Showing posts with label macro lens. Show all posts
Showing posts with label macro lens. Show all posts

RAYNOX DCR-150 MACRO CLOSE-UP LENS 52MM 55MM 58MM 67MM Review

RAYNOX DCR-150 MACRO CLOSE-UP LENS 52MM 55MM 58MM 67MM
Average Reviews:

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I bought this lens hoping it would work on my Panasonic DMC-FZ100. Not only did it work, it works great!! The lens just snaps to the camera lens, which is 52mm. I found the best way to use it is to use manual focus and zoom the camera to around 25X. Then get closer or farther away from the object till it was in focus and bang! Take the shot. I could not be happier with this lens. It is so far above the camera macro function it is just crazy! Get one if you have the Panasonic DMC-FZ100. Get one now! You will thank me for it!

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EXCLUSIVELY MADE BY RAYNOX JAPAN DCR-150 SUPER MACRO CONVERSION LENS SPECIFICATIONS: Lens construction : 2G/3E, made of optical glass lenses, all surfaces fully coated. Front filter size : 49mm Rear threads size : 43mm Size/Weight: : 53x18mm/50g(1.8oz)PACKAGE CONTENTS:MM-150 Super Macro Conversion Lens Universal lens adaptor Fit 52mm 55mm 58mm 62mm 67mm Lens caps and case Instructions

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Sigma 50mm f/2.8 EX DG Macro Lens for Minolta and Sony SLR Cameras Review

Sigma 50mm f/2.8 EX DG Macro Lens for Minolta and Sony SLR Cameras
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I recently purchased the Nikon D200 camera. I had several nice zoom lenses but I did not have anything which would take macro close-up photos. I did some research and found good reviews for this lens. So I got it.
The lens is an excellent lens for close-up photos. I am not a professional photographer but I try really hard to get good sharp photos. This lens will do the job.
Since it is also also a 50mm lens I have used it as a normal lens. The only problem with that is that over the years many of us have been spoiled with zoom lenses. With a zoom lens you can stand in one spot and zoom the lens in or out to get closer or father from your subject. With just the 50mm capability of this lens you have to physically move in or out to get a closer shot or a wider shot. This is not necessarily a criticism, just a comment about how we have been spoiled by zoom lenses.
I do not believe you will be disappointed with this lens. The price is great for the quality.

Click Here to see more reviews about: Sigma 50mm f/2.8 EX DG Macro Lens for Minolta and Sony SLR Cameras

Sigma launched its first standard 50mm macro lens in 1990, and followed it up with an improved model in 1998. The advent of digital SLR cameras, however, required updated optical technology and a better imaging performance. Enter the latest incarnation of the 50mm macro lens, with an improved design that corrects for various aberrations. Designed exclusively for Minolta and Sony SLR cameras, this macro lens is specially coated to get the best possible color balance while cutting down on ghosting caused by reflections from the digital image sensor. The lens also includes a floating focusing system, which allows you to precisely photograph objects throughout the entire focusing range. Most importantly, this standard macro lens makes it possible to enjoy better communication with your subject. When viewing through the camera's finder, you'll be able to move the subject and make precise adjustments. For example, the lens offers a close working distance of 7.4 inches, making it extremely convenient to take close-up pictures of a fossil or other inanimate objects.
Other details include a minimum aperture of f/45 that provides a greater depth of field than most lenses, a screw-in lens hood that makes it easy to attach circular polarizing filters, and a 46.8-degree angle of view. All Sigma lenses carry a one-year warranty.
Specifications
Focal length: 50mm
Maximum aperture: f/2.8
Lens construction: 10 elements in 9 groups
Angle of view: 46.8 degrees
Number of diaphragm blades: 7
Minimum aperture: f/45
Minimum focusing distance: 7.4 inches
Maximum magnification: 1:1
Filter size: 55mm
Corresponding mount: Sony and Minolta
Dimensions: 2.8 inches in diameter and 2.6 inches long
Weight: 11.3 ounces
Warranty: 1 year


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Raynox DCR 150 - Converter Review

Raynox DCR 150 - Converter
Average Reviews:

(More customer reviews)
I bought this lense in a package that came with both the Raynox DCR-150 and the Raynox DCR-250. Both lenses are excellent when snapped on the front of my Panasonic FZ8. Really any camera with a decent zoom should perform well.
Having both the Raynox 150 and 250 allows for some comparison. To be honest, I like the 150 better. I use it exclusively when I'm out in nature, the 250 has a much shallower depth of field, and is too hard to use handheld. The 150 gets a great macro, as you can see if you look at the customer images above, and the depth of field is much more forgiving. I have had far greater luck using my 150 in real world situations than my 250.
The lense takes a bit of getting used to. Some people will only shoot on manual focus, but I find this frustrating. Most cameras focus fast enough, I know my FZ8 does, and I have no problems at all. In general you just have to get into the right range (about 6" or so), and your camera will focus just fine.
In all I definitely recommend this product, especially if you have a nice super zoom camera like the Panasonic FZ8.

