Showing posts with label canon 7d. Show all posts
Showing posts with label canon 7d. Show all posts

Giottos SP8251 Aegis Protector 56.3 X 46.7MM Review

Giottos SP8251 Aegis Protector 56.3 X 46.7MM
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I bought the Giotto's LCD screen protector for my Pentax K10D DSLR after first using a PDA screen protector film. The film ruining the image quality on the screen, smudged easily and in general made my LCD screen virtually useless. I thought the price of the Giotto's screen protector was a bit steep but, decided to give it a go anyways and am I glad I did! The difference it night and day, the screen is brighter and clearer now and better protected than before. If you can live with the price this is a great item to have.

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Giotto's new professional optical screen protector is named "AEGIS" a rigid optic glass from Zeiss, Germany. It protects the LCD panel against abrasion, scratches or incident impact. Multi-layer efficient anti-reflective coatings can help with clarity and color blindness. No more residual image or ghost image, always high definition and transmission on your LCD screen. Suitable for all digital cameras and DV's.

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Slik Professional Universal Deluxe Tripod with 3-Way Panhead and Panoramic Photo Guide Review

Slik Professional Universal Deluxe Tripod with 3-Way Panhead and Panoramic Photo Guide
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I love everything about my Slik tripod. If you've read any of my other reviews, I'm a stickler for quality materials and workmanship, especially with my gadgetry. Slik doesn't slack off in either department.
It has a very nice finish, smooth handling with the legs and vertical position crank. All locking mechanisms feel solid and haven't ever broken loose on me. I've loaded up my fairly heavy video camera, P&S digital, and my Canon EOS 20D and it handles it all with aplomb.
The feet have adjustable points for rough ground and hold their place well on dirt, rock, and man-made surfaces. The included head is of decent quality and though I use my Slik Pistol grip for the most part, it makes horizontal and vertical work simpler and has an easier mount.

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Deluxe Tripod for serious photographers

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A-DATA Turbo 32 GB CompactFlash Memory Card ACF32G533XR Review

A-DATA Turbo 32 GB CompactFlash Memory Card ACF32G533XR
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I bought this memory card instead of the SanDisk Extreme III 32GB CF card, so I could also buy a secondary Canon LP-E6 battery for my new camera for about the same money. Trust me, the battery will run out before this memory was filled with pictures (in the high-quality JPEG format only, not in RAW).
This CF card seems to be fast enough for my 21.1MP camera. Shooting in RAW format in the burst mode can last for 12 shots before it gets slowed down. I also shoot 1080p video with this card and I had no issue. The video look smooth during playback. In compared to my old 2GB SanDisk Extreme II CF card, the video was "bumpy". I copied the MOV files to my computer in both video playback cases, so I believe the issue was caused by the slower rerecording speed of the 2GB card.
I also bought an inexpensive memory card reader that supports UDMA, "Kingston 19-in-1 USB 2.0 Flash Memory Card Reader FCR-HS219/1" to speed up the files transfer time. They worked well together, and you may see my other review at Amazon.com for this memory reader for details.

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When speaking to DSLR camera accessory, most people have cliché impression that those items will come with tremendous price. Today, A-DATA proudly breaks the myth and unveils the affordable Speedy CF 533X for professional and amateur photographers to experience high data transfer speed within limited budget. With high reliability and low power consumption, Speedy CF 533X is the most decent CF card for users to couple with professional DSLR cameras. A-DATA Speedy CF 533X utilizes quad channel transfer mode and Ultra DMA 6 (UDMA) mode to achieve high read speed of up to 80MB/s, and high write speed of up to 50MB/s. By adopting wear-leveling technology, Speedy CF 533X holds a better and longer product life cycle. It also provides Error Correcting Code (ECC) function to detect and correct errors automatically. With capacity available in 16GB, 32 GB and 64GB, Speedy CF 533X kindly offers photographers various capacity options depending on personal usage and requirement. Users can store 12,000 high resolution photos in huge 64 GB capacity and no need worry about insufficient space. Following green design concept, Speedy CF 533X is in compliance with European RoHS directives supporting environmental sustainability. Now, get ready to experience this affordable green product! It\'s time for you to bring DSLR cameras along with Speedy CF 533X and go outside to shoot beautiful natural scene. With read speed at 80MB/sec and write speed at 50MB/sec. Four-channel support (Ultra DMA mode 0~6 , IDE PIO mode 6, MDMA 0~4). Low power consumption and RoHS compliant. Weight: 11.4g(0.40oz) Dimension: 42.8x36.4x33.0mm(1.69x1.43x1.3inch)(LxWxD)

