Showing posts with label panasonic. Show all posts
Showing posts with label panasonic. Show all posts

Panasonic Lumix DMC-ZR1 12.1MP Digital Camera with 8x POWER Optical Image Stabilized Zoom and 2.7 inch LCD (Silver) Review

Panasonic Lumix DMC-ZR1 12.1MP Digital Camera with 8x POWER Optical Image Stabilized Zoom and 2.7 inch LCD (Silver)
Average Reviews:

(More customer reviews)
I've purchased my Panasonic DMC-ZR1 still camera via Amazon just a few days ago because I needed an ultra-compact backup for may Nikon D90. When you travel there might be some situations when you are not in the mood or just can not use your DSLR. So I was looking for a small camera, which could produce high quality outdoor pictures and HD video.

I'm an advanced amateur photographer. I take pictures mostly on weekends and vacations when I prefer to have in my pocket a small but sophisticated camera which I can forget about during the day but which can take great shots when it is needed. That is why my best cameras were Sony DSC-T1, T30, and recently - T100. The latter one was nominated as the best ultra-compact in 2007, and it indeed was. But time flies and a new 16:9 wide format came to still cameras and video, which T100 did not support. So about a year ago I purchased Panasonic DMC-TZ5 and a little bit later - FZ18. I bought FZ18 because of its incredibly bright 18x super zoom lens. I believe that each of above mentioned cameras was an absolute champion in their class at that time, but now I wanted something almost as good as that but in a small package.

After doing a lot of research on Amazon.com and dpreview I've chosen ZR1. My first impression - it's a very good camera. I like a solid build quality of its metall body. There are no flimsy elements or grinding sounds while zooming or focussing. Zoom itself is very smooth both optically and mechanically. While taking stills it is very fast, however it has some inertia. While shooting video it's relatively slow, which allowes autofocus to do its job well.

What I like very much about my Sony T100 - when shooting video of a moving subject the autofocus keeps it in focus all the time by doing a very small adjustments which you can hardly admit. Many other P&S cameras either do not allow zooming on video or hunting focus most of the time. That was the issue with the original TZ5, which was significantly improved in software update ver. 1.2. From my prospective the new ZR1 has as the same great autofocus mechanism as my T100 - when you follow a moving subject or apply zoom ZR1 keeps it in focus nicely (and without producing any noticeable sound). But when you do a panorama without a central moving object - do it slowly to allow the camera to decide, which next part of your picture should be in focus. On still pictures the autofocus is very quick and precise.

The 8x zoom Leica lens is just great: very good colors fidelity, contrast, and color saturation in the entire zoom range from wide to tele. The wide 25mm (equivalent) is great, but it comes at some cost: for the distant subjects the barrel distortions and the decrease of sharpness of the peripheral areas are pretty visible, however when you shoot from a relatively close distance around 1.5-3 m it seems some special processing is involved because there is almost no any visible barrel distortions or loss of sharpness. I have to admit all three my Panasonic cameras behave the same way but for ZR1 it's more noticable because of its incredibly wide 25mm lens. If you apply a little bit zoom the resolution becomes pretty even accross the picture and with no barrel distortions. I did not perform any special stress testing but on all the pictures I've got I did not see any chromatic aberrations or vignetting in the entire zoom range. Physically you can zoom in the only 8x range but it is possible to increase it up to 15.6x for the lower 3MP picture resolution. Normally you might want that if you're taking pictures of some specific subjects like kids, birds, or animals. Just imagine - having 400mm equivalent telephoto lens in your pocket - it's just amazing, and IMHO those 3MP shots look pretty good on my 24" monitor (if you do not crop them more).

A new ZR1 has the impressive 12MP comparing to 9MP of TZ5 but on the same sensor size, and as a result - more noise. On the [...]site you could read that Panasonic did a great job by separating the entire noise into its low-frequency and high-frequency wavebands and also splitting the color and luminance noise and handling them separately. My comparative edge-to-edge testing of both ZR1 and TZ5 shots showed that ZR1 does exactly what was stated and does it pretty good. On the ZR1 picturese taken at dim light conditions the noise was remarkable less than on the TZ5's ones! However at a very-very dark conditions when the pictures become very grainy you can see that the level of noise from ZR1 is somewhat bigger, than from TZ5. Another good news is that the white balance in ZR1 is almost perfect: the night pictures taken by TZ5 and FZ18 were either colored red or had some other weird colors while ZR1 in alomst dark situations showed as the same correct white balance as if the pictures were taken at a day-light time.
If you're shooting on a bright sunny day your pictures might be too much contrasty and either shadow parts like trees can be darken to black or the blue sky or some other light areas might be completely washed out. The camera menu does not allow you to adjust the contrast directly but you can set an Intelligent Exposure mode instead. Then it constantly analyzes the scene and if it has too much contrast the camera automatically applys either slower shutter speed or higher ISO and reduces the overal contrast. I found that on ZR1 that feature is not that good as on TZ5. Another way is to switch the mode dial to "MS" or "SCN" mode and select "High Dynamic" scene. In that case camera unconditionally and remarkably decreases the overall contrast (more than in Intelligent mode) and adjusts the shutter speed or/and ISO the way that even dark areas are well exposed, and that really works well.

There are the two things which are still better on my T100 than on ZR1 or TZ5: the quality of the VGA video and the clarity of sound. However having the HD video mode you might not need VGA at all. The quality of HD video on ZR1 is as the same great as on TZ5 and the image stabilization is even slightly better. But for stills the image stabilization was much more improved, I guess more than the 2 times as they stated. On the maximum zoom in low light many of my TZ5 pictures were slightly smeared, while the ones taken by ZR1 at the same time were perfect.

I like the ZR1's menu and controls - they're similar to TZ5' and are very clear and intuitive. Plus there are some additional functions. It allows you to set some parameters manually, but do it only if you're very clear about what you're doing, otherwise let that sophisticated camera do it for you. For example: you might be taking a picture of a tree and the system sets the ISO=100 and shutter speed 1/20. But then you see a small squirell and apply the 15.6x zoom to have it big enough on your screen. As a result system might change ISO to 500 and shutter to 1/100. You might be thinking that the camera got crazy, but actually it detected that your hands are shaking too much for the big focal length you set and so the shutter speed needs to be much faster to prevent the shot to be blurred. It's intelligent mode is pretty good.

UPDATE: This ZR1 camera has an incredible display: it shows pictures at any angle and even in the direct sunlight. A while ago I was going on vacation to Cancun and I purchased a Kodak V1273 ultracompact camera because of its wide-screen stills and HD video. But when I tried to use it on the beach I was totally confused - nothing, absolutely nothing was visible on display on a sunny day! If I did not have my Sony T100 as a backup all my vacation would be completely spoiled. In the direct sunlight the image on the T100's display looks like a black-and-white reflection, but at least you can point and frame your shots and use the menu. ZR1 does even better - the picture in the direct sunlight has all the colors, just looks darker and not that contrast. On the TZ5's display if you slightly turn camera around the horizontal axis the brightness and contrast of the image is changing pretty much. On the ZR's one picture remains the same regardless of from what angle you are looking at it. It means you're not going to regret the display is not swivable as well as you will not miss the optical viewfinder because you can see the pictures even in the direct sunlight. Only one thing: it seems the palette of that display is a kind of limited and it might not show some subtle tints of colors, so don't judge colors until you see it on a good monitor.

