Showing posts with label flash diffuser. Show all posts
Showing posts with label flash diffuser. Show all posts

Flash Softbox for Attachments & Speedlights Digital Camera Studio Photography Review

Flash Softbox for Attachments and Speedlights Digital Camera Studio Photography
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Flash Softbox for Attachments & Speedlights Digital Camera Studio Photography Here's a quick demo of how to attach and use this flash diffuser with a Speedlight.

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A dramatic, eye catching photo can mean dramatic profits. Getting a well exposed photo is extremely important. Photographers often turn to a flash to help light the scene. The problem is that flash can cause harsh reflections or glare spots or create deep shadows that distract viewers.This little, portable soft box will prevent those problems when using a flash. Simply put the unit over the cameras portable flash unit, point and shoot. The light will be softened and your photos will be well exposed, without the harsh glare spots.This softbox can be used to improve portrait photos, given the subject a nice diffused lighting effect.USE This tool for Fill light Flash burst when a regular flash is to strong A way to reduce shadows when using a flash

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PRESSlite Vertex Light Modifier, for any Portable Shoe Mount Electronic Flash Review

PRESSlite Vertex Light Modifier, for any Portable Shoe Mount Electronic Flash
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I just received mine from Amazon at 30% off because of I was able to take advantage of the specials I found on [...]. I find it to be very well made in every aspect. Came in a small box and assembly is required. The assembly instruction sheet is very clear with illustrations. No user instruction/manual came with it but their website provides more then enough information to get you started.
I was able to install it on my Sony 58 flash by stretching the band as instructed but now the flash doesn't fit into its very nice case as easily. Had to remove the arms so the head will slide into the case, leaving the band on the head. Now the arms are still attached to the panel assembly. Wish I have a slip case to protect the reflective panels while stored in my camera case. I wrap a micro fiber eyeglass cleaning cloth around the panel assembly and into a small plastic bag to store in my camera case. The shining reflective surfaces does show fingerprints very easily.
Everything works as shown on their website. Haven't had a chance to test this yet since my primary use would be at parties in a large hall with high ceilings and walls in medium colors.
My concern is how much extra work and time to setup each shot as I move around the hall taking group portraits. I suppose I could just use both white reflective panels for bounced diffused light for general shooting and use the shining panel(s) for directing bounced lighting to some wall or ceiling.
[...]
and
I got a response from Presslite: "Unfortunately, we will not be able to offer new incentive discounts".
Tried it with my Sony 58 last night in a large banquet hall with high ceilings and medium colored walls and ceiling. I ended up using the white reflectors as diffusers with the flash head straight up, as the silver mirrors were not effective in such a large area. For a party environment where you have to walk around and catch spontaneous shots, I found that I didn't have time to adjust the reflectors so I just use the white panels to bounce the light.
Also in such a large room, you have to be pretty precise at the angles you set up the silver panels...much like playing pool except this is three dimensional but the light does spread out like a shotgun. When using the silver panel(s) to bounce the flash directly to the subject, I can see in my view screen when I have light cut off when I missed my panel setting!
If the task is to take portraits, such as bridals in the dressing room, or on a portrait shoot, then you can take time to study the room for effective bounce surfaces to make use the silver mirror panel(s).
At first the arms became loose from the band after a few adjustments... discovered that the arms were too close together at the panel attachment bar. By sliding the arms out so it was more parallel to each other and perpendicular to the band, it held up well.
Didn't like the fact when I wanted to set the panel and arms to the side and just use the flash in its native form, one of the panels sticks out distractively at right angles to the flash...had to detach it from the panel bar (attaches with rare earth magnets) and place into my pocket, thus a micro fiber slip case to protect the panels would be handy.
In the short time I used it last night, about 1/2 hour, I discovered that both white panels had dark scuff marks and didn't come off with a casual wipe from a cloth. Will try some isopropyl alcohol and mild detergent later.
On studying the scuff marks on one of the white panels I see there are two parallel marks in a arc fashion, so I am thinking it is rubbing against either the flash or the band. I just tried to replicate it and succeeded with the band, but only with a lot of pressure. Will learn to detach the panels when not in use. Again, have to keep the panels separate and in a slip case. I fashioned one out a spare micro fiber eye glass cleaning cloth. Will have to sew it into a fitted slip case.
This product is very well made but takes some time (for me at least) to study and learn its full capabilities. Will be playing with it as time and opportunities permit.
I wrote twice to Presslite and the Vertex Team and they were very responsive and friendly. Highly recommended company and product!

Click Here to see more reviews about: PRESSlite Vertex Light Modifier, for any Portable Shoe Mount Electronic Flash

The PRESSlite VerteX is an innovative new light modifier that gives you an unprecedented level of control over the light flow from your swivel-head flash.Engineered in Silicon Valley, this device's unique tilt, twist and pivot actions enable the user to reflect and redirect light in multiple directions simultaneously from a single flash unit! In combination with the available motion of your swivel-head flash, you have virtually unlimited available angles from which light can be projected.Unlike any other light modifier currently on the market, this breakthrough device has been designed for exceptional durability from the highest quality of hybrid plastic, elastomer and magnetic materials, delivering fluid movement, superior mechanical functionality and lasting reliability. Sleek professional styling enhances your image, as you respond to the demands of Move & Modify photojournalism.

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LumiQuest Cinch Strap Review

LumiQuest Cinch Strap
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Like others, I didn't want to attach sticky velcro pads to my nice, new Nikon SB600 flashgun. The cinch strap does an admirable job of attaching the diffusion hood to the flash, but it doubles the assembly time. The soft rubber triangular pattern on the underside of the strap grips the flash body very well, but doesn't lock it completely solid. It does get displaced slightly after a few mins of manhandling the camera. If you put the flash on a tripod, this is not a concern, but if you're hand-holding the camera and moving about a lot, it might be.
I have bitten the bullet, stopped using the cinch strap and just stuck the 4 pieces of velcro to the flashgun now. Much quicker to set up and holds the diffuser more rigidly.

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The LumiQuest Cinch Strap enables the photographer to attach LumiQuest accessories without installing self-adhesive loop to their flash. In addition, wrap-around velcro attaches LumiQuest Accessories for a more secure attachment. This is particularly useful with the Big Bounce and our larger SoftBoxes.

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LumiQuest ProMax Pocket Bouncer Review

LumiQuest ProMax Pocket Bouncer
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I have a Canon 430EX flash unit and I wanted to be able to add some bounce ability and control, with or without a ceiling present. Then it also depends on the height of the ceiling that is present. This intelligent little unit unfolds and attachs to Velcro(tm), hook-n-loop fastened around the flash head. I purchased the LUMIQUEST Cinch Strap - Easily attach and remove flash bounce as I did not want to attach the double sticky-back Velcro(tm) directly to my flash unit. The Cinch Strap takes care of that and works like a champ.
This unit folds nicely for inserting a space the size of a small camera (read Canon S5 IS) and installs in seconds and allows one to go from shooting with the flash unit head in a direct vertical position down to a few angles below directly vertical.
It bounces light well and works great with the TTL features of the Canon 430EX and Canon camera.
It works to soften light and to soften shadows.
It gets a great THUMBS UP!! from me.

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The Pocket Bouncer enlarges and redirects light at a 90 degrees angle from the flash to soften the quality of light and distribute it over a wider area. While no exposure compensation is necessary with automatic flashes, operating distances are somewhat reduced. Application: To soften flash light quality with minimal light loss; to be used with slaves or alone where low ceilings are not available, or where more direct but soft fill light is desired.

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B&W 65072474 52MM Infrared Black #093 Filter Review

BandW 65072474 52MM Infrared Black #093 Filter
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Using a DSLR? This filter is great for IR on a budget.
Used with a Nikon D70 and 50mm 1:1.8D.
I'm still getting a feel for this filter. So far I've had a hard time capturing the sharpness seen in the example photo. I've been surprised at how little light is needed to take a shot with f/1.8 aperture (shutter speed between 1/10s and 1/20s). Worth the money and quality build.
*edit* Most digital cameras have an internal IR blocking filter that works against IR pass filters like this item. For sharp pictures with a DSLR a tripod is highly recommended. This filter will work best on a film camera.
If you're looking for a good IR filter for a DSLR you may want to consider purchasing a second camera and having the internal IR-cut filter removed for use with this external IR-pass filter. Ideally, there are companies out there that can install an internal IR-pass filter (~$300) that will allow for infrared pictures and allow for using the cameras view finder. This would require that the camera be dedicated to IR only however.

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What photographer wouldnt love to leave the beaten path and create pictures that stand outfascinateperhaps even take ones breath away? To show objects or landscapes as no eye would see them in nature is an irresistible challenge. B+W Infrared Filters can help you to take on this challenge and master it with perfection.B+W filters that transmit infrared lightbut which block or severely limit the visible spectrum can reveal otherwise hidden worldswhen used in conjunction with appropriately sensitized films.Infrared photographs are attractive in many ways: Because of the nearly white reproduction of the chlorophyll green of vegetationinfrared black-and-white photographs render landscapes as if they were self illuminatingor immersed in an extraterrestrial light (the moonlight effect).Infrared color photographs have a fairy-tale effect because colors are reversed.The film renders highly infrared reflecting plants in orange to purple-red toneswhile filters suppress the blue and green components that are also present.In any casethe pictorial results are difficult to predicttherefore they are always good for experimentation & surprises. The B+W Infrared 093 Filter blocks the entire visible spectrumso to our eyes it looks completely opaque.Unlike the 092 infrared filterit makes pure infrared photographs possible without the visible red component. Its transmission only begins to exceed 1% at 800 nmrising to 88 % at 900 nmand remains that high far beyond the upper limit of sensitization covered by infrared films. In the scientific fieldmaterials research and forensicsthe limitation to a strictly infrared range is often important. The filter factor is very dependent on the illumination and on the characteristics of the film.(Photograph by Jevgenij Nikiforov)

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Adorama Filter Wrench for 67mm-77mm Filters, Package of 2 Review

Adorama Filter Wrench for 67mm-77mm Filters, Package of 2
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I have a lens that fell out of my bag onto the sidewalk. This subsequently jammed my polarizing filter partially cockeyed onto the lens. This means that the threads were not lined up, and they were actually locking the filter onto the lens. I had tried everything I could think of to get the lens off. Since the lens still works, I just figured I'd have to live with the polarizing filter forever stuck on the lens. I ordered this set of wrenches, mostly because it was so cheap, and because I figured it would be a last ditch effort.
On my first try, the wrench did bend a little bit, so I stacked the other wrench next to it to give it a little more support. With a little elbow grease, about 30 seconds of trying later, the filter popped back into position with the threads and I was able to unscrew it.
I give this set of wrenches two big thumbs up. They absolutely worked.

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Use wrenches to remove stubborn filters from lenses. Use one on barrel of lens, and the other on filter. Strong gripper surface. Works on lenses from 67mm-77mm.

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Sto-Fen OMSB5 Omni-Bounce Diffuser Review

Sto-Fen OMSB5 Omni-Bounce Diffuser
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Simple, cheap, easy to use and works well. I also bought the gold tinted version, which has produced some very nice portrait shots.

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The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.) The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro. Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket.

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Gary Fong The Puffer Pop-up Flash Diffuser + Accessory Kit for Canon, Nikon, Olympus and Pentax Flashes Review

Gary Fong The Puffer Pop-up Flash Diffuser + Accessory Kit for Canon, Nikon, Olympus and Pentax Flashes
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The Puffer diffuser is exactly as described. I own a Nikon D40 and it was a little tight fitting it onto the hotshoe mount, but with a little finesse it slipped on fine. It diffuses nicely. The cleaning kit is fine, too.

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Kit includes:♦ 1) Gary Fong Puffer Pop-Up Flash Diffuser♦ 2) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit♦ 3) Digital Camera LCD Monitor Screen Protectors♦ 4) Precision Design Spudz Microfiber Cleaning ClothThe Gary Fong Puffer Pop-Up Flash Diffuser is for use on almost any SLR camera that has a hot shoe and pop-up flash. It has a convex, dimpled white diffuser front that softens and disperses the light from your camera's pop-up flash. The Puffer mounts in the hot-shoe slot of digital cameras with a pop-up flash, greatly softening the quality of light. It's great for portraits, grabshots of people and closeups of objects (great for ebay photos!) The height of the Puffer is adjustable -- its twin prongs fit into any of the eight sets of holes at the rear of the diffuser. So, no matter what model hot shoe camera, or height of its pop-up flash -- the Puffer adapts.
This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

Reduce glare, enhance your view, and prevent scratching with this set of LCD screen protectors.

This 6x6-inch Microfiber Lens Cloth from Precision Design will remove smudges and other surface grime from your delicate optics. The attached water-resistant neoprene pouch keeps the cloth dry and protected from dust, dirt and other contaminants that could otherwise lead to scratches. And for added convenience, the pouch features a simple clip that makes transportation a snap.

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LumiQuest ProMax Mini SoftBox Review

LumiQuest ProMax Mini SoftBox
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I've owned LumiQuest's Mini SoftBox for years and it has been a winner for me. I shoot commercially both in-studio and on-location, and the Mini Softbox is terrific for removing the harsh glare of a normal dedicated external flash. The purpose of a softbox is to spread out the light so you don't end up with "hot spots", areas of white glare on people's skin which is caused by flash units. The Mini Softbox velcro's onto the flash unit, which doesn't bother me at all since I use it so much. Portraiture has much more pleasing lighting, and it's priceless for doing walk-around candids in an office or at a gathering when spontaneous action is needed.
The Mini Softbox is small and doesn't get in the way. It's durable and has lasted me for 6 years. I'm now buying a new one as I finally wore this one out. Pay no attention to the review saying it wasn't for professionals. I wouldn't do a location shoot without it. Works with any external flash unit and comes with the velcro strips to attach it. The velcro doesn't get in the way and it's almost unnoticeable when it's on the flash unit. Functionality is the main thing, so I highly recommend it.

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The Mini SoftBox enlarges and diffuses the light with the flash in the direct flash position. Unobtrusive and low profile, the Mini SoftBox is ideal for press and other fast-moving situations.Application: To soften shadows and eliminate unpleasant red eye.

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Cameta Digital Slave Flash + Sunpak Grip + Case + Accessory Kit for Nikon Coolpix, Canon PowerShot, Panasonic Lumix, Fuji FinePix, Kodak EasyShare, Pentax Optio, Samsung, GE, Casio Exilim, Sony Cyber-Shot and Olympus Stylus Cameras Review

Cameta Digital Slave Flash + Sunpak Grip + Case + Accessory Kit for Nikon Coolpix, Canon PowerShot, Panasonic Lumix, Fuji FinePix, Kodak EasyShare, Pentax Optio, Samsung, GE, Casio Exilim, Sony Cyber-Shot and Olympus Stylus Cameras
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I've used this a few times, and overall it's very good. Too good sometimes, in fact, that it is so bright it can overpower and wash out your photos if you don't get it set right. It was a little tricky getting the flash set up to coordinate with my Canon 650IS, but follow the instructions, and you'll be fine.

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The 2800 Electronic Flash has two automatic power settings, an exposure verification indicator, an adjustable bounce head for soft lighting effects, and energy-saving thyristor circuitry for faster recycling and longer battery life. While most camera's built-in flash units are only effective from a distance of 8 to 12 feet, the 2800 gives you the freedom to be more than four times farther away. With this much additional flash power, it's like having a bolt of lightning at your command. >>> The Sunpak Digital Slave Grip has a comfortable contoured hand-grip with quick-release camera platform and enables the use of an auxillary flash as a wireless remote "slave" to complement the camera's built-in flash. It can even be used off-camera with an auxillary flash as a remote slave for more professional and creative lighting effects. Most digital cameras emit a "pre-flash" and/or a "red-eye" pulse that fires before the shutter opens, then an additional flash pulse is fired to actually light your picture. This "pre-flash" ("double-flash") or "red-eye" pulse confuses other non-digital flash and slave units, causing them to go off at the wrong time, and are therefore useless for your digital camera. But the advanced pulse-counting digital circuitry of the Sunpak Digital Slave Grip is not fooled by the "pre-flash" and also eliminates the need for an electrical connection to your camera. The Digital Slave Grip has five LED-indicated pulse counting/delay variations allowing it to ignore "pre-flashes" and fire the High Power 2800 Flash at the precise moment your camera requires. Set it up with your camera's built-in flash just once using our included easy-to-follow step-by-step directions and you are all set for noticeably better flash pictures from that moment on. The 2800 Flash and the Digital Slave Grip require 8 - AA batteries: 4 for the Flash and 4 for the Digital Slave Grip which are included in this kit, along with a padded case, NiMH Charger, and Cleaning Kit.

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Gary Fong GFLSC01 LightSphere Collapsible Diffuser Review

Gary Fong GFLSC01 LightSphere Collapsible Diffuser
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I am a big fan of Gary Fong's lightsphere diffusion system despite what people may think of him or the stares I get occassionaly when using his product. It's the only lighting accessory that gives me the look I want, for either close range portraits, macro lighting in a pinch, or for use in small to medium rooms. That said, it has been inconvenient storing and carrying this accessory in the field due to its bulk. Lightsphere II solves this do a degree with its semi-malleable structure that allows for some foreceful folding. Not a solution, but one way to overcome its size.
With the release of the lightsphere collapsable, I wondered if this could retire my 2 year old lightsphere II. Was is it time for an upgrade? Yes and no. Read on for my impressions.
First, the bad:
1) The older lightsphere II is actually smaller than the collapsible in its expanded form. The lightsphere II is smaller because it does not need to collapse like an accordion, allowing it to have thinner and fewer walls, giving it a more curved, bell shape. The sphere II is also mostly transluscent, making it feel smaller because it's less visually intrusive than its cloudy big brother.
2) The lightsphere II is fitted to your particular flash model. This is very valuable for me because I never struggle fitting the accessory, as it comes on and off with ease, one handed, and stays on securely. It takes effort and practice to get the collpapsible on and off quickly, requiring me to use both hands while setting the camera on a table. Perhaps it's more an issue of technique and practice, but it's important to note I never initially had this problem with the lightsphere II. This is a double edged sword however as the sphere II can't fit on various sized speedlites, so if you need it to fit across various sizes, you will have to overlook the fit issue.
3) Light loss is greater on the collapsable compared to the lightsphere II. I estimate it to be around 1-2 stops of light, most likely due to the cloudy material vs. clear on the lightsphere II. While I understand its the nature of the beast using a diffuser, it's light I never could afford to give up when I used the lightsphere II.
4) The lightsphere collapsible is made from a material that is not only more flexible than the lightsphere II, but also stickier for some reason. It's not by any means going to stick to an object or your hands, but I noticed lint sticking to its surfaces having stored it in my cargo pocket. Nothing a quick rinse in a water faucet wouldn't fix, but lint never found its way onto my lightsphere II when carried in the same "linty" pocket.
5) I paid $39.99 for the lightsphere II 2 years ago. At [...], the collapsible is not going to break the bank, but I'm not neccessarily *getting* 50% more by *paying* 50% more if you get my drift. It's arguable however, how much the collapsible feature and one-size-fits-all approach are worth to each individual.
Now, the Good:
1) Same, even, wrap-around light as the lightsphere II. As long as you understand the limitations of light loss with the collapsible, you will essentially get the same, beautiful effect you are used to with other lightspheres. The cloudy material seems to give softer light for close portrait work and was a nice surprise I will surely take advantage of.
2) When collapsed, it folds into a disc about 1 1/2 inches thick. Although easier to store in the bottom of a bag or in a mesh pocket outside your backpack, I still don't like the fact it's noticeable larger in diamter than the sphere II. However a "can of tuna" is always easier to carry around than a tupperware bowl ;) Note: This collapsible factor will probably be THE reason why folks should look to upgrade or choose this product over previous lightspheres.
Final Thoughts:
In conclusion, I am pleased with the lightsphere collapsible's performance, but having a real hard time with of ease of use and dissappointed with light loss. It's not letting me do anything I couldn't before with my old sphere, and frankly, I'm dissappointed about needing two hands to install the diffuser instead of one. However, I don't want to minimize the fact its easier to carry along to a shoot, making this a must buy for those who prize portability but still need soft, diffused light the sphere is capable of in a pinch. Given how much I use Gary Fong's diffuser and how well it performs at diffusing light, the lightsphere collapsible will serve as a compliment to my lightsphere II, rather than a replacement. Both have a permanent place in my gear bag and will see use for years to come.

