Showing posts with label eos. Show all posts
Showing posts with label eos. Show all posts

Quantaray - Zoom lens - 28 mm - 200 mm - f/3.8-5.6 - Canon EF Review

Quantaray - Zoom lens - 28 mm - 200 mm - f/3.8-5.6 - Canon EF
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This is an awesome lens. I bought it to replace the crappy lens that came with the digital rebel xt. It really is great. Sharp autofocus and great aperture range. This is perfect for what I do(astrophotography). The only reason i gave it four staars was that the autofocus can be a little sluggish but you can hardly notice it. Great value for a great lens.

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Imagine a single lens that ranges from wide angle to long telephoto. Now imagine it right at your fingertips! Quantaray's 28-200mm F3.8-5.6 Aspherical IF-Premier is one of several new Quantaray lenses. It incorporates one Aspherical Lens in the rear lens group and the one Special Low Dispersion (SLD) glass element in the front lens group. This high magnification zoom lens covers focal lengths from 28mm wide angle to 200mm telephoto, with close-up capability. It incorporates special internal focusing to enable it to focus as close as 19.7 inches (50cm) from film plane to subject, at all focal lengths, and to the use of polarizing filters. The optical materials used in this new lens are lead and arsenic free ecological glass. If you want to carry only one lens - carry this amazingly compact Super-zoom!PRODUCT FEATURES:Aperture type: Automatic/Variable.

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Canon Digital Rebel XSI 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Silver) Review

Canon Digital Rebel XSI 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Silver)
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My journey with DSLRs began back in 2003 with the original Digital Rebel. DSLRs changed my photography for the better like nothing else. Five years and some 25,000 shots later, it's still going strong. Along the way I upgraded to the Canon 30D, which is a fantastic camera as well. When the 40D was announced, I decided to wait until the 50D sometime in 2009, but wanted a newer backup/second body for my photography needs. So when the XSi/450D was announced, it sounded like a perfect fit for my needs.
I got it from Amazon.com three days ago, and have given it a pretty good workout since then, having shot about 650 shots under a variety of shooting conditions and with a number of different Canon and third-party lenses. The following are my impressions.
The build feels very good. The camera feels wonderfully light yet well built. I'm 6ft tall with average size hands, and the camera feels good in my hand. The battery grip, to me, defeats the purpose of having a small, light DSLR, so I opted for a Hakuba/Opteka grip (it's a plate that screws into the tripod socket that enables you to use the excellent Canon E1 hand strap with it) and I couldn't be happier. I'm not a fan of neck straps, so this works well for me (see the uploaded photo for the configuration).
Most of the menu buttons on the back feel different from the ones on the original Digital Rebel and the 30D; the XSi buttons feel more tactile and have a definite "click" to them when you press them. The exception are the Exposure Lock (*) and AF selector buttons, which have retained the deeper, softer feel of the older cameras. Just different, not better or worse, for me.
The LCD is now 3" with 230K pixels. The playback images look great, and probably because of the higher resolution of the sensor, there's a very slight delay when you zoom in to 10x while the image loads and displays properly. People coming from other cameras or brands might not even notice it--I only did so because of the difference between it and my two other Canon DSLRs (which have lower resolution sensors). The viewing angle of the LCD screen (how clearly you can see the screen from side and up and down) is excellent; you can still see the screen holding the camera almost straight up for an overhead shot (more on this later). I'd estimate the viewing angle is about 160-170 degrees both horizontally and vertically.
The Digital Rebel has a separate status screen above the main LCD screen, and the 30D had one on top of the camera, so I wasn't sure if I was going to like the big LCD acting as the status screen and no top screen. I'm happy to say that this arrangement works well, at least for me. The back screen makes it really easy to take all the settings at a glance. The viewfinder is much larger and brighter than that in the Digital Rebel. A humongously welcome feature for me is the always displayed ISO value in the viewfinder.
The camera is only 1/2 of the image quality equation, the other being the lenses being used. Coupled with my favorite lens, the Canon EF 70-200mm f/4 L telephoto lens, the XSi turns out fantastic images. The supplied kit lens is very light and compact for being an image stabilized lens, and turns out good performance. The IS is certainly very useful.
Two features that used to be missing from the Digital Rebels and found in the more expensive DSLRs are now featured in the XSi: spot-metering and flash exposure compensation (these may have been available in the previous Digital Rebel model, the XTi, as well). The inclusion of those two features make the camera a much more complete and compelling photographic tool. The timer function now has a custom mode, where it'll count down from 10 seconds then take a number of shots (specified by you) in succession. No more running back and forth to reset the timer after each shot! There's also the traditional 2-second timer.
Let's talk for a minute about sensor and the ISO values. XSi/450D has five ISO values you can choose: 100 (best image quality), 200, 400, 800, and 1600. Higher ISO increases the camera sensor's sensitivity to light, thus you can achieve faster shutter speeeds for a given lighting condition. However, the trade-off is that the sensor "noise" (think grain for film photography) increases with higher ISO, so you get a degraded image quality in return for less blurred photos from hand shakes (thanks to faster shutter speed). This may come in handy in situations where flash photography is not permitted, such as a museum or a concert or theater. HOWEVER, compared to point-and-shoot digital cameras, the larger sensors of DSLRs, including the XSi, means that even at ISO 800 and 1600 you get very usable images right out of the camera. Running the images shot at those ISO settings through any number of third-party noise reduction software will improve them even further.
This ties in to another very useful feature of the XSi/450D that makes life easier for the photographer: The Auto ISO function. By default, Auto ISO sets the ISO (the sensor sensitivity to light) between 100 and 800 (by using custom functions, this can be changed to 200-1600). If you are, for example, shooting your kid's indoor basketball game and you know that you need a shutter speed of at least 1/200 sec to "freeze" the action, then you can set the camera to Tv (shutter priority mode) and set the value to 1/200, and set the camera to Auto ISO. Then the camera will match the aperture and the ISO to achieve proper exposure at that shutter speed. With my other DSLRs, setting the camera to shutter priority only allowed the camera to adjust the aperture value; ISO setting had to be adjusted manually. With the XSi/450D, the ability for the camera to adjust the ISO value automatically makes it one less thing for you the photographer to worry about.
I've only tested the Live View function to see how it works, but I can already see how useful it's going to be in studio and macro shootings. Just a note, you can't half-press the shutter to autofocus while in Live View mode. You can either manual focus, or use one of the two autofocus methods, quick (the mirror flips up, the LCD goes dark for a short while, and flips down with focus locked) or live (the camera uses the LCD's contrast detection to achieve the focus--this method is slower than the quick method), both by pressing the exposure lock button (*) while in the Live View mode. Using either the RS-60E3 wired remote or RC-1 wireless remote in Live View mode will ONLY trigger the shutter, and has no bearing on focusing.
Some people seem to be under the impression that the inclusion of the Live View feature will enable them to use the XSi/450D as they do point-and-shoot digital cameras, to compose their shots. That is not the case. You can't really make a functioning use of the Live View feature unless the camera's securely mounted on a tripod or on a flat surface. Both Live View focusing modes, while precise, are too slow to be used for hand-held shooting.
Having said that, there is one use of Live View in hand-held shooting that I've come to value. When shooting overhead or over an obstacle, I can, with the same hand holding the camera, trigger the Live View, compose the scene through the LCD monitor (even if it's out of focus, it's easy to get the general framing right), disable Live View, and take the photo normally. With a little practice, this can be accomplished very quickly. Very handy when you're just holding the camera overhead and hoping for the best.
The Direct Print button that's been much ridiculed and maligned in most Canon cameras now double as the white balance menu button. The Set button in the middle of the four-direction arrow keys can be programmed for a number of different functions: Change image quality, flash exposure compensation, LCD monitor on/off (same as Display button, but can be triggered by the same hand holding the camera), and Menu display (again, can be triggered by the same hand holding the camera).
There is a dedicated ISO button, which is also very welcome. It can easily be accessed during shooting with the right thumb, thereby minimizing the interruption to shooting.
The battery life seems very good. I've shot about 500+ shots on a single charge and the status monitor is still showing charge at full.
I'm using Transcend 8GB Class 6 SDHC card with it. At ISO 100, the camera reports it can fit 396 RAW+JPG (highest quality) on it, but in reality it can probably fit about 420-450 (the camera's always conservative when estimating). With RAW only, it can fit 507. With highest quality JPG, it can fit 1,822. Note that as ISO increases, so do the file sizes and thus you can store less images per card. For example, on ISO 1600, the same card can only hold 323 images, compared to 396 at ISO 100.
My only gripe, and this is more about me than the camera, is the RAW+JPG buffer. I always shoot RAW+JPG, and the buffer will only hold four images at that speed (this is a limitation that's built into the camera's memory buffer system, and thus using a fast memory card doesn't help--see p.64 of the manual). When the buffer's full, you can take two additional images at about a frame a second, then have to wait until the buffer empties (finishes writing to the memory card). When shooting RAW only, it's 6 images. When shooting JPG only, then it's no problem at more than 50 frames. I've found myself switching the mode dial to Sports mode when I'm shooting a fast-moving subject and the buffer simply can't keep up with it. Well, that's why Canon produces different grades and ranges of DSLRs.
I've uploaded some photos that I shot of the local wildlife. Most if not all of those were taken with the EF...Read more›