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Explores the world of MACROPHOTOGRAPHY with your Digital Camera and Camcorder... The lens includes a snap-on universal mount suitable for 52mm to 67mm filter size. DCR-150 Super Macro lens obtains the maximum macro magnification power when set at the most telephoto position of zoom lens. The lens is made of high index optical glass elements which produce rich and razor sharp image.DCR-250 is also suitable to 3-CCD chip or mega-pixel Digital Camcorders.All of Raynox conversion lenses are proudly made in Japan. At Raynox's wholly owned manufacturing subsidiary, every stage of production is rigorously checked and tested so that the lens elements compensate effectively for astigmatism, distortion and spherical aberration.... for an excellent image quality.

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Sigma 150mm f/2.8 EX DG HSM APO HSM IF Macro Lens for Olympus and Panasonic SLR Cameras Review

Sigma 150mm f/2.8 EX DG HSM APO HSM IF Macro Lens for Olympus and Panasonic SLR Cameras
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I had a Canon 100mm f2.8 Macro and it was working quite well for me but I longed for a little more working distance. When Sigma came out with the 150mm f2.8 Macro, I tried researching it but couldn't find much info because it was such a new lens, I found the MTF charts on the Sigma Website and it was amazing. This lens was very close to the performance of the Sigma 180mm macro and Canon's famed 180mm f3.5 L. So I went ahead and bought it. It was a little pricy but I thought I could always return it if I didn't like it.
My first impressions taking the lens out of the box was very positive. It was quite compact for the focal length and was very well made. It balanced quite well on my 20D. I never liked Sigma's EX finish but I could live with it. The EX finish looks cheap to me,particularly the golden ring, and the EX badge, but it's better than Sigma's old design. The only thing I like about the EX finish is that it seems very durable. Even after heavy use there are no marks or scratches on the lens body and every time I wipe the lens body with a damp tissue, it just looks like brand new. The focus ring is nicely ribbed and wide but it didn't have the kind of damping Canon L lenses have, so it felt a little loose. The tripod ring is made of the same material as the lens body itself, but it didn't feel as smooth as the Canon's L like the 70-200 2.8IS and the 300mm f4 IS. One advantage Sigma's tripod rings have over Canon is you don't have to take it off the tripod to remove the lens. You just pull a knob and the ring opens allowing you to remove the lens. This is good if you have it all set on the tripod and want to quickly remove it for some hand held shots.
As far as it's optical performance is concerned, it's an absolute gem. When I review the pictures from this lens, all worries and niggles about price, finish etc dissapear and I'm glad I own it. I compared it against Canon's 135mm F2L which is one of Canon's sharpest lens,and this lens compares very favourably against it. In fact it is just as sharp as the 135mm at comparable apertures. But the 135mm is a stop faster and has faster focussing but that's a whole different story.
In short the lens is everything one can expect out of a macro. Excellent build, very sharp, good colors, excellent bokeh (out of focus areas). What else would one want? The focussing is slow, but it's a macro lens and that's how macro lenses are. The minimum aperture is 22 which may deter some, but I don't shoot slower than 22 anyway because of diffraction limitations.
This lens is just perfect for it's intended purpose. Needless to say, I sold my Canon 100mm in a jiffy.

Click Here to see more reviews about: Sigma 150mm f/2.8 EX DG HSM APO HSM IF Macro Lens for Olympus and Panasonic SLR Cameras

Super Multi Coating reduces flare and ghosting that tends to occur when using digital SLR cameras.Super compact and lightweight, large aperture telephoto lens with life-size macro capability.This large aperture telephoto macro lens enables you to shoot up to 1:1 life size close-ups. Its large F2.8 aperture makes it an ideal lens for digital SLR as well as film SLR cameras. Two Special Low Dispersion (SLD) glass elements control various color aberrations and assure high image quality. Super Multi Coating gives superb color performance whilst cutting down flare and ghost. Its compact, yet advanced, construction has an overall length of Length 137mm (5.4in.), maximum diameter of 79.6mm (3.1in.), filter size of 72mm and weight of 895gr/31.6ounces

