Showing posts with label minolta. Show all posts
Showing posts with label minolta. Show all posts

Sigma SD14 14MP Digital SLR Camera (Body Only) Review

Sigma SD14 14MP Digital SLR Camera (Body Only)
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The SD10 had problems. The battery charge system was just weird. The camera was not up to the hype when light was poor. But the images with good light were stunning. So it was with some angst, sustained by a delayed product release, that I opened my camera SD14. Very early on I knew I had a problem in that the camera hung... motion? But I got off some really spectacular images before sending it to NY repairs. They got it back quickly. I suspect something loose.
Well the images are simply wonderful. Just so you know, I have cameras at 5 & 6 times the price considered high end professional. I can get lots more pixels, but the color quality is not better.
The real test was low light. All the digital cameras fail in low light. So just a matter of how bad. OK, something is new here. This camera is far better in dim light than the SD10. When it starts to fail to low light the images become blotchy - like camoflage - rather than sandy as the GRGB cameras tend.
The SD14 X3F RAW images do well in Adobe's new Lightroom, and interestingly with the many controls for image modification in that program, there are none that set this camera aside (for punishment for being different).
The SD10 used a 1 GByte card but did not take larger. I tested the SD14 on 1 Gig (mechanical IBM type) and on 2 Gig, and 4 Gig, and 8 Gig CFII cards. Though, beware, some cards do badly with certain cameras across the board. So, I cannot say that ALL CFII's are OK. But I was able to find cards that worked a large range of memory capacity.
The camera saves images as RAW or JPEG. You can select two "color spaces", sRGB or AdobeRGB. I found that odd. Why not a 16 bit option? I suspect that is simply understood for RAW.
The booklet that comes with the camera may be the clearest such booklet of any camera. There were a few minor areas where referring the user to other sources seemed lazy(C1----v C2----v C3----v for camera strobes might be obvious to those who have these but ought to be explained to those who don't and maybe might want to).
Also the SD14 can shoot "tethered" - a huge fact that gets barely any mention other than an arrow pointing at the port. Those who do that, know, but maybe some need to learn how?
The camera body is nicely shaped, the controls are very logical, and shooting is easy.
There is something about the color. The SD10 drove me nuts because I had to charge batteries in shifts (they didn't all fit in the charger at once... grrrr). I almost dismissed this camera from that experience alone. The low light limits of the SD10 were also hard to take. But, that color. Seems even better in the SD14. It is not like other cameras. Just isn't. Very pleasing rich deep textural color.
So, down side? Well Sigma is not a magnet for lenses made by other manufacturers. So you will probably be a Sigma all the way person. But the Sigma lenses I used were quite good and cost way way less than other brands. There is a specific flash kind for the flash shoe. So, maybe your current flash might not work? The built-in flash, does what built in flashes do.
The SD14 battery system is quite nice. There is a built-in dust protector to assist lens swaps - very nice.
Want to do very high end photography with a wide array of lenses without going broke? Look at this model.

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Capture the beauty of the world around you with the Sigma SD14 14 Megapixel Digital SLR Camera. The image sensor captures pure, rich light efficiently and gives the SD14 its high resolution and richly graduated tones. The mirror lock-up mechanism raises the mirror thus preventing vibration when the shutter is released. This prevents camera shake, and is especially effective for macro photography. FOVEON X3 Direct Image Sensor (CMOS) - 20.7mm x 13.8mm - approx. 7-12x larger than the image sensors used in ordinary compact digital cameras Lens Mount - SIGMA SA bayonet mount Compatible Lenses - SIGMA SA mount interchangeable lenses Angle of View - Equivalent to approx 1.7x the focal length of the lens for 35mm cameras Manual & Auto Focus Fast & precise focusing with 5-point AF Shutter Speed - 1/4000 - 30 sec. + bulb (up to 30 sec.) Image Sensor Dust Protector High speed continuous shooting at 3 frames per second 3 metering modes - 8-segment Evaluative Metering, Center Area Metering, Center Weighted Average Metering Built-in Flash Hot shoe (contact X synchronization at 1/180 sec. or less, with dedicated flash linking contact) Storage (Not included) - CompactFlash (Type I/II), Microdrive (FAT32 compatible) Recording Mode - Lossless compression RAW data (12-bit), JPEG ISO Sensitivity - Equivalent to ISO 100, 200, 400, 800, 1600 USB 2.0, Video Out (NTSC/PAL) Li-ion Battery BP-21, Battery Charger BC-21, Optional AC Adapter White Balance - Auto, Sunlight, Shade, Overcast, Incandescent, Fluorescent, Flash, Custom Exposure - Program AE (Program Shift is possible), Shutter Priority AE, Aperture Priority AE, Manual 144mm/5.7 W 107.3mm/4.2 H 80.5mm/2 D & 700g/24.7 oz (without batteries)

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Minolta Dimage 7Hi 5.2MP Digital Camera w/ 7x Optical Zoom Review

Minolta Dimage 7Hi  5.2MP Digital Camera w/ 7x Optical Zoom
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I've been using a variety of 35mm SLR cameras for more than three decades and I place great importance on the feel of the camera in my hand. I approached my recent purchase of a 5MP camera with some early leaning towards Nikon since I've worked with two of their CoolPix cameras. I tried to do my homework on the web and am aware of most +'s and -'s.
The hands-on experience sold me on the Minolta 7Hi. I love the fact that there is manual control, on the lens, of the zoom. I love the fact that the camera permits "DMF" or direct manual focus, which allows you to take advantage of a fast autofocus system that feels much faster than the Nikon (35mm or CoolPix), and THEN to tweak it manually with a ring on the lens. I love the fact that the LCD switches off whenever you put the camera up to your eye to use the electronic viewfinder (EVF).
About four weeks of shooting in Islamorada, Miami, and New York have only strengthened the love affair. This is one great camera. The images, both on screen and printed are gorgeous. I don't print at >=11X14 and the noise is so much better (to my eye) than my earlier digital cameras that I can not say it is a problem. The 12bit A/D and the 64MB RAM buffer in the camera are really nice additions that I think are not found in the other two 5MP choices. The UHS (ultra high speed) mode is incredible.....we're going to use that in my research laboratory in ways that I hadn't even imagined at the time I chose the camera (thanks to an adaptor from Brunel Microscopes in UK) . Finally, I think they designed the menus in a very easy to learn way. Nikon menus (880, 990, 995) always seemed a bit impenetrable to me. But, I move through all the 7Hi menus all the time and had little difficulty keeping straight how to do what where. This is a real credit to those who designed the user interface.
I've added a spare set of 4 AA 1850mAh batteries and (now that each set has been cycled 3-4 times) this will be more than enough for many hundreds of 5MP shots. I also sprang for a 49mm UV filter, a couple of high speed 256MB CF cards and am considering a firewire CF card reader. Otherwise, the bundle is complete.
My single most significant gripe is that the Minolta software crashes all the time under Mac OS X 10.2. The current Mac version is useless, while the Windows version seems OK. But, this isn't the camera's fault, presumably is something that Minolta will fix soon, and really only limits your use of RAW images. Photoshop, Canvas, or iPhoto all work fine.
This is a real camera that just happens to store the images digitally rather than on film. I'd say this camera finally delivers on the digital promise.

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Get professional results with the Minolta Dimage 7Hi, which features 5-megapixel resolution and a 7x optical zoom lens. With the Dimage 7Hi, you can control all the essential elements necessary for high-quality photography, from sharpness and exposure to color and saturation. The Dimage 7Hi incorporates features found in its sister model, the Dimage 7i, and offers further enhancements. The 7Hi comes with a built-in flash synchronization terminal, making it a versatile digital-imaging tool in the studio and on location.
Optics and Resolution The Minolta Dimage 7Hi is built around a high-precision electro-optical system designed to maximize image quality. The system contains a 5.24-megapixel, 2/3-type interline primary color CCD with 5 million effective pixels for fine high-resolution images. The pixel resolution of the CCD will produce 13-by-17-inch, 150 dpi prints on an inkjet printer.
The Dimage 7Hi's new "extra-fine" mode creates JPEG files with a compression ratio of 1/2.5. This mode not only reduces the compression ratio, but also enhances image quality with nearly lossless JPEG imaging. The extra-fine mode can also be used for commercial purposes.
The image formed on the CCD is enhanced by Minolta's exclusive CxProcess image processing technology, which optimizes sharpness, color reproduction, tonal gradation, and noise to create clear and natural images. This wide dynamic range is provided by an improved electro-optical system with a 12-bit analog to digital conversion to ensure natural color and tonal reproduction.
With a focal range of 7.2-50.8mm, the Dimage 7Hi's fast 7x zoom apochromatic (APO) lens is equivalent to a 28-200mm on a 35mm camera. In addition, the Minolta Dimage 7Hi's optical zoom lens accepts standard 49mm filters.
More Features The Dimage 7Hi incorporates direct manual focus, which can be found in professional film cameras like the award-winning Minolta Maxxum 7. It allows the focus to be fine-tuned manually, after the AF system has focused and locked on the subject.
The Dimage 7Hi has two displays for critical composition: grid and scale. The grid, usually found only in large-format view cameras, makes aligning the camera simple, via vertical or horizontal elements within the image. The grid confirms that the horizon or buildings are straight. The scale can be used in close-up photography to judge the relative proportions of the subject. The Dimage 7Hi is fitted with a 1.8-inch low-temperature high-contrast color LCD monitor.
A new built-in flash sync terminal allows the Dimage 7Hi to be connected to professional studio and location flash systems by plugging the flash's PC cord into the terminal. To capture images under varying natural and artificial lighting sources, white balance is controlled with nine settings: five presets, three customs, and one auto.
You can record audio along with still images with the voice-memo feature, which allows a 16-bit audio track of up to 15 seconds to be attached to an image after it has been captured.
Movie Mode In movie mode, the Dimage 7Hi produces digital videos in multiple creative formats, including standard QVGA (320 x 240) color movies and monochrome night movies up to 60 seconds with 16-bit audio. The night-movie mode can record movie clips under extreme low-light conditions, while the interval function can produce a series of still images taken at regular intervals, or it can combine the images into a time-lapsed movie at any image size.
Storage Images are stored on CompactFlash memory cards and the memory slot is compatible with CompactFlash Type II cards as well as Microdrives. The included 16 MB card holds approximately eight images at 2,560 x 1,920 pixel resolution.
Power, Size, and Contents The camera is powered by four NiMH rechargeable batteries, which are included along with a battery charger. At 4.6 by 3.6 by 4.4 inches and 18.5 ounces, the Dimage 7Hi is definitely not an easily pocketable point-and-shoot camera. The package includes the Dimage 7Hi camera, a 16 MB CompactFlash card, four NiMH rechargeable batteries, battery charger, neck strap, lens hood, lens cap with strap, USB and video cables, CD-ROM with Dimage Image View software and drivers, and a printed camera manual.

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Minolta Maxxum AF 70-210mm F/4 Telephoto Zoom Lens Review

Minolta Maxxum AF 70-210mm F/4 Telephoto Zoom Lens
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So far I am very happy with this high quality lens. Much sharper than newer Sigma lens. Constant aperture is also a good feature. The down side is that it is a little long and heavy but worth it. Also called the "beer Can" lens.

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The Maxxum 70-210 f/4 telephoto is presently the most sought after medium telephoto in the Maxxum line up. It has obtained a "cult-like" status amongst Minolta photographers and is affectionately known by Minoltians as "The Beercan".The lens is well designed with high quality optics and the durable build of Minolta's legendary 1st generation vintage lens line up. It has been rumoured to have a Leica-influenced design and to have cost more to build than the sales price.Performance, vignetting, and distortion (wide open and stopped down) as well as color, flare, AF speed and build are all considered. The f/4 is the highest rated non-APO medium telephoto lens in the database, and for the most part, the rest of the available lenses that do rate higher will retail at $1000-2000.The build of the "beercan" is second to none. Most newer versions in the 70-210mm focal range sport a smaller maximum aperture and increased use of plastic components, both cosmetically and internally. Inside the f/4 version, die cast metal gears, parts and threads are found and the body is a solid metal casing with a beautiful enamel finish and wide rubber zoom grip. This construction does add to the weight of the lens, but for overall durability and a stable and more distinctive feel.

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Minolta X-700 35mm SLR Camera (Body Only) Review

Minolta X-700 35mm SLR Camera (Body Only)
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Simply put, a fantastic camera. This is a nice compromise between the current generation of automatic SLR cameras and the difficult to use SLR's of the past. In program mode, all you need to do is focus and shoot. If you want more creative control, it's right at your fingertips. Picture quality is awesome as well. The MD line of lenses and accesories for this camera are noted for their quality and depth. This is really a great camera for the student or professional.

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The Minolta X-700 SLR camera requires no manual setting of aperture orshutter. You can program the camera for automatic exposure, even in difficultlighting conditions. Catch the action without stopping to adjust your camera. You can also select an aperture priority mode that automatically sets thecorresponding shutter speed when you program the aperture. Aperture priority isespecially useful when taking portraits, close-ups, and landscape shots.
Forcreative effects, you can set exposure plus or minus 2EV in half-stopincrements. An auto-exposure lock is useful when the subject is in the shadewith strong backlighting. Manual exposure and manual focus give you full controlof the X-700 when you have to time to think about each shot in advance.

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Marumi Adapter: M42 Pentax Screw Mount Lens to Canon EOS Camera Body Review

Marumi Adapter: M42 Pentax Screw Mount Lens to Canon EOS Camera Body
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This is a finely machined adapter that goes on very easily and does what it's intended to do. All M42 lenses goes on without any problems, and is a perfect fit. However, on the Canon Eos 5D Mark 2, the camera's mirror will hang up on the lens' aperture actuating pin. I've asked someone about this, and apparently, one must pull out this actuating pin with a pair of pliers. This will disable any M42-mount camera from stopping down the aperture. The lens will stay at its widest aperture forever. On the other hand, if you have an M42 lens with a manually-operated aperture, the Eos 5D mark 2 will operate flawlessly, because manual aperture lenses do not have that pin.


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Precision made Marumi® brand adapter. Allows you to use Pentax universal screw mount lenses on your Canon EOS mount camera. Allows focusing to infinity.Includes removal tool.Made in Japan.Does not support auto lens functions:manual focus & manual diaphragm only.

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Adorama 20" Standard Cable Release with Screw Lock Review

Adorama 20 Standard Cable Release with Screw Lock
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Cable releases come in different designs. This design goes back at least forty years. It is still the best as far as I am concerned. The cable release lock is not automatic -- it is totally optional, unlike the design with the concentric lock around the cable. The locking screw is simple and well designed. More importantly however, the cable is wrapped in cloth. If you ever have to shoot pictures in freezing weather, cloth wrapped cable releases are better because they don't stiffen up or stick. Those wrapped in any form of plastic have a tendency to become difficult in cold weather. Some might argue that the plastic wrapped cable releases are more durable, but not really. I've had cloth-wrapped cable releases last me for many years. This is a first-rate product at a very low price -- a bargain.

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Cloth Covered Cable Release

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Sony Alpha A100K 10.2MP Digital SLR Camera Kit with 18-70mm f3.5-5.6 Lens Review

