LCD Cover Stick Nikon D70 Delkin Glare Guard and LCD Cover Review

Average Reviews:

(More customer reviews)It is good, works fine and really helps to protect the LCD screen and reduces the glare

Click Here to see more reviews about: LCD Cover Stick Nikon D70 Delkin Glare Guard and LCD Cover

Pop-Up Shades are LCD screen protective covers, which double as glare guards. These sturdy, lightweight covers are easily installed (and removed), protect a digital camera's expensive LCD screen in the closed position, and pop up to provide easier viewing of the display in bright sunlight.The cover easily pops up to form a little three sided canopy over the LCD to diminish glare, and folds right back down when you're finished. A camera grade, optically clear glass (itself protected with a clear protective film cover to prevent shipping scratches) continues to guard the LCD screen when the shade is up. Snap on covers literally hook on to the grooves in your camera.Pop-Up Shades differ from alternatives on the market, being made with hard impact plastic that snaps shut over the camera's LCD screen. Unlike other one size fits all LCD hoods on the market that fold or are designed with a bellows look, Pop-Up Shades are designed specifically for every individual camera model. Every Pop-Up shade snaps into place with the flick of a finger to shade the screen from bright light.

Get 41% OFF

Click here for more information about LCD Cover Stick Nikon D70 Delkin Glare Guard and LCD Cover

Nikon DK 19 - Eyecup - rubber Review

Average Reviews:

(More customer reviews)The DK-19 very easily mounts onto the D3 or D700 (and, for that matter, also on the D2 series as well as the F6 and probably most other Nikon cameras with a round eyepiece) without the need of any adapters or anything. All you need is the DK-19 -- and you need to read (and follow) the instructions that come with it -- and you are all set.
I have no idea what kind of problems the other reviewer had -- it almost seems as if Carlos had written about attaching the DK-3 to a D200 (or some other camera with rectangular viewfinder). For the DK-3 to fit on the D200 one indeed needs the DK-22 adapter and a couple more pieces. Yet, as I said, this is not the case for the DK-19, at least not when you attach it to a D3 or D700.
The DK-19 eyepiece forms a seal between eye and viewfinder and thus keeps out stray light that may otherwise distract the photographer (or maybe even the light meter). This accessory is nothing super-fancy, but it does what it is supposed to very well. It is cheap enough to just buy it to try it -- and I'll bet once you have tried it you'll love it.


Click Here to see more reviews about: Nikon DK 19 - Eyecup - rubber

The DK-19 rubber eyecup attaches to the viewfinder eyepiece minimizing extraneous light and vision fatigue, while keeping the camera s eyepiece lock usable. The DK-19 is compatible with the D1X, D1H, D2X, D2H, D2Hs, F4, F5, F6 and other cameras with corresponding eyepiece.

Get 6% OFF

Click here for more information about Nikon DK 19 - Eyecup - rubber

Hoodman H-CAPD3 Nikon D3 Hood Cap Review

Average Reviews:

(More customer reviews)I have been using a D3 for almost a year and noticed a few very fine scratches on the tempered glass LCD monitor viewscreen. Recently I bought one of these Hoodman covers for my D3. After using it for about a month I have one long fine scratch on it. If that saved the tempered glass from such a fate, it was well worth the expenditure. One tip: I tried removing the cover and could not do so (I was concerned that it might break if I forced it further). I got a fine, flat screwdriver and, with a slight twist, was easily able to remove the cover by doing so.

Click Here to see more reviews about: Hoodman H-CAPD3 Nikon D3 Hood Cap

Great protection for the Nikon D3 from normal everyday hazards to the viewing screen. Easy clip on installation and custom fit to work on the camera allowing button usage and easy viewing

Get 26% OFF

Click here for more information about Hoodman H-CAPD3 Nikon D3 Hood Cap

Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only) Review

Average Reviews:

(More customer reviews)Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
-----------------
I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.

