Voigtlander Color-Skopar Pan 35mm f/2.5 Wide Angle Manual Focus Lens - Black Review

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(More customer reviews)The Voigtlander Color-Skopar Pan 35mm f2.5 wide angle lens should appeal to Leica screw mount and M rangefinder camera users who are interested in travelling light, with a pocket camera that is almost easy to fit inside a deep coat or shirt pocket. This lens may be the ideal tool for street photographers interested in acquiring a compact 35mm rangefinder lens; ergonimically it almost resembles the Contax Zeiss 45mm f2.8 Tessar or the Nikon 45mm f2.8 Nikkor lenses with respect to size and shape. I have seen at Erwin Puts's website an enthusiastic technical report by him in which he claims that this lens is optically superior to Leica's vintage 35mm f2.8 Summaron lens made for its M mount rangefinder cameras from the 1950s to early 1970s; I believe Popular Photography had another splendid technical report on this lens in a recent issue. Owners of M mount rangefinder cameras will have to purchase a screw mount to M mount adaptor to mount this lens onto their cameras (However, this lens may be the new M mount version, so purchasing a screw mount to M mount adaptator will be unnecessary.).

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Panasonic Lumix DMC-ZR1 12.1MP Digital Camera with 8x POWER Optical Image Stabilized Zoom and 2.7 inch LCD (Silver) Review

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(More customer reviews)I've purchased my Panasonic DMC-ZR1 still camera via Amazon just a few days ago because I needed an ultra-compact backup for may Nikon D90. When you travel there might be some situations when you are not in the mood or just can not use your DSLR. So I was looking for a small camera, which could produce high quality outdoor pictures and HD video.

I'm an advanced amateur photographer. I take pictures mostly on weekends and vacations when I prefer to have in my pocket a small but sophisticated camera which I can forget about during the day but which can take great shots when it is needed. That is why my best cameras were Sony DSC-T1, T30, and recently - T100. The latter one was nominated as the best ultra-compact in 2007, and it indeed was. But time flies and a new 16:9 wide format came to still cameras and video, which T100 did not support. So about a year ago I purchased Panasonic DMC-TZ5 and a little bit later - FZ18. I bought FZ18 because of its incredibly bright 18x super zoom lens. I believe that each of above mentioned cameras was an absolute champion in their class at that time, but now I wanted something almost as good as that but in a small package.

After doing a lot of research on Amazon.com and dpreview I've chosen ZR1. My first impression - it's a very good camera. I like a solid build quality of its metall body. There are no flimsy elements or grinding sounds while zooming or focussing. Zoom itself is very smooth both optically and mechanically. While taking stills it is very fast, however it has some inertia. While shooting video it's relatively slow, which allowes autofocus to do its job well.

What I like very much about my Sony T100 - when shooting video of a moving subject the autofocus keeps it in focus all the time by doing a very small adjustments which you can hardly admit. Many other P&S cameras either do not allow zooming on video or hunting focus most of the time. That was the issue with the original TZ5, which was significantly improved in software update ver. 1.2. From my prospective the new ZR1 has as the same great autofocus mechanism as my T100 - when you follow a moving subject or apply zoom ZR1 keeps it in focus nicely (and without producing any noticeable sound). But when you do a panorama without a central moving object - do it slowly to allow the camera to decide, which next part of your picture should be in focus. On still pictures the autofocus is very quick and precise.

The 8x zoom Leica lens is just great: very good colors fidelity, contrast, and color saturation in the entire zoom range from wide to tele. The wide 25mm (equivalent) is great, but it comes at some cost: for the distant subjects the barrel distortions and the decrease of sharpness of the peripheral areas are pretty visible, however when you shoot from a relatively close distance around 1.5-3 m it seems some special processing is involved because there is almost no any visible barrel distortions or loss of sharpness. I have to admit all three my Panasonic cameras behave the same way but for ZR1 it's more noticable because of its incredibly wide 25mm lens. If you apply a little bit zoom the resolution becomes pretty even accross the picture and with no barrel distortions. I did not perform any special stress testing but on all the pictures I've got I did not see any chromatic aberrations or vignetting in the entire zoom range. Physically you can zoom in the only 8x range but it is possible to increase it up to 15.6x for the lower 3MP picture resolution. Normally you might want that if you're taking pictures of some specific subjects like kids, birds, or animals. Just imagine - having 400mm equivalent telephoto lens in your pocket - it's just amazing, and IMHO those 3MP shots look pretty good on my 24" monitor (if you do not crop them more).

A new ZR1 has the impressive 12MP comparing to 9MP of TZ5 but on the same sensor size, and as a result - more noise. On the [...]site you could read that Panasonic did a great job by separating the entire noise into its low-frequency and high-frequency wavebands and also splitting the color and luminance noise and handling them separately. My comparative edge-to-edge testing of both ZR1 and TZ5 shots showed that ZR1 does exactly what was stated and does it pretty good. On the ZR1 picturese taken at dim light conditions the noise was remarkable less than on the TZ5's ones! However at a very-very dark conditions when the pictures become very grainy you can see that the level of noise from ZR1 is somewhat bigger, than from TZ5. Another good news is that the white balance in ZR1 is almost perfect: the night pictures taken by TZ5 and FZ18 were either colored red or had some other weird colors while ZR1 in alomst dark situations showed as the same correct white balance as if the pictures were taken at a day-light time.
If you're shooting on a bright sunny day your pictures might be too much contrasty and either shadow parts like trees can be darken to black or the blue sky or some other light areas might be completely washed out. The camera menu does not allow you to adjust the contrast directly but you can set an Intelligent Exposure mode instead. Then it constantly analyzes the scene and if it has too much contrast the camera automatically applys either slower shutter speed or higher ISO and reduces the overal contrast. I found that on ZR1 that feature is not that good as on TZ5. Another way is to switch the mode dial to "MS" or "SCN" mode and select "High Dynamic" scene. In that case camera unconditionally and remarkably decreases the overall contrast (more than in Intelligent mode) and adjusts the shutter speed or/and ISO the way that even dark areas are well exposed, and that really works well.

There are the two things which are still better on my T100 than on ZR1 or TZ5: the quality of the VGA video and the clarity of sound. However having the HD video mode you might not need VGA at all. The quality of HD video on ZR1 is as the same great as on TZ5 and the image stabilization is even slightly better. But for stills the image stabilization was much more improved, I guess more than the 2 times as they stated. On the maximum zoom in low light many of my TZ5 pictures were slightly smeared, while the ones taken by ZR1 at the same time were perfect.

I like the ZR1's menu and controls - they're similar to TZ5' and are very clear and intuitive. Plus there are some additional functions. It allows you to set some parameters manually, but do it only if you're very clear about what you're doing, otherwise let that sophisticated camera do it for you. For example: you might be taking a picture of a tree and the system sets the ISO=100 and shutter speed 1/20. But then you see a small squirell and apply the 15.6x zoom to have it big enough on your screen. As a result system might change ISO to 500 and shutter to 1/100. You might be thinking that the camera got crazy, but actually it detected that your hands are shaking too much for the big focal length you set and so the shutter speed needs to be much faster to prevent the shot to be blurred. It's intelligent mode is pretty good.

UPDATE: This ZR1 camera has an incredible display: it shows pictures at any angle and even in the direct sunlight. A while ago I was going on vacation to Cancun and I purchased a Kodak V1273 ultracompact camera because of its wide-screen stills and HD video. But when I tried to use it on the beach I was totally confused - nothing, absolutely nothing was visible on display on a sunny day! If I did not have my Sony T100 as a backup all my vacation would be completely spoiled. In the direct sunlight the image on the T100's display looks like a black-and-white reflection, but at least you can point and frame your shots and use the menu. ZR1 does even better - the picture in the direct sunlight has all the colors, just looks darker and not that contrast. On the TZ5's display if you slightly turn camera around the horizontal axis the brightness and contrast of the image is changing pretty much. On the ZR's one picture remains the same regardless of from what angle you are looking at it. It means you're not going to regret the display is not swivable as well as you will not miss the optical viewfinder because you can see the pictures even in the direct sunlight. Only one thing: it seems the palette of that display is a kind of limited and it might not show some subtle tints of colors, so don't judge colors until you see it on a good monitor.