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Canon Rebel XSi 12.2MP Digital SLR Camera

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Canon EOS 50D 15.1MP Digital SLR Camera with EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens Review

Canon EOS 50D 15.1MP Digital SLR Camera with EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens
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SECTION 1: WHO IS THIS REVIEW FOR
This review is close to 10 pages long because it was written for people who are not proficient with the terms and concepts used in the DSLR world. If you are a proficient DSLR user then I would recommend that you check one of the much shorter reviews here or dpreview. For example, you already know what vignetting is and therefore understand the importance of the new lens peripheral illumination correction feature. However, a new DSLR buyer does not know what this means and this is why I therefore explain what each feature really is so these people can then decide if the feature is really important to them.
If you have not done so as yet, be sure to also check out my reviews of the Canon 7D and Canon 40D as well.SECTION 2: INTRODUCTION
It has been just over a year now since I purchased my Canon 40D. At the time, I was just beginning to take my photography really serious. Since then, a lot has changed. I have now become a semi-pro. I still have my full-time job as an IT Manager here in Miami. However, I do a lot of photography work, especially events, on the weekends.
I really love my 40D but as I started doing more and more professional work I realized three things:
1. I needed a second camera body
2. I needed a camera with a more professional focusing system.
3. I needed a camera with even higher ISO performance
It was rumored back then that the replacement for the Canon 5D would be out in the first quarter of 2008. I decided to wait for it. However, when the time came there was no news from Canon about the 5D replacement. This was back in March 2008. The Nikon D300 had now been out for a while by then. I thought about buying it but I decided to wait until it was fully reviewed by dpreview as I wanted to see if Nikon had really finally addressed the high ISO performance issues. I ordered it one day after it was reviewed by Phil Askey on dpreview.
Since then, I have been using both the Canon 40D and the Nikon D300. I know it is a bit of a strange combo. People are always surprised when they see that I am using a Canon and a Nikon together.
I took all three cameras - Canon 40D, Canon 50D and Nikon D300 - over the weekend to the Miami Seaquarium to see how the new Canon 50D compared with both of them. SECTION 3: NEW/CHANGED FEATURES
A. High-resolution LCD Screen
The LCD screen is still 3 inches. However, Canon has now increased the resolution from 230,000 dots to 920,000 dots which is the same as that found on the Nikon D300. Of course, this makes it a lot easier to check images on playback to see if they are sharp and in focus. More important, however, is the fact that Canon added a two layer anti-reflective coating which makes it way easier now to review images in bright sunlight. It is a lot easier to review images on the Nikon D300 than the Canon 40D. However, the Canon 50D definitely surpasses the Nikon D300 when reviewing images in bright sunlight.
B. 15.1 Megapixel CMOS Sensor
I think the MP increase is the biggest surprise to me since Canon has always been conservative when it comes to this. However, this increase now seems to be the trend as the new Canon EOS 5D Mark II has gone from 12 MP to a whopping 21 MP. I was always puzzled by the fact that the baby Canon Rebel had more MP than its big brother.
I can clearly see the difference in the resolution of the images produced by the 15.1 MP Canon 50D and those from the 10 MP Canon 40D. For a casual shooter this is not a big deal. However, for professionals shooting events this is really useful. Whenever I shoot an event I try not to turn it into a photo shoot. People are there to have fun. That is the first priority. I need to be able to get my shots fast. Many times this means getting the shot and then doing some cropping to make it perfect. Having 15 MP to play with can be a life savior here. Of course, if I only did portraits where I have time to pose my subjects this would be less important to me.
There is a small difference in the resolution of the images from the 15.1 MP Canon 50D and the 12.1MP Nikon D300. C. High ISO Performance
The ISO setting control how sensitive the image sensor is to light. As the light gets lower you can increase the ISO to avoid using the flash. This is really important when you want to shoot in available natural light such as at dusk or at dawn when the light is really beautiful. Another example is when you want to photograph a bride and groom during the first dance without using the flash so you capture all the romance. The downside to increasing the ISO is that the resulting photos will tend to get grainier as the ISO increase.
The Canon 40D allowed me to go to ISO 1600 and then expand it to ISO 3200. When I just started out doing casual shots this was okay. However, I find that I often needed to go higher than 1600 and of course I was forced to use ISO 3200. On the Nikon D300 I could go all the way up to ISO 3200 standard so if I needed to use anything higher than ISO 1600 I would use the Nikon D300. That way if I only needed ISO 2000 I could use that setting rather than use ISO 3200. I must let you know that Nikon did fix the high ISO performance issues that plagued its DSLRs prior to the Nikon D300.
The Canon 50D now comes with a standard range of ISO 100 to 3200 just like the Nikon D300. However, the concern that I had was that with the big increase in MP count there would be much more noise (grain) at the higher ISOs. The more MP you have the more noise you tend to get at higher ISOs. I would have much preferred a smaller MP count and better high ISO performance. However, the engineers at Canon have really outdone themselves this time. The high ISO performance of the Canon 50D is just as good as the Nikon D300 even though it has 3MP more. Much of this is due to the fact that Canon is now using gapless micro lenses on the image sensor. This seemed to have really increased the light gathering capabilities of the pixels.

