auto Mode, which is a feature borrowed from point and shoot cameras. When in Auto mode, the T3i will make a determination of what type of scene you are shooting - close-up, portrait, landscape, etc. - and automatically configure the camera settings accordingly. However, if you want to use a powerful and costly digital SLR as a point and shoot, you should probably save the money and just buy a nice, high quality point and shoot like the Canon S95. Other additional but not essential upgrades include the in-camera processing Creative Filters, and the ability to choose different image size ratios and to rate your images. (Helpful hint: press the Q Button while in image playback and you can access features like rating, rotating, and Creative Filters.) There is also a marginally helpful Feature Guide which gives brief descriptions of various settings and some additional video features like Video Snapshot, which you can use to shoot short video clips that are automatically joined together into a video, with music.
Canon Rebel T3i vs. 60D vs. 7D
Sensor and Image Quality: All three cameras share a very similar sensor and 18 megapixels, and so their image quality will be virtually the same. All are capable of taking professional quality images.
Exposure Metering: The three cameras all share the latest 63-zone, dual-layer exposure metering system and 4 metering modes. That means they will all determine the exposure virtually identically and enable you to take properly exposed photos in most every situation, including difficult back-lit scenes. The size of the areas metered for Partial and Spot metering vary slightly between the cameras, but that isn't anything critical.
Autofocus: The T3i shares a similar autofocus system to the 60D, with 9 focus points and three auto focusing modes. However the 9 AF points of the 60D are more sensitive than those of the T3i: all are cross-type in the 60D, only the center is cross-type in the T3i. The 60D autofocus system is much less complex than the sophisticated AF system of the 7D with its 19 AF point system and its additional Zone, Spot, and Expansion focus modes. These various modes address how you want to deal with and group the numerous AF points. Plus the custom settings of the 7D allow one to customize how the AF system works - how it tracks subjects, how it deals with objects that come between you and your initial subject, how quickly it responds to these changes of possible subjects that are at different distances from you, etc. However, if you are not an avid sports photographer, a wildlife shooter, or someone who understands, needs, and will use the elaborate features of the 7D AF system, then this shouldn't sway you.
Construction: As you can probably figure out from the prices, each camera is not built the same. The T3i has relatively strong construction of a stainless steel frame with polycarbonate body. The 60D has a stronger and lighter aluminum frame and polycarbonate body, but not as strong as the 7D's magnesium alloy construction. The 60D also has some amount of weather sealing - more than the T3i, less than the 7D. But for most users, including even those using the camera daily or in travel situations, the construction of any of these cameras is far more than good enough, strong enough, and durable enough.
ISO: Since they all share a very similar sensor, the ISO sensitivity and performance at high ISO settings is virtually the same for these three cameras. But don't take my word for it, don't be swayed by pixel peepers on forums, instead check out the camera sensor tests at dxomark to verify this. As you can see, they all share the exact same overall score, and show very similar performance.
Controls: As with construction, the buttons and controls vary with these cameras. Unlike the T3i, the 60D and 7D have nearly every control an advanced photographer needs on the exterior of the camera and they also have the top LCD panel and rear Quick Control Dial that are not on the T3i. With all the cameras, any controls can also be easily accessed with the Q Button and Q Menu or in the other menus on the rear LCD monitor. The top buttons of the 60D set only one setting each, so this is less complicated than the multiple-setting buttons of the 7D. Canon has removed the white balance (WB) button on the 60D that the 7D has, but that isn't a big deal - use the Q Menu. Another change on the 60D is that the Multi-controller has been moved from the thumb joystick like the 7D and 50D and placed in the middle of the rear Quick-control dial. This doesn't change how it functions, and should just be a matter of getting used to the difference. If you plan on using your camera on Auto or Program most of the time, then the controls of the T3i are more than sufficient for your needs. If you work in Av, Tv, or M modes and need quicker and more direct access to your controls and the additional top LCD screen to view and change your current settings, then you need to consider the 60D or 7D over the T3i.
Menus and Custom Functions: These allow for greater control over customizing how the camera functions. The T3i has less Menu and Custom Function setting options than the 60D, and the 7D has yet a few more than the 60D. These settings enable you to customize the operation, function, and controls to work how you want them to, including things like exposure increments, peripheral illuminations correction for lenses (fixes dark corners), tweaking how the autofocus system operates, setting more precise white balance settings, and customizing which button does what. There are ebooks such as Canon T3i Experience - The Still Photographer's Guide to Operation and Image Creation With the Canon Rebel T3i / EOS 600D and Your World 60D - The Still Photographer's Guide to Operation and Image Creation with the Canon EOS 60D which walk you through all of the Menu settings and Custom Function settings so that you can set up your camera to work best for how you photograph, and also begin to learn to master all the advanced features, settings, and controls of these powerful dSLR camera.
Wireless Flash: Like the 7D and 60D, the T3i incorporates wireless flash triggering. This allows you to trigger multiple off camera flashes at different output levels. The T2i does not have this feature.
Articulating LCD Screen: The big new feature that the 60D and T3i have that the 7D and T2i do not is the articulating rear LCD screen. This may prove useful for videographers, as well as for setting up compositions while the camera is on a tripod, for macro use, or for using it from unusually low or high vantage points. Some users will be able to avoid buying an expensive angle finder because of this feature. There is also an electronic level in the 7D and 60D, visible in the viewfinder, rear LCD, or top LCD.
Viewfinder: The T3i has a pentamirror viewfinder with 95% coverage of the actual resulting image. The 60D has a large, bright pentaprism viewfinder with 96% coverage, not quite as nice as the nearly 100% view of the 7D pentaprism.
Processor: The T3i shares the same Digic 4 processor as the 60D. The 7D has dual Digic 4 processors. However, if you don't need to shoot dozens of continuous images, you probably won't notice any processing speed issues.
Continuous Shooting Speed: The T3i can shoot 3.7 frames per second. The 7D can shoot a blazing 8 frames per second, in which the photos barely change from frame to frame. The 60D can shoot a respectable 5.3 fps which is actually a more useful rate. If you need the extremely high fps for sports, wildlife, or other action shooting, get the 7D. If not, don't be swayed by this excessive feature.
Memory Card: The T3i and 60D use the SD memory card. The 7D uses the CF card.
Battery: The T3i and T2i use the smaller LP-E8 battery with less capacity than the LP-E6 battery used by the 60D and 7D.
Size and Weight: The T3i is smaller and lighter than the 60D, which in turn is smaller and lighter than the 7D. Go to a store and hold them to get a...Read more›