UPDATE2: Recently I did some comparative testing of the picture quality of my ZR1 and TZ5. A side-by-side comparison has shown that the general resolution and sharpnes of the ZR1's pictures is remarkably higher than of TZ5's ones. From the detailed analysis I got an impression that around 20% of that improvement comes from higher sensor resolution (12MP verse 9MP), 30-40% because of the better noise reduction, and about 40-50% because of the stronger internal sharpening in ZR1 than that in TZ5. When I did some sharpening to my TZ5's photos using the Nero Photoshop the difference became less visible. For better understanding why the more sophisticated noise reduction might help pictures to look sharper you can think about it this way: as the same as contrast is a difference between light and dark areas, sharpness is a difference between plain areas and edges. The less a certain area has noise, the more it looks "plain", and so it more differentiates from edges making a sharper impression. Also because the original purpose of this purchase was to have a backup for my Nikon D90 I did some comparison of their HD video capabilities. Would you believe or not - ZR1 provided much better moving picture resolution than D90. Of course the ZR1's movies show some noise (as the same as any other compact P&S camera) while D90's ones don't. That noise is not...Read more›

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Panasonic Lumix DMC-ZR1 Point & Shoot Digital Camera - Silver 12.1 Megapixel - 16:9 - 8x Optical Zoom - 4x Digital Zoom - 2.70

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Zeiss Ikon Lens Shade CS50 for the C Sonnar T* 50mm f/1.5 ZM Lenses. Review

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(More customer reviews)This Zeiss Ikon lens shade for the Zeiss ZM 50mm f1.5 C Sonnar lens is a well-built, metal "vented" lens hood that easily mounts onto thelens via the lens' front bayonet mount. Historically, it reminds me of similar vented lens hoods which Leica had made for its 35mm and 50mm lenses from the mid 1960s through 1990s; in all these instances these are "vented" lens hoods to allow users to see through the rangefinders of their cameras. I can enthusiastically recommend this lens hood to any Zeiss Ikon user; I am quite surprised by its relatively low cost, coupled with its rugged construction.

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This is a Zeiss metal lens shade in black for the 50mm F/1.5 lens. It is recommended for C Sonnar T* 1.5/50 ZM lenses. Please note: Does not fit to Planar T* 2/50 ZM.

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Sigma DP1 14MP Digital Camera Review

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(More customer reviews)I am a professional photographer using Nikon's D300 and D3 for portraiture and weddings. These are both super cameras that have been a boon to my business. However, like all modern SLRs they are big, heavy, noisy and the automation works for most everything. I came to photography when cameras were much simpler and actually required a knowledge of how a camera works. I am glad I did, as to use the DP1 to its full advantage you must know what you are doing.
Photography is a passion even in my off time and I wanted something light, small, and quiet for the candids of life that I would always have with me. The poor image quality, control, and responsiveness of compacts was not what I was looking for.I briefly considered the M8 but for a non-money making "fun" camera it was way too much to spend. The DP1 filled the bill for me.
Why? You will read complaints about slowness. If you are a point and shooter, that is correct, and you should avoid this camera.
However, if you are a photographer read on. During my research I read an article written by a Leica user that said he was always ready to shoot by having his camera prefocused and ready to go. That is the best way to use the DP1 also. Use manual focus and the correct aperture for your expected depth of focus needs. Unlike any other compact camera you can both turn off the lcd and the sleep mode and walk around with the camera ready to shot in an instant. Of course with the lcd off you will need the optional viewfinder.
I normally shoot in A mode and the controls allow fast changes to aperture and exposure compensation, something else no other compact camera does.
The image quality at ISO 100 is astounding and loses some quality as it goes up to ISO 800. 800 is somewhat disappointing as color saturation drops off dramatically.
Yes it is slow for point and shooters and has a lousy lcd but if that is sacrifices Sigma had to make for a superior image from a compact camera at this price point its fine with me. I am having a blast with this camera as it opens up a whole new world of image possibilities. I highly recommend it to anyone who has a photography style that suits a M8 but does not want to spend a fortune for the tool to do it with. Its not a M8 of course but a bargain in comparison.

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The DP1 is a completely new type of camera offering the full specs and high image quality of a DSLR in the body of a compact camera. It is powered by the 14-megapixel Foveon X3 direct-image-sensor, which can reproduce high-definition images rich in gradation and impressive three-dimensional detail.It is possible to record images in RAW or the widely used JPEG in four resolution modes. It offers five Exposure modes and three Metering modes as well as being equipped with a built-in flash with the Guide Number of 6, hot shoe, neck strap and 2.5-inch TFT color LCD monitor with approximately 230,000 pixels.The DP1 has the high resolution and functionality of an SLR, plus adaptability in terms of accessories, all built into a small body.

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Voigtlander Super-Wide Heliar 15mm f/4.5 Aspherical Manual Focus Lens with Viewfinder - Silver Review

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(More customer reviews)This lens is sharp as heck, light weight, and almost free. The other reviewer notes that it's cheaper than the Leica 15mm. A bit! The Leica is 7500$ and hardly any more contrasty or sharp. Further, you can buy a body, a Bessa L, for 100$ and have an extraordinary combination for interiors, buildings, or special effects. This lens is fully linear. Finally, while the viewfinder does have barrel distortion, the lens has no fisheye effect at all and the finder is BRIGHTER than the Leica (if you took out that 3rd mortgage to buy the Leica).

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Cosina is a general optic manufacturer with unique development skills, which are demonstrated by its attested technology. Discover a new world of images together with Cosina lenses.

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Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens Review

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(More customer reviews)I am a 'collector' of dslr cameras. I have just about every panasonic lumix camera available and quite a few canons, sonys, and nikons. This camera, by far, is my favorite. It is easy to handle, easy to use, totally stupid proof, and the pictures come out great. I have a Nikon d80 and it's a great camera but for me, this is still my favorite. It's just a funner camera and easier to handle. I am in no-way a professional photographer, I just love photography and this camera is a joy.

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The New Panasonic Lumix DMC-L10K 10.1-Megapixel Digital SLR Camera with Full-Time Live View, Face Detection, 2.50-inch Free-Angle LCD Screen and Four Thirds Standard is here. Full-Time Live View Redefines Digital SLR Photography - With conventional digital SLR cameras, you never know exactly how the photo is composed until after you shoot. The Lumix DMC-L10 changes all that with full-time Live View. When you look at the LCD screen, you see what the camera sees, making it easy to adjust and compose your shot just the way you want it. Greater Flexibility with a 2.5-inch Free-Angle LCD - The camera's 2.5-inch free-angle LCD gives you even greater flexibility with a screen that rotates 180-degrees left and right and 270-degrees front and back for shots at both high and low angles. In addition, the auto-focusing area can be chosen from as many as nine points while viewing the LCD before you take the shot so you can focus on your subject with exceptional accuracy. You can also use the LCD to check how any white balance or exposure compensation adjustments affect the shot before you take it, while Film Mode lets you adjust the photo characteristics. Face Detection Ensures That No One Gets Lost in the Crowd - This function, made possible by full-time Live View, recognizes up to 15 faces in the frame and optimizes the focus and exposure settings to capture them clearly and correctly. No More Blurry Photos - Intelligent ISO Control prevents motion blur by detecting if the subject is moving and adjusting the ISO setting and shutter speed accordingly. The camera's Leica D lens is also equipped with Panasonic's MEGA O.I.S. optical image stabilization system, which prevents blurring caused by shaky hands and helps you capture sharp, clear, beautiful images even when taking telephoto shots or shooting in dim lighting. Compact and Lightweight for More Fun, Greater Mobility - Featuring a compact design and weighing just a little ove

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Panasonic DMC-L1 7.5MP Digital SLR Camera with Leica 14-50mm Mega O.I.S. Lens Review