Sony Alpha A100K 10.2MP Digital SLR Camera Kit with 18-70mm f3.5-5.6 Lens
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Sony has finally come a full circle, by starting the digital camera, withdrawing from the initial SLR plans and now firmly back. Their first SLR is from the bones of a 20 year MAXXUM/DYNAX line from Konica Minolta. This is the initial camera in the Alpha line called the DSLR-A100, a 10.2 megapixel, three frame per second SLR mostly based on the Konica Minolta MAXXUM 5D. This Sony is between the Canon Rebel 400xti and the Nikon D200 and it compares very favorably to the Nikon D80 although the D80 takes better photos but has no built-in anti-Shake.
Overall I think the Sony is better than the new Canon EOS 400D Digital Rebel XTi. It is an amazingingly good value for your money and might suit your needs perfectly. BUT NONE HAVE BUILT IN ANTI-SHAKE. Only Pentax has the new K100D (which has anti-shake but lower 6MP resolution). All in all the Sony A100 is a winner and would get 5 stars if they fixed the noise issues.
First of all the PROS (Good Things)
1) Sony has used the best aspects of the KM technology including the built-in Anti-Shake mechanism, lens mount, exposure system, and menus, and improved them by its own new CCD sensor, image processing and LCD screens. Out of these, the Anti-Shake is the best feature. Allowing you to get Anti-Shake for every lens. This is one of the only cameras right now in the market after the KM5D and KM7D were taken out. Canon and Nikon have this feature not in the body like the Sony, but in some of the very expensive lenses. Of course this is a cash machine for Canon and Nikon and they charge a premium of between $300-500 to the cost of each lens... nice work if you get it !!! In my view, I think this feature is the best selling point of the camera and if you buy at least 2 or 3 lenses from Sony, you would recover the cost of the camera just like that.
2) The A100's 'Alpha' lens mount is the same as the older Minolta A-type mount, allowing it to work with all of the old Minolta A-Type lenses. Minolta has made some superb lenses over the last 20 years equalling or better than the Nikon or the Canon L series. Some of these you will find used for cheap.3) Although the viewfinder uses a cheaper pentamirror than the ore expensive pentaprism used in the Nikon D80, the A100 viewfinder is still big and bright and looks a lot better. Likewise the 2.5-inch LCD screen (which on SLRs cannot be used for a live preview) is gorgeous with high resolution.
4) The A100 looks and feels excellent and looks vaguely like the Konica Minolta 5D, but the A100 is smoothly contoured. Overall the body has a black finish, except the front grip area which has a durable rubbery grip like the KM, and has a ridge to separate the middle finger from the ring finger for perfect alignment every time.
5) Flash. I have not tried the external flashes. I have heard good things that it appears to be wirelessly and remotely controlled by the A100. I am used to a Canon SLR system, and have always been envious of the free built-in wireless capabilities of the Nikon D200 & D70 control of the Nikon SB800 flash. Hopefully this works similar. I cant wait to test it.Here are the CONS (BAD Things). Take this with a grain of salt. As you can tell by my 4 stars, the positives far outweigh the negatives:
1) Although build quality for the A100 is good, it is somewhat more plasticy that the Canon EOS 30D or Nikon D200. but this is not a big deal.
2) Does not have a small status LCD. The use of the main 2.5inch LCD for all functions as well as current status (rather than the small LCD screen in other models) might impact battery life.
3) The battery despite being an InfoLithium design, does not display the remaining time like all the other Sony cameras
4) Weak external controls. The older Konica Minolta 7D completely blows the A100 in ergonomics. Even the entry Canon rebel 350 and the Nikon D50 are a pleasure to use. I love it when any camera has direct dedicated input buttons for White Balance, ISO or Quality. Although arguably the Sony does have some direct buttons, it is made harder by some on the top dial, some on the back and using the LCD for everything.
Now for the more controversial items
5) NOISE: the A100 is noisier than any of it main cheaper rivals Canon 400xti. Even dirt cheap SLRs like the Canon 350 rebel, Nikon D50, and Pentax DL have exponentially lower noise. Noise on the A100 starts out at a low ISO400 and then goes up from there. Now I expected this.. with higher resolutions, when there is an increased pixel count without increasing the size of the sensor -less surface area for each photosite hence the signal to noise level is worse. However, some have compared the A100 to the Nikon D200 and D80 that uses the same Sony sensor and the noise is much more on the A100. A lot of folks seem to be confused by noise and the Anti-Shake. Anti-shake does not make high ISO redundant. For example, at a party or family gathering. It is important because to prevent motion blur in the normal actions of people, you need a min shutter speed of at least 1/60s. In a room lighted with bulbs or any interior during daytime, the light levels are such that you must push up the sensitivity to 800iso or 1600 (even with a fast lens, and more so with zooms). Thus, if you want good indoors pics without flash for family gatherings, kids. You have to use ISO 800 or even ISO 1600.
6) Dynamic Range Optimizer: I could not see the difference. This maybe more marketing hype. I took dozens of test pictures.
7) Anti dust system: Appears to be more marketing hype. I did not test this extensively.
8) Menus: recycled from the old KM menu system. Hard to use .. not as intutive as the Canon, Nikon or even the other Sonys.
9) Carl Zeiss: I have noticed that so-called prosumers are rabid about this (one more hyped up label to show off to their suburban neighbors). I have heard that the Carl Zeiss lens are only licensed coatings from CZ. Lens are supposedly made in the old KM factories or at Tamron.. I dont know.. these are the rumors circulating over the internet.
Bottom line. If you take most of your pictures outdoors-whats not to like. IT IS A GREAT CAMERA for the price-10.2 MP resolution, built-in anti-shake which works with all attached lenses, 2.5-inch high res LCD screen. No current production camera from Canon or Nikon even comes close. The final result is 10.2 MP digital SLR with built-in anti shake capabilities which work with every lens, an anti-dust system, long life battery, advanced image processing and a nice large LCD monitor. The price and specs are a great deal for about $900, you get a kit with 18-70mm lens. Again, this camera is in a class all to its own. Nothing really compares. COMPARING THE A100 WITH THE 10 MP Canon Rebel 400 Xti. The A100 is shipping now. The A100 is around the same price currently but with a much better 18-70 mm lens, Anti-Shake, and better viewfinder. The A100 is also supposed to have better battery life.
COMPARING THE A100 WITH THE 10 MP Nikon D80. This competition appears to be stiffer: 1) The A100 is available NOW. The D80 will probably be shipping towards the end of the year. 2) The A100 is much cheaper but with Anti-Shake. 3) The Nikon D80 does NOT have built-in shake reduction and anti-dust. (However, I am in favor of the Nikon D80 kit with the new 18-135mm f/3.5-5.6G AF-S IF-ED DX Nikkor Lens. However, I have heard that it is hard to find this combination. Plus the price is way too expensive. I would wait for this combo price to drop.) Sony has brought some serious competition which is good for all us consumers. However the Nikon D80 with 18-200 lens compared to the A100 with a similar lens will be about $500 or so More..
However if most of your pictures are indoors, at night clubs etc.. consider the new Pentax K100D which also has in-body Anti-Shake, sells for about $650 with 18-55 lens, but has an better ISO performance, but lower resolution at 6 MP.
PLEASE VOTE AND LET ME KNOW IF THIS REVIEW HELPED YOUR PURCHASING DECISION.