The Canon 50D ISO can be expanded to 6400 (H1) and 12800 (H2). The Nikon D300 can only be expanded up to 6400. However, on the Nikon D300 you can go from 3200 to H0.3 and then to H0.7 before you get to H1.0 which is 6400. This is more flexible than having to go straight to 6400 since you should generally try to use lower ISO speeds.
You might be thinking that it is absurd that anyone should want to use ISO 6400 and worse ISO 12800. However, there are times when getting the shot is more important than the quality of the shot itself. A good example here is when shooting sports. If the light becomes very bad for whatever reason you will need to increase your ISO as much as possible to get high enough shutter speeds to freeze the action.
D. Auto ISO Range (100 to 1600)
I have been to Butterfly World on several occasions to get photos of butterflies, birds and the tropical plants there. It is normally very sunny so to save time I shoot in Aperture priority mode. This allows me to simply set the aperture and then let the camera automatically set the shutter speed based on the current ISO and aperture settings. One thing about South Florida is that one minute it can be very sunny and then in just a few minutes it can become real cloudy. The problem this pose is that when it becomes real cloudy the shutter speed selected by the camera can be so low that it would result in camera shake which in turn results in blurry images. When I just started out my photography this actually happened to me as I would simply forget to check the shutter speed that was selected by the camera.
The auto ISO feature lets the camera automatically change the ISO to suit the shooting mode. For example, when in aperture priority mode if the camera detects that the shutter speed selected would result in camera shake it automatically increases the ISO. This feature is available on the Canon 40D. However, the maximum ISO it would automatically set is 800. The Canon 50D will now set ISO up to 1600 which is a lot more flexible.
The Nikon D300 actually takes the auto ISO concept further by allowing you to set the maximum ISO you want the camera to set and the minimum shutter speed you are willing to work with before the camera start to automatically set the ISO. This gives ultimate control to the photographer.E. Burst Buffer
Another concern I had with the big increase in MP count was the impact it would have on the burst rate. With the MP count going from 10 to 15 this would normally result in a much slower burst rate. However, the new DIGIC IV image processor is a lot faster than the previous DIGIC III processor so the burst rate is pretty much the same at 6.3 frames per second from 6.5 frames per second. If you use a UDMA card with the Canon 50D you can buffer up to close to 90 large/fine JPEGs versus the 75 on the Canon 40D. The Nikon D300 can store up to 100 large/normal JPEGs at a burst rate of 6 frames per second. With the optional MB-D10 batter pack you can get 8 frames per second. F. Lens Peripheral Illumination Correction
It is just a fact of life that the light entering a lens tends to fall off around the edges. This tends to be more pronounced when the lens is wide open. The resulting photo will appear dark around the edges. You will see it sometimes referred to as Vignetting. It is more common on cheaper lenses. However, even the most venerable and expensive lenses are not immune to this problem. I have sometimes seen it on my professional grade lenses such as the Canon 100-400mm f/4.5-5.6 L IS lens and even the Nikon 70-200mm f/2.8 G lens.
If you have Photoshop CS3 you can quickly correct...Read more›

Click Here to see more reviews about: Canon EOS 50D 15.1MP Digital SLR Camera with EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens

The EOS 50D bridges the gap between the novice and the seasoned pro with a perfect combination of high-speed and quality. It features an APS-C sized 15.1-megapixel CMOS sensor for tremendous images, new DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO capabilities up to 12800 for uncompromised shooting even in the dimmest situations. It features a refined 3.0-inch Clear View LCD (920,000 dots) monitor, supercharged Live View Function with Face Detection Live mode, plus a number of new automatic Image Correction settings and HDMI output for viewing images on an HDTV. Pick up the EOS 50D and you'll experience true digital inspiration!FEATURES:
15.1-megapixel CMOS sensor with improved noise reduction - The EOS 50D features a newly-designed 15.1-megapixel APS-C sized CMOS sensor which is capable of recording up to 4752 x 3168 pixels with full 14-bit A/D conversion for extremely fine tonal gradation. Ready to capture images in an instant, the sensor is designed to work with Canon\'s EF and EF-S lenses with a conversion factor of 1.6x. It\'s capable of recording at sensitivities previously too noisy for shooting in low light or subjects in motion. With a maximum ISO rating of 12800 combined with a 4-level High ISO speed noise reduction function, images that would have been impossible without the use of a strobe or flash become simple to record.
Next generation DIGIC 4 Image Processor for faster processing - The EOS 50D operates with such effortless speed that operation is nothing short of intuitive. With instant startup times, speedy autofocus and minimal shutter lag, the EOS 50D is one of the fastest cameras available today. It can shoot up to 6.3 fps, in bursts of up to 90 JPEGs (using an UDMA CF card), 60 JPEGs (using a CF card) consecutively or 16 RAW files, so you\'ll never, ever miss a sho

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SanDisk 2 GB Extreme IV CompactFlash Card ( SDCFX4-2048-901 ) Review

SanDisk 2 GB Extreme IV CompactFlash Card ( SDCFX4-2048-901 )
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PRO: Very Fast, Allows more continuous shots without filling buffer
CON: Expensive
The SanDisk 2 GB Extreme IV CompactFlash Card is so fast, when I held down my shutter release (with Rebel XT set to Raw) for 3 fps continuous shooting, 30 seconds later it was still firing (it may have gone longer, but I just gave up and took my finger off the button). The Rebel XT is only rated for 5 or 6 Raw frames at 3 fps. Apparently, this 40 MB/s card clears the buffer faster than the pictures can fill it up. I also feel very confident that I can take multiple shots in succession even while the camera is set to both Raw and Large/Fine JPEG (at the same time) without worry that the camera will be busy writing to the card. On one outing, I took 101 JPEG pictures (approx. 3.3 MB each) and uploaded them to my PC via the Sandisk Firewire card reader in less than 30 sec (est.). Note that you probably will need the Firewire reader to get the full 40 MB/s upload speed (from your card to your PC). This card costs a bit more than the Extreme III, but it gives a very comforting level of performance overhead.
CONCLUSION: Best memory card available for DSLRs. Worth the money. Get the Firewire card reader if your PC has one of the two provided Firewire plug types. The Firewire connection on the front of my PC was not compatible, but the back one was.

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As the leader in high-performance flash technology, SanDisk is introducing the newest flagship product specifically designed for medium format cameras with a digital back, targeted at the high-end professional photographers, for the Americas Photo channel. Extreme IV has extremely fast read/write speeds. This line provides the durability and high-speed quality demanded for serious photography.SanDisk's award-winning technology solidifies the strength of the Extreme family of high-performance flash cards. It provides your customers the full line of SanDisk digital imaging products, from our entry-level blue label through this newest edition of our Extreme IV products.The Extreme IV CF card has the fastest speed available today, in a brand name you can trust.

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Tokina AF 12-24mm f/4 AT-X Pro DX Lens for Canon Digital SLR Review

Tokina AF 12-24mm f/4 AT-X Pro DX Lens for Canon Digital SLR
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I lowered my pride and bought a third party lens. I have been horribly dissapointed with third party lenses in the past, but this lens is increadible! its very sharp and has less distortion than my 18-70mm nikkor AF-S DX lens! this lens has permanantly replaced the kit lens on my D70. I have been using this lens for about a month now and I the only complaint i have is minimal ghosting in direct sunlight. this is easily cured with a well placed hand. I can block all ghosting without getting my hand in the picture even at 12mm. i dont use the lens hood, so I dont know how effective it is. this lens is large and it will cause horrible shadows with the built in flash or an attached speedlight. it will also cause shadows while in commander mode with a wireless set up. this is not a concern for me. I simply hold my speedligh in front of my built in flash in commander mode when ever I need a flash. I have used a nomal thickness UV filter with this lens (hoya 77mm) and i could see no distortion at all at any settings. I am a diehard nikkor fanantic, however, I am very impressed with this lens. I would definently recommmend this lens over the poorly built $1000 nikkor version.

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Marumi Adapter: M42 Pentax Screw Mount Lens to Canon EOS Camera Body Review

Marumi Adapter: M42 Pentax Screw Mount Lens to Canon EOS Camera Body
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This is a finely machined adapter that goes on very easily and does what it's intended to do. All M42 lenses goes on without any problems, and is a perfect fit. However, on the Canon Eos 5D Mark 2, the camera's mirror will hang up on the lens' aperture actuating pin. I've asked someone about this, and apparently, one must pull out this actuating pin with a pair of pliers. This will disable any M42-mount camera from stopping down the aperture. The lens will stay at its widest aperture forever. On the other hand, if you have an M42 lens with a manually-operated aperture, the Eos 5D mark 2 will operate flawlessly, because manual aperture lenses do not have that pin.


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Precision made Marumi® brand adapter. Allows you to use Pentax universal screw mount lenses on your Canon EOS mount camera. Allows focusing to infinity.Includes removal tool.Made in Japan.Does not support auto lens functions:manual focus & manual diaphragm only.

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Canon EOS 5D 12.8 MP Digital SLR Camera (Body Only) Review

Canon EOS 5D 12.8 MP Digital SLR Camera (Body Only)
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Here are the basics that I considered and have found out from about 9 months of ownership. Keep in mind opinions on photography equipment varies greatly by the user and what the equipment is used for so while I think the 5D is near-perfect, others might not.
While the positives and negatives seem even in number, the positives FAR outweigh the negatives. I have no regrets about my purchase.
Positives
+Full frame sensor: allows me to acheive true wide angle photographs with no crop factor
+Image size: I have had a number of large (20"x30") prints made and the results are flawless
+Ability to shoot in RAW: While the files are huge (12MB+ each), the information and options this format provides has really expanded my technical and creative abilities.
+Build quality: While I haven't tried the true Canon Pro series (1 series), the 5D is pleasantly sturdy and feels solid in my hands. I can see how some might find it too heavy, especially with an L series lens.
Negatives-
-Lens requirements: Because of the full frame sensor, the 5D brings out the best (and worst) out of the corners and edges of your lenses. You will be able to tell a lesser quality lens more easily on the 5D than on a cropped sensor lens. The obvious negative is that better lenses like the L-series are generally much more expensive ($600+)
-No flash: Not a big deal to me but I've noticed that people are surprised when they see the 5D has no flash. This doesn't matter that much since built in flashes are rarely useful in most situations.
-Dust in sensor: Make sure you get a good sensor cleaning kit shortly after getting the 5D. There are steps you can take to minimize dust like changing lenses rarely and always indoors but you will need to clean the sensor every few months depending on use. To test if you need to clean (on any DSLR), put the camera on a tripod or flat surface, point it at a white wall , focus, and shoot with a long exposure and small aperture (5+ seconds and f/16 or smaller). If there is any junk on your sensor you should see it.