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(More customer reviews)After holding out for years before making the switch from film to digital, I finally made the leap with the DMC-L1. I have used a variety of DSLRs and digital point-and-shoot cameras prior to this. Specifically, when I was considering the DMC-L1, I was also considering the Canon 30D, and the Nikon D80 and D200 (I already had a number of Nikon lenses).
After trying all of the above cameras, I was completely in love with the DMC-L1's feel and ease of use. The shutter speed dial and aperture ring are extremely intuitive to use. Overall, the camera feels much less "fiddly" than the other models I looked at -- I didn't like having to drill down through multiple menus on the other DSLRs to get to what I was looking for.
Probably the single greatest selling point to this camera is the lens. It's one of the crispest that I've ever used. I have a Nikon 80mm F1.8 that has been my favorite for years, and the Leica lens has almost instantly supplanted it. The zoom range is pretty good for general shooting, and situations where you want to travel light [...].
One of the other selling points include the simple but sensible live-view mode, which allows you to compose your shots on the camera's LCD screen. This is a huge advantage for shooting static or slow moving subjects -- you can really compose your shot, re-arrange elements, and use the depth-of-field preview to get a good sense of how everything is going to look. However, because the mirror has to flip down for the camera to focus and meter, it is too slow for most high-speed action work.
The Mega OIS feature on the included lens is superb -- I've never used anything like it. There are two modes, but mode "2" is the only one I use -- it corrects for camera shake only when you take the picture, rather than continuously as in mode "1". I've taken a number of hand-held pictures at 1/4 of second or slower that would have been disasters with a non-OIS lens. Remember to turn OIS off if you are using a tripod, though.
Being able to save RAW images was a selling point for me, too. This may not matter as much to others, but I like being able to edit the RAW file before "developing" it into an image file.
Ergonomically, the camera is good. I would say that the Canon 30D is a better fit in my hand, but since I'm not going to be holding the camera for 12 hours a day it's not been a problem. I find the buttons and their locations to be sensible, and the thumb-wheel although small, works very well. My favorite elements are the two programable buttons located near the shutter release. Depending on the type of shooting I am doing, I reprogram these to my most often used functions (say EV, ISO, or film type). The film "type" feature is also worth noting, and may have some appeal to those that don't want to both with RAW images. There are a number of pre-programed "films" and two user programable "films" that affect the color and feel of the final images. This is a nice way to generate some decent images without going through the trouble of developing RAW images.
So in summary:
Cons:
OK ergonomics -- people with large hands or short fingers may have difficulties.
View-finder takes some getting used to. Information display is good, but it feels smaller than others I've used.
This camera is not for people who want to take mostly pictures of very high-speed action. It is also not for people who want 20" X 30" prints (because of the lower pixel count).
Pros:
Very intuitive feel, particularly for converts from more traditional SLRs
Fantastic lens
Live View image composition on camera's LCD screen
Mega OIS image stabilization lens
Much less fiddling than with other DSLRs -- more time shooting, less time looking through menus.
RAW + JPEG file formats
Great expansion options with the Four/Thirds lens line
[...].

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Pan dmc-l1 w/leica 14-50mm

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Fotodiox Lens Mount Adapter, Leica R Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D Review

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(More customer reviews)This is an awesome way to use top quality Leica glass on your Canon EOS body. I have it on the EOS 5D Mark II. Very easy to use, works great, lenses are very secure. Also a great way to do video on the MK II because now you can control the aperture! Awesome product! Just ordered the Nikon F to EOS adapter as well.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter, Leica R Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ¡Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format û medium format, medium format û 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Panasonic Lumix DMC-ZS3 10.1 MP Digital Camera with 12x Wide Angle MEGA Optical Image Stabilized Zoom and 3 inch LCD (Black) Review

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(More customer reviews)I have owned two prior digital cameras- the first was a Canon that took good pictures, but was too bulky to pocket around and required AA batteries to power it. The second was a Sony CyberShot DSC-W150 that took crappy, blurry pictures in low light. Needless to say, I felt an upgrade was in order.
So I'm going on an east coast trip next month. My buddy and I are avid baseball fans. One problem: as we do not always have great seats, taking close-up pictures of ballplayers is a real pain with 99% of the compact point and shoots out there. This is because the camera's size will only allow it 5X optical zoom. You can combine this with digital zooming, but I don't need to tell you how terrible and pixilated this looks. Thus my conundrum. So I really wanted a compact, pocketable camera with a long range optical lens, without having to lug around an expensive digital SLR.
Enter the Panasonic Lumix DMC-ZS3. When I read the specs on it, I was in awe. 10 megapixel, 12X OPTICAL zoom. Here's the sweetest part about the zoom- if you planning to use smaller prints (i.e. 4X6), you can quickly adjust the camera's Megapixel (MP) count from 10 to 7, 5, and 3 to yield maximum OPTICAL zooms of 14.3, 17.1, and 21.4 respectably, without much loss of detail on such prints. I wish Panasonic would have allowed the camera to adjust the MP count automatically as you zoom, but it's not too much trouble to change the MP settings manually from the quick menu.
Another great feature: the camera's screen is beautiful at 460,000 pixels, twice the count as the rival Canon Powershot SX200 IS (more on that camera later). From the moment you view your first picture, you'll quickly notice how much sharper photos look on this camera. It's a nice convenience to view photos on the camera in a manner closer to the quality that will actually be seen when you're viewing them on the computer (and ultimately printing them).
I also want to give Panasonic kudos for the build quality and compactness of this camera. The ZS3 is a replacement for the popular TZ5 model, which was 9MP and 10X Optical Zoom. So they increased the resolution, and added a wider range lens, and REDUCED the size by .4 cubic inches. Specifications aside, I was more than pleased that this camera will comfortably fit inside my jeans pocket. It's a bit bulkier than an ultracompact for sure, but not objectionably so. Note that the SX200 is a full 2.0 cubic inches thicker, another reason I passed on the Canon. Here's a few more reasons the Canon falls short: the Canon has a cheesy looking popup flash that sticks out at the top of the camera, whether you're using flash or not (bad design decision). It has less rated battery life than the Lumix. Also, when shooting video, the Canon does NOT allow you to use optical zooming.
Photo quality on the Lumix is excellent, although I've only snapped samples around my place so far. However, I've taken quite a few pictures at low light, and at maximum zoom levels to try to get a bad shot. So far, there's none to be found. I'll put this through its paces more when I travel next month, but I'm extremely pleased so far. As for video shooting, I've sampled it a bit, and it seems pretty solid. The camera gives you the choice of shooting video in its touted AVCHD Lite format (ideal for watching it on your TV in HD with an optional mini to standard HDMI cable), or JPEG if you prefer to email video clips to friends. This year's model also added stereo sound on video playback versus last year's monaural effort. One thing I found a bit strange, was the incredibly slow zooming when shooting video. I guess Panasonic was trying to give the user a more controlled, deliberate zoom, but unlike the snappy photo zooming, it's a bit slow for my liking.
Some other minor quibbles: The dial that controls the shooting mode is extremely loose. If you lightly rub it against anything (a camera bag, your pocket), there's a good chance it will shift. When you turn the camera on, it will digitally tell you what mode you're in, but it's still annoying when it happens by accident. Second, when making a quick zoom on an object, it will appear blurry on the camera's screen until the shutter button is pressed. There are modes to continually focus the object when zooming, but this drains the camera's battery life more rapidly. It would be nice if this feature was incorporated automatically without any such sacrifice.
Also, I'm not a huge fan of the included PhotofunStudio software bundled with this camera, as there are other, more compelling programs to view, edit, and print photos (I like Canon's Zoombrowser program better). Finally, this is not the camera to buy if you're into manual controls. There's a ton of preset scenes that can be used (nighttime, portrait, baby, sunset, food, etc.), and you can adjust items like flash, white balance, and max ISO level, but this is meant to be a simple point and shoot for casual photographers. Note that the Lumix has an intelligent auto mode (IA) that will analyze the shooting conditions and pick the right scene, flash, and exposure without any adjustments by the user. This camera screams simplicity, but there's enough tweaking on the Normal and Scene modes to keep the vast majority of amateur photographers happy.
Regardless of these nitpicks, the Panasonic Lumix DMC-ZS3 is an awesome camera, unbeatable for those that want the best of both worlds- a great zoom lens and compact body. It's a bit pricey at $399, but you're getting quite a lot of camera for your hard earned dollars. I have no doubt that my third digital camera is a terrific buy and a long-term staple for my travels.