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SquareTrade 3-Year Camera/Camcorder Warranty ($1500-2000 Items) Review

SquareTrade 3-Year Camera/Camcorder Warranty ($1500-2000 Items)
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I am a FAN of Square Trade Warranties. I buy them for everything because the price is reasonable. I have already had a claim on two items and true to their promise Square Trade settled my claims quickly. In both cases neither item could be fixed so Square Trade refunded the purchase price of the item which was way more than what I paid for the warranty. I prefer a warranty that refunds the item purchase price instead of replacing the item. A refund allows you to purchase a new item that you want...it doesn't have to be the same item if you discovered it was cheaply made and that is why it broke! I bought a used cell phone on ebay and after 3 or 4 months the phone stopped working and they refunded my money! On my other claim I purchased the accidental insurance and I dropped the camera a month after I bought it and they gave me my money back (after a $50 deductible). In both cases I bought new, better items. You can't go wrong with Square Trade!

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SquareTrade Care Plans are great value and cost 70% lower on average than traditional warranties.  Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Canon EOS 60D Digital SLR Camera Body with 18-135mm IS Lens & 55-250mm IS Lens + 32GB Card + Case + Accessory Kit Review

Canon EOS 60D Digital SLR Camera Body with 18-135mm IS Lens and 55-250mm IS Lens + 32GB Card + Case + Accessory Kit
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I got the Canon 60D kit as a gift and I absolutely love it. I have an interest in pursuing photography professionally and I could definitely take this camera to that level. I was surprised at how well it takes pictures indoors. I have been using a Rebel EOS SLR 8 megapixel and the pictures indoors were always a little fuzzy and I had to use a flash when it was sometimes obtrusive, but this camera takes great pictures indoors even without the flash. This camera also takes great pictures outdoors, the colors are so crisp and the continuous shooting on this camera versus the Rebel I was using before is amazing, it is so much faster. With the continuous shooting being faster it is easier to capture images of sports which is something I enjoy shooting. I love everything about this camera and the kit comes with everything you will need to be successful. If you have a fairly serious interest in photography this kit is definitely worth it, I absolutely love it and would definitely recommend it to everybody.

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Kit includes: ♦ 1) Canon EOS 60D Digital SLR Camera Body with EF-S 18-135mm IS ♦ 2) Canon EF-S 55-250mm IS Zoom Lens ♦ 3) Transcend 32GB High-Capacity SecureDigital (SDHC) Card ♦ 4) Spare LP-E6 High-Capacity Lithium-Ion Battery Pack ♦ 5) Vivitar 58mm UV Glass Filter ♦ 6) Vivitar 67mm UV Glass Filter ♦ 7) Digital SLR Camera Carrying Case ♦ 8) Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader ♦ 9) Precision Design Memory Card Storage Wallet ♦ 10) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit ♦ 11) Digital Camera LCD Monitor Screen ProtectorsThe Canon EOS 60D features an APS-C sized 18.0-megapixel CMOS sensor for tremendous images, Full 1080p HD Video, DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO capabilities up to 12800 for uncompromised shooting even in the dimmest situations. It features a refined Vari-angle 3.0-inch Clear View LCD (1,040,000 dots) monitor, supercharged Live View Function with Face Detection Live Mode, HDMI output and much more.The Canon 18-135mm IS Zoom Lens boasts a 35mm equivalency of 29-216mm when used with a Canon APS-C EOS Digital SLR. Measuring just 4" in length and weighing about a pound, the lens offers a convenient wide angle to telephoto focal length.
The Canon 55-250mm IS Zoom Lens features UD-glass lens element and Optical Image Stabilizer technology while retaining compactness and lightness. Equivalent focal length of 88-400mm in the 35mm format, with a four-stop image stabilizer effect.
Take more high-resolution pictures faster with this 32GB High-Capacity SecureDigital (SDHC) memory card.
Increase your shooting capacity with this powerful LP-E6 Lithium-ion rechargeable battery.