UPDATE2: Recently I did some comparative testing of the picture quality of my ZR1 and TZ5. A side-by-side comparison has shown that the general resolution and sharpnes of the ZR1's pictures is remarkably higher than of TZ5's ones. From the detailed analysis I got an impression that around 20% of that improvement comes from higher sensor resolution (12MP verse 9MP), 30-40% because of the better noise reduction, and about 40-50% because of the stronger internal sharpening in ZR1 than that in TZ5. When I did some sharpening to my TZ5's photos using the Nero Photoshop the difference became less visible. For better understanding why the more sophisticated noise reduction might help pictures to look sharper you can think about it this way: as the same as contrast is a difference between light and dark areas, sharpness is a difference between plain areas and edges. The less a certain area has noise, the more it looks "plain", and so it more differentiates from edges making a sharper impression. Also because the original purpose of this purchase was to have a backup for my Nikon D90 I did some comparison of their HD video capabilities. Would you believe or not - ZR1 provided much better moving picture resolution than D90. Of course the ZR1's movies show some noise (as the same as any other compact P&S camera) while D90's ones don't. That noise is not...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-ZR1 12.1MP Digital Camera with 8x POWER Optical Image Stabilized Zoom and 2.7 inch LCD (Silver)

Panasonic Lumix DMC-ZR1 Point & Shoot Digital Camera - Silver 12.1 Megapixel - 16:9 - 8x Optical Zoom - 4x Digital Zoom - 2.70

Buy Now

Click here for more information about Panasonic Lumix DMC-ZR1 12.1MP Digital Camera with 8x POWER Optical Image Stabilized Zoom and 2.7 inch LCD (Silver)

CablesToBuyTM 6 FT (2 m) HDMI Male to Mini HDMI Type C Male Gold Plated Cable for Camera Review

CablesToBuyTM 6 FT (2 m) HDMI Male to Mini HDMI Type C Male Gold Plated Cable for Camera
Average Reviews:

(More customer reviews)
I needed to connect my Nikon D700 to my Panasonic Plasma HDTV. There is very limited space to fit a connector to the Nikon, and I know that some cables simply don't work or don't fit. This cable does indeed work.
As far as the cable itself, it is attractive, easy to find in my camera bag due to the yellow tips and fits both the camera and TV well. It seems well built and the picture quality is quite good - an indication that they get everything right.
I don't know who else needs this combination of mini-HDMI and HDMI connectors, but we Nikon users are happy to find this bargain. Highly recommended.

Click Here to see more reviews about: CablesToBuyTM 6 FT (2 m) HDMI Male to Mini HDMI Type C Male Gold Plated Cable for Camera

High Quality Mini (Type C) HDMI 1.3 to Standard HDMI digital video and audio cable with gold plated connectors. HDMI is a small, user-friendly interconnect that provides up to 10.2 Gbps of bandwidth to support high-definition video plus multi-channel audio in a single cable. This system eliminates the cost, complexity and confusion of multiple cables used to connect current A/V systems. This premium HDMI cable delivers the highest quality resolution and the crispest image to your HDMI-equipped devices. The HDMI mini type connector is growing in popularity with Digital Cameras and Camcorders. Features: * HDMI Male to mini HDMI Type C Male * 24K Gold Plated Contacts to improve conductivity * Fully Shielded from EMI/EFI * Supports both multi-channel Audio and Video Signal

Buy NowGet 79% OFF

Click here for more information about CablesToBuyTM 6 FT (2 m) HDMI Male to Mini HDMI Type C Male Gold Plated Cable for Camera

GE E1040 10MP Digital Camera with 4x Optical Zoom (Black) Review

GE E1040 10MP Digital Camera with 4x Optical Zoom (Black)
Average Reviews:

(More customer reviews)
I had to write a review since I saw the one star. I purchased
this camera six months ago and it's excellent. I purchased the black ...not the pink one. Everything works and the stabilization and Panoramic
features are excellent. No problems so far. Update: 03/08 I started using the video feature and was disappointed, hardly any sound. My Canon cameras are better for photos and video but cost more $., Power Shot 800 is excellent in every dept. But, this is an excellent camera...for the price...just not the video sound. When played back on the camera, I can
hardly hear the sound. When played back on the computer...the sound is fine.

Click Here to see more reviews about: GE E1040 10MP Digital Camera with 4x Optical Zoom (Black)

Slim, refined, and loaded with features, the intermediate-level GE E1040 digital camera is a must for casual photographers who want a higher performance than an entry-level camera can provide. The camera is distinguished by an ultra-sharp 10-megapixel resolution, along with a 4x optical zoom and a 4.5x digital zoom. The combined 18x maximum zoom makes it possible to put your lens right into the heart of the action for superior close-ups. The generous 3-inch LCD screen, meanwhile, makes it easy to frame your subject and review your images without squinting, with a resolution of 230,400 pixels ensuring a crisp image every time. And users aren't restricted to still images, as the E1040 takes MPEG4 movies as well.
Don't want to touch up your pictures on your computer? Turn to the E1040's in-camera panoramic stitching and red-eye removal functions, which make your photos look sharper and more professional. Other great features include face-tracking, electronic image stabilization, a highly intuitive user interface, slideshow and zoom options, support for PictBridge-compatible printers, and a USB 2.0 interface. Powered by a rechargeable lithium-ion battery, the E1040 even includes an SD/SDHC memory card slot that's expandable up to 4 GB.
Clad in a compact, contemporary black housing, the E1040 measures 3.87 by 2.3 by 0.94 inches (W x H x D), weighs 0.33 pounds, and carries a one-year warranty.
What's in the Box E1040 camera, rechargeable lithium-ion batteries, battery charger, USB cable, AV cable, wrist strap, CD-ROM, quick-start guide, warranty card, user's manual.

Buy NowGet 59% OFF

Click here for more information about GE E1040 10MP Digital Camera with 4x Optical Zoom (Black)

Olympus PEN E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 17mm f/2.8 Lens and Electronic View Finder Review

Olympus PEN E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 17mm f/2.8 Lens and Electronic View Finder
Average Reviews:

(More customer reviews)
I am a long-time amateur photographer. I gave up on digital SLRs for the simple reason that I always ended up only carrying them and their accessories on big occasions or holidays. Result was, I had a camera, but few pictures.
Next I bought a good pocket cameras, e.g. Panasonic etc and most recently the Ricoh GX200 which the E-P2 is replacing. These were nice. Picture-taking resumed but slow response compared to DSLRs and overall quality of the finished product always left a slight feeling of disappointment. With imaging chips of the size they use, this is only to be expected (just as compact cassettes by definition could not deliver decent audio).
Enter the E-P2 with its much larger sensor. I have had my E-P2 with 17mm pancake lens for a week now and simply love it. Responsive as an SLR, chunky but hardly larger than the Ricoh, it works like a dream in auto and more manual modes. (And who needs a zoom with this kind of resolution? - Just crop the bit you want from the immense pictures it takes).
In brief, and avoiding tech talk, this is a quality piece of kit. Looks like quality. Feels like quality. Works like quality. It's an SLR in a pocket camera body. (And - with apologies to the reviewer above - I love the quiet chunky sound and feel of the shutter.)
I think I've found 'my' camera at last - at the end of long, dollar-strewn trail!.

Click Here to see more reviews about: Olympus PEN E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 17mm f/2.8 Lens and Electronic View Finder

OLYMPUS 262828 12.3 Megapixel E-P2 Pen Camera Kit (Includes M.Zuiko 17mm lens)

Buy Now

Click here for more information about Olympus PEN E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 17mm f/2.8 Lens and Electronic View Finder

Panasonic VDR-D310 3.1MP 3CCD DVD Camcorder with 10x Optical Image Stabilized Zoom Review

Panasonic VDR-D310 3.1MP 3CCD DVD Camcorder with 10x Optical Image Stabilized Zoom
Average Reviews:

(More customer reviews)
I've been searching for what, for me, would be a versatile, quality digital camcorder for over a year, both online and in various local stores. I have not owned a camcorder before (although I've used a friend's), devoting myself primarily to still photography with my Nikon D70. I wanted high quality visual images, especially under conditions of available light indoors, as well as fine stereo sound. I wanted a camcorder that would produce good results when on "automatic" but would also be readily customizable when conditions, or my desire to be creative, called for it.
In the week and a half I have had the camcorder after ordering it from Amazon, I have found the Panasonic VDR-D310 to deliver all of the above, and then some. I have been especially impressed with its performance under lower lighting conditions (within reasonable ranges, of course). An indoor video I took just last night of my wife showing our 2-year-old granddaughter how to color with crayons, taken under available incandescent light, was warm and well exposed. The results were outstanding. Videos taken outdoors are superb.
I have shown this camcorder's videos on our new HDTV, and they sparkle there. Stereo sound is true and clear as well.
I do suggest that Panasonic improve the versatility of the computer-editing software it packs with this camcorder. (One can edit the videos on the camcorder itself, however.)
I highly recommend this camcorder.


Click Here to see more reviews about: Panasonic VDR-D310 3.1MP 3CCD DVD Camcorder with 10x Optical Image Stabilized Zoom

Easy shooting and viewing. When it comes to shooting videos, simpler is better. Flip a single switch to start recording. When you're done shooting, you can view your pictures right away on a DVD player. Whether you're recording a special event or just taking a few casual shots, the DVD Palmcorder camcorder is perfect for people who like to take it easy when they're taking videos.

Buy Now

Click here for more information about Panasonic VDR-D310 3.1MP 3CCD DVD Camcorder with 10x Optical Image Stabilized Zoom

Tiffen 52BWFK 52mm Black and White Filter Kit Review

Tiffen 52BWFK 52mm Black and White Filter Kit
Average Reviews:

(More customer reviews)
This is a very nice and extremely useful set filters if you want to enhance the black and white photo capabilities of your digital camera. I bought these to use with my Panasonic Lumix FZ7 camera and they're been really great to have. The inclusion of a red filter, green filter and yellow filter in one kit was very handy. Each of them has its important use in black and white photography. If your digital camera give you the possibility of shooting in black and white mode, I highly suggest a set of filters like this. Do some research on the Web to see how they can be used to add zest and definition to photographs and then have a lot of fun experimenting with them.

Click Here to see more reviews about: Tiffen 52BWFK 52mm Black and White Filter Kit

This Black and White Imaging Kit is the ultimate for contrast control. Consisting of a Green 13, Yellow 6, Red 25, and 4-Pocket Filter Pouch this kit contains everything you need for spectacular images. Although originally intended for use with black and white film, these filters can also be used as a creative tool in color imaging. Multiple Filter Kits are more economical than individual filter purchases, these multiple filter kits take the guesswork out of choosing a variety of creative filter effects. Pre-packaged assortments, with combinations of Tiffen's most popular filters, provide a range of artistic possibilities for almost every application and budget.

Buy Now

Click here for more information about Tiffen 52BWFK 52mm Black and White Filter Kit

Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black) Review

Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)
Average Reviews:

(More customer reviews)
Now I know that is a bold statement and I intend to back it up. However, before I do I need to explain what I mean. I am not saying this camera is the best at everything or even anyone thing. Cameras that are the best at something are usually specialized beasts that can really only do that one thing well. What I am talking about is a camera the is so good in so many categories that it can joyfully be used for just about and photographic or video graphic purpose you may have. The GH2 is that camera.
Now that is out of the way we can get to the meat and potatoes of the review. I shoot mostly Nikon and Panasonic and I primarily shoot stills. I dabble in Video but do not proclaim myself any sort of an expert. I can say if you are looking for the best handling combo/cam with the most features then the GH2 is the one you want. Panasonic went out of its way to make this a video camera so that was its primary focus with this camera. However, there are lots of payoffs for the stills part of this camera so this is the best m4/3 stills camera by a long shot also. I will also say that the hard core video market is a niche market compared to the stills market because shallow depth of field video is hard to shoot properly and hard to edit. The average home user has neither the time nor inclination to properly storyboard and shoot this type of video. However, with that said, it is really nice to be able to shoot stills and video. And basic home videos are a snap to shoot with this camera; much more so than any other DSLR with the exception of the Sony SLT A55/33 which at least has a fast auto focus also. To shoot nice home movies, put the mode dial to iA, press the red button, and you are shooting video.
This camera is the next generation of cameras as it successfully blends the advantages of Point and Shoot cameras with the benefits of DSLRs and creates and incredibly small and powerful camera. Listed below are some of the benefits and weakness you get from this next gen camera.
What's Hot
The handling on the GH2 is bar none the best handling "DSLR" on the market. WIth smart controls, great layout, fast autofocusing, swivel screen, full time double live view, etc. Even with how good the D7000 is, it still feels clunky after using the GH2. I get into most of the details of this down below so I don't want to repeat the info here. What I will say here is that you can do things with this camera you couldn't hope to do with DSLRs and you can generally set up your photo parameters much faster with this camera. The menus on the GH2 are not very good. However, the actual camera controls are so good you will rarely even need to use the menus.
Program Shift - Forget using Aperture priority with this camera. You can leave the camera in Program mode. With program shift you can change the aperture setting and thus the shutter speed while in program mode. To do this you press the shutter release button down half way to set the exposure. Then if the numbers are in yellow you just rotate the rear dial switch to change aperture. Want a shallower depth of field or faster shutter speed, then dial in a bigger aperture (smaller number). If the numbers are not in yellow then you are currently in exposure compensation mode. All you have to do is click the rear dial switch and then rotate it. Snap. What a neat feature.
Extra Tele Convert (ETC) Mode in Video - If you shoot video you are going to love this. This is even great for home/casual video shooters. The GH2 has a 16mp sensor but like every other consumer combo/cam shoots 2K video. That means the picture is usually down-sampled to make it 2K. This has some pluses and minuses. Enter the GH2. With the ETC mode the camera uses only 2K of the sensor. This gives you an extra 2.6x crop factor. Which means your total crop factor is now 5.2x. So that brand spanking new 100-300mm you just got is now 520-1560mm with no light loss. If you put a Nikon 135mm f2 then you now have a 702mm f2! lens for video. There are some drawbacks for using ETC also but they are pretty negligible.
Auto focus - the auto focus on the GH2 is twice as fast as the GH1 and the GH1 was the fastest of previous generation. I have seen some very knowledgeable photographers saying it is as fast as mid-level DSLRs. While I think it is supposed to be a complement I don't think it is a very good comparison. I find the focus speed of DSLRs has most to do with what lens you have on. There are some lenses that focus slowly on even a D3. All of the lenses I have used on the GH1 focus very quickly except the 45-200mm. That lens tends to be my slowest. Non of the lenses I have focus as fast as a 70-200mm f/2.8 but the rest of them focus as fast if not faster than any of the other Nikon lenses I own. The best I can say about this is that you won't notice the focus speed on the GH2 as it is fast enough to get out of your way.
Smaller lighter camera - I recently went on a trip to Egypt and carried nothing but my Panasonic gear. Two camera bodies, 5 lenses, 1 flash, an iPad, and camera bag. Total weight 10lbs (3lbs of that was the bag itself). My Nikon D300 and 14-24mm lens would have weight more just by themselves (I was carrying the Panasonic 7-14mm so I did have wide covered)
Swivel Screen with full-time live view - You won't know what you are missing until you become used to this and how well it works. Want to reach up as high as you can and shoot down; No problems. Want to get as low as possible but can't lay down in the mud or water; No problem. Want to take a picture of you and your daughter but there is nobody around; No problem. Turn the screen around aim the camera at you and use the screen to frame. Something that makes photos interesting is showing the viewer something from a perspective they don't often see. The swivel screen actively encourages this. The other thing the swivel screen does is make shooting from a tripod a joy. Because of how small and light this camera is you can use a much smaller tripod. I have a 3lb tripod that can support 7lbs. Also, you can now set you camera up in all sorts of whacky positions and just rotate the screen to be able to frame and focus. Very nice. Also, with no mirror to flip up you don't have to worry about any vibrations.
Touch Focus implemented as slick as on the iPhone. As I mentioned above you can shoot from many strange angles because you can swivel the screen to almost any angle. However, if the camera did not focus on what you wanted it would be hard to change it. Now you can simply touch the screen on what you want to focus and presto it will focus on that. The GH2 is worth the price just for that.
WYSIWYG - What you see is what you get. Since you are looking at either the screen or the beautiful EVF, you are seeing what the sensor sees. With a DSLR you are seeing what the lens sees. This is an important difference. If you forgot to reset your WB or Aperture or any camera setting, you will see it before you shoot. On a DSLR you would have no idea until you looked at the pictures. Also, if it is a low light situation, the EVF will start to noise up and start to lose some of its smoothness. This is a warning to you that you need to use flash or a tripod. With a DSLR the viewer becomes darker but you don't get a very good visual cue of how your camera is seeing it. For me the most brilliant thing with WYSIWYG is setting exposure. Because I can see what the camera is doing with exposure, I usually leave the camera in P mode. Then I change the exposure by changing where I aim the camera, lock the exposure and then reframe for the subject. It works something like this. I am trying to take a picture of a person but the exposure is picking up to many bright objects, thereby dimming my subject. So, I aim the camera to include more dark areas while keeping my subject in the shoot. Then I press the shutter release button down half way to lock the exposure and focus. Then I reframe back to the original photo. This works so quickly you can try several exposures in less time than you could set one with the exposure compensation dial (which is actually exceedingly well executed on this camera also.) In a DSLR, since you don't see the exposure, you are just basically guessing at what you want and then shooting, view the photo and fix. Much slower.
Shoot about any lens you want - The distance from the lens to sensor is so short, that with the appropriate adaptor, you can put just about any lens you want on this camera. Canon, Nikon, Leica, Voigtlander, Pentax, Sony, you can use them all. Generally you need to use lenses which have aperture rings. Additionally, you do lose autofocus but there are many instances where this just doesn't matter. Macro photography is a good example. You can fit a Nikon 200mm f/4 onto the GH2 and then either get a 2:1 reproduction or a 1:1 reproduction with twice the depth of field. It is like putting on a teleconverter without the loss of light and depth of field. Brilliant.
Great for Newbies - All DSLRs are easy for anyone to use and the GH2 is no exception. The great handling makes the GH2 better for newbies in my opinion. Anyway, all you have to do is put the camera into iA mode and start shooting. This camera gets the subject correct more often then not and will make you look good. In dynamic situation, I actually use the iA mode quite a bit. I do this because the camera is good a recognizing as scene as a person, flower, scenery, etc. The camera then instantly sets numerous setting to make that scene look as good as possible. If you tried to do it yourself it could take a few minuets to set and then a few to set back. Or even worse you forget to reset it and you next pictures look bad. If I have time,...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)