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The Panasonic Lumix ZS3 features 10.1-megapixels, a 25mm ultra-wide-angle lens and 12x optical zoom, meaning it has added 2x optical zoom to the award-winning TZ-series camera, yet reduced its size. The ZS3 also features a Leica DC Vario-Elmar lens and High Definition (HD) video recording ability, known as AVCHD Lite. The ZS3 is the world\'s first digital camera to feature HD video recording in "AVCHD Lite." Compared with the conventional Motion JPEG format, AVCHD Lite allows longer recordings with breathtaking HD visual and audio quality. This combined with a well-considered control interface, which includes a dedicated movie recording button on the camera\'s back panel, makes the ZS3 a hybrid model that performs admirably for both still and motion image capture.FEATURES:
Increased Scene modes for both still and motion image shooting--optimized for a variety of situations. There are 26 scene modes for still image and 17 for motion image (Portrait, Soft Skin, Transform, Self portrait, Scenery, Low light, Food, Party, Candle light, Sunset, High sensitivity, Beach, Snow, Aerial, Pin hole, Film grain and Underwater)
Two My Scene settings let users assign their two most frequently used Scene modes to the setting, and with a simple switch, allow access to either scene instantly.
Panorama Assist scene mode allows users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen. Then using those photos and the bundled Panorama Maker software, users can create dramatic panoramic images.
High-Speed Burst (Speed Priority) that fires off approx. 10 shots per second.
Menus are clearer and easier to navigate with the Display Size option.

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Leica D-LUX 3 10MP Digital Camera with 4x Wide Angle Optical Image Stabilized Zoom (Black) Review

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(More customer reviews)First the bad news- NOISE!!!!! I guess with a sensor this small, there is just nothing you can do about it, short of using a noise plug-in with photoshop. At ISO 100 and 200 this is not a problem- jump to 400 and above and it becomes an issue.
Now the good news- because of the image stabilization, you can choose a lower speed, and minimize the noise as much as possible.
The lens is at least the equal of the one on my Contax TVSIII, which was the sharpest I have ever seen on a pocketable camera.
The internal flash is adequate for most conditions, but if you are takin advantage of the wide format, and trying to get a large room or group more than a few feet away, you should get the Metz compact digital flash which matches with it well.
I took RAW and JPEGs of the same scene and blew 'em up to 13x19 inches. While the raw image was marginally better, the JPEG (with minimal tweaking) was almost as good, and both were quite usable.
If you plan on shooting RAW- bes sure to get a largish high speed SD card.
I love that you can shoot manually, and getting great portraits is a snap- easy to blur out the background and get an incredible sharp portrait.
The preset modes suck.
The screen is great.
If you have a good photo stitching program, and you take a landscape photo with the camera vertically (say 4 or 5 sequential shots), taking advantage of the wide format, you will be floored. With this combination you can print landscapes 48 inches wide. I did this at the Eagles game on Monday night (Eagles won- thankfully!)- and the print was remarkable.
Nobody on the whole planet has the brown leather case. i want one and I want one bad.
Get this camera, be prepared to deal with the limitations of any camera using a small sensor, and you will be a happy clam. You will be able to leave your SLR home more often, and have a great camera with you always so you never miss a shot.
If you found this review useful, please send me the brown leather case.

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The D-Lux 3 is a 10mp digital point-and-shoot with O.I.S. optical stabilization technology and the ability to choose between 3 picture formats - from simple JPEG to RAW format. The image stabilizer (O.I.S.) leads to sharply focused images even in situations where there s not really enough natural light. The camera is also perfect for digiscoping - taking photographs through a spotting scope - to capture nature at close range. The D-Lux 3 also gives the photographer the freedom to create his own view of the world without any automatic settings. The 16:9 picture format with the full resolution of over 10 megapixels produces fantastic images for frame-filling viewing on HDTV equipment. The brilliant 2.8display also has an aspect ratio of 16:9.

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Panasonic LUMIX DMC-ZS6 12.1 MP DIGITAL CAMERA BLACK - 3.0 " TFT Screen LCD Display Review

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(More customer reviews)Panasonic makes the best compact superzoom cameras! Here's why. I was a professional photographer for over twenty years and recently sold all my professional film cameras (35mm, 21/4"x 23/4" and 4" x 5"). I've been searching for a compact superzoom camera that I can keep with me at all times to catch those once-in-a-lifetime shots without the expense or weight of a Digital Single Lens Reflex (DSLR) camera. Keep in mind that a compact superzoom has a smaller imaging sensor and will never truly compete with a high quality DSLR but if you want the best camera available in the compact point-and-shoot category then Panasonic DMC-Z series of cameras wins hands down. I've conducted an exhaustive search of camera review sites and have found Panasonic to consistently meet my standards of excellence. You don't have to take my words for it, you can check out my claims for yourself at the digitalcamerareview and dpreview web sites.
OPTICS:
The heart of any camera is the lens. Nothing else in photography counts without good optics. Panasonic uses Leica DC Vario-Elmar lenses in many of their cameras. Amongst professional photographers Leica has a reputation for quality akin to Rolls Royce. Leica appears to have maintained their reputation in Panasonic cameras by avoiding significant optical flaws. Most superzoom camera optics suffer from multiple flaws. Two optical flaws that I find completely unacceptable are chromatic aberration and uneven or soft focus.
You'll see chromatic aberration as a color fringe (red on one edge and blue or green on the opposite edge) along the edge of an object. It's often most visible near the corner of the image and along the edges of high contrast subjects like a dark car in front of a bright building. Sometimes chromatic aberration is so bad that it can be see in the center of a 4" x 6" photo but it's most often only visible when enlarged to full screen on a 17" or larger monitor. In my opinion, when it comes to chromatic aberration, Panasonic consistently out performs all competitors including Nikon, Canon, Olympus and Sony. I strongly suggest you see this for yourself by looking at web reviews that have full resolution images. Click on the full resolution image, zoom in and scroll from corner to corner and you'll see what I mean.
The second major optical concern is focus. Some camera lenses are sharp in the center of the photo but go slightly out of focus towards the edge of the photo. This usually isn't a problem if you are only going to use your multi-hundred dollar camera to make 4" x 6" prints but soft focus can be a huge disappointment when making larger prints or viewing the photo as a full screen image. The Leica lenses on the Panasonic cameras appear to excel in the category of sharp focus. Again, I suggest you see for yourself by zooming in on full resolution images available from some web review sites.
Other optical concerns include barrel and pincushion, which describe how vertical and horizontal lines can be curved in the photograph even though they were straight in real life. Some barreling or pincushioning is inherent to every zoom and are usually only noticeable at the widest angle or strongest telephoto settings. This type of distortion can be so severe that it distracts the viewer from appreciating the subject of the photograph. Leica does a superb job of minimizing barreling and pincushioning to the point that I find this type of distortion within acceptable limits.
My final comment on the Panasonic DMC-Z series optics is that the wide-angle setting on the zoom lens is equivalent to a 25mm lens on a 35mm camera. In my experience, the wide-angle lens is the most important feature of a zoom lens. You can always crop an image to get the equivalent effect of a stronger telephoto (of course you'll lose some resolution) but there is no similar way to compensate for not having a wide enough lens. Sure you can paste images together using a panoramic mode but you wind up with a long narrow picture that's difficult to put in a frame. Plus, except for the latest top-of-the-line Sony, you can't paste a large group photo together because people will move between shots.
SENSOR:
If the heart of a digital camera is the lens then the soul is the imaging chip and the camera's internal image processing software. Panasonic excels in this area too. Again, I strongly suggest you see for yourself by zooming in on full resolution images available from some web review sites. Every digital camera has software that is designed to minimize the noise introduced into the image by the sensor. If noise reduction is too strong then details are lost and objects start to look like cartoon drawings. If noise reduction is too weak then smooth areas like blue sky or concrete look unnatural because they're covered with dots. Panasonic has managed to achieve a pleasing balance in this category.
CONCLUSION:
Finally, I'd like to mention that, for the most part, I don't care about what photo editing or cataloging software comes with a camera. There's plenty of great software available from third party vendors and if the camera is not capable of producing a quality image then the accompanying software is absolutely useless to me.
So the bottom line is that the Panasonic DMC-Z series has the best combination of lens & sensor/built-in image processing software of any of the point-and-shoot cameras and is the most capable of producing an image that can stand up to being enlarged. Additionally, considering Costco has the Panasonic on sale this month along with their great return policy, I consider Panasonic a great buy.