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Sigma 8mm f/3.5 EX DG Circular Fisheye Lens for Sigma SLR Cameras Review

Sigma 8mm f/3.5 EX DG Circular Fisheye Lens for Sigma SLR Cameras
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I got mine about a month ago and am just back from 10 days in Italy, where I used this extensively.
Sharp, good flare control, lots of fun. The previous reviewer says something about the AF being slow-- which, while true, is only half the story. You're almost always going to be focusing at or near infinity, so it's actually very rare to have to wait. Because this lens has such wide depth of field, I actually usually keep it on manual focus and leave it near infinity.
Actually, the biggest challenge with this lens is composition-- it can be surprisingly hard to find a scene with interesting things in all directions. That said, this lens is *excellent* for inside buildings and crowded city streets. Be aware that outdoors, finding the correct exposure can be difficult for a number of reasons. I did significantly better in M (manual) mode than my camera was doing in A (aperture) mode. (reasons for difficulty include the dark corners in the frame which mess up the camera's metering in some modes, and the probability that the sun will be in the frame and/or there will be both very light and very dark areas in the frame)
This lens is excellent for making spherical panoramas, and for realllllly wide angle shots (I'm de-fishing a lot of my pictures with software).
(I use this lens with a Canon 10D)

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This circular fisheye lens produces circular images with an angle of view of 180° when attached to a full-frame digital or 35mm film SLR camera. It has a maximum aperture of F3.5, a minimum focusing distance of 13.5cm (5.5") and a maximum magnification of 1:4.6. The special fisheye design allows maximum creative expression. Sigma's super multi-layer lens coating reduces flare and ghosting, a common problem with digital cameras. The new lens power layout reduces color aberrations. Providing excellent image quality for digital and film SLR cameras. This lens can be used for the scientific applications such as the solid angle measurements of cloud distribution over the sky, the vegetation distribution of the rain forest canopy, etc., due to the quantifiable angle/area relationship it produces. This lens has a gelatin filter holder at the rear, allowing the use of gelatin filters

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SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items) Review

SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items)
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If anyone is thinking of purchasing an extended warranty through Squaretrade I highly recommend it. Great communication and worth every penny.....and I do mean penny!!!

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SquareTrade Care Plans are great value and cost 70% lower on average than traditional warranties.  Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Transcend 400X - 64 GB Compact Flash Memory Card TS64GCF400 (Blue) Review

Transcend 400X - 64 GB Compact Flash Memory Card TS64GCF400 (Blue)
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The performance seems to match or exceed the requirements of Canon 5D Mk II and does not cause any problem while taking pictures or shooting HD video. Most demanding picture format on 5D Mk II is RAW + JPEG (Fine+Large), and 32GB card can usually hold more than 900 of those.