Enforced by the high-performance of new components and advanced technologies, the creative HD Hybrid DMC-GH2 is now offering an even higher level of creative possibility and intuition for every enthusiastic user to explore realms of not only photography but also of videography at the same time. The LUMIX DMC-GH2 is the latest member of the New Generation System Camera LUMIX G DSL Micro System. Fully compliant with the Micro Four Thirds System lens standard, the LUMIX G DSL Micro System combines a downsized body with advanced functions that achieve both high performance and operational comfort. Featuring an intuitive touch control, the new DMC-GH2 boasts its worlds fastest* level Light Speed AF of approx. 0.1 second to capture the subject in spur-of-the-moment in sharp focus*. The key components including the sensor and the image processing engine are totally refined to achieve the highest performance of the camera to render a stunning image with high resolution, beautiful gradation and high sensitivity - all worthy of the flagship camera of LUMIX G DSL Micro System, DMC-GH2.FEATURES:
Elevating the potential of movie recording into a "true-hybrid" digital camera - There are always two options to record spur-of-the-moment sceneshigh-quality photos or movies. The user can simply choose the one that saves precious memories most beautifully with DMC-GH2.The predecessor DMC-GH1, which was substantially the first full HD movie recording interchangeable lens system camera with practical auto focus system. The AVCHD format features almost twice the recording time in HD quality than the conventional Motion JPEG format. A special, dedicated button on the top lets the user instantly start recording movies while shooting photos without ever having to make any extra settings changes. Now the DMC-GH2 can record high-resolution full-HD 1920 x 1080 movies in astonishing smooth 60i, doublin

Buy Now

Click here for more information about Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)

Panasonic RP SDP04GU1K - Flash memory card - 4 GB - Class 4 - SD Review

Panasonic RP SDP04GU1K - Flash memory card - 4 GB - Class 4 - SD
Average Reviews:

(More customer reviews)
This worked perfectly and has survived some potentially damaging things. I shoved it into the wrong card reader outlet thing several times before I found the right one, and at one point, it was sitting on my printer's paper feed area, and when I printed a document, this card was pulled into the printer as well and jammed it, but the card was fine.
Please note that none of these actions are recommended.

Click Here to see more reviews about: Panasonic RP SDP04GU1K - Flash memory card - 4 GB - Class 4 - SD

SDHC is the memory card format of choice among all major brands of digital cameras, including Panasonic Lumix series. It offers a fast storage system for photos and movies that you can edit and reuse. Yet it's also stable. It holds memory securely as long as you want it. With data transfer speeds up to 20MB per second, large files are easily processed. If you have a digital camera with maximum resolutions of 10 megapixels or more, make the Panasonic 4GB SDHC Memory Card Class 4 your choice. Camera and optics equipment deliver high storage capacity and fast data transfer rates

Buy Now

Click here for more information about Panasonic RP SDP04GU1K - Flash memory card - 4 GB - Class 4 - SD

Kata KT DC-445 Digital Case (Black) Review

Kata KT DC-445 Digital Case (Black)
Average Reviews:

(More customer reviews)
This review is about Kata KT DC-445 Digital Case (Black) .
My intention was to find a bag for short trips with limited amount and minimal weight of equipment.
For these trips I need camera, flash and two zoom lenses. Very important detail: My camera and I agreed that we'll never leave home without battery grip attached so bag must be wide enough to accomodate Nikon D700 + Nikon MB-D10 Multi Power Battery Pack.
My choice of lenses was Tamron AF 28-75mm f/2.8 and Nikon 70-300mm f/4.5-5.6 VR. Of course, I wanted to keep at least Tamron 28-75 mm attached and still have some space for Nikon SB-800 AF Speedlight Flash. I'm glad to report that DC-445 satisfied almost all my needs: Camera sits with attached Tamron looking down, flash and 70-300mm are very snug into their quarters.
Some spare space under camera is used for Black Rapid Straps RS4. That's it, problem solved.
However, some cons are still there: DC-445 is not tall enough to store D700 with Nikon 70-300 mm attached. Actually, I can squeeze this assembly at a price of keeping the lid zip fastener partially open. Also, I personally don't like the two-side zipper, too much fuss to open. I prefer some secure buckle to be able to unfasten it quickly in case of need.
Bottom line: Nice bag for configuration I described, light-weighted, has soft and convenient shoulder strap and last but not least: Looks neat and well shaped.


Click Here to see more reviews about: Kata KT DC-445 Digital Case (Black)

The Digital Case KT DC-445 is part of the new Digital Photo Series (DPS) by Kata. DPS combines a number of technologies to create a lightweight, ergonomic and highly protective line of carrying solutions with sleek and stylish profiles. Based on experience with professional photographers from all over the world Kata has developed DPS as the solution for anyone who demands a photo carrying case, backpack or pouch to perform at the highest levels in any environment. The DC-445 is a comprehensive camera bag which features unique TST RIB structural protection and is designed with style to hold and organize your D/SLR and accessories. The main compartment holds a D/SLR in top grip position while on the two sides you can store and protect lenses, flashes or other accessories. A modular divider system will allow you to customize all of your equipment on two different vertical levels. Ample pockets provide storage solutions for all you may need to carry: two attached pouches will hold media cards and batteries; additional accessories can be stored in the transparent PVC pocket while two spacious side pockets will hold additional accessories such as charger, cables etc. In addition there is also a flexible, quick access, external Elasto-Guard side pocket. Included rain cover folds neatly away into an integrated pocket and can be hung out to dry on the small buckle next to the handle, or tucked away for storage in one of the pockets. Carrying options include: sturdy padded grip handle, shoulder strap or Insertrolley connection. ( Insertrolley not included).

Buy Now

Click here for more information about Kata KT DC-445 Digital Case (Black)

Tamrac 3320027 Aero 20 Digital Camera Zoom Case (Red) Review

Tamrac 3320027 Aero 20 Digital Camera Zoom Case (Red)
Average Reviews:

(More customer reviews)
I love it!!! It fits my panasonic fz35 with a spare battery, sd card, and the sun hood....It's really compact...

Click Here to see more reviews about: Tamrac 3320027 Aero 20 Digital Camera Zoom Case (Red)

Tamrac's Aero Zoom 20 provides a protective carrying solution for the essentials without the bulk of a traditional camera bag.This sleek, foam-padded zoom pack protects digital cameras with large built-in zoom lenses.It is also ideal for a compact digital or hard drive camcorder.A zippered top with a weather flap adds security and protection from the elements, while slim side pockets store extra memory cards and batteries.An adjustable shoulder strap, belt loop and carrying handle provide multiple carrying options for this trim zoom pack.