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The Panasonic Lumix DMC-ZS6 delivers 720p HD movie recording, 25mm ultra wide-angle and powerful 12x optical zoom lens in a compact body to cover virtually any shooting situation. This 12.1-megapixel powerhouse includes an abundance of features like Hi-speed AF, Power OIS for double the corrective power, providing crisp sharp images, Optical Image Stabilization, Intelligent Auto (iA) prevents blurring and provides intelligent ISO control, subject detection and AF tracking.25mm Ultra Wide-angle LensThe DMC-ZS6 features a 25mm ultra wide-angle 12x optical zoom f/3.3-4.9 Leica DC Vario-Elmar lens. Incorporating Panasonic's advanced optical technologies, this lens system is comprised of 10 elements in 8 groups, with 2 ED and 2 aspherical lenses / 3 aspherical surfaces. This lens system enables a remarkable 25 to 300mm range of focal length in a compact body.The 25mm ultra wide-angle lens has about twice the shooting area as a standard 35mm lens. This enhances shooting situations when you're photographing a group of people at a party or shooting a large structure or sweeping landscape while traveling.16x Intelligent Zoom/23.4x Extra Optical ZoomThanks to the newly designed Intelligent Resolution technology extends the zoom ratio by 1.3x while maintaining the picture quality even with digital zoom. This means the 12x optical can virtually extend to 16x equivalent. Furthermore, the Extra Optical Zoom function extends zoom power to 23.4x by using the center part of the large CCD to bring subjects even closer.Sonic Speed AFThe Sonic Speed AF system in the DMC-ZS6 includes numerous re-engineering enhancements, including a higher-speed actuator, optimized algorithms and parallel software processing. The result is fast and accurate AF performance. You can quickly get moving subjects in focus, such as when you're shooting sports scenes.

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Panasonic Lumix DMC-ZS5 12.1 MP Digital Camera with 12x Optical Image Stabilized Zoom with 2.7-Inch LCD (Silver) Review

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(More customer reviews)After a long time contemplating buying the ZS3 I finally decided to wait and see what Panasonic would have for us in the 2010 line up. And so far I'm very glad I waited.
The ZS1 and ZS3 were Panasonic's high zoom compact cameras last year, and both of them receive great reviews. I've had a chance on several occasions to play with 2 different ZS3's that belong to friends, and this was initially the camera I was going to get being very impressed with it's performance. However, by the time I was ready to buy, the new ZS5 and ZS7 (to replace ZS1 and ZS3 respectively) were on the markets. And to my surprise, the ZS5 with several upgraded features was significantly cheaper than it's predecessors.
A few things I noticed right away comparing my new ZS5 to my friend's ZS3:
-First, physically the ZS5 has a smaller screen than the ZS3. The screen however is still sharp and clear, and perfectly usable. After a few minutes I don't even notice the difference.
-The ZS5 can zoom while recording a movie, something that my friends ZS3 can not do.
-The ZS5 image stabilization is just amazing, and seems to be much better than the ZS3. Especially noticeable at the higher zooms while recording video.
-The ZS5 now has manual controls, something the ZS3 does not have. For me, even as a complete amateur, this is a huge benefit, and the single largest upgrade over the ZS3.
-The ZS5 has a one touch zoom button on the back in addition to the normal zoom control on top. This button with one press takes you from zoomed out, to full optical zoom, then full digital zoom, then returns to zoomed out. Not a big feature but something I can see being handy from time to time.
-The ZS5 no longer has the dedicated movie record button on the back, but rather an option on the selection dial on the top, similar to other cameras I have used, and what I personally prefer.
-The ZS5 has an exposure button on the back. While in manual modes pressing this button activates the directional buttons below it to act as the adjustments to your various manual settings. I think this is a clean and easy way to get control over settings and better than other setups I've seen in compact digitals with manual settings, where you often have to navigate menus to find the settings.
-Overall the ZS5 construction feels very solid, the lens action is smooth and quite, and the buttons have the high quality feel, just like the ZS3. Perhaps the main difference being the ZS5 has a slightly stiffer mode selection wheel, while the ZS3 mode selection wheel would often be moved just by removing it from your pocket. Now to compare the ZS5 to it's bigger brother the ZS7.
From my research (not experience) the main differences are the 7 has the larger screen, on board GPS, and a slightly different image processor. For me, these first two differences actually benefit the 5 over the 7, giving it longer battery life simply because it doesn't use power on the GPS or the larger screen. The image processor might be an advantage to the 7 though, with some reviews that I have seen especially emphasizing better low light video quality on the 7. I've taken a few indoor and outdoor videos with the ZS5 and they seem very sharp and clear to me. Certainly the best I've had from a pocket digi camera, so without side by side comparison with the ZS7 it's hard to discount the 5's video quality.
Overall, this camera has exceeded my expectations in every way. I have owned 12 digital cameras, everything from ultra compact to DSLR. This camera by far has the most capability vs. portability of any camera I have owned. I've already taken about 300 pictures and several videos, color, contrast, and sharpness are all very impressive. I'm still on my first charge with an indicated 2/3 battery remaining.
The automatic mode works great and the auto focusing is the best I've seen outside of a DSLR. The focusing is so fast and accurate, combined with the quick turn on time and very short shutter lag time, this camera is the 'quickest on the draw' I have personally used.
This camera is like having my DSLR with a 25-300mm VR lens, combined with my high def video camera, all in a package I can slip in my shirt pocket. In any case I know I will have better results with my ZS5 than a DSLR or the video camera simply because I can have my ZS5 with me almost all the time, ready to get that perfect shot at a moments notice.
Amazing, and well worth the wait. 5 stars.
By the way the "Pelican 1010 Micro Case" fits this camera perfectly and makes a great water resistant/crush proof carrying case. Also highly recommended. Pelican 1010 Micro-Case (Black)


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Panasonic Lumix DMC-ZS5 Point & Shoot Digital Camera - 12.1 Megapixel - 2.70" Active Matrix TFT Color LCD - Silver DMC-ZS5S Digital Cameras

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Lowepro Napoli 20 Camera Case (Chocolate) Review

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(More customer reviews)The is my second one. They are well built, durable, and the magnetic latch is perfest.

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With an elegant sense of style and a sleek compact design, the Napoli 20 by Lowepro is designed to hold an ultra-compact digital camera. A durable, fine-grain nappa leather exterior surrounds the soft, padded suede interior protecting your camera against impacts and scratches.

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Monarch Laser 800 Review

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(More customer reviews)Purchased one of thes not too long ago and have come to absolutely love it. It is light, easy to carry and fits perfectly in your hand. The buttons are located in a position that makes them easy to use. Almost from the first use, I could tell the buttons apart and did not have to look to make sure which I was pushing. Operation of the unit is very intuitive. I only read the instructions once and could easily understand how to use it, and how to change modes while I am using it.
It measures distances rapidly and unless I am measuring at a really steep angle to the item it has never had difficulty returning a measurement during my learning process.
This rangefinder is easy to carry and very accurate. It was money well spent!!!!