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TRANSCEND 64GB CF Card (400X)

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Kingston Elite Pro 32 GB 133x CompactFlash Memory Card CF/32GB-S2 Review

Kingston Elite Pro 32 GB 133x CompactFlash Memory Card CF/32GB-S2
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I purchased this card for my Canon 7D DSLR and it's video mode (1080p). Since the camera consumes about 4GB per 12 minute clip, this card is good for around 48 minutes of 1080p 30/24 or 720p 60 video. The card appears fast enough to keep up with the high bitrate capture of the 7D's video mode. Be warned, however, it is not fast enough for continuous (high-speed) JPEG and/or JPEG-RAW capture. The 7D can be a speed demon at up to 8fps at full resolution. I also have Sandisk Extreme III cards (30MB/s) and they are noticeably faster. I can fill the buffer with the Kingston card, but not the Sandisk.
That said, this card is about 1/2 the price of the Sandisk Extreme, and since I mainly wanted the card for HD Video capture, it performs up to my expectations. I've also had a 16GB version of this card for over a year and used it with my Canon 50D with no issues.
I have NOT experienced any data corruption issues with this 32GB card or the 16GB card I've had for over a year. I would not hesitate in buying another one and plan on it very soon.

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Imaging pros expect a lot from their equipment and can¿t afford to have a component limit their productivity or creativity. The newly redesigned Kingston CompactFlash Elite Pro offers a minimum sustained write speed of 133X. The Elite Pro is designed specifically to help advanced amateur or professional photographers get the best performance from their high-end imaging devices and applications. No matter how fast you work, CF Elite Pro can keep pace. With its ultra-fast transfer rates of 25MB/sec. read and 20MB/sec. write, and up to 32GB capacity*, you can capture more continuous, high-resolution images in less time with the Elite Pro than with traditional CompactFlash memory cards. And when it¿s time to transfer your largest files, watch them fly ¿ your production work flowwill be more efficient than ever with a Kingston card reader (see optional accessories). When you purchase a Kingston CompactFlash Elite Pro memory card, you¿re getting great Flash memory performance plus legendary Kingston reliability. If you have any questions or concerns, our technical service and support team is only a call away. The Kingston name means you can count on our products to perform when it matters most.

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Rokinon 85M-C 85mm F1.4 Aspherical Lens for Canon (Black) Review

Rokinon 85M-C 85mm F1.4 Aspherical Lens for Canon (Black)
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This lens really is a gem! It is remarkably sharp wide open as long as you focus accurately. The focus ring is a little stiff, but works very smoothly with no play at all. Lens build is pretty solid, only the lens cap and hood feel kind of cheap. Bokeh with this lens is gorgeous, even stopped down. Be aware that this lens has manual aperture, and is not chipped, so there is no communication between it and the camera. That means you get no focus confirm and no f stop setting will appear in camera or in the EXIF data. I'm not sure why, but in my case on my 5D it shows as 50mm focal length in the EXIF. I've seen programmable focus confirm chips adverstised for this lens on E-Bay, but have no idea how well they work.
Mark

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The Rokinon 85mm f/1.4 Manual Focus Lens for Canon is an ultra-bright lens with a maximum aperture of f/1.4. Although you can only use this lens in manual focus mode, it is fully compatible with the automated features available with digital SLR cameras. It is compact and lightweight, and offers the ideal focal length and bright aperture for use as a portrait lens.

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Canon EF-S 15-85mm f/3.5-5.6 IS USM UD Wide Angle Zoom Lens for Canon Digital SLR Cameras Review