Click Here to see more reviews about: Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)

The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images. Nikon's newly engineered, original 12.1-megapixel CMOS sensor, teamed with exclusive technologies such as EXPEED image processing, Nikon's Scene Recognition System and a fast, accurate 51-area AF system, work together to assure that both still and smooth 24 fps HD video files exhibit incredible edge-to-edge sharpness, rich color depth and broad tonal range, while barrier-breaking performance enables low-noise ISO sensitivity to 12,800. Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor.A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.

Click here for more information about Nikon D3S 12.1 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 24fps 720p HD Video Capability (Body Only)

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras Review

Average Reviews:

(More customer reviews)I am writing this review from the perspective of someone who also owns the earlier version of the Nikon 70-200mm f/2.8G VR Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras. This new lens will be referred to as "VR2" in this review while the earlier version of this lens will be referred to as the "VR1".
Here are my initial impressions after using this lens and comparing it with the earlier version of this lens, the VR1.
This professional-grade telephoto zoom lens is very well-made. Its focus is lightning fast and it produces very sharp photos with very good contrast and dynamic colors even when shot wide-open at f/2.8. The increased sharpness at the corner is easily noticeable even at f/2.8 and now makes this lens suitable for landscape shots. I find this increased sharpness at the corner beneficial even for portrait shots when I shoot off-center rule-of-thirds portrait shots. The improved color and contrast is easily noticeable in certain shots in back-to-back comparison against the VR1.
The VR mechanism is very effective and helpful in keeping the photos sharp even when shooting at low shutter speeds in low-light conditions. The 1-stop improvement over the earlier version, the VR1, makes a very big difference, specially when shooting this lens from extended to maximum focal length with no monopod or tripod support. Being able to shoot handheld at 1/10th at 200mm is no easy task but it is possible with this new version.
The tripod leg support is nothing less than excellent ... slim yet very sturdy, with provision for two-screws mounting support. The tripod support can easily be rotated for shooting in vertical portrait position or downside up for easy hand carry. The tripod leg can easily be detached if needed for a less-obtrusive hold when shooting handheld.
Though this lens is heavier than the VR1, the added weight is not immediately noticeable. The shorter length and larger diameter makes for a more balanced hold when shooting handheld.How does this lens compare with the earlier version, the VR1? Here is a quick and easy to read summary:
First, a definition of terms. The term "FX" refers to full frame Nikon camera bodies (D3x, D3s, D3 and D700). The term "DX" refers to cropped/APS-C Nikon camera bodies (D300s, D300, D200, D100, D2, D1, D90, D80, D70, D60, D40, D5000, D3000). THE ADVANTAGES OF THIS LENS OVER THE VR1
1. Sharp corners on FX and DX, even when shooting wide-open at f/2.8
2. Less vignetting on FX and DX when shooting wide-open at f/2.8 (vignetting on DX at f/2.8 now irrelevant)
3. 1-stop improvement in VR (1-stop improvement really makes a big difference when shooting at 135-200mm).
4. Improvement in the bokeh compared to the VR1
5. Improvement in color and contrast, specially when shooting backlit subjects against the sun
6. More resistant to lens flaring (due to nano-coating)
7. Shorter more compact length makes it easier to pack, carry and use in crowded spaces
(the lens and the hood of the VR2 are both shorter than the lens and hood of the VR1)THE DISADVANTAGES OF THIS LENS OVER THE VR1
1. More expensive than VR1
2. Slightly heavier than VR1
3. Not as good as the VR1 when used with teleconverters in DX bodies for long reach
4. Shorter reach or magnification than the VR1 when shooting at close range
(e.g., shooting at 200mm focal length is equivalent to 164mm when shooting from 10 feet away)
For FX users who still do not have a 70-200mm f/2.8G zoom lens, go ahead and acquire this lens. The corner sharpness of this newer version is remarkable, specially when stepped down for landscape shots. Even for portrait shots, the increased sharpness at the corner is beneficial when shooting rule of thirds portrait shots.
For FX users who already have the VR1, you will need to gauge whether the advantages will be worth the cost of getting this lens. If you need to shoot at this lens maximum focal length of 200mm, the lower magnification or the shorter "effective focal length in terms of field of view" when shooting at near range may be a major concern for you. This is specially a concern for events or wedding photographers. Note however that some photographers have adapted to this and actually found it helpful that the magnification remain near constant which minimizes the need to zoom out as the photographer approaches a subject or when the subject gets closer to the photographer. For some photographers, the reduced magnification when shooting at closer range is thus something that one can adapt to and take advantage of. It would still be best however to try the lens first and see how this impacts on your shooting style.
For DX only users who already have a VR1, I currently see no advantages to upgrading to this new version unless you need the one-stop advantage of the VR2, and/or if you want even less vignetting (easily corrected in post-processing), and/or if you want a lens that is more resistant to flare ... and/or more importantly, planning to upgrade or to add an FX body.
For DX users who still do not own the VR1, I recommend that you seriously consider getting this lens. Not only do you get the benefits of the newer version as listed above, getting this lens means that you will be well-positioned when you upgrade or add an FX body. Once you acquire or add an FX body, it will not surprise me that you will be doing a lot more shooting with the FX than with the DX. Since this lens is optimized for the FX, then getting this lens over the VR1 may prove to be a good decision. With regard to the issue of a shorter effective reach when shooting at near ranges, this should not be an issue with DX due to the 1.5X field of view of the APS-C sensor. If anything, it may even be an advantage when shooting up close.
Ultimately, both versions of the Nikkor 70-200mm f/2.8G have their strengths and their weaknesses and it is up to the user to decide which version best fits his/her requirements.
As an FX and DX user, I have bought this new version knowing full well its strengths and its one limitation. The VR2 improved on what is already an impressive performance of the VR1, and then some. Except on the issue of lower magnification or focus breathing which hardly matters for me, the VR2 is an impressive step-up from the VR1.
I did retain my VR1 but this is primarily as a substitute to using a Nikkor 200-400mm f/4 VR. Matched with my 3 kinds of Nikkor teleconverters, the The VR1 is my lighter (and less expensive) version of the Nikkor 200-400mm and I use this with my DX D-300. The excellent center resolution of the VR1 is an asset when used in this manner. The other time when I use the VR1 on my D300 is when my VR2 is already on my D700. For all other usages however, I use the VR2 whether on FX or DX.EDIT: For those who need to shoot up-close at 200mm focal length for maximum reach, this bit of info will be helpful.
Distance of subject / Effective focal length in field of view of the Nikon VR2 at 200mm
(Nikon 70-200mm VR2 at 200mm compared against a Nikon 200mm prime/fixed focal length lens)