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One of the most popular rangefinders ever made, the Monarch Laser 800 delivers super-fast reads while hunting or birding. The palm-sized, 7.4-ounce hunting companion is equipped with Nikon's Original Digital Processor, which produces fast and accurate measurements regardless of the temperature. The rangefinder's Tru-Target Technology, meanwhile, offers "first target" and "distant target" priority modes, making it a breeze to focus on a single subject in various hunting conditions and terrain. And thanks to the six-power multicoated optics and reticle backlighting options, you can see your target even in low-light conditions. Other features include an eyeglass-friendly 18mm of eye relief with a focusing diopter; a continuous ranging option for focusing on a moving target or multiple targets; a single-button control for fast, easy measurements; and a waterproof/fogproof housing.
Specifications:
Optics: 6x21
Display increments: 0.5 yards
Distance range: 11 to 800 yards
Field of view: 330 feet @ 1,000 yards
Automatic shutoff: Yes, 8 seconds
Battery: 3-volt lithium
Weight: 7.4 ounces

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Panasonic Lumix DMC-ZS5 12.1 MP Digital Camera with 12x Optical Image Stabilized Zoom with 2.7-Inch LCD (Black) Review

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(More customer reviews)Purchased this to replace my Canon A1000, which I bought last year for a trip to Rocky Mountain National Park. Had to really struggle to get a good pic with the Canon -- I was very aggravated with it (though I finally came up with some program combinations that worked okay for the low light under the trees). But I decided for this summer's trip to the beach to try a new camera, with more zoom, and pass my Canon down to my 12-year-old son -- who's not nearly as picky as I am ;-)
Did a bit of research (which is always overwhelming because there's such a huge selection to choose from, and such a diversity of opinions on what makes a "good" camera). And I still wanted a pocket camera for convenience when hiking, fishing, float tripping, etc., so the Canon SX20 and Nikon P100 and the like were still too large for my needs. And then I came across well over 100 user reviews raving about the Panasonic ZS3 -- the predecessor of the ZS5/7 models -- on various websites, and it's reviews were also very good on "official" review sites. What especially impressed me was a review by a couple who guide trips to Yellowstone, were experienced SLR users, and had tried the ZS3 as a compact alternative -- and they loved it for outdoor shots. So I decided to try out the newer version of the ZS3, the ZS5.
(The main differences I saw between the ZS5 and ZS7 were that the ZS5's screen is 2.7" instead of 3.0", the ZS7 has two custom "My Scene's" instead of one, the ZS7 has a built-in GPS, and the ZS7 also has stereo video instead of mono, with more advanced video technology. None of those features were important to me for the additional money.)
I've had the camera only a couple of days, and have done various side-by-side camera comparisons between the ZS5 and the Canon A1000, and I'm pretty floored by the capabilities and photo quality of the ZS5. I'm especially impressed with the macro (I like to take wildflower pics). While no camera is perfect (from what I've seen), for me the ZS5 is going to be just what I needed for outdoor pictures. I'll update this review once I've had more time to experiment.
Update 05/11/10: Some cons -- (1) Battery door latch seems a little flimsy; wonder if it will get where it doesn't latch tight after alot of use? Only time will tell. (Other than that, this camera feels solidly built.) (2) Proprietary battery that has an ID chip built in, and the software in the camera looks for that (on their website, Panasonic says this change was made to ensure battery quality/safety). However, it appears you can finally get a 3rd-party battery thru Amazon (meaning a whole lot cheaper), and other vendors -- just be sure to look for "ID Secured" batteries (e-mail and ask the vendor first if you're not sure). I knew this before I bought the camera, but figured it should be pointed out. (3) I've had several indoor shots, in not very low light, that looked fuzzy, especially when you zoomed in on a PC. Not always the case, though. I think the "iA" mode is not always as intelligent as it should be. Also, reducing to 4 stars, so as not to mislead anyone that the camera is "perfect" -- though it's still "pretty amazing", and I'm really happy with it.
Update 05/14/10: The best pics seem to come with my own settings, and not with the "iA" mode where the computer is trying to make all the decisions for me. So you'll want to learn what the various settings do (and there's quite a few of them -- lots of flexibility). The ZS5 has three "Custom" memory slots in which to save your own configurations (which is great -- my Canon had no memory slots, and I was constantly fiddling with the settings).

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Panasonic Lumix DMC-ZS5 Point & Shoot Digital Camera - 12.1 Megapixel - 2.70" Active Matrix TFT Color LCD - Black DMC-ZS5K Digital Cameras

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Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