Canon EF-S 15-85mm f/3.5-5.6 IS USM UD Wide Angle Zoom Lens for Canon Digital SLR Cameras
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UPDATE, July 11, 2010: The Canon rebate referred to below should just about be concluding as I write this, so you can read this review (and others) and decide whether this lens--at its regular price--is right for you. (Or you can wait for the next rebate program, but that may be a while from now.) Since the time when I wrote my initial review, I have come to regard this lens even more highly. It feels great on my Canon EOS Rebel T2i, and I had a recent experience with this lens that might interest you. My wife and I took a sightseeing train ride along the Arkansas River through some very picturesque parts of Colorado. There was an open-air observation car that was great for taking pictures; however, when the train was moving it was impossible to remain perfectly still, as the car swayed slightly (and unpredictably) from side to side. I thought about turning the image stabilization (IS) off completely, but decided to give it a try. It turns out the IS worked beautifully. One more thing: As the sun set, the canyons the train was climbing through were alternately drenched in glorious late-day sunlight or covered with shade. Given the rapidly changing light conditions and the train sway, it wasn't the easiest task to try to capture the gorgeous scenery, especially for an amateur like me, but the Canon EF-S 15 - 85mm f/3.5 - 5.6 IS lens turned out to be up to the task. I have no regrets.
REBATE ALERT: From May 9 through July 10, 2010, Canon is running an "instant" rebate program that includes this lens--at a considerable saving. The best part about an instant rebate is that it should be built into the price you see on Amazon (it was when I bought mine), so you don't have to mail in some form and wait (and hope) for a rebate to arrive weeks later. If this is the right lens for you (something we haven't established yet), then now may be a good time to pull the trigger on a purchase.
Regarding this lens, it is a considerable improvement from the typical kit lens on a digital SLR. Kit lenses are decent for the money you pay (which isn't much), but they have clear limitations, especially in sharpness. If you are reading this review, I assume you are looking for a lens for the general-purpose focal-length range, and the Canon EF-S 15-85mm f/3.5 - 5.6 IS USM fits well into this category. The 15 - 85mm range is wider than most kit lenses (probably on both ends), which enables the photographer to use this lens for a wide variety of purposes. The build quality is quite good, though not up to "L" series lens standards. Of course, its price is also not up to L levels, either. Sharpness is very good. Frankly, I can't really tell the difference between this lens and L glass (but I'm just a humble layman), although professional photographers and serious amateurs probably can. Concerning qualities such as vignetting or chromatic aberration, I suggest you consult some of the many professional reviews on the web, which generally paint a good picture of this lens.
Okay, so should you buy this lens? That's the question I want to address with this review. If you do a lot of low light shooting, like weddings, this lens probably isn't fast enough for you. You can't always use a flash in a church. The Canon EF-S 17 - 55mm f/2.8 IS USM or the Canon EF 24 - 70mm f/2.8L USM may be better choices. Both of these lenses have what the EF-S doesn't--a much wider aperture. They also have higher price tags and a narrower focal length range. They are also heavier (especially the 24 - 70 L), which depending on how long you typically carry your camera around may mean something to you. Specifically, the 15 - 85mm weighs 20.3 ounces, while the 17 - 55mm weighs 22.8 oz, and the 24 - 70mm weighs a heftier 33.5 oz. For comparison, a Canon EOS Rebel T2i without any lens weighs only about 19 oz.
The 15 - 85mm lens is relatively new (2009), so it is built with the latest manufacturing technology. It features, for example, four-stop image stabilization, which is great. (Remember that image stabilization helps compensate for the unsteadiness of the photographer, but does nothing to stop the movement of your subject.) "Bokeh" (foreground/background blur quality) is very good. The lens is made of plastic, but its high-quality plastic, if that doesn't sound too oxymoronish.
In short, if you are looking for the absolutely finest general purpose lens that money can buy, this is not your lens. However, if what you want is a very noticeable step-up in sharpness from a kit lens, combined with a very convenient weight and four-stop image stabilization--and you don't want to fork over a great deal of money--then this lens merits your careful attention.


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The versatile focal length, extreme wide angle and stunning image quality of Canon's new EF-S 15-85mm f/3.5-5.6 IS USM lens makes this the ideal multipurpose wide-angle zoom lens for the photographer shooting a wedding or exotic vacation. Featuring three aspherical elements and one UD glass element for outstanding image quality, the zoom range of this lens is equivalent to 24-136mm on a full-frame camera. When coupled with Canon's new EOS 7D DSLR, this lens provides moviemakers and videographers with a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. The warranty period is 1 year.