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RE) CANON EOS 5D SLR BODY

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Lensbaby 2.0 Canon EF Mount SLR Camera Lens (LB2C) Review

Lensbaby 2.0 Canon EF Mount SLR Camera Lens (LB2C)
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This is great for those people who miss the selective focus aspects of the 4x5, but compact and easy enough to use on your digital or 35mm. I think the price is a little high for what you get, but that's not too uncommon these days.... I am a professional wedding/portrait photographer, and I do landscapes and wildlife on my own, andit adds a nice 'something different' to my work. I would recommend it!

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Lensbaby 2.0 For Canon EF

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Lightweight and Compact Digital Canon Dslr Flash Review

Lightweight and Compact Digital Canon Dslr Flash
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I recently upgraded from the Canon S5 IS to the SX 10 IS and bought this Sunpak not for the extra flash range, but simply to take that task from the camera, and quicken / improve the recycle time (and increase battery life). My primary use is for fill flash, and this is mostly outdoors.
The Sunpak is small, pocketable and does the job well! At it's size, I was amazed to find it had been designed to provide bounce flash as well. I've experimented with this indoors and now have a new benefit I was not counting on (or looking for).
I also love the fact that this flash sits nicely atop the SX 10IS (and G10) - having tried a competitor's flash previously, it almost looked as though the tail was wagging the dog. The smaller, shorter profile of this flash makes a perfect package, the balance and esthetics are excellent. I'm spareing technical details here, but will mention the E-TTL II interface has been just as claimed - it WORKS!
If you have an SX 10 IS (or it's big brother with HD Vid & RAW), a G9 or G10 ... or even a Powershot S5 IS, this flash will be worth every penny to you. I was skeptical on third-party E-TTL II compatability, this Sunpak has allayed those concerns. On top of all this, it fits nicely in a small pocket of your camera bag and looks great!

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SUNPAK DIGITAL FLASH FOR CANON ACCSDSLR Cams

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Canon Digital Rebel XTi 10.1MP Digital SLR Camera (Silver Body Only) Review

Canon Digital Rebel XTi 10.1MP Digital SLR Camera (Silver Body Only)
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[This is the same review I posted for the kit. If you're getting the body because you don't like the 18-55 lens, keep in mind that some dealers offer this camera in a kit with the much nicer 17-85 USM IS (image stabalization) zoom.]The new Digital Rebel XTi camera should appeal to a wide variety of users: those wishing to upgrade from a point & shoot digital, or those wishing to improve upon their first generation digital SLRs. Features and value make this a 5-star camera, but it won't be everyone's cup of tea.
Compared to the previous Digital Rebel XT, important improvements are:
1) 10.1 megapixels. In digital camera circles, this is like saying a car has more horsepower than an older car. While this alone doesn't mean "better" pictures, in reality, combined with other improvements in hardware & software, the results typically are better.;
2) 2.5" LCD panel. This alone has more than one advantage. The obvious first one is that our pictures look larger in review. The second, and for someone approaching 50 (like myself), is that the LCD is now used for all the camera's data (shutter speed, aperture, shots left, etc.). It's much easier to read than the small LCD typically located on the top of the cameras. It might use up the batteries quicker, but, heck, if you can see the info this much easier, then so be it. One complaint, it does not appear that the data rotates when you do verticals (like the Sony Alpha 100).;
3) 9-point AF. The number of points are improved from 7, but the real key here is that it's the system from the 30D, which had a much higher degree of accuracy than the previous Rebels.;
4) Picture Styles. I didn't really appreciate them at first, but simply put, this is like the days of film, when we could use a "portrait" film or "landscape" film. For those that don't like to do a lot of computer work, these can be VERY handy in getting the right look in the camera.;
5) Dust cleaning system. OK, I think the dust problem will probably be a little overblown, now that Canon offers a solution, but it is a real, if not great, threat. Additionally, the way Canon has implemented it is second to none. The first is through hardware. An ultrasonic filter can simply shake the dust off. Second is through software. If you spot a nasty piece that won't shake off, you can do a reference shot, and have the dust removed by software on your computer.;
6)The grip has been improved a little. The rubber on the grip is improved, and an anti-slip strip has been placed on the back where the right thumb goes.
Most all other things Canon is know for still exists. The camera focus fast and quietly. Camera operations are quick and easy to locate and use. Pictures look great.
Now for the other side. This is an unusual time in that all the big players are comming out with a 10 megapixel camera at the same time, so the Canon has some stiff competition. Here goes a simple comparison.
1) Compared to the other two cameras already available, the Sony A100 and Nikon D80 (both also 5-star cameras), the XTi is considerably smaller, and somewhat lighter. Some will like this, even some with medium to medium-large hands. But most people with larger, and some with somewhat smaller hands may prefer the other two choices.;
2) The battery is somewhat smaller than its rival's, and may drain a bit faster due to the LCD being used for info all the time.;
3) Functionally, the rear LCD is not as nice as the Sony's. The Sony's rotates, can be set to enlarged type (50+ user again), and the system that turns it off as your eye approaches also starts the AF on the Sony. [Although many like the top LCD, the Nikon way of needing to push a button on the back, then peak over the top to see what you're setting is not as nice].;
4) No in camera stabalization. The A100 can shift the sensor to help eliminate camera shake. Nikon and Canon require you to purchase rather expensive lenses to get the anti-shake.;
Also, soon to be added to the competion will be the Pentax K10D. Specs are sketchy right now, but it appears to be enter the competition as a 10 megapixel camera with built-in anti-shake (much like their K100D).
Of these 3 currently on the market, the Canon is the least expensive; therefore, it's up to the other 2 to show they are worth more, a very difficult task, indeed.

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Point and click made easy!The sleek Canon Digital Rebel XTi 10.1MP digital EOS camera will make capturing life's precious moments easy! Coming in your choice of silver or black, its modern look only hints at its great features. The new self-cleaning dust function, plus Dust Delete Data Detection is in included software and the DIGIC II Image Processor provides fast, accurate image processing. The picture style settings add creative control so you can get just the image you want.

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Sigma Electronic Flash EF-500 DG ST for Canon SLR Cameras Review

Sigma Electronic Flash EF-500 DG ST for Canon SLR Cameras
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works awesome with canon digital cameras, pictures are better than built in flash, nice price and features, tilts, swivles has flash guard/cover comes with base accessory and carrying case that holds all you need. does not come with 4 AA batteries which is required to use the flash.
the 4 AA batts. last approx. 2000 flashs
highly recommend

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Electronic Flash EF-500 DG ST can be used with Sigma's and other manufacturers' AF 35mm SLR cameras and Digital SLR cameras. It has a maximum guide number of 165 in feet or 50 in meter at 105mm focal length (ISO 100). Projection angle of the flashlight is set automatically to match the lens' focal length ranging from 28mm wide-angle to 105mm medium-telephoto. It incorporates a wide panel that expands the angle of illumination that of a 17mm focal length lens.It enables full automatic flash photography by TTL automatic flash exposure control. It now includes S-TTL flash photography for Sigma, 3-D multi-sensor balanced fill flash function and i-TTL flash photography for Nikon, E-TTL II flash photography for Canon, ADI flash photography and P-TTL flash photography for Minolta.For bounce flash it can be tilted 90? upwards and 7? downward for close-ups. Also, it can be swiveled 180? to the left and 90? to the right. In addition manual flash can be set to full and 1/16 output levels in 2 steps. Covering focal length of the flashlight can be seen on the LED panel and the flash ready signal can be seen in the viewfinder. EF-500 DG ST incorporates auto power off system.

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Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens + 16GB Card + Battery + Case + Tripod + Accessory Kit Review

Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens + 16GB Card + Battery + Case + Tripod + Accessory Kit
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I got this package deal as it was the same price as getting just the camera and lens without all the other stuff in the package, so I figured it couldn't hurt. Everything promised is included and new, but some of the additional stuff is pretty cheap, though not all of it. The bag is pretty nice and actually larger than I had anticipated, with plenty of room for this gear and quite a bit more. The memory card is large and fast enough for HD video recording. The extra battery works fine and it is always nice to have a spare. The cleaning kit is pretty simple, but it works. The screen protector works well, you must cut it out to the proper shape though, really not a big deal. The UV filter was incredibly difficult to get threaded properly on the lens, and I will be replacing it soon with a different brand. The main weak point of the kit is the tripod. The tripod is cheap feeling and not very sturdy. As I tightened the screws to lock everything in place, the plastic pieces creaked with even slight pressure. I will use this tripod for now while indoors, but will be replacing it as soon as I can.
All in all:
Great camera
Good lens, bag, battery, screen protector, cleaning kit and memory card
Pretty bad UV filter
Very bad tripod
Still, everything but the body and lens came as a free bonus, so I don't see why you wouldn't go with this over just the body and lens. If you already have a lens that fills the space of the 18-135 in this kit, just get the body and save the money to get nicer accessories.
Update: The price of the bundle has increased, and I would strongly consider getting just the body or body + kit lens. The extra stuff was nice, but I would not have bought this kit at the current price ($100 ish more than the body+kit lens)

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Kit includes:♦ 1) Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS Lens♦ 2) Transcend 16GB High-Capacity SecureDigital (SDHC) Card♦ 3) Spare LP-E6 High-Capacity Lithium-Ion Battery Pack♦ 4) Vivitar 67mm UV Glass Filter♦ 5) Digital SLR Camera Carrying Case♦ 6) Precision Design Deluxe Camera Tripod with Carrying Case♦ 7) Precision Design Memory Card Storage Wallet♦ 8) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit♦ 9) Digital Camera LCD Monitor Screen ProtectorsThe Canon EOS 60D features an APS-C sized 18.0-megapixel CMOS sensor for tremendous images, Full 1080p HD Video, DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO up to 12800 for uncompromised shooting even in the dimmest situations. It features a refined Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor, supercharged Live View Function with Face Detection Live Mode, plus a number of automatic Image Correction settings and HDMI output for viewing images on an HDTV.The Canon EF-S 18-135mm IS Lens boasts a 35mm equivalency of 29-216mm when used with a Canon APS-C EOS Digital SLR. Measuring just 4" in length and weighing about a pound, the lens offers a convenient wide angle to telephoto focal length.
Take more high-resolution pictures faster with this 16GB High-Capacity SecureDigital (SDHC) memory card.
Increase your shooting capacity with this powerful LP-E6 Lithium-ion rechargeable battery.
This camera case will easily hold your camera with attached zoom lens, plus four lenses, flash and accessories. Features a fully padded main compartment with dividers, and numerous pockets.
Avoid camera shake and achieve maximum image quality by setting your camera on this sturdy, lightweight 57-inch tripod.


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Fotodiox T/T2 Lens Mount Adapter for Canon EOS Mount Camera, Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D Review

Fotodiox T/T2 Lens Mount Adapter for Canon EOS Mount Camera, Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D
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This is just a little screw-on adapter to allow third-party lenses to fit onto a Canon EOS Rebel camera. It's inexpensive, appears to be solidly built, and works perfectly. What else can be said?

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If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ¡Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format û medium format, medium format û 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Canon EOS 6.3MP Digital Rebel Camera (Body Only) Review

Canon EOS 6.3MP Digital Rebel Camera (Body Only)
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I went digital 5 years ago. My first was one of the very old Olypus digitals; no removable storage, just a cable to the computer, 120 low resolution or 30 medium resolution shots and then the memory was full. The colors were always off, there was no zoom, and it was amazing that it worked at all. No wonder I also bought a pocket 35mm camera to take "real" pictures since the Olympus' were so small, grainy, and colorless. At least the 35mm had a datestamp option. 3 years later I bought the Canon PowerShot S30, then when I lost it (or had it stolen?) I replaced it with the S40. The PowerShot S50 sold today is the same body style with more pixels and a couple of annoyances fixed.
This camera is NOTHING like those cameras. I had plenty of complaints about the S30 & S40. My biggest gripe was missing the shot. I take pictures of children, especially at school functions. I would line up a wonderful shot, push the button... and they would move! They'd get up and walk away, they'd turn around, they'd crowd into the subject, I was missing 80% of my shots. About a year later, the shutter would finally click. So my hard drive is filled with so-so shots that would have been winners if that annoying delay hadn't gotten me... again!
No problem with the Digital Rebel. Press the button, focus is lightning-fast, then click goes the shutter. You look through the viewfinder to frame your shot, not at the back on those hard-to-read LCD screens. Several modes allow multiple pictures, just in case, such as in Sports mode. I am seeing such an improvement in my pictures since I got this camera a few weeks ago. First of all, they are always framed properly, because I'm not dealing with sudden motion after shutter release, nor am I dealing with an LCD for a viewfinder, or a "viewfinder" that makes me correct for parallax. Next, the colors are amazing. Third, 6.3 megapixels... when would I ever want that much? When I want to crop 80% of the picture and still print what's left!
It is great to have a camera with some heft that still doesn't feel like a brick. As everyone else says, get the kit lens. It is 18 to 55mm, so a nice wide-angle lens for group shots, etc. I find 55mm not close enough for shooting children; the S30/S40 I mention above has an 11-55mm range which I already knew to be insufficient for shooting kids. Thus I bought the Canon 28-200mm zoom lens and keep that one on the camera, only switching to the kit lens when I do big groups or a lot of similar portraits (that big zoom lens weighs four times as much as the body!)
Yes, it is an amazing camera for "under" $1000. Truth be told, I spent more than that on accessories; the 28-200mm lens was almost $500, with 6.3 megapixels you might as well buy the biggest flashcard you can, and that's 2 GB these days; you'll need a case, you really ought to buy skylight filters to protect those lenses from getting scratched, an extra battery is a really good idea... well, you see what I mean.
Still an amazing camera, especially after dealing with those tiny toys for all these years.

Click Here to see more reviews about: Canon EOS 6.3MP Digital Rebel Camera (Body Only)

The Canon EOS Digital Rebel brings advanced digital performance and SLR controls to everyday photographers. Whether you're new to digital cameras, SLR cameras, or even photography itself, you'll find that the EOS Digital Rebel is powerful, yet fun and easy to use. It features a 6.3-megapixel sensor, automatic and manual controls, and compatibility with Canon's range of EF lenses. This model does not include a lens.
Optics and Resolution A large-format, high-resolution CMOS sensor captures 6.3 million pixels to deliver up to 3027 x 2048 pixel images. Other resolution modes include 2048 x 1360 and 1536 x 1024. As it captures images, the sensor amplifies each pixel's electric charge, for ultra-fast image scanning. The large sensor also has a 3:2 aspect ratio, traditional to 35mm film, for a familiar compositional feel.
Canon's exclusive DIGIC image processor offers advanced signal processing algorithms that heighten precision and detail, smooth gradation in highlight areas, and create color reproduction that is as vivid as it is utterly natural. Additionally, the DIGIC's speedier processing improves the camera's battery performance, and adds to the camera's overall responsiveness and agility.
More Features With the 1.8-inch LCD screen, you can zoom images from 1.5x all the way to 10x, moving up, down, left and right to see any area up close. You can even advance to the next shot in the enlarged view with no need to zoom again. The Digital Rebel also generates JPEG Small/Normal image files to make the image playback faster on the camera's LCD monitor.
Advanced controls will keep experienced photographers motivated and inspire beginners to flex their SLR skills. Creative Zone modes include A-DEP (automatic depth of field auto exposure) to set a "zone of sharpness," Manual, Aperture Priority AE to set the aperture, Shutter Priority AE to set shutter speed, and Program AE to let the camera select different shutter/aperture combinations while maintaining a constant exposure.
The camera's controls are intelligently arranged. A mode dial gives you easy access to shooting controls to make even one-handed shooting comfortable.
Other features include:
Built-in, pop-up flash with an approximate 3-second recycle time
Continuous shooting speed of approximately 2.5 frames per second with a maximum burst mode of 4 shots
ISO speed range of 100 to 1600
7-point autofocus with the following modes: One-Shot AF, Predictive AI Servo AF, AI Focus AF (Automatically selects One-Shot AF or AI Servo AF selected according to shooting mode), Manual Focusing (MF)
Printing Canon has introduced a series of printers designed to work directly with its lineup of digital cameras, including the Digital Rebel. Using these printers, no computer is required--simply connect the camera to the printer and start printing. Printers include Canon's bubble jet direct printers i900D and i960, and card photo printer CP-200 and CP-300. New PictBridge compatibility allows you to connect the camera to any PictBridge-conforming printer and access a wide range of printing media, modes, and styles.
Storage and Transfer Images are stored on CompactFlash Type I or II memory card; the Digital Rebel is MicroDrive compatible. The Digital Rebel does not include a memory card.
Images can be downloaded to either a Mac or PC via USB 1.1, which means the camera can be connected to any USB-based Windows Me/2000/XP and Mac OS 8.6 or later computer without installing any software.
Power and Size The camera is powered by a rechargeable lithium-ion battery (BP-511, included). It measures 5.6 by 3.9 by 2.9 inches and weighs 19.7 ounces (excluding battery).
What's In The Box This package includes the EOS Digital Rebel digital camera, rechargeable lithium-ion battery pack (BP-511) and battery charger (CB-5L), USB and AV cables, and wide neck strap. It also comes with Adobe Photoshop Elements and Digital Camera Solutions CD-ROMs with imaging software and USB drivers for Windows and Mac.