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(More customer reviews)This camera is really fantastic and a nice upgrade from the LX3. That's not to say that everyone should upgrade, but I think there are some significant advantages.
For me, I really needed the additional zoom and was very excited to hear that this is exactly what the LX5 had, without sacrificing the f2.0 lens. My brother needed a new camera anyway and was happy to get my 2 year old LX3. (By the way that camera is in nearly perfect condition. Panasonic really build a quality product with the LX line and I think the LX5 is even better.)
Here are the major comparisons to the LX3. Decide if these are worth it to you:
- Better image stabilization. I am getting crisp photos at speeds as low as 1/10sec.
- Better sensor than the LX3. The colors are slightly more accurate and the auto white balance works better (I need to make less adjustments).
- Better low-light shooting. Perfectly usable up to 1600 out of the camera. Shots in ISO 3200-6400 can be used with some photoshopping. ISO 12800 won't be very good, but nice to have if you don't care about quality and just need a quick shot in the dark. With the LX3 I was getting usable shots at ISO 800.
- Faster autofocusing.
- Face detection.
- Autofocus tracking!
- Better processor. Faster startup and shot-to-shot time.
- Better battery life... this camera lasts almost twice as long!! And I always thought the battery life on the LX3 was already outstanding. I'm going on a weekend trip soon and feel confident that this will last the entire weekend without needing a charge.
- As mentioned, the added zoom is terrific. It's interesting to note that the overall size of the camera has remained roughly the same as the LX3 despite the upgrade.
- Easier to get into the film mode with the dedicated movie button. I've tested this a few times and it's very useful for quick recording.
- Better quality video. Uses the newer avchd codec, but you can always record in motion jpeg.
- More comfortable to hold and better build quality.
- Hot shoe, but I don't see this as a benefit to myself. The option to add an EVF or flash is nice, but defeats the purpose of keeping this camera compact. At that point you may as well get an SLR.
- Better control with the GF1 style click wheel on the back. Seriously, this is the best PaS camera in terms of usability. You literally forget about the controls. Really well thought out. The menus are similar to the LX3 and "just work". Really a nice interface and plenty of options to tweak.
- Improved screen. Looks better in the bright Singapore sun than my LX3 ever did. Wish it had more pixel density, but still looks great.
- Added 1:1 square format is really neat. Not a major addition, but nice to have. I really like that the LX-series has a dedicated image ratio button. Very useful and unique. (note: the LX3 has 1:1 ratio as well, with the latest firmware, but the LX5 has a dedicated hardware button for it).Complaints:
- The lens cover needs to be built in. I really don't mind the one it comes with much, but there were lots of complaints about the lens cover on the LX3. Not sure why Panasonic chose to ignore these. I would definitely prefer not to worry about losing the lens cover.
- Should be a better panorama mode. I think sony's "Sweeping panorama" feature is fantastic. Panasonic should adopt something similar if they can. The current mode works fine, but could be improved.Wish list for the "LX6":
- Larger sensor, like m4/3.
- Brighter lens, F1.7 or lower would be nice :)
- Built in EVF!
- Articulating screen.
- Built in lens cover.
- Weather sealed to make it even more durable against splashes and dust.
- Manual focus/zoom wheel that can be programmed like the canon S90/95.
I think adding these would make for a nearly perfect PaS.Other cameras to consider:
Canon S95: I tried this camera out the other day and it's not as good as the LX5 in many ways, but does have a few advantages. Image quality on the S90 was not as good as the LX3/LX5. The LX cams are also wider at 24mm (I think the canons are 28mm). The jog dial on the back of the S95 is cool but since the camera is so small I found myself hitting it accidentally a few times and changing the settings. Can be kind of annoying, especially if you want to take a quick shot. The LX5 is also much nicer to hold and easier to dive into the menus as a result of the control placement. But to be fair, the Canon does start at a lower price point and is smaller. Assuming size and price are more important to you, I would say it makes for a fine choice. It's still better than most other cameras out there and also has an f2.0 lens. The addition of 720p on the S95 is nice as well (but doesn't allow for an AVCHD format, zooming while recording or continuous autofocus like the LX5). Also, having a programmable front selection wheel on the S95 is really smart and useful.
Canon G11: Not a big fan of this camera as it uses the same sensor as the Canon S90 and doesn't use as fast a lens. Lacks HD video recording and is more expensive. It's also larger and bulkier than the LX5. Overall I just don't feel like it is a strong competitor. The G12 will probably be something better to compare against the LX5 or any of the other cameras mentioned here. To the G11's credit, it does have an articulating screen and a view finder which is nice.
Canon G12: The G12 has since been announced and while it's surely seems like a nice camera I still think it's rather large and didn't add too many features to make it a good competitor to the LX5. It's probably still built like a tank, adds HD recording, but the lens isn't really that impressive to me. The LX5 matches it's zoom capabilities, but with a brighter/wider lense.
Olympus EP-L1: This camera is also a worthy competitor and has the benefits of a larger sensor and interchangeable lens. However, the build quality is not as good, the lens that comes with the EP-L1 isn't very impressive and it's a bit larger. You will need to spend some serious money on the 20mm f1.8 lens which makes this purchase almost twice that of the LX5. If you are okay with the kit lens this is a great bargain for just slightly more than the LX5.
Pansonic GF1: This was the most difficult decision to make for me. Relatively speaking, the GF1 costs slightly more than the LX5, but comes with a better lens (20mm f1.8) and is m4/3 like the EP-L1. While the 20mm kit the GF1 does take noticeably better pictures, I still ended up choosing the LX5. Why? The LX5 is still cheaper (the price difference does matter to me, it might not to you), has image stabilization (the GF1 does not) and it's substantially smaller. I like the GF1 and think it is tiny compared to traditional digital SLRs, but it's still not as convenient as a compact PaS like the LX5. Basically, I see myself taking the LX5 to more places and using it more in general. I think that beats out the image quality edge that the GF1 has.
Ricoh GR Digital III: Looks interesting and has a nice spec'd 28mm f1.9 lens, but is fixed (no zoom) and has no HD video recording. I didn't test this because I need zoom and HD recording, and it's also larger and a good amount more expensive than the LX5. I've heard the menu system on the Ricoh's is one of the best to use, but it seems to be targeted at a very niche audience.
Samsung TL500: Was really impressed and seriously considered this camera because I read about it having a f1.8 lens at 24mm! And it has a nice articulating AMOLED screen. I played with the camera a bit and was impressed, but it's larger than the LX5, doesn't have as good a zoom range and about 1/2 the battery life. I've also examined the TL500 image samples on the web and don't think they are good as the LX5. Low light performance is a little less impressive, but the LX5 just produces more crisp images with better colors IMO. This is comparing jpg's straight out of the camera, not RAW files. Lastly, there is no HD video recording (only does 480p). The price on this camera is great though and it looks and feels like it will last a LONG time. Great design here by samsung.
Sony NEX3/5: Gorgeous cameras for sure. First I've seen that come with a metal kit lens. This oozes quality and I really wanted to like these cameras. With the pancake lens they are fairly tiny and remember they use a full size APS-C sensor. Also, the NEX3 is not much more expensive than an LX5. I didn't purchase either for a few reasons. First, the flash isn't built in. You need to screw it on, which is annoying because it doesn't go on easily. It took me a few tries to get the threading to interlock. I don't take off too many points for this, because you can just leave the flash attached all the time. The biggest problem I have is the manual functionality and the firmware in general is lacking and isn't very fluid. This is also partially a result of the sparse manual controls the cameras have. It's hard to adjust any settings and really seems to be designed for users who want to just use the auto mode. This is completely OK, just not the camera for me. If you purchase this camera and intend to use the manual functionality (and don't mind digging around the menu a bit) I'm confident this camera will give you excellent results. You also get the great Sony "sweep" panorama mode I wish Panasonic would implement. And let's not forget the useful tilt screen. Out of the two, the NEX3 (the NEX5 adds 1080p video) is probably the most direct competitor to the LX5 in terms of price and could be a good choice for many people. Like I said, I really wanted to like these cameras, but the controls and software feel a bit like...Read more›

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The Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and High Definition (HD) video. With an ultra-bright F2.0 ultra-wide-angle 24mm Leica DC Vario-Summicron lens, the Lumix LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail. The 24mm wide angle lens offers extraordinarily large viewing space and now the optical zoom is extended to 3.8x (90mm) making the LX5 even more versatile.The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light. In addition to the newly-designed lens, the Lumix LX5 features an image processing engine that combines technologies resulting in professional-quality photos, especially in low-light situations. Like its predecessor, the Lumix LX5 features the highly-acclaimed 10.1-megapixel CCD, but it has an expanded dynamic range by increasing the sensitivity and the saturation.FEATURES:
Venus Engine FHD image processor - The newly developed Venus Engine FHD image processor enables higher-speed, higher-performance while compiling the Intelligent Resolution technology. The triple CPUs in this imaging engine dramatically speeds up processing while achieving exceptional noise reduction performance. With its high-sensitivity CCD and the brightness of the lens, minimum illumination of the Lumix LX5 is as low as 3 lux while shooting video.
Record HD videos in AVCHD Lite - In addition to capturing high-quality still photos, the Lumix LX5 can record HD videos in AVCHD Lite, a format that allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. Creative video shooting modes include Creative Movie

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Panasonic Lumix DMC-FZ100 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