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Manfrotto 498RC2 Ball Head with Quick Release Replaces Manfrotto 488RC2 Review

Manfrotto 498RC2 Ball Head with Quick Release Replaces Manfrotto 488RC2
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Four rather than five stars because the $400 plus ball heads are smoother. Also own the 322RC2 Joystick which costs a few dollars more. This 498 is smoother and sags less BUT since there is no handle like the Joystick you need to push/pull on your camera and or lens to point the camera. My Joystick tended to stick when I tried to pivot in the wrist turning direction and sags a little when I release the handlever. You can compensate by aiming a little high so it sags to where you want but it can be frustrating.
This new model 498RC2 requires some fine adjustment which is provided. A heavier lens will take more friction on the smaller knob. Aim and give a slight tighten on the larger adjustable level for solid no slip positioning. This new head is only a little lighter than the Joystick but I like it better for the no slip and smoother positioning. Separate lower lever for pivot is nice for multiple horizontal shots not on the Joystick.
The RC2 quick connect/disconnect camera mount works well even if it looks less finely machined than the rest of the ballhead. And Nice little safety locking lever so you are less likely to drop your camera when mounting or removing.
Over all I prefer this 498RC2 to the Joystick because it is smoother with little or no slip. Using the camera and lens to pivot and aim is easy once you get used to it after using the Joystick. For the money I prefer this ballhead to the MUCH More Expensive "Right Stuff" ballheads. Pros will disagree. Perhaps if you need to use a ballhead for hours everyday then you need to pay for the Right Stuff. I am pleased with this new Manfrotto 498RC2 and will sell my Joystick.

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This ball head has been total redesigned for better ease of use.A new design friction control knob allows the photographer to achieve superior control when handling the camera and making micro movements without having to totally lock and unlock the ball head.The knobs have been redesigned to be more ergonomic, easier to handle and more user-friendly. The ergonomic shape allows the user to better lock the ball securely.A repositionable Locking lever allows the user to place it in a comfortable position in order to use it in the most convenient way. Just pull it outwards, put it in the best working position and then release it. This model features a RC2 quick release plate including an additional safety system that prevents the accidental detaching of the camera from the head.The locking lever securely locks the head both in the +90° -90° ball positioning and in the 360° pan movements.With solid aluminum construction, this head is the ideal support for all traditional or digital small or medium format cameras weighing up to 17 pounds.This replaces the Manfrotto 488RC2

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Wireless Remote Shutter Release For Canon EOS 40D and 50D SLR Digital Cameras Review

Wireless Remote Shutter Release For Canon EOS 40D and 50D SLR Digital Cameras
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I use this product with a Canon EOS 40D. I normally buy nothing but Canon made accessories but I don't need a wireless remote shutter that often and decided to try a less expensive alternative. It was a good decision. The Vivitar unit works just as it is supposed to do and provides all the shutter functionality in a remote unit without the wires. I haven't tested the range since I'm usually within 20 feet of the camera so I can't comment on that particular feature; but, for my purposes I'm very pleased with the unit.

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The Vivitar wireless remote control makes taking group photos easy by allowing you to take pictures away from the camera. The wireless remote allows the selection of either a 2-second shutter delay or instant shutter release.

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Gary Fong LSUBASIC Lightsphere Universal BASIC kit (Translucent) Review

Gary Fong LSUBASIC Lightsphere Universal BASIC kit (Translucent)
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I enjoy it and use it all the time. I us it when i do event shooting and it does well. Spreads the light to just where i need it.
used it on a photo shoot in small area and again it did well.
It does help with the shadows when doing portraits.
I just wish there was a lightsphere universal in a clear.
Thank you Lilly