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Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras Review

Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras
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Already in my possession is the older version of Nikon 105mm micro lens, I would like to explore a macro lens of a longer focal length. This lens is reasonably priced (I got it during promotion with the price just slightly higher than the sigma 150mm macro lens) and I have seen breathtaking photos taken by this lens on the internet.
The photo quality of the images I have taken so far is excellent; the contrast and colour very close to Nikon lens. In addition, the lens has a good balance when handheld (I don't use a tripod and so I remove the tripod collar) with the hood. The advantage over macro lens of shorter focal length is the flexibility to work from a longer distance. Gone are the days when the butterfly, bees and moths would flee from the scenes when I tried to approach them. In addition, when I took this lens only on a trip, I can switch comfortably between taking small objects and birds from a distance. Today a black crowned egret flew past and I could take a reasonbly sharp photo of it. (Focus with HSM at a distant object is fast.)
The disadvantages (which I can settle) are
(a) its weight when compared with 105mm lens
(b) the relative shallow depth of field when compared with 105mm lens and 150mm lens
(c) the slightly greater challenge to ensure the entire object lies on the focal plane so that it is sharp all across
(d) coating of the barrel of the lens (not as good as the Nikon lenses)
However, since I can always increase the ISO by 1-2 steps and work with a smaller aperture, the resulting images can be as good as the other shorter lenes. Also, imagine taking just one lens instead of two when taking photos in the field is already a big incentive to give this lens a very serious thought.
To summarise, both the Sigma 150mm and Sigma 180mm are very strong contenders in the macro photography. In my case, since the prices of the lens during promotion are insignificant, I have no problem taking the longer lens. But if the prices resume to normal and the difference is big, I will have a bigger problem deciding which lens I should pick. For this 180mm lens, I have taking photos of jumping spiders, tiny bees, butterflies, small flowers,... and the images are crisp, sharp, colourful and better than I've ever dreamed.

Click Here to see more reviews about: Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras

Taking picture of small animals and insects can be difficult, because they often run or fly away, or can be dangerous or become aggressive if you approach them. Therefore it is advantageous to have a greater working distance between the camera and such subjects. Longer focal length lens can provide this greater distance, but most long lens do not focus close enough to provide a large image of small subjects. The tele-macro type lens solves this problem by producing a large, high quality image, up to life-size, while maintaining a long working distance. This can enable you to capture on film the world of photomicrography, without disturbing the subjects. The 180mm F3.5 APO MACRO lens has a very narrow field of view, and can allow very narrow depth-of-field for selective focus and less distracting backgrounds. This lens is most desirable for photographers who are serious about producing high quality images both of macro subjects at life-size reproduction, as well as normal telephotography. Floating Inner Focusing System The Floating Inner Focus System of the APO MACRO 180mm F3.5 EX HSM provides high quality optical performance and superior handling and stability. This system moves two lens groups within the lens, so the lens\' physical length remains unchanged. This technique also maintains good correction for Spherical Aberration and Astigmatism, and provides extremely high optical performance from infinity to 1:1 Macro. Full-time Manual Focus with HSM Macro photography requires precise focus adjustment. The HSM (Hyper Sonic Motor) feature is ideal for this purpose as it allows quick and precise manual focus, even in auto focus mode. Simply focus with HSM auto focus, then while partially depressing the shutter release, turn the manual focus ring until any desired focus adjustment is made. Then depress the shutter release fully to take the picture. It is not necessary to switch from AF to MF. When the shutter release is next depressed, the AF function will resume

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Adorama Budget Macro Focusing Rail Set with 4 Way, Fine Control, Camera Focusing Rail for Macro Photography. Review

Adorama Budget Macro Focusing Rail Set with 4 Way, Fine Control, Camera Focusing Rail for Macro Photography.
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This product is very good for macro photography. Moves left and right, foward and back so you do not need to move your tripod to get in position again to reframe or focus the subject. Smooth and very small fraction of an inch foward and back movements allow for macro subject to become in focus without having to go back to lens focus ring after you have previously set the len's depth of field. Great for when an insect moves in any direction as you do not need to move the tripod and miss the shot.
One thing Adorama missed. A quick release instead of the screw to attach the rail to the camera so if you need to walk to the next shot you do not find yourself walking with your camera dangling around your neck with the bulky 1 1/2lbs. rail. The rail should have a quick release and be attached to a ball head with a quick release that is attached to a macro photography type tripod. The rail quick release will allow you to walk with it attached to the tripod and have no need to break it down or keep it attached to your camera.
Over-all a very good product.