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Gary Fong introduces the Lightsphere Collapsible, the new evolution of the famed Lightsphere series of diffusers! The Lightsphere Collapsible is made from soft vinyl making this Lightsphere flexible yet durable. The Lightsphere Collapsible boasts the first mounting system of its kind. It utilizes patent pending sizing ribs to provide an equally tight fit to several sizes of flashes without the need for straps or bands and collapses down to a 1 1/2 inch thick ring allowing for easy storage.The Inverted Dome, which works with all exisiting accessories, is included with the purchase. The light output is equivalent to a half cloud.

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Harbor Digital Ultimate Light Box Pro Pack for Nikon SB900 Review

Harbor Digital Ultimate Light Box Pro Pack for Nikon SB900
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I've tested this out both indoors and outdoors with my Nikon D700 camera and SB900 speedlight on camera. It's met or exceeded all my expectations.
You'll notice when you use a direct bare flash unit that shadows appear somewhat harsh just below the chin and nose even for flash fill outdoors. When you bounce the bare flash indoors (don't try this at home!:) off a ceiling or a nearby wall that shadows appear more indistinct and softer. However, illumination appears to be "top heavy". It's apparent the lighting is coming from above... and the shadows, although considerably softer, still appear on the neck and below the nose. You'll also notice that from top to bottom, there is light "falloff". This softbox goes several steps further to even out the illumination on your subject. keep in mind that when you use this lightbox, it will cut light output by a little over a full stop. But the SB900, and most other flashes can compensate for the output reduction by using more power if your camera has TTL metering capabilities.
Two boxes come with the pro pack version, one black, the other translucent. I almost always use the translucent box because light output is not just from the front (as with the black box), but from the other four sides of the box as well. It also comes with an inner translucent dome and two other inner front softening panels to further diffuse the light. The two softening panels fit in the translucent cap which snaps over the front of the box. There are also two white "kicker" cards (one goes inside the box), the other attaches to the top side of the box via Velcro strips. These are usually used when your flash is pointing up towards the room ceiling or a nearby wall. Both cards are used to direct more light towards your subject instead of bouncing off the wall behind you.
The pro pack also comes with a black gobo that also attaches via Velcro strips to the box mounted with the strips on the bottom. This is used to prevent the light from the bottom of the translucent box from interfering with the light sensor on your speedlight when you do NOT have TTL metering for your flash. Without the gobo your photos could be underexposed. You probably won't need to use this if your camera has TTL (through the lens) metering, which most modern DSLR's and SLR's have.
There are also color filters that come with the pro pack version. Good for changing the light color when you are using multiple speedlights and you want to change the color of your background lighting. They are used like colored gels on your background or backlight strobes in a studio environment.
Now, for those of you who use the Nikon SB900 speedlight, there are a couple of things that must be noted... the color filters that came with your speedlight will probably not work with this lightbox. It's because this speedlight has a sensor on the bottom front of the head that detects when you place a filter on the speedlight with the SB900 diffuser cap attached (which holds the filter in place) both in front of the flashtube and the tab portion of the filter which is held against the filter detector window. So if you want the color temperature of your flash to match, say for example, tungsten lighting (3200k) of the available light in the room, it won't work. The other thing is that the lightbox adaptor for the SB900 has two tabs that must be bent backwards to snap into the two notches on the both sides of the SB900. Most of the adaptors for other speedlights fit on by friction alone. These tabs are more difficult to work with than the friction type adaptors made for other brands of speedlights.
Despite the two exceptions above, I still give this five stars because of how effective this box is. I've used other diffusers and found that they are not nearly so flexible in the number of ways that this light box can be used. Worth every penny!!!