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Canon EOS D30 3MP Digital SLR Camera (Body Only) Review

Canon EOS D30 3MP Digital SLR Camera (Body Only)
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If you want the ultimate in digital photography, the Canon D30 is the ticket as of December 2000 -- especially if you already own Canon EOS lenses, because they're completely compatible. Canon won't call this a "Pro" camera, because it's not as weather-tight as pro models, but the body is rugged and the output is first-rate.
The D30 has enough features for professional photographers, yet a novice can get great looking pictures from the start. As you learn more about the camera and its capabilities, your images really start to shine.
Want to experiment with long-exposure photography? Go right ahead! Feedback is instant. No more waiting for processing. No more developing costs. Want to blow up your photo to 8x12 inches? No problem. With a little massaging via Adobe Photoshop (tm) and/or Genuine Fractals (tm), even poster-sized prints look great, using photo paper and a photo-quality inkjet printer. Software to get you going, including Photoshop LE, is included.
The D30 accepts IBM Microdrives (1 gigabite of storage in the camera!) as well as compact flash. The included 16 meg flash card is enough to test the camera, but you'll really want to get something bigger, right away. The D30 offers a variety of image compression options -- including the Raw format, which allows the most flexibility and avoids jpeg artifacts. The wide variety of storage options means freedom to shoot at will and experiment. An included cable allows you to connect your camera to your computer's USB port and download images at will.
As I said, all Canon EOS lenses will work with the D30, but there is one difference to consider. Because the CMOS chip is smaller than a 35mm negative, the field of view is different. For example, a 100 mm lens on an EOS film camera works like a 160 mm lens on the D30. They call it a 1.6x multiplier effect, but what it means is that long-distance shooting is easier, and to get wide angle shots, you have to get a REALLY wide lens. For example, a 14mm aspherical wide angle results in a 22mm wide angle shot on the D30.
When the D30 was first released in the Fall of 2000, the demand was far beyond what Canon could produce... in the United States and around the World. As of this writing, the cameras are still in short supply, but well worth the effort and the investment. Kudos to Amazon for adding the D30 to their digital photography offerings.

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The Canon EOS D30 is one of the few available interchangeable-lens digital single-lens reflex (SLR) cameras. It's designed to offer the performance and picture quality of a film-based SLR with the convenience and features of a digital camera. Based on Canon's EOS line of film cameras, the D30 is compatible with all EOS-related equipment, including EF lenses and EX-series Speedlite flashes. This model is targeted at "prosumers" (serious consumers and some professionals), and its EOS compatibility makes it a natural choice for people who already own Canon equipment.
If you're accustomed to using a Canon SLR, the D30's features and controls will be familiar. As with film models, the shutter speed, aperture, and focus can all be set manually or automatically. White balance can also be adjusted, either by selecting a preset value or by shooting and storing a reference image. Unlike most digital cameras, the traditional optical viewfinder is the only way to frame your shots; the 1.8-inch LCD monitor on the back of the camera is for perusing images and adjusting settings only. One bonus of this arrangement is that the D30 is always ready to take pictures; you don't have to worry about changing modes as you must on most digital cameras.
The introduction of the D30 also marks the first use of a CMOS sensor in a multimegapixel digital camera. Because CMOS sensors are less expensive, use less power, and are easier to manufacture than the traditional CCD sensors found on most cameras, there are high hopes that CMOS will be the primary sensor technology for the super-high resolution digital cameras of tomorrow. Until now, however, CMOS sensors have offered inferior results when compared to CCD, so they've been found primarily in entry-level and toy digital cameras. Canon seems to have solved the image-quality problem by custom designing the CMOS chip in the D30, and the company claims that their sensor offers better performance than most CCD sensors.
Images are stored on Type I or Type II CompactFlash cards, including the IBM Microdrive. By default, files are recorded in JPEG format, though there are also settings for TIFF and RAW recording. TIFF is the most common lossless recording format, and TIFF images can be viewed and edited with virtually any photo editing software. TIFF files provide the highest-quality images, but at a price: a single D30 image occupies nearly 10 MB of memory. RAW, in contrast, is a newer format that's not recognized by as many photo-editing software packages, though Canon provides a plug-in to let Adobe Photoshop users directly import RAW files, and also includes software that lets you convert RAW files to TIFF files on your computer. Like TIFF, RAW is a lossless format, yet RAW files are only about one-third the size of TIFFs. Because the RAW image comes directly from the sensor and has received less in-camera processing than other file formats, it also offers experienced users more image-correction options.
A final note about the EOS D30. The CMOS sensor is smaller than a 35mm negative, which means that when you take a picture, the focal length of the lens you are using is greater. For example, if you took a picture using a lens with a 28mm focal length, the actual focal length would be 1.6x greater, or 45mm. If you're currently shooting with a Canon SLR, this makes your zoom lenses even more powerful, but it also means that you'll need to pick up a wide-angle lens or wide-angle converter to regain the range of focal lengths you have with film. --Michael Lewis and Shane Burnett
Pros:
Compatible with all Canon EOS equipment.
Features RAW mode for ultimate photographic control.
SLR flexibility and control.

Cons:
Expensive.
Focal length adjustment makes wide-angle shooting difficult.
More memory is the first accessory you'll need to buy.


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Mennon A-ST 55 Screw Mount 55mm Hood for Telephoto 70-210mm Lens, Black Review

Mennon A-ST 55 Screw Mount 55mm Hood for Telephoto 70-210mm Lens, Black
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This is a very well made and sturdy lens hood. It works perfect on my Sigma 70-210mm lens.

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The main function of the lens hood is to shade the lens from stray light, improving your contrast and image quality. But it will also protect the front barrel from the inevitable impacts against walls, door frames, and other real-life obstacles and in inclement weather; it can assist in keeping moisture or wind-blown debris off the lens. Installation:

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Fotodiox Lens Mount Adapter, Leica R Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D Review

Fotodiox Lens Mount Adapter, Leica R Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D
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This is an awesome way to use top quality Leica glass on your Canon EOS body. I have it on the EOS 5D Mark II. Very easy to use, works great, lenses are very secure. Also a great way to do video on the MK II because now you can control the aperture! Awesome product! Just ordered the Nikon F to EOS adapter as well.

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If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ¡Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format û medium format, medium format û 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Click here for more information about Fotodiox Lens Mount Adapter, Leica R Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV, 5D, Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D