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rack and pinion movement provides fine focusing adjustments. Two 6" rails allow movement in four directions, right, left, forward and backward. Mounts on, and accepts 1/4x20 threaded screws, will fit most tripods and copy stands. Positive locking knobs assure rock-steady focus. for better quality select MCFRS

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Opteka 67mm 10x HD² Professional Macro Lens for Digital Cameras Review

Opteka 67mm 10x HD² Professional Macro Lens for Digital Cameras
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I bought this for creative closeup photography. Best to set your focus on manual and move the camera itself in and out to bring the image into focus. Very shallow depth of field, so this will take some time. Fun for creative photography.
FYI If you are trying to cheat spending the $$ on a real macro/micro lens, you will not be happy with this.I could not call this "professional" or "HD." It is what it is. It's just a magnifying glass with a lens mount.

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Now you can take close-up shots like you never took before * Enables you to get much closer than the minimum focus of the standard camera lens - as close as 4 inches from the subject. * Originally designed for dentists and medical use, the HD10X is now available to the public * 4 elements of high definition optical glass that provides unbelievable detail * Made In Japan, Lens caps and bag included, Lifetime warranty

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Tamron AF 60mm f/2.0 SP DI II LD IF 1:1 Macro Lens for Canon Digital SLR Cameras Review

Tamron AF 60mm f/2.0 SP DI II LD IF 1:1 Macro Lens for Canon Digital SLR Cameras
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This is my first true macro lens. I have had it for about a month now and am using it with a Canon Rebel XSi. I am very pleased with its performance and the great shots it has produced. The pictures I've gotten are extremely crisp. The ability to use manual focus while in the Auto focus mode is a very nice feature. You don't have to take the camera from your eye to switch off the auto focus. That is a time and picture saver especially when you have a situation such as a bee or other insect flying around and you only have seconds to get that great shot. I love the feel of the focus ring and overall feel of this lens. It feels smooth and has the feel of a quality product. I find the speed (f2) great for those close-ups of insects such as bees or flowers on an overcast day where you don't want to use a flash. Image stabilization would be nice, but that would add to the cost. This is my second Tamron lens and again I am very pleased with this product and the results I have gotten. I would not hesitate to recommend this lens.


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The Tamron SP AF60mm F/2.0 Di II LD (IF) 1:1 Macro (model G005) is the first medium telephoto macro lens designed for APS-C size DSLR cameras that features a fast maximum aperture of F/2.0 one stop faster than the F/2.8 maximum aperture found on conventional macro lenses in the same class.The SP AF60mm F/2.0 covers an equivalent angle of view of 93mm when converted to the 35mm format. With is fast F/2.0 maximum aperture, the new macro delivers dramatically attractive blurred background effects. And the addition of Internal Focusing (IF) and Full Time Manual Focus Control Mechanism to its list of highlight features makes this lightweight and compact 1:1 macro lens incredibly easy to use. For Canon, Nikon and

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Tokina AT-X 100mm f/2.8 PRO D Macro Lens for Canon EOS Digital and Film Cameras Review

Tokina AT-X 100mm f/2.8 PRO D Macro Lens for Canon EOS Digital and Film Cameras
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I have used Tokina lenses for several years and they have always been more than satisfactory. Tokinas are built like tanks, with solid metal alloy bodies that make Canon's top of the line L-series lenses look cheap in comparison. This makes them rather heavy, but I don't find them uncomfortable.
This 100mm f/2.8 macro lens is a great value. The differences between it and the more expensive Canon EF 100mm f/2.8 Macro USM Lens (non-IS version) are minor at best; most significantly, the Tokina extends when focusing, whereas the Canon does not. At the short distances often involved in macrophotography (focusing on objects only a few inches away), extending the lens can be a minor annoyance, requiring you to pull the camera back a bit to keep the framing consistent, but you get used to it. (Competing lenses from Sigma and Tamron also extend while focusing.)
I have the Tokina mounted on a Canon 5D Mark II at the moment and it's doing a great job. Auto-focus is accurate, if somewhat slow compared to Canon's macro lens, but with the AF limit enabled this disadvantage is mitigated. The images it produces are razor-sharp, with good color and contrast, whether the subject is a bug a few inches away or distant buildings.
All in all, I'm happy with this lens. It's a solid, reliable product from a company with a long track record of producing high-quality lenses, and in value-for-money terms it's the best deal in its class.
Update, February 2010: If you want to use this lens with a Canon MR-14EX Macro Ring Lite or Canon MT-24EX Macro Twin Lite, you will need a step-up ring. These flashes are designed to mount on the end of Canon's original 100mm f/2.8 macro lens, which takes 58mm filters rather than the 55mm filters the Tokina uses. I am using the Kenko 55mm Step-Up Ring to 58mm and I find that the MR-14EX stays in place reliably as long as nothing bumps into it. And if you want to just leave the step-up ring on the lens at all times, then you'll need to replace the Tokina's lens cap with a 58mm one to fit the step-up ring.