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GFLSUBASIC Gary Fong Light Sphere Universal Basic Kit The Light Sphere Universal Basic Kit consists of the Universal Cloud Diffuser, one Amber Dome, one Chrome Dome, one Accessory Universal Mounting Kit. The latest offering from Gary Fong! Light Sphere Universal fits virtually all flashes including the Nikon SB-600 and SB-800 and Canon 430 and 540 models. LightSphere Universal features the patented \'Grip" mounting system, so strong that it can support the entire weight of the camera and flash! All other diffusers "point" the light somewhere like a flashlight. Light Sphere is the only diffuser that lights up the entire room, softening your images tremendously.Light up the entire room and eliminate unwanted shadows. Light Spheres were referred to as the \'Best Diffusion" we\'ve ever tested by \'Professional Photographer Magazine." And \'By far the best diffusion" as tested by \'Nikonians"

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Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only) Review

Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only)
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No, but it's so good that one starts to contemplate this question, which was never the case before the 7D was introduced. Both systems, crop and full frame, have their pros and cons and place in photography. But before I get into that let me say I have not been as excited about a camera since the introduction of the 5D MK I four years ago. That's because the 7D raises the crop camera bar to the point where crop users will not feel at a disadvantage to full frame camera users, especially if coupled with awesome ef-s lenses such as the 17-55 f2.8.
How so? The 7D sets a new standard in four major ways.
1.It produces whopping 18MP pictures, which are just 3MP shy of the current top of the line full frame Canon cameras. Just few years ago most pros were producing stellar results using the 1Ds MKII 16MP camera. Now you have more MPs in a crop sensor, that's a major achievement. This achievement translates into bigger prints and, perhaps more importantly, cropping power. Out shooting wildlife with a 300mm instead of 400mm? You can crop the 7D files down to 50% of their original file size and still obtain sharp pictures. It's just not that easy with the 1D MK III 10MP files.
2.Many worried that extra MPs in small crop sensors would translate into nosier pictures, but the amazing thing is that this camera produces images with what seems to be less noise than the 1Ds MKII. The noise level is very good. At ISO 1600 I still prefer pictures coming from my 5D MKII, but below ISO1600 they are very close. Frankly, I can go with either camera because most of my professionally shot portraits and product pictures are shot at ISO100. At ISO100 both produce very clean files and are practically indistinguishable.
3.Focus is the one area that was lacking on the previous 1.6 crop Canon cameras and this camera changes that. It's not a 1D in focus speed and accuracy, but it's the next best thing compared to them. It's faster than the Canon 5D MKII, which is known to be slightly faster or around the focus performance range of the 50D and 40D.
4.The drive chain is fast, so fast it's beyond anything I needed in my professional work in portrait, commercial, and product photography. Going through pictures taken at 8fps produces very little difference from frame to frame. One probably has to shoot a very fast moving subject/object to see the advantage of such fast drive system.
There are obviously many other things that I have not covered in this review. But based on the above, all I can say is that this camera has really raised the bar for all cameras and made it much more affordable to obtain a professional level camera for all types of photography. If you were considering buying the 5D MKII as an upgrade give this camera a test because it might be all you need. As for the advantages of crop cameras I always find it odd that casual users who shoot many things but focus on landscape think they need a full frame to realize their potential. Crop cameras such as the 7D and 50D are fine for most users and offer many advantages including:
1.greater depth of field at lower aperture for landscape photography
2.greater tilt and shift effect because of sensor size relative to effect (8mm in shift is greater in effect relative to a 22mm sensor compared to a 35mm sensor)
3.greater magnification with micro lenses and extension tubes because of smaller sensor (1:1 in full frame equals 35mm, 1:1 in crop equals 22mm)
4.smaller lighter lenses with wider aperture that achieve greater reach (such as the 17-55 2.8 vs the 24-70 2.8 similar reach but much lighter and smaller)Traditionally the three areas full frame cameras outshine crop cameras are a bigger brighter viewfinder, shallower depth of field for portrait photography, and better ISO performance, which on the last point the 7D has proven not be an issue anymore.
And for the second point really, most beautiful low depth of field portraits are done around f2.8-2.0 in full frame (going wider will make depth of field too narrow to place two eyes in focus). Hence, if one is using a wide prime, a crop sensor will produce the same depth of field at 2.0-1.4. Considering an affordable 50mm f1.4 lens on crop has the same field of view as 85mm lens on full frame there is really no reason to discount a crop camera any more as the 7D levels the playing field.