Click Here to see more reviews about: Harbor Digital Ultimate Light Box Pro Pack for Nikon SB900

This is a special introductory package of the Ultimate Light Box System. It includes the entire Light Box System and all current accessories. The Ultimate Light Box ProPack is the most complete and configurable diffusion system available.The ProPack has all of the features of the Ultimate Light Box diffuser kit, the small Half Dome diffuser, plus the added features of the unique Black Box and six colored Gels (Red, Blue, Green, Yellow, Pink and ½ CTO) and accessories.The Black Box and Gels can be used as a background or dramatic rim light. The large size of the Gel Filters produces an intense color that is not washed out like smaller gels that are close to the flash lens.Light from the Black Box is very directional so it may be used like a snoot or for a hair light if desired.The ProPack also includes a large external Reflector to direct more light towards the subject and the Sensor/Lens Shield to protect against lens flare and flash sensor interference.The ProPack comes complete with a flash Adapter and Half dome. Winner of several PMA07 awards, the many unique features of the Ultimate Light Box system make it simply the best diffuser available.

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Sto-Fen Omni-Bounce for the Achiever 260AF/T, Contax TLA280, 360, Metz 40MZ-2, 54MZ-3, Minolta 5200I, 5400HS, 5400XI, Nikon SB-24, 25 & 26, Olympus FL40, G40, Pentax AF500FTZ and Sunpak 2000DZ, 266D & MZ440AF Flashes. Review

Sto-Fen Omni-Bounce for the Achiever 260AF/T, Contax TLA280, 360, Metz 40MZ-2, 54MZ-3, Minolta 5200I, 5400HS, 5400XI, Nikon SB-24, 25 and 26, Olympus FL40, G40, Pentax AF500FTZ and Sunpak 2000DZ, 266D and MZ440AF Flashes.
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I have two Nikon SB-26's and one Sunpak Super 383 Flash that I use in my Real Estate Photography business. I purchased Sto-Fen diffusers for all of them and have been pleased. They are made with very durable plastic and fit the respective flashes like a glove and don't fall off.
I always describe the light quality with the Sto-Fen installed as "creamy", especially as compared to the hard light coming from the unmodified flash.
For what they are, the price is a bit high. I bought three Slik Tripod with 3-Way Panhead to use as light stands and they were only two bucks more than these diffusers.
TIP: Before buying the Sto-Fens I used the bottom half of a rubbing alcohol bottle as a diffuser on the 383. The light quality was just as good if not a bit better. It's not as professional though, so I went with the Sto-Fen.

Click Here to see more reviews about: Sto-Fen Omni-Bounce for the Achiever 260AF/T, Contax TLA280, 360, Metz 40MZ-2, 54MZ-3, Minolta 5200I, 5400HS, 5400XI, Nikon SB-24, 25 & 26, Olympus FL40, G40, Pentax AF500FTZ and Sunpak 2000DZ, 266D & MZ440AF Flashes.

The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.) The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro. Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket.

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Click here for more information about Sto-Fen Omni-Bounce for the Achiever 260AF/T, Contax TLA280, 360, Metz 40MZ-2, 54MZ-3, Minolta 5200I, 5400HS, 5400XI, Nikon SB-24, 25 & 26, Olympus FL40, G40, Pentax AF500FTZ and Sunpak 2000DZ, 266D & MZ440AF Flashes.

Gary Fong LSUPRO Lightsphere Universal PRO Kit Review

Gary Fong LSUPRO Lightsphere Universal PRO Kit
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Despite the picture on Amazon, there is no CD included - there is a note about documentation being updated and eco-friendly on a website. Unfortunately, the tutorials are hosted on YouTube and FaceBook and are unavailable to corporate users who typically live behind a firewall which blocks such things. It's unfortunate that not even a cheat-sheet paper is included. These seem to be semi-pro level products, but the support is not. For $159, they should still be including the CD.
Having said that, the parts are made well and fit well on the flash. The mounting is ingenious and works perfectly on my Olympus FL-50R flashes - secure and not wobbly.
The results are as expected - if you haven't used a flash diffuser before, you will like it a lot and will probably never use straight flash again. I also own the Puffer - an excellent diffuser for pop-up flashes, so this kit helps out with the larger flashes, either on-camera or mounted on a tripod.