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Sony Alpha A100K 10.2MP Digital SLR Camera Kit with 18-70mm f3.5-5.6 Lens

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Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens Review

Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens
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NOTES: I still Own this camera in Dec 2010. There are a lot of new cameras with exciting new features. But in my opion this is the LAST GREAT APS format still image DSLRs. And looking at Sony's unfornunate need to copy Nikon with things like cluttering the Shutter Button with a power switch on all new models the A700, A900 (which I have used) and A850 may be the last cameras that fit the hand and quick clean shooting experience. Since I wrote this review Sony did a major Firmware upgrade that improved image quality related to high ISO noise and allows users to show RAW with no noise reduction. On top of that Lightroom 3 fixes the problems Adobe had dealing with Sony RAW files. Both of these upgrades were for me were like getting a new camera. There are moments video would be nice, I would like the improvements in focusing Sony and others have created in the past 3 years. But I have to say.. there are cars with features and classic cars people love to drive.. The A700 is a camera that makes photography a joy and all the new features seem to only clutter that experience so someday I will add a new camera to my gear. I will never "upgrade the A700" I think it as a moment of magic for still photography before Video and more technology transformed the experience forever. There is a reason USED and NEW UNSOLD STOCK have held their price so well. If you own Sony / Minolta lenses this is a great camera to own even though it is one of the last cameras without Live View on LCD etc. If you want a photograpy tool that doesn't get in the way of your art with features.. think about this camera. It will be a classic.
Original Review Soon after Buying A700 in 2007 -----------------
For years I shot Canon SLRs and for a while I moved to Nikon and Canon smaller digicams. When I jumped back to the SLR format in digital I ended up with the Konica-Minolta 5D over the Canon and Nikon cameras in my budget because of great image quality and in camera stabilization which works very well.
I recently upgraded my KM 5D to an A700. WOW!! This is by far the easiest camera I have ever used. Head and shoulders above traditional menus and tiny LCD Icons. The rear LCD shows you all the important settings at one time in a large easy to read format, sometimes with colors to alert you to what might be an unusual setting.
When you need to change anything from Shutter Speed to White Balance you do it right on the settings screen either by pressing one of the several dedicate buttons or using the easy thumb joystick. For shooting I almost never have to go into a menu except to format the memory card.
Auto Focus and Shutter:
It is fast and quiet. The AF has been tested faster than the new Canon in most lighting situations, though lenses on both systems will affect speed.
Both Sony and Now Sigma are coming out with quite focusing lenses that have built in motors so, Sony users will have lots new lens choices.
KEY FEATURES I LIKE:
Stabilization:
The in body stabilization works well With my 18-250 I have pulled off some shots even at 1/10s while at 250mm That is over 5 stops of stabilization, Sony only claims 3.5 stops. This stabilization works on all Sony And Minolta format auto-focus lenses. Some systems like Canon do not offer stabilized lenses in key formats like primes(non zooms) that are used for close-up macro shots or portrait work. It also adds cost and weight to each lens, with this system if you can find a bargain on a lower cost lens or a used lens it is still stabalized.
Example: Minolta made a 70-210 f4 lens often called a "beercan" that is legend in sharpness and image quality. It is often seen used here and on auction sites for $125-$175. It like all Sony compatible lenses becomes stabilized and would be like getting a $600 plus lens for $150.
ISO:
The Sony A700 offers ISO 100-3200 and up to 6400 as "extended ISO" but all ISO ranges are available at all times, no menu settings will enable or disable them like on the Canon 40D. It offers the ISO in 1/3 stop increments, but using the the front control wheel lets you jump a full stop at a time.
Dynamic Range Optimizer (DRO):
Sony has several levels of DRO that do what used to take shooting in RAW format and working in tools like Photoshop. It automatically recovers overly bright areas and areas hidden in the shadows so your pictures look more like what your eye can see. Unlike some other cameras that just apply shadow recovery settings to the whole image, Sony has DRO levels that analyze and adjust the image by area to make the effect more natural and keep noise down.
Wireless Flash:
The built in flash is also a wireless trigger for the Sony Flashes and others including the old KM 5600hs and 3600HS, and some Sigma and Metz models. On some systems this is a $150 to $200 add on.
Remote abilities included:
For taking family shots etc. Sony has free wireless remote that lets you take trigger the camera or a 2 second delay then shoot. Plus tons of controls for showing and reviewing your images on a TV. If you hook up the camera to an HDMI TV and to a printer at the same time you can do a family slide show and tell it to print picture from the remote as people ask for copies. It also has remote control software for the computer so you can set it up like a studio and shoot and review images from the attached PC. Great for doing lots of portraits at events without more expensive software or accessories.
It supports both Standard Video and HDMI output so you can see the images on your new HD TV.
Memory Card Support:
Unlike the 40D it supports the new UDMA 300x CF cards and memory stick pro HG so that you can take 25+ cRAW shots a 5 FPS before it needs to pause or an unlimited number of JPGS in any size. You can have both a CF card and Memory stick installed at the same time and switch over when one fills without stopping to open your bag and change memory cards.
Body Seals:
Its not splash proof but Sony has sealed all the doors and controls so dust and stray moisture will not hurt the camera. Some makers like Canon reserve full seals for more expensive cameras.
IT JUST FEELS GOOD IN MY HAND:
It was love at first touch.. a camera designed to fit in the hand.
Unless there is a specific lens or very special accessory that you need on another camera brand, this camera should be #1 or near the top of the list for cameras you consider.
Sony may be new to DSLRs, but they make sensors for lots other DSLRs like Nikon and when they bought the camera business they got most of the designers with years of experience from Minolta. Sony is building cameras for people who love photography and with features for people who like a camera to work with new technology like HD TVs. That makes it a fun camera to own.
I looked at the Canon 30D, 40D, Pentax K10D and Nikon D300 before choosing this camera.
BTW the Nikon D300, would be my second choice, but would cost much more, and still would have limited options on which lenses are stabalized.

