Showing posts with label nikon d3s. Show all posts
Showing posts with label nikon d3s. Show all posts

PRO SERIES Equivalent NIKON MC-30 Wireless Remote for D3 / D700 / D300 / D300s / D1 / D2 / D200 and More Cameras Review

PRO SERIES Equivalent NIKON MC-30 Wireless Remote for D3 / D700 / D300 / D300s / D1 / D2 / D200 and More Cameras
Average Reviews:

(More customer reviews)
With Christmas coming up I wanted to be able to take some family pictures. I have an older Nikon D200, so did a search for a remote for it and found this item. The previous reviews rated it highly, so we decided to go with it. When I got it I was impressed at how easily it was to hook up and get it going. It easily fit into the D200's port, and attaches nicely to the flash shoe. After shooting about 150 pictures with it I was very happy with how it performed. I did notice that every so often it would snap two pictures with one push, but I'm not sure whether it was the fault of the unit or just me pressing the button too much. Overall, very happy with it! And, it ships with a Panasonic battery and not some cheap one that gives out right away.

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The Wireless shutter release is handy for taking pictures of subjects that are difficult to approach, or to minimize vibration for close-ups and time exposure. It employs a superior anti-interference functionality and allows a choice of 16 different RF channels. This is particularly useful if several photographers are working in the same vicinity as you need only choose a specific channel for each photographer to prevent overlapping signals. Another use would be the ability to control multiple cameras with a single remote by assigning each camera their own receiver channel and switching the channels on transmitter. Range up to 100m (320ft.) without obstacles - Retractable antenna for Long range shots! Designed for groups, macros, Time Lapse Mode, Long exposures / Shutter Mode, Continuous shooting mode, etc. Compatible with Nikon D700, D300, D200, D100 (with MB-D100 grip attached), D3, D2H, D2Hs, D2x, D1, D1H, D1x, F100, F6, F5, F90X and F90

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Nikon DK 19 - Eyecup - rubber Review

Nikon DK 19 - Eyecup - rubber
Average Reviews:

(More customer reviews)
The DK-19 very easily mounts onto the D3 or D700 (and, for that matter, also on the D2 series as well as the F6 and probably most other Nikon cameras with a round eyepiece) without the need of any adapters or anything. All you need is the DK-19 -- and you need to read (and follow) the instructions that come with it -- and you are all set.
I have no idea what kind of problems the other reviewer had -- it almost seems as if Carlos had written about attaching the DK-3 to a D200 (or some other camera with rectangular viewfinder). For the DK-3 to fit on the D200 one indeed needs the DK-22 adapter and a couple more pieces. Yet, as I said, this is not the case for the DK-19, at least not when you attach it to a D3 or D700.
The DK-19 eyepiece forms a seal between eye and viewfinder and thus keeps out stray light that may otherwise distract the photographer (or maybe even the light meter). This accessory is nothing super-fancy, but it does what it is supposed to very well. It is cheap enough to just buy it to try it -- and I'll bet once you have tried it you'll love it.


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The DK-19 rubber eyecup attaches to the viewfinder eyepiece minimizing extraneous light and vision fatigue, while keeping the camera s eyepiece lock usable. The DK-19 is compatible with the D1X, D1H, D2X, D2H, D2Hs, F4, F5, F6 and other cameras with corresponding eyepiece.

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Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)
Average Reviews:

(More customer reviews)
Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
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I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

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The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

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