Buy NowGet 45% OFF

Click here for more information about Tamrac 3320027 Aero 20 Digital Camera Zoom Case (Red)

Marumi DHG Super Circular Polarizer CPL PL.D 52 52mm Filter Japan Review

Marumi DHG Super Circular Polarizer CPL PL.D 52 52mm Filter Japan
Average Reviews:

(More customer reviews)
I am using it on Nikon D3000 18-55mm VR Kit lens. I had tried the Marumi DHG Circular Polarizer CPL earlier and had found some unwanted ghosting/ flare effect. So, I got this "Super" multicoated version instead. It works as advertised and I am very happy with the results, especially the blue sky effect and improved color saturation plus no visible ghosting/ flaring because of multicoating. In depth technical comparisons on "Lenstip dot com" also ranks it overall number one. You can't find a better product for this price point. I see some barrel distortion at 90 degrees (max polarization) compared to 0 degrees (no polarization). I am not sure if this is common among all CPL filters.

Click Here to see more reviews about: Marumi DHG Super Circular Polarizer CPL PL.D 52 52mm Filter Japan

Marumi® brand. DHG Super Multi-coated CPL.Pro quality filter. Made in Japan.Ultra-low reflective coating minimizes reflectionoff internal CCD & CMOS sensors.Multicoated (6 coatings) optical glass filter. Hard protection: Coating guards from scratches.Water & Oil Repellant: Water, oil and fingerprints simply wipe off.Antifouling: Easy clean coating.Black rim: Edge treated with black ink to eliminate relections.Low profile: Just 5mm high (not inc rear threads).Great for Wide angle lenses, no vignetting.Non-reflective metal frame eliminates reflections.Metal, double threaded frame to allow addtional filters or hoods. A Circular Polarizer (polariser) creates contrast between blue sky and cloud for dramatic deep blue skies. Cuts glare off reflected surfaces such as water. Rotates for different effects.Brand new in package

Buy Now

Click here for more information about Marumi DHG Super Circular Polarizer CPL PL.D 52 52mm Filter Japan

Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens Review

Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens
Average Reviews:

(More customer reviews)
Bottom line up front: The elusive compact camera with interchangeable lenses, DLSR Image Quality, DSLR Focusing speed and DSLR performance has finally been made. It is the GF1.
I live in Japan so I have been lucky enough to have been playing with this camera since 18 Sep. This camera sold out on the first day from Bic Camera in Japan so it is going to be hard to get a hold of one. Please be aware that this camera is "region" coded so if you buy a Japanese version you will not be able to change the menu language to English.
This review is equally applicable to both versions of the GF1. I personally prefer the 20MM (40MM equivalent) f1.7 lens to the 14-45MM (28-90MM equivalent) f3.5-5.6 lens for the following reasons: 1) Since the m43 is relatively small compared to a full frame sensor you need a fast lens to get shallow depth of fields. 2) As a fast lens it is far more usable in low light situations. This lens is ~2 to 3.5 f stops faster than the 14-45MM lens. What this means is that given a certain situation, if you were to select the same shutter speed you would let in 4-11 times more light (Each full f stop change changes the light by 2. Going to a small f stop doubles the light. Therefore, you arrive at how much more light there is by raising 2 to the number of f stops. 2^2=4 and 2^3.5 =11) allowing the use of a lower ISO setting or you could set a 4-11 times faster shutter speed to allow you to prevent motion blurring. 3) This lens is smaller so it makes the camera eminently more portable. What you give up is the ability to zoom with your hand. There is a work around for this and it is called zooming with you feet. However, in confined situations, you may not be able to move back are far as you need to. If this is the type shooting you routinely do then the 14-45MM zoom is probably for you. For me, and I believe for most people, I like the great flexibility the faster lens gives me and I am not usually constrained by space. Additionally, the 20MM lens, in my non-scientific tests, appears to focus faster than the zoom. Both focus fast but the 20MM feels faster.STILLS
This camera along with the G1 and GH1 has the best contrast detection autofocus on the market. It is as fast if not faster than my Nikon D40 and is almost as fast as my D700. This is a great technological breakthrough and is what allows the camera to be smaller than a DSLR while giving nearly identical performance. With this camera you will not miss photos of your children or other fast moving subjects while you wait for your camera to focus. Bravo.
On top of the great focusing performance , this fresh design allows this camera to handle exceedingly well. In many ways it takes the best of the point-and-shoot (P+S) world and mixes it with the best of the DSLR world. It doesn't have as many dedicated buttons as my D700 but the Q Menu system works very well and allows for quick changes of most shooting parameters. There is a detailed menu system but I don't find myself using it very much while shooting. I feel that this setup allows photographers moving up from the P+S world to feel immediately comfortable on this camera while also giving experienced photographers the control they need to work their craft. It seems many reviewers find fault with the Panasonic one control click wheel that changes aperture and shutter speed (other cameras have two wheels or have a button and 1 wheel combination). I actually prefer the click wheel on this camera. With the other types of setups (which I have on the D700 -- two wheels and D40 -- 1 wheel plus button) I usually have to look away from the scene to find the other wheel or button. With the setup on this camera my finger is already close by the wheel and I just push it to change functions.
I don't know what kind of plastic Panasonic uses on this camera but I love the way it looks and feels. Also, I think having a red, white, or grey camera is cool (unfortunately only available in black in the US. The G1 was available in multiple colors but so far the GH1 and GF1 are "available in any color as long as it is black.") and this combined with its size makes it look more like a "consumer" camera rather than a "professional" camera. With the photographer unfriendly laws proliferating the world, it is nice to have an incredibly capable camera that doesn't look like a professional camera.
This is a micro-4/3s camera system. That has some pros and cons. The chip is smaller than most DSLR chips. A full frame (FX in Nikon speak) sensor is ~860 sq mm, a Nikon DX sensor is ~370 sq mm, the 4/3 sensor is ~225 sq mm, and the typical sensor used in a point and shoot range between ~25-50 sq mm. However, a 2/3 sensor like many TV shows are shot with is ~60 sq mm and a 1/4 sensor like most home video recorders is only ~10 sq mm. What does all of these numbers mean? From a "stills" perspective the 4/3 format is relatively small when compared to DSLRs. That means that for the same megapixel rating, the 4/3 sensor will have smaller photoreceptors and that means more noise. However, the 4/3 sensor is roughly 60% of a DX chip so while this is a great physics discussion, in real life you will not be able to tell the noise difference based on sensor size even with a picture blown up to 100%. This is born out by the GF1's excellent noise control up to ISO800. You can also still use shots taken at ISO 1600 and 3200 but those low light shots are usually better turned into black and whites for that noire grainy look. That is the "downside" (not really much of a downside especially when compared to the up side) of the micro 4/3 system. The upside is that because you have a smaller area to cover, you can make lenses smaller (less weight and less cost). You also get a 2x multiplication factor on your lenses. So now that 200mm lens gives you 400mm of reach. Yea. However, a down side of the 2x multiplication side is if you want to shoot wide. You need a 7mm lens to get a 14mm viewing angle and those can get pretty expensive (panasonic makes are really nice and small 7-14mm that is more expensive than this camera). The point of all of this mumbo jumbo is that this camera takes great pictures and the lenses are smaller than DSLR lenses. Less weight and smaller size with no practical image quality compromise equals great camera.
On thing that is a negative is the slow 1/160 flash sync speed. This will be very limiting for off camera flash during bright light. With such a slow sync it will be exceedingly difficult (impossible?) to get shallow depth of fields while lighting. Most people probably won't use this feature but for those that do it will be a bummer. (Super FP mode and ND filters can help with this though)
This camera, also, does not have in Camera IS. The IS is in the lenses. The reason that Canon, Nikon, Panasonic do this is they say on-lens IS performs better. From what I have seen that is a true statement. However, in camera IS is better than no IS. Also, this camera can mount lens from numerous other systems. None of those will have IS. If you have an on board IS, then all of those other lenses will now have IS. The Olympus E-P1 does have in camera IS. The camera has many flaws but that is a benefit. Also, the E-P2 is supposed to be announce on 31 Oct 09 so hopefully many of the flaws of the E-P1 will be fixed.
I also love the face recognition on this camera. When I am taking group photos, the faces that I really care about are my families'. Now I can register 6 peoples' faces and it will focus on them. Nice
VIDEO
In many ways, this camera lacks some of the features of a dedicated video recorder and doesn't do the 1080P of the GH1 or have the manual shutter speed control. So why would I want to use this camera for video. There are two main reasons. The first reason is Depth of Field (DOF). As I mentioned earlier the micro 4/3 sensor has 4 times more area than the 2/3 sensor used for many TV shows and is 22 times more area than many video recorders. Smaller sensors = larger DOF. This makes it harder to isolate your subject from the background by having the background out of focus. Pay attention to movies when you watch them and you will notice how they shift focus to "highlight" their subject. If you have wondered why you can't do that with a home video recorder, now you know. If you shoot with a F4 lens on a 4/3 system you will need a .8 aperture on a 1/4 system to get the same DOF (by the way there is no such home video recorder). The second major reason to use the GH1 is the ability to change lenses. Right now there are not many micro 4/3 lenses. However, the micro 4/3 format is so flexible that, with an adaptor you can use just about any camera lens you want (Nikon, Canon, Leica, etc). The trade off is that you lose autofocus with most non-4/3 lenses. The ability to change lenses grants two major benefits. First, you can put all sorts of exotic lenses on. For example if you put on a 7mm lens, you would give your video a perspective not often seen in home footage. On a 1/4 sensor of a video recorder you would need a 1.4mm lens to get the same perspective as the 7mm on the 4/3 system. (Most camcorders are not going to go wider than 4mm which is roughly equivalent to a 20mm lens on a 4/3 system.) Secondly, you can put exceedingly "fast" (a fast lens is one with a low aperture number. A lower aperture number means more light hitting the sensor so you can run your shutter speed faster. Hence fast lens) lenses on to get shallow DOF. You could easily put a f1.4 lens on this camera. You would need a f0.3 lens to get the equivalent DOF on a 1/4 sensor.
Anyway, it is relatively easy to make beautiful videos with this camera. It does not do 1080P. However, I don't...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens

The Panasonic LUMIX DMC-GF1 is the latest addition to the award-winning LUMIX G Series, which debuts as the world\'s smallest and lightest system digital camera with a built-in flash. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic\'s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects--something typically only possible with expensive professional camcorders.FEATURES:
Ver

Buy Now

Click here for more information about Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens

Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens Review

Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens
Average Reviews:

(More customer reviews)
I am a 'collector' of dslr cameras. I have just about every panasonic lumix camera available and quite a few canons, sonys, and nikons. This camera, by far, is my favorite. It is easy to handle, easy to use, totally stupid proof, and the pictures come out great. I have a Nikon d80 and it's a great camera but for me, this is still my favorite. It's just a funner camera and easier to handle. I am in no-way a professional photographer, I just love photography and this camera is a joy.

Click Here to see more reviews about: Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens

The New Panasonic Lumix DMC-L10K 10.1-Megapixel Digital SLR Camera with Full-Time Live View, Face Detection, 2.50-inch Free-Angle LCD Screen and Four Thirds Standard is here. Full-Time Live View Redefines Digital SLR Photography - With conventional digital SLR cameras, you never know exactly how the photo is composed until after you shoot. The Lumix DMC-L10 changes all that with full-time Live View. When you look at the LCD screen, you see what the camera sees, making it easy to adjust and compose your shot just the way you want it. Greater Flexibility with a 2.5-inch Free-Angle LCD - The camera's 2.5-inch free-angle LCD gives you even greater flexibility with a screen that rotates 180-degrees left and right and 270-degrees front and back for shots at both high and low angles. In addition, the auto-focusing area can be chosen from as many as nine points while viewing the LCD before you take the shot so you can focus on your subject with exceptional accuracy. You can also use the LCD to check how any white balance or exposure compensation adjustments affect the shot before you take it, while Film Mode lets you adjust the photo characteristics. Face Detection Ensures That No One Gets Lost in the Crowd - This function, made possible by full-time Live View, recognizes up to 15 faces in the frame and optimizes the focus and exposure settings to capture them clearly and correctly. No More Blurry Photos - Intelligent ISO Control prevents motion blur by detecting if the subject is moving and adjusting the ISO setting and shutter speed accordingly. The camera's Leica D lens is also equipped with Panasonic's MEGA O.I.S. optical image stabilization system, which prevents blurring caused by shaky hands and helps you capture sharp, clear, beautiful images even when taking telephoto shots or shooting in dim lighting. Compact and Lightweight for More Fun, Greater Mobility - Featuring a compact design and weighing just a little ove

Buy Now

Click here for more information about Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens

Panasonic DMC-L1 7.5MP Digital SLR Camera with Leica 14-50mm Mega O.I.S. Lens Review

Panasonic DMC-L1 7.5MP Digital SLR Camera with Leica 14-50mm Mega O.I.S. Lens
Average Reviews:

(More customer reviews)
After holding out for years before making the switch from film to digital, I finally made the leap with the DMC-L1. I have used a variety of DSLRs and digital point-and-shoot cameras prior to this. Specifically, when I was considering the DMC-L1, I was also considering the Canon 30D, and the Nikon D80 and D200 (I already had a number of Nikon lenses).
After trying all of the above cameras, I was completely in love with the DMC-L1's feel and ease of use. The shutter speed dial and aperture ring are extremely intuitive to use. Overall, the camera feels much less "fiddly" than the other models I looked at -- I didn't like having to drill down through multiple menus on the other DSLRs to get to what I was looking for.
Probably the single greatest selling point to this camera is the lens. It's one of the crispest that I've ever used. I have a Nikon 80mm F1.8 that has been my favorite for years, and the Leica lens has almost instantly supplanted it. The zoom range is pretty good for general shooting, and situations where you want to travel light [...].
One of the other selling points include the simple but sensible live-view mode, which allows you to compose your shots on the camera's LCD screen. This is a huge advantage for shooting static or slow moving subjects -- you can really compose your shot, re-arrange elements, and use the depth-of-field preview to get a good sense of how everything is going to look. However, because the mirror has to flip down for the camera to focus and meter, it is too slow for most high-speed action work.
The Mega OIS feature on the included lens is superb -- I've never used anything like it. There are two modes, but mode "2" is the only one I use -- it corrects for camera shake only when you take the picture, rather than continuously as in mode "1". I've taken a number of hand-held pictures at 1/4 of second or slower that would have been disasters with a non-OIS lens. Remember to turn OIS off if you are using a tripod, though.
Being able to save RAW images was a selling point for me, too. This may not matter as much to others, but I like being able to edit the RAW file before "developing" it into an image file.
Ergonomically, the camera is good. I would say that the Canon 30D is a better fit in my hand, but since I'm not going to be holding the camera for 12 hours a day it's not been a problem. I find the buttons and their locations to be sensible, and the thumb-wheel although small, works very well. My favorite elements are the two programable buttons located near the shutter release. Depending on the type of shooting I am doing, I reprogram these to my most often used functions (say EV, ISO, or film type). The film "type" feature is also worth noting, and may have some appeal to those that don't want to both with RAW images. There are a number of pre-programed "films" and two user programable "films" that affect the color and feel of the final images. This is a nice way to generate some decent images without going through the trouble of developing RAW images.
So in summary:
Cons:
OK ergonomics -- people with large hands or short fingers may have difficulties.
View-finder takes some getting used to. Information display is good, but it feels smaller than others I've used.
This camera is not for people who want to take mostly pictures of very high-speed action. It is also not for people who want 20" X 30" prints (because of the lower pixel count).
Pros:
Very intuitive feel, particularly for converts from more traditional SLRs
Fantastic lens
Live View image composition on camera's LCD screen
Mega OIS image stabilization lens
Much less fiddling than with other DSLRs -- more time shooting, less time looking through menus.
RAW + JPEG file formats
Great expansion options with the Four/Thirds lens line
[...].