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GFLSUPRO Gary Fong Light Sphere Universal Pro Kit.The Light Sphere Universal Pro Kit consists of both the Cloud and Clear Diffusers, one Amber Dome, one Chrome Dome, one Accessory Universal Mounting Kit.

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Gary Fong Lightsphere Universal System Cloud Review

Gary Fong Lightsphere Universal System Cloud
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Originally, I bought the Gary Fong Lightsphere II. I read that the Gary Fong Lightsphere #1 was terrific, but alas, it fell off all the time. So I figured the Gary Fong Lightsphere II would address this problem. Silly me.
The good news is, for $10 more, the Gary Fong Universal Lightsphere comes with the Gary Fong "archival" band (its a rubber band) and the Gary Fong Velcro strap. Using these two items, the Gary Fong Universal Lightsphere really does stay in place. Only hitch is, the Gary Fong promotional CD that comes with the Gary Fong Universal Lightsphere doesn't explain the attachment proceedure. It does, however, give a series of Gary Fong promotional demos, featuring Gary Fong.
I figured it out pretty quickly but it was just a lucky guess. Before you even reach for your Gary Fong Lightsphere, you wrap the Gary Fong archival rubber band around the top of your flash. Make sure the side that says GaryFong.com is facing outwards. The rubber band provides enough friction so that when you tighten the Gary Fong Velcro strip, the diffuser will stay in place. You'll know the Velcro is oriented properly when you see "GaryFong.com" prominently displayed.
Otherwise, its a good, soft diffuser.

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The Lightsphere Universal flash diffuser from Gary Fong delivers amazing light from your on-camera flash. You no longer need bulky flash brackets or umbrellas to enjoy incredibly soft, studio-quality lighting! If you've used the original Lightsphere or Lightsphere®-II, you'll find the Lightsphere Universal creates the same great soft portrait light that you love NOW with the addition of an innovative, patent-pending mount that is GUARANTEED to stay on!Simple and compact, yet incredibly effective, the Lightsphere® Universal is sureto be one of the "must have" accessories in your gear bag. It will transform theway you use your on-camera flash. The Lightsphere® Universal accepts existing Lightsphere® accessory domes the AmberDome and the ChromeDome - for even greater functionality.The Lightsphere® Universal is available in two models - CLOUD and CLEAR. Both deliver incredibly flattering light. The CLOUD model is slightly softer and warmer perfect for close-up portraits. The CLEAR model gives you flattering light at a greater working distance

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CowboyStudio Flash Diffuser for Canon EOS, Nikon, Olympus, Pentax, Sony, Sigma, & Other External Flash Units Review

CowboyStudio Flash Diffuser for Canon EOS, Nikon, Olympus, Pentax, Sony, Sigma, and Other External Flash Units
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I am a professional wedding photographer who has worked with different types of diffusers over the years. This one is by far my favorite - it is durable and versatile. It may not look as fancy as some of the others out there, but it gets the job done!

Click Here to see more reviews about: CowboyStudio Flash Diffuser for Canon EOS, Nikon, Olympus, Pentax, Sony, Sigma, & Other External Flash Units

The diffuser comes with an elastic Velcro tape which grabs onto the flash as required. The Velcro tape mount also flexes up to 90o angle.Dimensions: Diffuser hood with transparent diffuser screen and flash mount attached - 115mm (L) x 115 mm (H) + 43mm (L) x 43mm (H) mount base.

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LumiQuest Soft Screen Review

LumiQuest Soft Screen
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Looking at the reviews some love this and some find it so-so. I think the real difference in experience depends on your camera.
The Nikon D80 built-in flash juts forward more than the flash on the camera shown. The result is that the flash is pushed right up against the diffuser screen. If the screen was further from the flash, I am sure it would work better.
As it is, this does not really work well for my Nikon D80.
However, for my older 35mm SLR, a Nikon N70, this works well because there is sufficient distance between the flash and the screen.
Bottom line: If you have a Nikon D80, this will not help much.

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Diffuse your pop up flash and prevent red eye. Quick and convenient to put on & take off. This is the answer to most on camera flash problems. Light loss is about 2/3 of a stop

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