Click Here to see more reviews about: Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens

Photographers looking for an easy-to-use camera that will help them create their next masterpiece need look no further than the Canon 18MP EOS Rebel T3i 18-55mm IS II Digital Camera Kit. Featuring Canon's newest DIGIC 4 Image Processor and an 18.0 Megapixel CMOS Image Sensor - plus cutting-edge technologies like Full HD video recording, Live View shooting, Wireless flash photography and even a Vari-angle 3.0-inch LCD monitor - the EOS Rebel T3i offers the best of EOS photography in a compact package. Order the Canon 18MP EOS Rebel T3i 18-55mm IS II Digital Camera Kit today!

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52MM TULIP FLOWER HARD LENS HOOD FOR DIGITAL CAMERAS Review

52MM TULIP FLOWER HARD LENS HOOD FOR DIGITAL CAMERAS
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This lens hood fit perfectly on my Nikon 50mm f/1.8 lens.
Screws on firm and easy and is removed just as easy. There is an alignment mark on the hood to line up with center marks lenses.
Be careful if the lens you are getting this for rotates at the end. The Nikon 18-55mm kit lens rotates at the front thus, the hood will rotate with it and be a little less effective (a rubber/round hood would be better in this case)

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52MM LENS Hood

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Nikon 4941 Nikon HB-45 Lens Hood - 4941 - 4941 - 4941- Review

Nikon 4941 Nikon HB-45 Lens Hood - 4941 - 4941 - 4941-
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This plastic, circular hood should have come standard with the D40 or D60 18-55mm Nikon AF-S DX kit lens, but unfortunately it does not. The hood's outside moulding is of the same non-glossy textured finish matching the D60's body perfectly. It fits bayonet style over the lenses focus ring, thereby also allowing a filter and a lens cap. The hood's inner ring also has notches that grip the len's focus ring, allowing for manual focus by gripping the hood without the hood sliding. Hood may also be attached backwards onto lens for easier storage inside a camera case. If not for its high price for a plastic hood, I would give it 5 stars.
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Note: Hood can leave a shadow at bottom end of the picture when the D60's built-in flash is used and lens is at the wide end.