Click Here to see more reviews about: Panasonic DMC-L1 7.5MP Digital SLR Camera with Leica 14-50mm Mega O.I.S. Lens

Pan dmc-l1 w/leica 14-50mm

Buy Now

Click here for more information about Panasonic DMC-L1 7.5MP Digital SLR Camera with Leica 14-50mm Mega O.I.S. Lens

Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video Review

Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video
Average Reviews:

(More customer reviews)
Bottom line up front: this is a great stills and video camera. It is a freshly designed stills camera that gives DSLR performance with P+S ease and DSLR abilities. As a video camera it is the best implemented video system on a "stills" camera today.
This is an amazing camera but before I tell you why I would like to make a comment on the current situation of this camera. First it is disappointing that Panasonic has region coded the camera and that they are starving the US market. Check out the price difference between the US and Japan at Amazon JP. However, you cannot change the language from Japanese to English due to the region coding. Also, punish the companies that are overcharging (Big VALUE Inc. is/was charging a 1.67 price premium). I for one will never ever do business with a company that does that. If everyone boycotted these predator type companies, they would go out of business.
When people first look at the GH1 there is an initial sticker shock. Why would I pay so much more than the G1? The major reason the difference is warranted is because it has a far more expensive lens. The price difference of the 14-140mm lens and the 14-45mm that comes with the G1 accounts for 5/7 of the price difference of the cameras. On top of that the 14-140mm lens is specially designed for video as it has utterly silent focusing and aperture changes. Also, the aperture changes are step-less. This allows for very smooth lighting transitions. The remainder of the price difference can be attributed to the inclusion of the best seen-to-date video implementation in a "stills" camera and an upgraded sensor from the Panasonic Lumix DMC-G1 12.1MP Digital Camera with Lumix G Vario 14-45 mm f/3.5-5.6 ASPH Mega OIS Lens (Blue). If you are not planning on working with movies then the GH1 is probably overkill and the Panasonic Lumix DMC-G1 12.1MP Digital Camera with Lumix G Vario 14-45 mm f/3.5-5.6 ASPH Mega OIS Lens (Red) would be your best bet. Also, the GH1 functions very much like the G1 for stills so any of those reviews will apply to the GH1.
STILLS
Panasonic markets this camera as like a DSLR only SMLR. I think that is a cool bit of marketing and is right on the mark. This camera has the best contrast detection autofocus on the market. It is as fast if not faster than my Nikon D40 and is almost as fast as my D700. This is a great technological breakthrough and is what allows the camera to be smaller than a DSLR while giving nearly identical performance. With this camera you will not miss photos of your children or other fast moving subjects while you wait for your camera to focus. Bravo.
What is also nice about a great contrast detection autofocus is that Panasonic was able to start with a fresh design from the ground up. The live view is the best implementation that I have seen to date. I never use live view on my D700, but I will always be using it with the GH1. It flips out and rotates 270 degrees. This means you can see it from the back, the front (for self portraits), the top, the bottom, and on one side. In addition, to the great screen articulation, the speedy contrast focus is the last piece that makes this live view great rather than painfully slow like it is on other DSLRs.
On top of the great live view, this fresh design allows this camera to handle exceedingly well. In many ways it takes the best of the point-and-shoot (P+S) world and mixes it with the best of the DSLR world. It doesn't have as many dedicated buttons as my D700 but the Q Menu system works very well and allows for quick changes of most shooting parameters. There is a detailed menu system but I don't find myself using it very much while shooting. I feel that this setup allows photographers moving up from the P+S world to feel immediately comfortable on this camera while also giving experienced photographers the control they need to work their craft.
I don't know what kind of plastic Panasonic uses on this camera but I love the way it looks and feels. Also, I think having a red or gold camera is cool and makes it look more like a toy rather than a "professional" camera. With the photographer unfriendly laws proliferating the world, it is nice to have an incredibly capable camera that doesn't look like a professional camera.
This is a micro-4/3s camera system. That has some pros and cons. The chip is smaller than most DSLR chips. A full frame (FX in Nikon speak) sensor is ~860 sq mm, a Nikon DX sensor is ~370 sq mm, the 4/3 sensor is ~225 sq mm, and the typical sensor used in a point and shoot range between ~25-50 sq mm. However, a 2/3 sensor like many TV shows are shot with is ~60 sq mm and a 1/4 sensor like most home video recorders is only ~10 sq mm. What does all of these numbers mean? From a "stills" perspective the 4/3 format is relatively small when compared to DSLRs. That means that for the same megapixel rating, the 4/3 sensor will have smaller photoreceptors and that means more noise. However, the 4/3 sensor is roughly 60% of a DX chip so while this is a great physics discussion, in real life you will not be able to tell the noise difference based on sensor size even with a picture blown up to 100%. This is born out by the GH1's excellent noise control up to ISO800. You can also still use shots taken at ISO 1600 and 3200 but those low light shots are usually better turned into black and whites for that noire grainy look. That is the "downside" (not really much of a downside especially when compared to the up side) of the micro 4/3 system. The upside is that because you have a smaller area to cover, you can make lenses smaller (less weight and less cost). You also get a 2x multiplication factor on your lenses. So now that 200mm lens gives you 400mm of reach. Yea. However, on the wide side of lenses you need a 7mm lens to get a 14mm viewing angle and those can get pretty expensive. The point of all of this mumbo jumbo is that this camera takes great pictures and the lenses are smaller than DSLR lenses. Less weight and smaller size with no noticeable image quality compromise equals great camera.
One thing that some people list as a negative on this camera is that in low-light the electronic view finder(EVF) gets dark, grainy and jerky (slow refresh speed). However, I look at it as a positive because that is how your picture is going to look. Unlike a DSLR which shows your eyes what the world looks like through the lens, the EVF shows your eyes what the sensor sees through the lens; an important distinction. So if you look through the EVF and see a dark (low light), grainy (High ISO), and jerky (slow shutter speed) image then you know you better shoot really carefully, move the subjects to more light, or light the photo with the built in flash (not recommended but if its all you've got..) or use an external flash.
On thing that is a negative is the slow 1/160 flash sync speed. This will be very limiting for off camera flash during bright light. With such a slow sync it will be exceedingly difficult (impossible?) to get shallow depth of fields while lighting. Most people probably won't use this feature but for those that do it will be a bummer. (FP mode and ND filters can help with this though)
I also love the face recognition on this camera. When I am taking group photos, the faces that I really care about are my families'. Now I can register 6 peoples' faces and it will focus on them. Nice
VIDEO
In many ways, this camera lacks some of the features of a dedicated video recorder. So why would I want to use this camera? After all, you can get a G1 and HD video recorder for the same price as this camera. There are two main reasons. The first reason is Depth of Field (DOF). As I mentioned earlier the micro 4/3 sensor has 4 times more area than the 2/3 sensor used for many TV shows and is 22 times more area than many video recorders. Smaller sensors = larger DOF. This makes it harder to isolate your subject from the background by having the background out of focus. Pay attention to movies when you watch them and you will notice how they shift focus to "highlight" their subject. If you have wondered why you can't do that with a home video recorder, now you know. If you shoot with a F4 lens on a 4/3 system you will need a .8 aperture on a 1/4 system to get the same DOF (by the way there is no such home video recorder). The second major reason to use the GH1 is the ability to change lenses. Right now there are not many micro 4/3 lenses. However, the micro 4/3 format is so flexible that, with an adaptor you can use just about any camera lens you want (Nikon, Canon, Leica, etc). The trade off is that you lose autofocus and metering with most non-4/3 lenses. The ability to change lenses grants two major benefits. First, you can put all sorts of exotic lenses on. For example if you put on a 7mm lens, you would give your video a perspective not often seen in home footage. On a 1/4 sensor of a video recorder you would need a 1.4mm lens to get the same perspective as the 7mm on the 4/3 system. (Most camcorders are not going to go wider than 4mm which is roughly equivalent to a 20mm lens on a 4/3 system.) Secondly, you can put exceedingly "fast" (a fast lens is one with a low aperture number. A lower aperture number means more light hitting the sensor so you can run your shutter speed faster. Hence fast lens) lenses on to get shallow DOF. You could easily put a f1.4 lens on this camera. You would need a f0.3 lens to get the equivalent DOF on a 1/4 sensor.
Anyway, it is relatively easy to make beautiful videos with this camera;...Read more›

