Showing posts with label 24mm. Show all posts
Showing posts with label 24mm. Show all posts

Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) Lens for Pentax SLR Cameras Review

Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) Lens for Pentax SLR Cameras
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I bought this lens for my Pentax K100D. The folks over at FredMiranda gave it consistantly good reviews, and the zoom range seemed perfect for a general walk-around lens. It is certainly a nicely-built lens and a comfortable weight. I found the auto-focus to be quick and generally accurate. The lens took great pictures in the 24-100 mm portion of the focal range, but I could not get good pictures out of it at the longer focal lengths for the life of me. I tried different apertures, manual focus, tripod, everything I could think of, but almost everything came out too soft for my taste. I am a hobbyist, not a pro, so maybe the problem was user error. Or maybe I got a bad copy of the lens. I am open to these possibilities, but I felt I should share my experience, regardless. If I'd only wanted 24-100, I'd have bought something different. I ended up sending this lens back, and I'm considering Pentax's 24-90, now, which is supposed to be quite good. Props to Amazon for the usual quick shipping and painless return policy.

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CL) U) 24-135MM F3.5-5.6 F/PENTAX

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Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras Review

Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
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After years of missing large format cameras with their swings and tilts, and of course their wonderful large film size that together produce incredible images, I think I have found something that will lessen my longing.
This tilt-shift lens combined with a high-pixel DSLR (like the Canon EOS 5D Mark II) enable a photographer to produce images that can rival the best from medium format cameras and even can under the right circumstances push image quality into 4 x 5 inch sheet film territory.
I got this lens, snapped it onto my camera and got excellent results right away. It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control.
Other's have described various technical qualities of this lens and most online reviews describe the several improvements this lens offers over it's predecessor.
The big ones are better control over chromatic abberation and the ability to independently control the axes of shift and tilt. Closer focus is also a bonus.
Opinion varies about sharpness in the corners but all agree this is perhaps one of the sharpest lenses in Canon's line-up. My example delivers sharp corners so perhaps my copy is better that some of the reviewers?
I had to choose between this lens and more traditional ones (I was looking at the 70-200mm) and decided that this lens offered me the things I could get with no other lens - a lens great for interiors, exteriors (architecture) and new landscape dimensions. I can get the zoom later! This lens is unique. I wasn't sure how much I would like it but now that I've had some seat time with it, I could never think of being without it.
Usual L quality - beefy, precise, and consistent behavior for all controls!
Not a bargain price but it's the old adage - you get what you pay for!


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A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length. Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74 degrees. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement. It has an enhanced range of movement of up to +/- 8.5 degrees, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies.

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Lowepro Dublin 30 Slim Profile Pouches for Cameras and Compact Video Cameras (Black/Bordeaux Red) Review

Lowepro Dublin 30 Slim Profile Pouches for Cameras and Compact Video Cameras (Black/Bordeaux Red)
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I brought this case for the Panasonic LX5 base on the dimension posted here on Amazon. The dimensions given are external and the walls of the case is very thick. The LX5 can BARELY squeeze in and almost imposstible to take it out. If your device fits this case, then I can highly recommand this over the zipper take cases. The zipperless design can saves you alot of LCD scratches!

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Lowepro Dublin 30 camera pouch offers reliable screen protection, fast access and a variety of ways to carry ultra-compact to pro point & shoot cameras and compact video cameras. A padded foam flap with topstitching quickly opens and securely shuts with a hook/loop closure. The pouches are constructed of smooth, jersey-faced neoprene foam, providing cushioned protection and a snug fit to camera or video camera. Inside, the pouches are lined in soft, brushed tricot and reinforced with sturdy PE board to protect LCD screens. A unique memory card pocket is built right into the front of the pouch for secure storage. Carry the Dublin three ways: as a protective pouch to toss in a bag, tote or backpack; around the wrist when a camera strap is threaded through the top opening; or on a belt or strap via the integrated belt loop on the back.