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This lens hood is designed for the Nikon AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR Lens.

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Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Nikkor Zoom Lens Review

Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Nikkor Zoom Lens
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We have here the Nikon 18-55mm kit lens that is seemingly designed to do one thing: make you want more. I received mine as part of my kit package with my Nikon D40. It is a decent lens that cuts corners all over to keep price down, and doesn't really do anything great. However, for those first starting out, it's light as a feather, simple to use, and at least for the initial month or so, all you need to get out and start capturing memories.
As expected for the price, it is of relatively low-grade plastic construction, to include the mount (the part at the rear that connects to the camera), however the optics are uncharacteristically sharp. While it is an AF-S lens (focusing element in the lens and not the camera), it doesn't benefit from full-time manual override found on other AF-S lenses (that is, you're able to make manual adjustments after the lens has focused). I'm sure that Nikon did this as a cost-cutting measure. For users of this lens, this shouldn't be an issue as you can always switch over to manual focus anyway via a switch on the lens or camera (save the D40/X which doesn't have an internal focus motor and as such no switch on the camera). However, more experienced users will find the manual focus ring quite distasteful. Also, since the front element rotates, use with a polarizer will be annoying.
With a variable aperture of 3.5-5.6 you can easily get available-light shots for outdoor daylight photos, and well-lit indoor photos without jacking up the iso too high at the wide end, but near the long end, you're going to need to use a flash unless you use a relatively slow shutter speed or high iso setting. You're going to get some vignetting (darkening of the corners) on the wide end, as with any wide-angle lens, but this can be corrected with most post-processing software, like Photoshop. Also, there will be CAs or purple fringing with high contrast images.
The range is quite short, though not as bad as say the 17-35 or the 35-70 (which outclass this lens in every way, shape and form), and will definitely have you wanting for just a little more reach at the long end. The Nikon 55-200mm f/4-5.6G ($199.95 Amazon) is an excellent compliment to this lens, or if you can afford it, the Nikon 70-300mm f/4.5-5.6G AF-S VR ($473.32 Amazon). The difference between 55 and 70 is fairly small and won't be missed (but the difference in price will hurt a little more). 18mm will most likely be plenty wide allowing you take large group, landscape shots, and even some fun distorted portrait shots due to the barrel roll at the wide end.
All in all, this is a lens to get you started, but leaving you wanting for more. More range, faster light gathering, better construction, etc. Its cheap construction is enough to keep price down, but won't take very much abuse. Also, being a kit lens, you'll be hard pressed to sell it unless packaged with the camera if you ever upgrade lenses in the future. It is what it is, with the only alternative at this price being the Nikon 50mm f/1.8D ($109 Amazon) aka, the nifty fifty.

Click Here to see more reviews about: Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Nikkor Zoom Lens

Designed exclusively for Nikon DX-format SLR cameras, this 18-55mm lens approximates the picture angle performance of a 27-82.5mm lens in the 35mm format, ensuring superb versatility in a wide variety of shooting situations. The lens offers such features as a Silent Wave Motor (SWM) with a compact rod-type design that provides fast, ultra-quiet autofocusing; an ED glass element that minimizes chromatic aberration and produces a superior optical performance; a hybrid aspherical element that delivers high resolution and contrast; and a seven-blade rounded diaphragm that produces more natural out-of-focus highlights. The focus mode switch, meanwhile, makes it a breeze to switch quickly between autofocus (A) and manual (M) focus. Finally, the lens's Super Integrated Coating minimizes ghosting and flare to provide an even higher contrast and more vivid images, even in challenging light conditions. All Nikon lenses carry a five-year warranty.