Click Here to see more reviews about: Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video

The Panasonic DMC-GH1 is called a Creative HD Hybrid because it records not only high-quality photos but also high definition 1080/24p or smooth 720/60p HD (High Definition) movies in AVCHD format. Continuous AF can be used while recording movies, to further boost operating ease. Taking advantage of its system camera design, the DMC-GH1 features the potential for unlimited photo expression by allowing the use of different lenses for specific shooting situations and subjects. High-quality sound recording with Dolby Digital Stereo Creator and a host of other creative options, including manual settings, giving the DMC-GH1 even greater versatility.Supporting the DMC-GH1's powerful full-HD movie recording function is a 12.1-megapixel high-speed Live MOS sensor and the Venus Engine HD image processor, which features two CPUs for outstanding processing capability. The LUMIX G VARIO HD 14-140mm/F4.0-5.8 ASPH./MEGA O.I.S., which is a versatile 10x zoom interchangeable lens, was designed for movie recording by including a silent and continuous auto focusing function and seamless aperture adjustment.FEATURES:
Intelligent Exposure (iA) Mode - Panasonic's Intelligent Exposure (iA) Mode simplifies face detection autofocus, AF tracking for moving subjects, optical image stabilization, scene mode selection, and ISO to make great pictures as simple as point-and-shoot. Concentrate on the subject in front of you--let the camera do the rest. The GH1 lets you enjoy making great photographs with ease!
Super Zoom 14-140mm Lens - Coupled with the GH1, the newly-developed 14-140mm (10x) zoom lens provides excellent wide angle to telephoto coverage. From landscapes to dramatic close-ups, this optic ensures first-class image quality in an amazing 35mm focal equivalent of 28-280mm! The integrated optical image stabilizer keeps your photos sharp and shake-free whi

Buy NowGet 49% OFF

Click here for more information about Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video

3x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Panasonic HDC-TM700K (TM700), HDC-HS700K (HS700), HDC-TM20K (TM20) HD Camcorder Review

3x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Panasonic HDC-TM700K (TM700), HDC-HS700K (HS700), HDC-TM20K (TM20) HD Camcorder
Average Reviews:

(More customer reviews)
actually this was very impressive for the price and all the products that it delivered, filters work great, included lens adapters to fit my HD video camera, started using verything right away

Click Here to see more reviews about: 3x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Panasonic HDC-TM700K (TM700), HDC-HS700K (HS700), HDC-TM20K (TM20) HD Camcorder

Kit Includes:* 1) 0.5x Digital Wide Angle Macro Professional Series Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more.* 2) 3x Digital Telephoto Professional Series Lens - When your digital camera can't get you quite close enough to the action, this 3x telephoto accessory lens will bring the action three times as close to you. It's perfect for all your long-distance photos of sporting events; candid portrait shots, as well as nature and wildlife photography. This is the ideal lens attachment for sports fans and parents whose kids play sports.* Please Note Lenses may come in black or silver depending on availability. * 3) 3 Piece Digital Camera Filter Kit - Lens filters are translucent pieces of glass placed in front of a camera lens to alter or adjust the light entering the camera, and more importantly to protect the camera lens. * 4) 6-Piece Deluxe Cleaning Kit - This kit contains a Hurricane air blower, lens cleaning tissues, lens cloth, lens cleaning liquid, blower brush and cotton swabs * 5) Lens Pen - The perfect cleaning tool safe for all camera lenses, High quality Retractable nonabrasive Lens Brush, Removes fingerprints, smudges, and grease marks* 6) CapKeeper Lens Cap Strap - This prevents lens cap loss with adhesive-backed disc attached to the cap. Never lose your cap again!* 7) Lens Adapter Tube / Ring (If Needed) - Some cameras require an adapter tube to fit the filters and lenses(Color is black or silver)* 8) DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges from your camera and lenses

Buy NowGet 20% OFF

Click here for more information about 3x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Panasonic HDC-TM700K (TM700), HDC-HS700K (HS700), HDC-TM20K (TM20) HD Camcorder

Panasonic Lumix DMC-FZ28K 10MP Digital Camera with 18x Wide Angle MEGA Optical Image Stabilized Zoom (Black) Review

Panasonic  Lumix DMC-FZ28K 10MP Digital Camera with 18x Wide Angle MEGA Optical Image Stabilized Zoom (Black)
Average Reviews:

(More customer reviews)
I have been using a Panasonic TZ1 for a little over two years. That's a nice 10x zoom pocket camera. But its ISO is a bit low for indoor use. The shutter lag of TZ1 also cannot keep up with my growing two-year-old twins. They move too fast for the camera to chase.
My main use for the new camera is to record my kids life. From time to time, I extend my artistic interest to scenes, buildings, animals, insects, flowers...
I've had this camera for a week and took over 1000 photos. It's simply fantastic.
Things I like:
1. The shutter response is much much better than my old camera. In most cases, it will focus quickly and accurately. I use iA mode occasionally. Most time, I set it at program mode with Fn(Function)button programmed to select different focus mode. Contrary to one of the reviewers, I feel it's very responsive. And Face Recognition really works on this Camera.
2. The lens is great. You can capture incredible photos far and near.
3. Wonderful IQ! I constantly mess around with different shooting modes and do comparison shot. I have to say that the iA(intelligent auto) mode in many cases is doing a better job in focusing, exposure, white balance, etc than I do(Hard to admit a machine is smart than I am. :-D). I'm still trying and learning. But I feel eventually I might give up and let the iA totally controls me.
4. The menu system is well-written. I'm only half-way through the manual(Probably I'll never finish the other half). But there's not a function I hesitate to use or feel frustrated when maneuvering through the menu system.
5. The lay-out of the buttons is well thought-out. I especially like the dedicated record/playback button. Why no one else thought about it. So convenient! Love it.
6. LCD. This is perhaps the brightest LCD I ever had. Everything is nicely detailed.
Things I think the next gen Panasonic FZ should improve:
1. ISO. I have very usable photos which are shot at ISO 400. But there are several times I hope the ISO will be even higher for low-light conditions.
2. Ghost-band(Purple/blue vertical lines) on LCD in strong direct light condition. This happens to many digital camera system. But I feel it shows a bit more on this camera.
I frequent dpreview. A few people there(Plenty never set their fingers on the camera) complain about the small EVF of this camera. I primarily use LCD for taking pictures. So I don't really care about EVF. But to be fair and objective, I tried EVF with about 100 photos. It's clear, bright and nice.
Conclusion: It's a fantastic super-zoom camera which can take incredible photos. A nice step-up from simple P&S. What are you waiting for? (Panasonic didn't pay me to say the last line)
Update 09/30/2008: I've been using this camera for about one month. Literally thousands photos taken. Again and again I'm impressed by this camera. This is truly a versatile camera. It takes excellent photos under a broad range conditions. It's hard to go wrong with this camera.
Update 12/27/2008: It's been four months since I got the camera. The more I use it, the more I appreciate its functionality, features and build quality. Best buy ever.
Update 04/14/2009: I found out that my computer/camera illiterate wife uses this camera much more than I do. (Of course, she spends more time with the twins too. )She was intimated by all the buttons at the time when I bought it. Now she just leaves the setting at AI and doesn't bother to mess with anything else. Photos almost always turn out to be perfect. Nothing says more of the camera than this. Great job Panasonic!!!

Click Here to see more reviews about: Panasonic Lumix DMC-FZ28K 10MP Digital Camera with 18x Wide Angle MEGA Optical Image Stabilized Zoom (Black)

Panasonic's new DMC-FZ28 boasts a premium 27mm wide-angle LEICA lens with an 18x optical zoom, ideal for tight indoor shots and long-distance action photos.The 10.1 megapixel digital camera also features an enhanced Intelligent Auto Mode (iA), with the new AF (auto focus) Tracking function, making it easier for photographers at any level to shoot sharp, well-focused photos, even when the subject is moving -- making it ideal for action shots.

Buy Now

Click here for more information about Panasonic Lumix DMC-FZ28K 10MP Digital Camera with 18x Wide Angle MEGA Optical Image Stabilized Zoom (Black)