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Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
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This camera is really fantastic and a nice upgrade from the LX3. That's not to say that everyone should upgrade, but I think there are some significant advantages.
For me, I really needed the additional zoom and was very excited to hear that this is exactly what the LX5 had, without sacrificing the f2.0 lens. My brother needed a new camera anyway and was happy to get my 2 year old LX3. (By the way that camera is in nearly perfect condition. Panasonic really build a quality product with the LX line and I think the LX5 is even better.)
Here are the major comparisons to the LX3. Decide if these are worth it to you:
- Better image stabilization. I am getting crisp photos at speeds as low as 1/10sec.
- Better sensor than the LX3. The colors are slightly more accurate and the auto white balance works better (I need to make less adjustments).
- Better low-light shooting. Perfectly usable up to 1600 out of the camera. Shots in ISO 3200-6400 can be used with some photoshopping. ISO 12800 won't be very good, but nice to have if you don't care about quality and just need a quick shot in the dark. With the LX3 I was getting usable shots at ISO 800.
- Faster autofocusing.
- Face detection.
- Autofocus tracking!
- Better processor. Faster startup and shot-to-shot time.
- Better battery life... this camera lasts almost twice as long!! And I always thought the battery life on the LX3 was already outstanding. I'm going on a weekend trip soon and feel confident that this will last the entire weekend without needing a charge.
- As mentioned, the added zoom is terrific. It's interesting to note that the overall size of the camera has remained roughly the same as the LX3 despite the upgrade.
- Easier to get into the film mode with the dedicated movie button. I've tested this a few times and it's very useful for quick recording.
- Better quality video. Uses the newer avchd codec, but you can always record in motion jpeg.
- More comfortable to hold and better build quality.
- Hot shoe, but I don't see this as a benefit to myself. The option to add an EVF or flash is nice, but defeats the purpose of keeping this camera compact. At that point you may as well get an SLR.
- Better control with the GF1 style click wheel on the back. Seriously, this is the best PaS camera in terms of usability. You literally forget about the controls. Really well thought out. The menus are similar to the LX3 and "just work". Really a nice interface and plenty of options to tweak.
- Improved screen. Looks better in the bright Singapore sun than my LX3 ever did. Wish it had more pixel density, but still looks great.
- Added 1:1 square format is really neat. Not a major addition, but nice to have. I really like that the LX-series has a dedicated image ratio button. Very useful and unique. (note: the LX3 has 1:1 ratio as well, with the latest firmware, but the LX5 has a dedicated hardware button for it).Complaints:
- The lens cover needs to be built in. I really don't mind the one it comes with much, but there were lots of complaints about the lens cover on the LX3. Not sure why Panasonic chose to ignore these. I would definitely prefer not to worry about losing the lens cover.
- Should be a better panorama mode. I think sony's "Sweeping panorama" feature is fantastic. Panasonic should adopt something similar if they can. The current mode works fine, but could be improved.Wish list for the "LX6":
- Larger sensor, like m4/3.
- Brighter lens, F1.7 or lower would be nice :)
- Built in EVF!
- Articulating screen.
- Built in lens cover.
- Weather sealed to make it even more durable against splashes and dust.
- Manual focus/zoom wheel that can be programmed like the canon S90/95.
I think adding these would make for a nearly perfect PaS.Other cameras to consider:
Canon S95: I tried this camera out the other day and it's not as good as the LX5 in many ways, but does have a few advantages. Image quality on the S90 was not as good as the LX3/LX5. The LX cams are also wider at 24mm (I think the canons are 28mm). The jog dial on the back of the S95 is cool but since the camera is so small I found myself hitting it accidentally a few times and changing the settings. Can be kind of annoying, especially if you want to take a quick shot. The LX5 is also much nicer to hold and easier to dive into the menus as a result of the control placement. But to be fair, the Canon does start at a lower price point and is smaller. Assuming size and price are more important to you, I would say it makes for a fine choice. It's still better than most other cameras out there and also has an f2.0 lens. The addition of 720p on the S95 is nice as well (but doesn't allow for an AVCHD format, zooming while recording or continuous autofocus like the LX5). Also, having a programmable front selection wheel on the S95 is really smart and useful.
Canon G11: Not a big fan of this camera as it uses the same sensor as the Canon S90 and doesn't use as fast a lens. Lacks HD video recording and is more expensive. It's also larger and bulkier than the LX5. Overall I just don't feel like it is a strong competitor. The G12 will probably be something better to compare against the LX5 or any of the other cameras mentioned here. To the G11's credit, it does have an articulating screen and a view finder which is nice.
Canon G12: The G12 has since been announced and while it's surely seems like a nice camera I still think it's rather large and didn't add too many features to make it a good competitor to the LX5. It's probably still built like a tank, adds HD recording, but the lens isn't really that impressive to me. The LX5 matches it's zoom capabilities, but with a brighter/wider lense.
Olympus EP-L1: This camera is also a worthy competitor and has the benefits of a larger sensor and interchangeable lens. However, the build quality is not as good, the lens that comes with the EP-L1 isn't very impressive and it's a bit larger. You will need to spend some serious money on the 20mm f1.8 lens which makes this purchase almost twice that of the LX5. If you are okay with the kit lens this is a great bargain for just slightly more than the LX5.
Pansonic GF1: This was the most difficult decision to make for me. Relatively speaking, the GF1 costs slightly more than the LX5, but comes with a better lens (20mm f1.8) and is m4/3 like the EP-L1. While the 20mm kit the GF1 does take noticeably better pictures, I still ended up choosing the LX5. Why? The LX5 is still cheaper (the price difference does matter to me, it might not to you), has image stabilization (the GF1 does not) and it's substantially smaller. I like the GF1 and think it is tiny compared to traditional digital SLRs, but it's still not as convenient as a compact PaS like the LX5. Basically, I see myself taking the LX5 to more places and using it more in general. I think that beats out the image quality edge that the GF1 has.
Ricoh GR Digital III: Looks interesting and has a nice spec'd 28mm f1.9 lens, but is fixed (no zoom) and has no HD video recording. I didn't test this because I need zoom and HD recording, and it's also larger and a good amount more expensive than the LX5. I've heard the menu system on the Ricoh's is one of the best to use, but it seems to be targeted at a very niche audience.
Samsung TL500: Was really impressed and seriously considered this camera because I read about it having a f1.8 lens at 24mm! And it has a nice articulating AMOLED screen. I played with the camera a bit and was impressed, but it's larger than the LX5, doesn't have as good a zoom range and about 1/2 the battery life. I've also examined the TL500 image samples on the web and don't think they are good as the LX5. Low light performance is a little less impressive, but the LX5 just produces more crisp images with better colors IMO. This is comparing jpg's straight out of the camera, not RAW files. Lastly, there is no HD video recording (only does 480p). The price on this camera is great though and it looks and feels like it will last a LONG time. Great design here by samsung.
Sony NEX3/5: Gorgeous cameras for sure. First I've seen that come with a metal kit lens. This oozes quality and I really wanted to like these cameras. With the pancake lens they are fairly tiny and remember they use a full size APS-C sensor. Also, the NEX3 is not much more expensive than an LX5. I didn't purchase either for a few reasons. First, the flash isn't built in. You need to screw it on, which is annoying because it doesn't go on easily. It took me a few tries to get the threading to interlock. I don't take off too many points for this, because you can just leave the flash attached all the time. The biggest problem I have is the manual functionality and the firmware in general is lacking and isn't very fluid. This is also partially a result of the sparse manual controls the cameras have. It's hard to adjust any settings and really seems to be designed for users who want to just use the auto mode. This is completely OK, just not the camera for me. If you purchase this camera and intend to use the manual functionality (and don't mind digging around the menu a bit) I'm confident this camera will give you excellent results. You also get the great Sony "sweep" panorama mode I wish Panasonic would implement. And let's not forget the useful tilt screen. Out of the two, the NEX3 (the NEX5 adds 1080p video) is probably the most direct competitor to the LX5 in terms of price and could be a good choice for many people. Like I said, I really wanted to like these cameras, but the controls and software feel a bit like...Read more›

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The Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and High Definition (HD) video. With an ultra-bright F2.0 ultra-wide-angle 24mm Leica DC Vario-Summicron lens, the Lumix LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail. The 24mm wide angle lens offers extraordinarily large viewing space and now the optical zoom is extended to 3.8x (90mm) making the LX5 even more versatile.The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light. In addition to the newly-designed lens, the Lumix LX5 features an image processing engine that combines technologies resulting in professional-quality photos, especially in low-light situations. Like its predecessor, the Lumix LX5 features the highly-acclaimed 10.1-megapixel CCD, but it has an expanded dynamic range by increasing the sensitivity and the saturation.FEATURES:
Venus Engine FHD image processor - The newly developed Venus Engine FHD image processor enables higher-speed, higher-performance while compiling the Intelligent Resolution technology. The triple CPUs in this imaging engine dramatically speeds up processing while achieving exceptional noise reduction performance. With its high-sensitivity CCD and the brightness of the lens, minimum illumination of the Lumix LX5 is as low as 3 lux while shooting video.
Record HD videos in AVCHD Lite - In addition to capturing high-quality still photos, the Lumix LX5 can record HD videos in AVCHD Lite, a format that allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. Creative video shooting modes include Creative Movie

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Nikon 24mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 24mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras
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This autofocusing 24mm f2.8 Nikkor lens is optically unchanged from the manual focusing 24mm f2.8 Nikkor lens that I once owned. This speaks rather well for this design, which was the first ever made with Nikon's CRC (floating element) feature. It certainly is one of the best 24mm lenses available, with fine contrast and resolution. Its performance is almost as good as the venerable Contax Carl Zeiss T* 25mm f2.8 Distagon which I own now; itself another excellent lens design which also dates from the late 1960s. If you tend to photograph a lot of landscapes or need to cover a moderate amount of interior space without excessive distortion, then this will be an excellent lens to add to your Nikon autofocus SLR system. Since this is a Nikon AI-S lens, it will also work too with any manual focusing Nikon camera dating as far back as the venerable Nikon F2A and Nikkormat FT3.

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24mm D-Series Wideangle lens for Nikon cameras

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Nikon 10-24mm f/3.5-4.5G ED AF-S DX Nikkor Wide-Angle Zoom Lens for Nikon Digital SLR Cameras Review

Nikon 10-24mm f/3.5-4.5G ED AF-S DX Nikkor Wide-Angle Zoom Lens for Nikon Digital SLR Cameras
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Another work of Nikon lens genius which gives the ability to take dramatic, unusual, never-before-available, super-wide pix. As recently as a few years ago, before Nikon learned to mass produce aspheric elements, manufacturing this complex 14 element lens at reasonable cost would have been impossible. Compared to the earlier 12-24mm, significantly wider angle.
A nice suprise is that this DX lens can also be used FX, with some limitations of course. Although it will give the full zoom range only when used on the smaller DX format, it actually covers the frame of an FX camera - not over the full range but from 24mm down to about 18mm focal length, with acceptable vignetting (edge darkening). I am using it that way on my film Nikon F6 and digital D700. (For the D700, turn the DX Crop default OFF and turn the Vignette Control to HIGH.) This is pretty cool because it means that someone who wants only occasional use of an 18-24mm lens on a full frame camera does not have to go out and buy a new lens if they already have this one.
I disagree with the reviewers who complain about the plastic, Made in China construction. If this lens were made of brass and steel like a Leica, it would weigh twice as much, cost much more, and be no better photographically. Is it more important to have the controls be smooth than to capture new kinds of photos? In my opinion Nikon has taken the right approach - state of the art computational design, innovative manufacturing of aspheric elements, good enough construction, and breakthrough capability affordable for the amateur photog.

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Nikon 10-24mm f/3.5-4.5G ED AF-S DX Nikkor Wide-Angle Zoom Lens for Nikon Digital SLR Cameras (2181)

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