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Tokina AT-X 100 PRO D lens for digital and film SLR cameras.The AT-X M100 PRO D is a new macro lens capable of life-sized (1:1) reproduction at 11.8 in. (30 cm). The lens' multi-coating have been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today's digital SLR cameras, while the optics still give full coverage and excellent sharpness on 35mm film.The AT-X M100 PRO D also has a very convenient focus limiter switch that can lock the focus out of the closes focus making it focus faster when used as a moderate telephoto or portrait lens.Other features of the AT-X M100 PRO D are:Tokina One Touch Focus Clutch Mechanism for fast easy switching between manual and Auto focus.55mm non-rotating filter thread for use with macro ring flashes and special effects filters.

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Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro Lens for Canon Digital SLR Cameras Review

Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro Lens for Canon Digital SLR Cameras
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This is an excellent choice if you're interested in close-up and macrophotography -- it's sharp corner-to-corner, and you get life-size photos down to the size of a large bug. Usually you end up focusing macro shots manually, and the Tamron manual focus ring travels about 270 degrees, giving lots of smooth fine-tuning capability.
For portraits and medium telephoto shots, the autofocus capability works well but it's audible. You can set a limiting switch so that it won't hunt through the entire range, from 8" to infinity. It's easy to switch from autofocus to manual by feel -- you can do it without moving your eye from the viewfinder.
There are probably better choices if you want to do portraits first and macrophotography second -- Canon's 100mm and Sigma's 105mm macros, in particular, but the Tamron is an excellent choice for macro work.
The lens body is plastic, so it's lighter than OEM lenses from Canon & Nikon. The light weight makes one wonder about how rugged it is, but it feels well put together, and anyway you shouldn't be using a lens to drive nails.
Note that the 90mm designation applies only to full frame SLRs. On digital SLRs like the Canon 300D & 350D or the Nikon D50 & D70, the lens gives you an effecive focal length of about 130mm. So you get a bit more working distance for macro subjects, but you may have to stand back too far from the subject for portraiture.

Click Here to see more reviews about: Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro Lens for Canon Digital SLR Cameras

Di: Digitally Integrated Design, is a designation Tamron puts on lenses featuring optical systems designed to meet the performance characteristics of digital SLR cameras.DI Lenses have the following benefitsImproved Resolution Minimized peripheral light fall-off Compensation of ghosting and flare reduction of chromatic aberationsTamron's 90mm macro lens, often referred to as "the portrait macro" and loved by photographers all over the world, is now reborn as a Di lens that is perfect for use with both film and digital cameras.

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Raynox DCR-250, Macro-Scan 2.5x Super Macro Conversion Lens, with Snap-on Universal Mount for 52mm to 67mm Filter Diameters. Review

Raynox DCR-250, Macro-Scan 2.5x Super Macro Conversion Lens, with Snap-on Universal Mount for 52mm to 67mm Filter Diameters.
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Ignore the bonehead who blew a gasket (below) over a customer service issue, and childishly decided to flame the manufacturer on all of their listings here. Raynox products are well-made, have good optics, and are a good value.
This particular macro lens is ->extrememlyvery

Click Here to see more reviews about: Raynox DCR-250, Macro-Scan 2.5x Super Macro Conversion Lens, with Snap-on Universal Mount for 52mm to 67mm Filter Diameters.

Explores the world of MACROPHOTOGRAPHY with your Digital Camera and Camcorder... The lens includes a snap-on universal mount suitable for 52mm to 67mm filter size. DCR-250 Super Macro lens obtains the maximum macro magnification power when set at the most telephoto position of zoom lens. The lens is made of high index optical glass elements which produce rich and razor sharp image.DCR-250 is also suitable to 3-CCD chip or mega-pixel Digital Camcorders.All of Raynox conversion lenses are proudly made in Japan. At Raynox's wholly owned manufacturing subsidiary, every stage of production is rigorously checked and tested so that the lens elements compensate effectively for astigmatism, distortion and spherical aberration.... for an excellent image quality.