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(More customer reviews)I am updating this review constantly so check back every so often to see any additional updates or new material has been added to this review. Also any new links are posted in the first comment following this review.
First, let me tell you I have read every single review about this camera on the Amazon website. I was torn between this camera and the Canon SX30IS 14.1MP Digital Camera with 35x Wide Angle Optical Image Stabilized Zoom and 2.7 Inch Wide LCD and the new Fujifilm FinePix HS20 16 MP Digital Camera with EXR BSI CMOS High Speed Sensor and Fujinon 30x Wide Angle Optical Zoom Lens. I also looked at the Fujifilm FinePix HS10 10 MP CMOS Digital Camera with 30x Wide Angle Optical Zoom and 3-Inch LCD, but didn't like it because after the picture was taken it takes 3-4 seconds to process before another picture can be taken. I currently own the Panasonic DMC-FZ35 as well, and used it as a comparison camera with the DMC-FZ100. I am still in the process of comparing photos of both cameras with the settings exactly the same, and so far the FZ100 wins.
This camera has a an excellent 25mm Ultra Wide-Angle Lexica DC Vario-Elmarit lens w 24X optical zoom, high speed Venus Engine 3 core processor, full HD movie recording at 1920 X 1080 resolution at 60 frames per second, High Speed Video recording at 220 frames per second, the fastest level of burst shooting of any bridge camera at 2,5,11 (2, 5,and 11 fps at full 14mp resolution),40, and 60 fps, shutter release lag of 0.008 seconds (WOW!), 14 mp resolution, and the camera's quick response makes it easier to capture sudden, spur-of-the-moment photo opportunities together with the Sonic Speed AF (auto focus). Thanks to newly incorporated Intelligent Resolution technology, with the Intelligent Zoom turned on, the DMC-FZ100 has a camera zoom range of 1 - 32X, or a 35mm camera equivalent of 25-780mm at maximum 14mp picture size! No one makes a camera like this one! No one even comes close!
I have been in photography for many years. I've done wedding photography and sold some of my photos on line and to some local shops. I had a photography studio in my basement. I currently use a Nikon D90 as a DSLR camera. I enjoy the ease of taking a bridge camera with me instead of hauling the huge camera and bag full of lenses. I use the Panasonic cameras strictly for taking photos for myself as the quality is not the same as with the Nikon D90. Don't get me wrong. It takes a great picture! But you just can't compare a bridge camera to a DSLR. You can't compare the price either. MY D90 cost me almost $1000 and the lenses are just as expensive. Some cost way more than the camera body. Have you bought a 25-780mm lens for a DSLR camera lately? If they were available they would cost thousands of dollars! That's the lens equivalent of the Panasonic DMC-FZ100 with I-Zoom ON!
The Panasonic DMC-FZ100 is getting a lot of negative reviews about picture quality. I decided to buy the camera anyway and see if it could be useful to me. I liked the 35X zoom of the Canon SX30IS, but there are lots of negative reviews concerning its picture quality as well. The Panasonic DMC-FZ100 has many qualities and features that puts it above the Canon, but the 35X really pulled on me. I will explain the qualities of the FZ100 in a minute. The new Fujifilm Finepix HS20 really caught my eye! The main reason I decided against that camera is the zoom is manual and the price tag is much higher than the FZ100. The zoom being manual makes any video jerky while it is being zoomed. I looked at some of the videos taken with it on YouTube. Just do a search on that site.
The PDF manual for this camera can be downloaded from the Panasonic web site. Just do a search for it in Google. I put the link for the PDF in the comments section in case you want to download it.
I gave the camera an in depth checkout and came away totally pleased with it. Let me tell you all the benefits and features of this great camera:
What I like:
It has threads for filters. It takes a 52mm filter and they are readily available. Zeikos makes a 52mm polarizing filter Zeikos ZE-CPL52 52mm Multi-Coated Circular Polarizer Filter. I bought one for my FZ35 a while back. I also bought a more expensive Hoya polarizing filter and cannot see any difference between the Zeikos filter and the Hoya filter. Save your money and get the Zeikos.
The lens hood is included and uses a slot instead of screwing on. It is much faster to install or remove.
Some of the above cameras charge extra for the lens hood.
The camera takes JPG or Raw pictures or Both.
In the Video Mode, single still pictures or burst pictures can be taken just by pressing down on the shutter release button while taking the video. It takes a 3.5mp picture or pictures, up to 40 per video. To set up the burst mode just select it on top of the camera next to the main dial and set it up before taking the video. Page 110 in the manual.
In the Video Mode you can normally zoom to 24X. However if you select and turn on I-Zoom the camera will zoom to 32X. I-Zoom gives you 1.3X the normal zoom. The setting also gives you 32X in the Picture Mode (at 14mp picture size). It makes the camera in both picture mode and video mode equivalent to a 35mm camera 25-780mm lens! The picture quality in video or photo is not diminished in this mode. It says it on page 58 and 145 in the manual.
To turn I-Zoom on, just go to Menu, REC MENU, Page 3 (Change pages up by moving the zoom switch right, and down by moving the zoom switch left) , select I.R I.Resolution, then select I Zoom. After that, when using the Video Mode, instead of zooming to 24X, the camera will zoom to 32X. In the picture mode, the zoom goes from 24X in the 14mp Mode to 32X. If you set the camera in the 10mp picture size, the zoom goes from 24X to 37.9X. Now the camera is actually zooming in more than the Canon SX30IS! The best part! Using the I Zoom and Extended Optical Zoom does not degrade picture quality at all! Go to the manual on page 58 and 145. It tells you that right in the manual!
I-Zoom = Multiplier of 1.3X
Extended Optical Zoom with I-Zoom ON
14mp = 32X
10mp = 37.9X
7mp = 45X
5mp = 54X
3mp = 67.4X
I used the camera at 3mp (67.4X) with the Olympus 1.7 teleconverter to get a total zoom of 118X, and took a picture of the moon with just a monopod. It filled the whole screen without cropping. It can be seen at the web site listed in comments. The picture looks great! I will be taking another with a tripod when the moon is full, and will post it as well.The camera has a live Histogram which the FZ35 has as well. To turn it on, go to MENU, SETUP, Page 3, HISTOGRAM, and turn it ON.
The camera will take 5 quick flash shots! To do that, just put the top main dial to SCN Mode, and select FLASH BURST, which is on the second row! The FZ35 does that too. While we are in the SCN Mode, in a dim setting like inside at night, select the CANDLE LIGHT Mode, It really brightens up the picture! Better yet, at night in tough lighting, select iA Mode (Intelligent Auto) with the camera main dial. It does a great job in dim light, but you will sacrifice some noise! Also note in SCN mode, go to the second page of the menu and select HS Mode for High Speed Video to take those fast action videos that you want to get great slow motion detail in. The speed is 220 frames per second!
460,000 pixel 3 inch LCD, which extends and swivels. You can even take a picture of yourself and see what it is going to look like before you take the shot. Just extend the screen and rotate it 180 degrees.
DIFFERENT COLOR MODES = Page 132 of manual
The camera has several different color modes.
STANDARD: The standard setting
DYNAMIC: The saturation and contrast are increased.
NATURE: Brighter red, green and blue. Enhanced beauty of nature.
SMOOTH: The contrast is lowered for smoother and clearer color.
VIBRANT : Higher saturation and contrast than DYNAMIC.
Makes the colors snap out at you!
There are a couple of others.
To Set the COLOR MODE go to P or A or S or M mode on the main dial, press MENU, then FILM MODE, then push the right button on the MENU SET switch to cycle through the various color modes. Once in a mode, scroll down and set the CONTRAST, SHARPNESS, SATURATION, and NOISE REDUCTION. Once set, press the MENU button again to save it.
By going to the FILM MODE (MENU, REC MODE, Page 1, FILM MODE) you are able to customize your setting of CONTRAST, SHARPNESS, SATURATION, and NOISE REDUCTION and set it on a custom menu. Just select your settings and continue scrolling down to Memory and set your custom menu there. It has a flash shoe, and uses Panasonic Flashes. There are three to choose from but they can get real expensive! Panasonic DMW-FL360 External Flash (GN36) for Panasonic L1 DSLR and FZ50 Digital Camera, Panasonic DMW-FL500 TTL External Flash for Panasonic L1 DSLR and FZ50 Digital Camera
AVCHD Video, either 1080i, or 720p, 60 frames per second, or Motion JPEG. The video in 1080 or 720 AVCHD can be processed and played in Windows...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-FZ100 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)

Panasonics Lumix DMC-FZ100 features a newly-developed Leica DC Vario-ELMARIT lens with powerful 24x optical zoom. As Panasonic's first hybrid compact digital camera with a MOS sensor, the Lumix FZ100 can record full 1080p High Definition (HD) video--giving you a powerful hybrid that can shoot video and still photos with ease and professional-like quality.The Lumix FZ100 has an incredibly fast burst shooting in 14.1-megapixel full resolution at 11 frames per second with a mechanical shutter, and increases the frames per second to 60 in 3.5-megapixel recording. Additionally, the Lumix FZ100 features continuous Auto Focus up to five frames per second at full resolution for great action shots. It also features Intelligent Burst shooting. The digital camera judges the appropriate shutter speed to suppress the motion blur according to the movement of the subject, rising as high as possible, activating the high sensitivity recording.FEATURES:
Intelligent Auto (iA) mode - Panasonic's Intelligent Auto (iA) mode, a hallmark on all Lumix digital cameras, now includes Motion Deblur mode. By updating the motion detection (Intelligent ISO Control) and brightness control (Intelligent Exposure) users can gain the highest shutter speed possible. Combined with the outstanding brightness of the lens and the POWER O.I.S. (Optical Image Stabilizer), the Lumix FZ100 prevents any blur created from a handshake or a moving subject. The iA suite of technologies include: POWER O.I.S., Face Recognition, Face Detection, AF Tracking, Intelligent ISO Control, Intelligent Scene Selector and Intelligent Exposure. Panasonic's iA is also available while shooting video.
Free-angle 3.0-inch LCD - Featuring a free-angle 3.0-inch large 460,000-dot high-resolution LCD, the Lumix FZ100 features wide-angle viewing with Face Recognition functions that au

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