Focal length: 18-55mm
Maximum aperture: f/3.5-5.6
Minimum aperture: f/22-38
Lens construction: 7 elements in 5 groups, with one ED glass element
Picture angle: 76 to 28 degrees (at 50 feet)
Minimum focus: 0.9 feet throughout entire zoom range
Filter attachment size: 52mm
Included accessories: LC-52 snap-on front and rear lens cap
Dimensions: 2.7 inches in diameter and 2.9 inches long
Weight: 7.2 ounces


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Nikon LC-52 Snap on Front Lens Cap Review

Nikon LC-52 Snap on Front Lens Cap
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This fits the lens that comes with most Nikon kits. If you need a replacement for your Nikon 18-55mm f/3.5-5.6G ED II AF-S DX Nikkor Zoom Lens this is it. The lens ships with D40 and D40x kits (among others) and should include this cap.
The easiest way to see which lens cap you need is to look at the number on the back of the cap, which pretty obvious but I almost overlooked it. Mine says LC-52 52mm. If you've lost yours you can measure the front of your lens. Nikon's more common ones are 52mm, 62mm, 72mm, and 77mm, so the only ones you'll have to measure precisely are the 72 & 77's.
The cap fits super tight if put on correctly, but sometimes, if I put it on quickly, it doesn't line up right on my lens. Somehow I've managed to make it peel up the inner plastic ring right by the lens where it says AF-S DX Nikkor. The impression it left is of the exact shape of the moving parts on the cap. The lens still works perfectly but I'm really annoyed. I can't take a star for that because this is the best cover I've ever owned, but it should be noted that double checking that it's on all the way is recommended. There is a picture of the damaged lens and back of cap in the "Customer Images" on the product page. :)
Amazon's list price is about 15 bucks and there are way cheaper caps out there, but these are really worth it, especially when you've got more expensive glass. Plus they sell for less than half that normally...just be careful with it.

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Protect your Nikon investment with genuine Nikon lens, teleconverter and camera body mount caps. Lens caps protect the front and rear portions of your lenses and teleconverters from dust, smudges and scratches. Camera body mount caps protect the mirror box and reflex mirror when a lens is not affixed to the camera body.

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Polaroid Optics High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) For The Nikon D5000, D3000 Digital SLR Cameras Which Have Any Of These (18-55mm, 55-200mm, 50mm) Nikon Lenses Review

Polaroid Optics High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) For The Nikon D5000, D3000 Digital SLR Cameras Which Have Any Of These (18-55mm, 55-200mm, 50mm) Nikon Lenses
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I am kind of new to photography and needed some filters for my 18-55mm and 55-200mm lenses on my Nikon d5000.. oh man i have got to admit that after i used this filters i could notice the huge difference... especially after polarizer. UV is a really good protection for you lens. It is a great product, i would recommend it to everyone especially if you are new and you dont want to pay 60$ for an expensive filter. It feels really nice and heavy. Made from metal and glass i think.. the best thing is that its cheap and it came with a cleaning cloth and small carrying bag that you keep your filters in. Overall i was more than satisfied with this product! buy it and its also fast 3 day shipping..

Click Here to see more reviews about: Polaroid Optics High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) For The Nikon D5000, D3000 Digital SLR Cameras Which Have Any Of These (18-55mm, 55-200mm, 50mm) Nikon Lenses

THESE filters continue the brand's long legacy of superior optical solutions. All our filters are carefully formulated to ensure consistent color and accuracy throughout the entire surface of the glass. Why? Consistent color means consistent high quality results. We know that a poorly made filter makes a great lens and camera worthless, that's why the our frame rings are constructed of special alloys that won't expand or contract over time or due to temperature extremes-it's also why we back our filters with an 10 year warranty-because we engineer them to last.Like alloptics, filters are precision manufactured to the most demanding of tolerances. This ensures consistent high quality results even after years of use.

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Click here for more information about Polaroid Optics High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) For The Nikon D5000, D3000 Digital SLR Cameras Which Have Any Of These (18-55mm, 55-200mm, 50mm) Nikon Lenses