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Tokina AT X 100 AF PRO D - Macro lens - 100 mm - f/2.8 - Nikon F Review

Tokina AT X 100 AF PRO D - Macro lens - 100 mm - f/2.8 - Nikon F
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I just received this lens this week. I would had thought that it was broken if I did not go through the instruction carefully. The aperture ring was set to the lowest f number when it arrived. I got the "FEE" message and my D200 will not take any picture after I attached the lens to the camera. I set the aperture ring back to the higherst f number and the camera recognize the lens perfectly. The pictures are crispy clear. This is a great lens for portrait. Other people already gave the good review already, and I am not going to repeat myself. I do want to point out a few concerns for this lens.
1. You have to have a very steady hand, especially when you are taking indoor pictures. A tiny movement will cause considerable blur, so a tripod is recommanded. I guess this is common for macro lens at 100mm.
2. You are not getting f2.8 everywhere. The aperture changes from different focal planes.
3. The lens is not a fast lens due to the long focal length. You will probably need a flash if you are taking picture indoor.
4. The lens feels heavy.

Click Here to see more reviews about: Tokina AT X 100 AF PRO D - Macro lens - 100 mm - f/2.8 - Nikon F

Tokina AT-X 100 PRO D lens for digital and film SLR cameras.The AT-X M100 PRO D is a new macro lens capable of life-sized (1:1) reproduction at 11.8 in. (30 cm). The lens' multi-coating have been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today's digital SLR cameras, while the optics still give full coverage and excellent sharpness on 35mm film.The AT-X M100 PRO D also has a very convenient focus limiter switch that can lock the focus out of the closes focus making it focus faster when used as a moderate telephoto or portrait lens.Other features of the AT-X M100 PRO D are:Tokina One Touch Focus Clutch Mechanism for fast easy switching between manual and Auto focus.55mm non-rotating filter thread for use with macro ring flashes and special effects filters.

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Opteka 52mm 10x HD² Professional Macro Lens for Nikon D60, D40, D40X, & D50 Digital SLR Cameras Review

Opteka 52mm 10x HD² Professional Macro Lens for Nikon D60, D40, D40X, and D50 Digital SLR Cameras
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For those who are wanting to play with Macro without paying $500 this is the way to go.
I was hesitant, with only one review on this product when i bought it, but hey, [...] Why not huh? if it sucks i could always keep it in my camping gear for starting fires.
I got it in, it comes with a cheap little pleather pouch and lenscaps for the font and back. Which is all it needs really.
I have a Nikon D40 with a 18-55mm kit lens plus a 55-200vr telephoto lens.
See the pics i have submitted for this product in the pics section, the pics speak for themselves on how well this works. It does not interfere with autofocus but you have to be real close. The 18-55 lens worked great with this, but i have achieved better than 1:1 magnification with the 55-200mm lens. At 150-200mm the focus depth is so razor thin that it is hard to make out much . dropping down to 135-105mm seems to work best.
It installs just like a normal filter by screwing onto the end of the lens.
I have never played with a real macro lens. I am an amature, and have been in this hobby for 5 months and only taken 6,000 photo's. I would love a real macro lens one day, but right now this is defaintly fun to play with! it really kicks butt witht he 55-200mm lens.
for 30 bucks you get a real fun toy that gives you macro ability.
all the pics i submitted are resized by amazon, none have been cropped. something the size of the diameter of a cigerette is nearly enough to fill the frame.
good times!

Click Here to see more reviews about: Opteka 52mm 10x HD² Professional Macro Lens for Nikon D60, D40, D40X, & D50 Digital SLR Cameras

Now you can take close-up shots like you never took before. Opteka proudly presents the next HD10X macro lens. Originally designed for dentists and medical use, the HD10X is now available to the public. Unlike current single element lenses, the HD10X has 4 elements of high definition optical glass that provides unbelievable detail. Cameras fitted with normal lenses do not permit us to move closer than a certain minimum distance from the object being photographed. The Close-Up lens, which is simply mounted in the front of our normal taking lens, permits the taking of close-ups and also makes possible the photography of details which would be quite impossible without using the Close-Up lens. The easy to use solution for getting extra close. These lenses enable you to get much closer than the minimum focus of the standard camera lens - as close as 4 inches from the subject. Ideal for cataloging small items and focusing on details.

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Click here for more information about Opteka 52mm 10x HD² Professional Macro Lens for Nikon D60, D40, D40X, & D50 Digital SLR Cameras