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Sony Alpha A700K 12.24MP Digital SLR Camera with 18-70mm f/3.5-5.6 Aspherical ED Lens

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Fotodiox Lens Mount Adapter - Minolta MD, MC Rokkor Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D Review

Fotodiox Lens Mount Adapter - Minolta MD, MC Rokkor Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D
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This is the best adapter I've ever owned for any type of camera. It lets me use my old Minolta MD Rokkor lenses on my Canon Eos 5D MkII. There are no problems with the adapter interfering with the camera's functions. The adapter goes on like a Canon lens, and the Minolta lens goes on the adapter like it would on a Minolta camera. There is a pin on the left (as you face the camera) of the adapter that you press to remove the lens. To remove the adapter, you use the camera's lens release button on the right. The aperture becomes manual, which means it stays at the set aperture before, during and after the exposure. That's not a problem at all, with the Canon's bright viewfinder. I keep the lens at F/8 most of the time, and it's not at all dim, except in the shade.
This Fotodiox adapter has a compensating lens in the rear, which makes up for the shorter flange distance in Canon cameras. You can remove it for macrophotography.
Using this adapter is a very inexpensive way to use different focal length Minolta lenses on a Canon body, avoiding the way of having to purchase new lenses for your camera. Because of this, I recommend it and rate it highly.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter - Minolta MD, MC Rokkor Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Click here for more information about Fotodiox Lens Mount Adapter - Minolta MD, MC Rokkor Lens to Canon EOS Camera Adapter, for Canon EOS 1d,1ds,Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

Fotodiox Lens Mount Adapter, Minolta MD, MC, Rokkor Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10 Review

Fotodiox Lens Mount Adapter, Minolta MD, MC, Rokkor Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10
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Adapter shipped very quickly. This unit came properly machined for use with Minolta MC or MD mount lenses on a Micro Four Thirds camera. Mounts to camera body flush, and no light leakage is detected. Lenses attach and detach smoothly. I would buy again from this seller.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter, Minolta MD, MC, Rokkor Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Click here for more information about Fotodiox Lens Mount Adapter, Minolta MD, MC, Rokkor Lens to MFT Micro 4/3 Four Thirds System Camera Mount Adapter, for Olympus Pen E-PL1, E-P2, Panasonic Lumix DMC-G1, G2, GH2, GF1, GH1 G10

Sony Alpha DSLRA300K 10.2MP Digital SLR Camera with Super SteadyShot Image Stabilization with DT 18-70mm f/3.5-5.6 Zoom Lens Review

Sony Alpha DSLRA300K 10.2MP Digital SLR Camera with Super SteadyShot Image Stabilization with DT 18-70mm f/3.5-5.6 Zoom Lens
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Having previously reviewed the Alpha 200 and 350, it seems a bit silly to review the Alpha 300. After all, the Alpha 300 is a 200 with Live View, or a 350 with 10 megapixels instead of 14mp. Right?
Well, pretty much that's the case. But there is also a corresponding price difference. Is Live View worth an extra $100? Is 14mp worth an extra $200?
For my money, yes, Live View is worth the $100 because of the way Sony has implemented this feature. Unlike most systems, you won't see a loss in autofocusing performance (or a loss of autofocus completely), nor will you alter the way the exposure and white balance are determined. Add to this the articulated screen that makes extremely low or high angle shots easier, and I say "YES"! Any drawbacks? Yes, this screen is a bit thicker, and pushes you back a bit when looking through the camera. Also, the way Sony implements Live View does mean you only see 90 percent of what you'll get on the image.
OK, is 14mp worth the extra $200? I don't know, but I don't think so. We really need more critical comparisons from people with true scientific methods of measuring the difference in image quality, but there are a few assumptions that will probably hold true, based on previous cameras. The 14mp will give a superior image in good lighting, when ISO values (the fake "film" speeds) can be set to higher quality settings. You won't see this difference on an 8x10 standard photo, but probably could in very big enlargements or severe cropping of photos. Keep in mind that the "1.4x and 2x teleconverter" option you have with Live View is nothing more than cropping, with 2x dropping your effective megapixels in half.
Past cameras would suggest, however, that the higher pixel density of the 14mp camera would be a drawback in low light conditions, in particular when we have to raise the ISO settings. Thus, they may not even be as good as the 10mp sensor for these applications (but we still need critical testing to confirm this assumption).
So, for my money, I'd say the 14mp is probably not worth the money for someone shooting an even variety of shoots, but might be for a landscape/wildlife photographer.
Compared to other brands, I think the Alpha 300 wins on features compared to the Canon Digital Rebel XTi or Nikon D60 (Live View, stabalization in body). The new 12mp Canon XSi is more in the price range of the 14mp Alpha 350. In any case, with 3 new Alphas, and the new D60 and XSi, there's no more excuses! Get a camera and start taking great photos!
Sony Alpha A200K 10.2MP Digital SLR Camera Kit with Super SteadyShot Image Stabilization with 18-70mm f/3.5-5.6 Lens
Sony Alpha DSLRA350K 14.2MP Digital SLR Camera with Super SteadyShot Image Stabilization DT 18-70mm f/3.5-5.6 Zoom Lens
Nikon D60 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens
Canon Digital Rebel XSi 12MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)

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Sony's Alpha DSLR-A300: the camera that links you and your subject. For first-time DSLR users, Sony combines superb 10.2-megapixel quality, a high-quality DT 18-70mm f3.5-5.6 standard zoom lens, and Live Preview in a large, tilting 2.7-inch LCD monitor for point-and-shoot simplicity.