1.27m ............... 128mm
1.40m ............... 132mm
2.00m ............... 147mm
3.00m ............... 164mm
5.00m ............... 176mm
10.0m ............... 186mm
Credits: Marianne Oelund
Edit: Sept. 13, 2010: I sold my Nikkor 70-200mm f/2.8 VR and retained only the Nikkor 70-200mm f/2.8 VR2.

Click Here to see more reviews about: Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

The AF-S Nikkor 70-200mm f/2.8G ED VR II Lens offers excellent performance throughout its range of focal lengths, from the natural rendering characteristics of mid-range telephoto positions to the compressed perspective of telephoto positions. The lens makes the most of a wide variety of scenes, from portraits to staged events as well as sports photography under nighttime lighting, press photography, and scenes that require soft rendering of out-of-focus portions.FEATURES:
Fast f/2.8 Zoom-NIKKOR lens - Perfect for sports, photojournalism and wildlife photography.
Nikon VR II (Vibration Reduction) image stabilization - Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.
7 Extra-low Dispersion (ED) elements - Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings.
Nano Crystal Coat - Further reduces ghosting and flare for even greater image clarity.
Nikon Super Integrated Coating (SIC) - Enhances light transmission and offers superior color consistency and reduced flare.
Exclusive Nikon Silent Wave Motor (SWM) - Enables fast, accurate, and quiet autofocus.
Rounded 9-blade diaphragm - Renders more natural appearance of out-of-focus image elements.
Internal Focus (IF) - Provides fast and quiet autofocus without changing the length of the lens, retaining subject-working distance through the focus range.
Focuses to 4.6 feet - Close focusing provided throughout the entire zoom range for extended versatility.
M/A focus m

Click here for more information about Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras