Showing posts with label maxxum 7d. Show all posts
Showing posts with label maxxum 7d. Show all posts

Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for Minolta and Sony SLR Cameras Review

Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for Minolta and Sony SLR Cameras
Average Reviews:

(More customer reviews)
When I first started looking for a mid-level macro lens, a few weeks ago, I was naturally drawn first to the Canon 60mm, as I have already have 2 Canon bodies.
But then I started looking around, reading reviews (mostly on Fred Miranda's site), and comparing prices. The more research I did, the more appealing this lens became. And finally, I decided to go with it.
Here's why:
- The price is similar to the Canon 60mm.
- I already own a Sigma EX-series lens (17-35mm), and really like it. I like the matte finish, and the glass is excellent.
- For some reason I cannot fathom, Canon doesn't include lens hoods with any of the mid-range lenses I looked at. Sigma does.
- The greater focal length means I can stay farther from the subject - minimum focus distance is about 30cm (12in). This is almost always a benefit.
This lens isn't perfect, however, and here's a few caveats you may want to consider before making a purchase:
- In low light (ie, most macro photography), this lens likes to hunt. Which can be a slow process considering its length when fully extended. Personally, I don't mind manual focus all that much, so this doesn't bother me.
- This is a not an HSM (Sigma's version of USM) lens. It is motor-driven. This might bother you, but I barely even notice it.
- Switching to/from manual/autofocus mode is a 2 step process. Beside the switch on the side of the barrel, the focus ring requires a push-pull motion which is sometimes a bit tricky. With a little practice, this becomes less and less of an issue - and if you leave it on manual most of the time (as I do), you seldom have to worry about it.
- The lens hood is a screw-in, not a twist- or clip-on model. This is, however, offset by the rather deep recession of the glass in the lens tube. (If you want to use the lens hood and leave it on, a 77mm lens cap will fit it.)
Despite these (in my opinion, very minor) problems, I'm very happy with this lens, and would definitely recommend to anyone looking for a mid-level macro lens

Click Here to see more reviews about: Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for Minolta and Sony SLR Cameras

A medium telephoto macro lens which is designed for traditional and digital SLR cameras, its lens power layout produces an excellent optical performance. The lens coating cuts down ghost. The DG lens is designed to reduce the influence of harmful light caused by reflections from the digital image sensor. Its outstanding optical performance provides the ultimate correction against lateral chromatic aberration and distortion. This lens boasts compact dimensions of 2.9" (maximum diameter) and 3.7" (overall length). It has a filter size of 58mm and, at just 15.8 OZ, is also extremely lightweight. The minimum focusing distance of 31.2cm (12.2in) is capable of macro photography with a maximum magnification of 1:1. It is possible to enjoy photography from life-size close-up to infinity.. This lens is equipped with a "Focus Limiter Switch" that limits the AF range so improving the speed and accuracy of auto focus. It also incorporates a Dual Focus (DF) system that is designed to make the lens easy to hold during auto focusing. The large focus ring offers smooth and positive action whilst focusing manually. A screw-in hood is included, for convenient use of circular polarizing filters. This telephoto macro lens has an equivalent field of view of 178mm on a digital SLR camera (when used with the SD10).

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Sigma 50mm f/2.8 EX DG Macro Lens for Minolta and Sony SLR Cameras Review

Sigma 50mm f/2.8 EX DG Macro Lens for Minolta and Sony SLR Cameras
Average Reviews:

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I recently purchased the Nikon D200 camera. I had several nice zoom lenses but I did not have anything which would take macro close-up photos. I did some research and found good reviews for this lens. So I got it.
The lens is an excellent lens for close-up photos. I am not a professional photographer but I try really hard to get good sharp photos. This lens will do the job.
Since it is also also a 50mm lens I have used it as a normal lens. The only problem with that is that over the years many of us have been spoiled with zoom lenses. With a zoom lens you can stand in one spot and zoom the lens in or out to get closer or father from your subject. With just the 50mm capability of this lens you have to physically move in or out to get a closer shot or a wider shot. This is not necessarily a criticism, just a comment about how we have been spoiled by zoom lenses.
I do not believe you will be disappointed with this lens. The price is great for the quality.

Click Here to see more reviews about: Sigma 50mm f/2.8 EX DG Macro Lens for Minolta and Sony SLR Cameras

Sigma launched its first standard 50mm macro lens in 1990, and followed it up with an improved model in 1998. The advent of digital SLR cameras, however, required updated optical technology and a better imaging performance. Enter the latest incarnation of the 50mm macro lens, with an improved design that corrects for various aberrations. Designed exclusively for Minolta and Sony SLR cameras, this macro lens is specially coated to get the best possible color balance while cutting down on ghosting caused by reflections from the digital image sensor. The lens also includes a floating focusing system, which allows you to precisely photograph objects throughout the entire focusing range. Most importantly, this standard macro lens makes it possible to enjoy better communication with your subject. When viewing through the camera's finder, you'll be able to move the subject and make precise adjustments. For example, the lens offers a close working distance of 7.4 inches, making it extremely convenient to take close-up pictures of a fossil or other inanimate objects.
Other details include a minimum aperture of f/45 that provides a greater depth of field than most lenses, a screw-in lens hood that makes it easy to attach circular polarizing filters, and a 46.8-degree angle of view. All Sigma lenses carry a one-year warranty.
Specifications
Focal length: 50mm
Maximum aperture: f/2.8
Lens construction: 10 elements in 9 groups
Angle of view: 46.8 degrees
Number of diaphragm blades: 7
Minimum aperture: f/45
Minimum focusing distance: 7.4 inches
Maximum magnification: 1:1
Filter size: 55mm
Corresponding mount: Sony and Minolta
Dimensions: 2.8 inches in diameter and 2.6 inches long
Weight: 11.3 ounces
Warranty: 1 year


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Adorama 20" Standard Cable Release with Screw Lock Review

Adorama 20 Standard Cable Release with Screw Lock
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Cable releases come in different designs. This design goes back at least forty years. It is still the best as far as I am concerned. The cable release lock is not automatic -- it is totally optional, unlike the design with the concentric lock around the cable. The locking screw is simple and well designed. More importantly however, the cable is wrapped in cloth. If you ever have to shoot pictures in freezing weather, cloth wrapped cable releases are better because they don't stiffen up or stick. Those wrapped in any form of plastic have a tendency to become difficult in cold weather. Some might argue that the plastic wrapped cable releases are more durable, but not really. I've had cloth-wrapped cable releases last me for many years. This is a first-rate product at a very low price -- a bargain.

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Cloth Covered Cable Release

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LumiQuest ProMax Pocket Bouncer Review

LumiQuest ProMax Pocket Bouncer
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I have a Canon 430EX flash unit and I wanted to be able to add some bounce ability and control, with or without a ceiling present. Then it also depends on the height of the ceiling that is present. This intelligent little unit unfolds and attachs to Velcro(tm), hook-n-loop fastened around the flash head. I purchased the LUMIQUEST Cinch Strap - Easily attach and remove flash bounce as I did not want to attach the double sticky-back Velcro(tm) directly to my flash unit. The Cinch Strap takes care of that and works like a champ.
This unit folds nicely for inserting a space the size of a small camera (read Canon S5 IS) and installs in seconds and allows one to go from shooting with the flash unit head in a direct vertical position down to a few angles below directly vertical.
It bounces light well and works great with the TTL features of the Canon 430EX and Canon camera.
It works to soften light and to soften shadows.
It gets a great THUMBS UP!! from me.

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The Pocket Bouncer enlarges and redirects light at a 90 degrees angle from the flash to soften the quality of light and distribute it over a wider area. While no exposure compensation is necessary with automatic flashes, operating distances are somewhat reduced. Application: To soften flash light quality with minimal light loss; to be used with slaves or alone where low ceilings are not available, or where more direct but soft fill light is desired.

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Tamron 200-400mm f/5.6 LD Minolta Mount SLR Zoom Lens Review

Tamron 200-400mm f/5.6 LD Minolta Mount SLR Zoom Lens
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this lens has served me well. i take soccer pictures of the kids on a weekly basis and use this lens with a canon elan 2 camera with at least 800 speed film for day and 1600 speed film for night with great results . even when enlarging photos great results are possible. only drawback is you need to be far enough away ,as say the bleachers or stands, to have a good vantage point. not for sideline pictures for that i recomend the tamron 80-200 af lens which allows for close up action.

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Stay at a distance that isn't disturbing but still get really close to your subject with this distinguishably compact AF200-400mm zoom lens. Take beautiful shots of wildlife and get in all the action of sports with this lens that utilizes the highest level of design technology which allows it to be just 178mm (7.0") in total length yet maintain a constant F/5.6 aperture. Beautiful, clear, crisp images throughout the zoom range are achieved by the use of two Low Dispersion (LD) lens elements in the front group, which keep chromatic aberrations to an absolute minimum. When focusing, the lens length doesn't change and the front element stays stationary due to an Internal Focusing mechanism, which minimizes corner vignetting and distortion, for sharp images from corner to corner.

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Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro Lens for Konica Minolta and Sony Digital SLR Cameras Review

Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro Lens for Konica Minolta and Sony Digital SLR Cameras
Average Reviews:

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this lens performs as stated...it takes crystal clear shots, be they regular head shots or close up macro shots....the detail the lens is able to grab is incredible.....its ability to switch between AF and MF is easy and able to do on the fly while taking pics....came second nature quickly.
i would highly recommend this lens for someone who is looking to invest in a better lens than the kits lenses that came with your DSLR and is interested in taking a lot of close ups, be they of people or flowers/insects, etc....you will not be disappointed....they state the ratio is 1:1, but it sure seems like a lot more when you view your pics on the monitor......
its 2.8 max f-stop also allows one to take better pics in low light over the 4/5.6 kit lenses.
i own a sony a350 dslr and the lens performs smoothly with this camera.
tom

Click Here to see more reviews about: Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro Lens for Konica Minolta and Sony Digital SLR Cameras

Di: Digitally Integrated Design, is a designation Tamron puts on lenses featuring optical systems designed to meet the performance characteristics of digital SLR cameras. Tamron introduces a new version of the famous 90mm macro lens forfilm and digital photography. Tamron's 90mm macro lens, often referred to as "the portrait macro" and loved by photographers all over the world, is now reborn as a Di lens that is perfect for use with both film and digital cameras.

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