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Fotodiox Lens Mount Adapter - Minolta MD MC Rokkor Lens to Olympus 4/3 (Also known as OM 4/3 four third) Adapter for Olympus E-3, E-5, E30, E-620, E-600, E-520, E-510, E-450, E-420, E-410,E-400,E-300, Panasonic Lumix DMC-L10, L1 Review

Fotodiox Lens Mount Adapter - Minolta MD MC Rokkor Lens to Olympus 4/3 (Also known as OM 4/3 four third) Adapter for Olympus E-3, E-5, E30, E-620, E-600, E-520, E-510, E-450, E-420, E-410,E-400,E-300, Panasonic Lumix DMC-L10, L1
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Edit--- Since this review I've gotten another to find out there are off brand ones going around. True fotodiox adapters are much better than the off brands. They will have the name on the side and screw in before needing to be tightened by the Allen key. The no name off bard I have has already been striped by switching between SR and 4/3. I do not beleive this will be a problem with the proper ones. Just a heads up- touted as used may be off brand.
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Great product. I have the 40-150 4-5.6 and have been unhappy with the amount of unacceptable blur I get at the 5.6 mark. This product for less than $20 allows me to use a nearly impossible otherwise 170mm 1.7 (when you adapt a 85m f/1.7 Minolta MD on a 2x crop frame). A 200mm f/2.8 becomes a 400mm f/2.8 for less than $200, used. The ability to use super fast, super long Minolta lenses on the 4/3 system is a great advantage that makes up for the infamous lack of affordable 4/3 lenses.
For those who fine the lack of tactile feedback on digital disappointing because of their familiarity with 35mm film will find themselves right at home with an adapted MD/MC. An adapted lens works in manual mode by adjusting the shutter speed with the toggle wheel on the body and turning the aperture ring on the lens accordingly. I find the E-520 meters after a test shot is taken and you can stop up or down accordingly. I can't speak for other models.
Be warned that with some lenses the diaphragm pin is not entirely accounted for by the adapter so you will have to mount the adapter just slightly less than locked. With the tight fit and metal mount this has never been a problem for me. It is as snug as can be. It also take a minute to get used to mounting. It needs to be wiggled into place. But again the benefits far outweigh the trouble.
Overall I suggest this product to anyone who wants to make use of their old lenses, add lenses to their kit at bargain prices or fully utilize the advantages of the 2x crop frame to get some of the longest, fastest lenses possible. It's also worthy to note that tilt shift lenses (a glaring omission from the 4/3 system) can be mounted from many systems with the adapters that this company manufacturers. While Olympus currently makes about 24 high quality lenses, your options are open to a new world when you consider adapters. Being complacent with our limited choice is no longer a sacrifice we have to make with the 4/3 system. I believe the discerning photographer will be very happy utilizing and paying for Minolta manual focus lenses on their 4/3 body with this adapter.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter - Minolta MD MC Rokkor Lens to Olympus 4/3 (Also known as OM 4/3 four third) Adapter for Olympus E-3, E-5, E30, E-620, E-600, E-520, E-510, E-450, E-420, E-410,E-400,E-300, Panasonic Lumix DMC-L10, L1

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Sekonic L-358 Flash Master Light Meter Review

Sekonic L-358 Flash Master Light Meter
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This Sekonic L-358 light meter is an excellent meter. I have fallen in love with it. Lots of Today's 35mm SLR camera meters are TTL Meters (reflected light measurement meters). Sekonic L-358 is such a high precision instrument which measures incident, reflected, flash (cord & cordless). I got great digital photos after I have used the reading on 2 different cameras under normal & Flash lights.
The pictures are great out of your camera and do not require any editing if used properly according to the instructions. I like the built in Memory function to store readings, Shutter Priority, Aperture Priority, 2 ISO functions, Weather proof Seal, Can include optional radio transmitter + receiver modules to wirelessly trigger flash units, So far Battery Life has been Good. This meter does not use "AA" it uses CR-123A so you will have to always carry one spare with you.

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Since its introduction, Sekonic’s L-358 Flash Master has become the best-selling digital flash meter in its class. Weather-sealed against the nastiest of working conditions, the L-358 delivers dead-nuts accurate flash and ambient light reading in both incident and reflected modes.For mixed lighting scenarios, the L-358 displays the combined exposure values of both flash and ambient light sources, including the percentage of flash in total exposure in 10-percent increments. Dual ISO buttons allow for quick exposure factoring when working with two differing film speeds, film and Polaroids, or other situations where comparison readings are desired.

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PocketWizard PW-MMAX 802-450 MultiMAX Transceiver (Black) Review

PocketWizard PW-MMAX 802-450 MultiMAX Transceiver (Black)
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Having already owned 4 of the Pocketwizard Plus II remotes, I was glad to see the Multimax is even better than i had imagined.
The Multimax is a little heavier than a Plus II, it feels more solid, though the hotshoe and locking ring are still the plastic that i'm worried will snap if twisted too hard. If I were to make a single change to the entire line of Pocketwizards, a metal shoe and locking ring would be it.
The features are great, and even slightly intuitive. Keep the manual on this one until you're familiar with all the options and control features. You can use it straight out of the box, but then you might as well get a Plus II if you don't need the extra options.
The two most notable features-rear curtain sync and intervalometer. Rear curtain sync is not available to canon camera when using off camera flash. The Multimax enables this feature.
along with a motor drive cable (get it at www.flashzebra.com for a fraction of the cost of the 'official' cable) you can use the Multimax as an intervalometer-schedule your camera to take a shot at a pre-determined interval, for stop motion photography and such. Considering the Canon TC80N3 remote costs 1/2 as much as the Multimax *without* the remote triggering and transceiver abilities, you're getting quite a bit for your money.
You really only need one multimax, unless you have a desperate need to use zones that you can turn on and off from your camera. Make the rest of your transceivers Plus IIs and you'll be set.
While the new radiopoppers will give Pocketwizards a run for their money, you can't argue with the features of the multimax and its abilities. Highly recommended for Pros, and amateurs with deep pockets.

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PocketWizard\'s MultiMAX Transceiver contains many of the features found in the PocketWizard Plus II including advanced wireless transceiver technology, multi-channel switching, sustained 12 frames-per-second high-speed triggering, and a range of up to 1600\' between transceivers. Add to this mix the ability to isolate individual or groups of lights for multiple and/or selective lighting sequences aided by a choice of thirty-two 16-bit, digitally coded channels (up from four in the PocketWizard Plus II). Now the fun begins.For time-lapse imaging, MultiMAX\'s trigger time control software includes an Intervalometer for recording timed sequences of up to 10,000 exposures over a time period of 100 hours. Multi-pop shooting - up to 10,000 exposures. Rear-curtain sync mode will capture ambient streaks of light at slow shutter speeds even for cameras that do not have this feature. Each PocketWizard MultiMAX features an easy-to-read, backlit LCD display for fast settings confirmation under any lighting condition. The SpeedCycler mode enables sequential triggering of up to 4 individual or sets of cameras or light sources for high speed sequential image capture from multiple camera positions as a method of further ‘reducing\' recycling times between exposures.The PocketWizard MultiMAX is compact, with a short, unobtrusive, rubberized antenna. The total height of the transceiver and antenna is less than 6.5", and it weighs in at 6oz including the batteries. The backlit keypad is also rubberized, and has a lock button that secures your pre-established settings when you\'re working fast and furious. To ensure a secure fit to your camera or bracket, all PocketWizards feature sturdy, locking rings for hot shoes. Power is supplied by 2 AA batteries, which are good for about 60 hours of playtime. An optional AC adapter allows for continuous, unlimited shoot time.

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Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D Review

Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D
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I purchased this adapter in the hopes it would allow me to use my FD glass on my EOS 5D until I could afford equivalent EF lenses. I used it with my FD 50mm f1.4, FD 135mm f2.5 SC lenses and did some experimenting with a 400mm f6.3 T-Mount lens.
Here are some of my conclusions:
1) The adapter's lens diameter is too small for a full frame camera like the 5D. This leads to vignetting which would be a problem if you try to use the image out to the edge. It was not as noticeable with the 135mm lens as it was with the 50mm or 400mm. Note that this may not be an issue with crop sensor cameras. I wonder if the this problem could be fixed by increasing the adapter's lens diameter.
2) The experiment with the 400mm lens was to remove the adapter's lens and use it as an extension tube to improve the close focus of that particular lens. I would not recommend doing that since the adapter lens does not come out as one piece - so you have to be very careful to remember how to re-assemble it. Vignetting with the 400 was very bad.
3) Performance was acceptable with the 135, effectively making it about a 216mm f3.2 lens. Stopping down improves sharpness and depth of field, especially if you center your subject.
4) I found the manual aperture control convenient to operate. Just like using manual lenses on my old F1. You just have to remember to use it. :)
I think I got what I paid for. This is essentially a teleconverter, which have never been known to improve an optical system, but I've experimented with it enough to know it's limitations and in which situations I should use it.
Bottom line - I'll keep this adapter in the gadget bag to use with my FD 135mm f2.5 until my budget will let me get an EF lens that covers that range. I may even saddle it up with the FD 50mm f1.4 sometimes for "macro" work.

Click Here to see more reviews about: Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

If you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages.Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters.Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

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Tokina AT X 100 AF PRO D - Macro lens - 100 mm - f/2.8 - Nikon F Review

Tokina AT X 100 AF PRO D - Macro lens - 100 mm - f/2.8 - Nikon F
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I just received this lens this week. I would had thought that it was broken if I did not go through the instruction carefully. The aperture ring was set to the lowest f number when it arrived. I got the "FEE" message and my D200 will not take any picture after I attached the lens to the camera. I set the aperture ring back to the higherst f number and the camera recognize the lens perfectly. The pictures are crispy clear. This is a great lens for portrait. Other people already gave the good review already, and I am not going to repeat myself. I do want to point out a few concerns for this lens.
1. You have to have a very steady hand, especially when you are taking indoor pictures. A tiny movement will cause considerable blur, so a tripod is recommanded. I guess this is common for macro lens at 100mm.
2. You are not getting f2.8 everywhere. The aperture changes from different focal planes.
3. The lens is not a fast lens due to the long focal length. You will probably need a flash if you are taking picture indoor.
4. The lens feels heavy.

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Tokina AT-X 100 PRO D lens for digital and film SLR cameras.The AT-X M100 PRO D is a new macro lens capable of life-sized (1:1) reproduction at 11.8 in. (30 cm). The lens' multi-coating have been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today's digital SLR cameras, while the optics still give full coverage and excellent sharpness on 35mm film.The AT-X M100 PRO D also has a very convenient focus limiter switch that can lock the focus out of the closes focus making it focus faster when used as a moderate telephoto or portrait lens.Other features of the AT-X M100 PRO D are:Tokina One Touch Focus Clutch Mechanism for fast easy switching between manual and Auto focus.55mm non-rotating filter thread for use with macro ring flashes and special effects filters.

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Aputure Trigmaster Kit (One Transmitter + 2 Receivers) Radio Remote Flash Trigger and Shutter Cable Release for Nikon Digital SLRs D200, D300s, D300, D700, D1, D2, D3x, D3s, Fuji, Fujifilm S3 Pro, IS,S5 Pro and SB-600, SB-800, SB-900 Review

Aputure Trigmaster Kit (One Transmitter + 2 Receivers) Radio Remote Flash Trigger and Shutter Cable Release for Nikon Digital SLRs D200, D300s, D300, D700, D1, D2, D3x, D3s, Fuji, Fujifilm S3 Pro, IS,S5 Pro and SB-600, SB-800, SB-900
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Great product with really good customer service. I use two Nikon SB900s and it works like a charm. I'm new to the wireless game and found out you need to be out of TTL (Through The Lens) mode and you can place to flash anywhere and away you go. Very Cool.

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Kit include: 1 transmitter, 2 receiver, 1 connection trigger cable for the camera, 2 studio flash sync cord, a PC sync cord, 4 AAA batteries, 1x 23A battery, and hotshoe table stands

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Click here for more information about Aputure Trigmaster Kit (One Transmitter + 2 Receivers) Radio Remote Flash Trigger and Shutter Cable Release for Nikon Digital SLRs D200, D300s, D300, D700, D1, D2, D3x, D3s, Fuji, Fujifilm S3 Pro, IS,S5 Pro and SB-600, SB-800, SB-900