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Features

18.0 Megapixel CMOS Sensor and Dual DIGIC 4 Image Processors The EOS 7D features a Canon-designed 18.0 Megapixel APS-C size CMOS sensor that captures such a high level of resolution it's easy to crop images for enlargement without concern of losing detail. A major factor in reducing noise, the CMOS sensor assures that images shot at highest sensitivity will be remarkably smooth. Dual DIGIC 4 Image Processors ensure that images are captured, processed and saved with remarkable speed. The EOS 7D's ability to capture and process data of images shot at 18.0 Megapixels at 8 fps, as well as Face Detection Live Mode, Full HD video recording, Auto Lighting Optimizer and Lens Peripheral optimization are all possible thanks to the Dual DIGIC 4 Image Processors.
ISO 100-6400 (expandable to 12800) With a broad range of ISO settings, the EOS 7D enables shooting from dawn through dusk and ensures capture of the finest detail. With enhanced, low-noise high-sensitivity optimization, shooting in situations previously possible only with flash are easier than ever before.
Advanced Movie Mode with Manual Exposure Control and Selectable Frame Rates The EOS 7D offers the enhanced image quality, smooth frame rates and adaptive exposure compensation necessary in a professional movie-making tool. By shooting video with a large sensor camera, it's simple to take advantage of the image characteristics intrinsic to SLR photography and not necessarily to video cameras. In addition to a number of different recording size and frame rate modes, the EOS 7D enables easy manual control of exposure, focus and Live View features and even allows for in-camera editing. The large CMOS sensor and compatibility with over 60 lenses provide a wealth of depth-of-field options. And it's all as easy as the press of a bu

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SquareTrade 3-Year Camera/Camcorder Warranty Plus Accident Protection (Camera/Camcorder $1000-1250) Review

SquareTrade 3-Year Camera/Camcorder Warranty Plus Accident Protection (Camera/Camcorder $1000-1250)
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I purchased a Sony camera a few days before my daughter's wedding. I expected a quality product from Sony, but our cameras don't always seem to last as long as we'd expect them to, so I purchased the extra warranty from Square Trade. My son picked up the camera to use it about 6 weeks after the manufacturer's warranty ran out, and it wouldn't work. I went online for help, and nothing did help. I contacted Square Trade and explained the problem. After a short conversation, they e-mailed me a postage paid mailing label, and told me they would refund my entire purchase price. It only took a few days from the time I called until I had received my refund. I was able to purchase another camera(upgrading it this time), and a Square Trade warranty for less than the price of the original camera! I was thoroughly pleased with their service. I will stick with them for all my warranty needs.

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Accidental Damage from Handling (ADH) guards you against life's little mishaps, whether you drop your cell phone on the street or splash coffee on your laptop.  ADH must also be purchased within 30 days of when you bought your item. ADH coverage begins on the 31st day after the item's purchase - issues in the first 30 days are not covered. Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) Review

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
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Simply put: Chances are good that your expectations and what you are looking for will determine whether or not you like this camera.
The newest addition to Canon's XXD line might initially seem like a minor downgrade to the previous XXD cameras, but several new capabilities actually help make this a nice, well-featured camera that will appeal to many people who don't get caught up in whether or not this is a better camera than it's predecessor. Canon certainly made this camera for the price point and was careful to add just enough features to make it desirable over the T2i, but not desirable enough to compete with the 7D. In some respects though, it seems like a beefed-up version of the Rebel line (a "Super-Rebel") instead of a new addition to the XXD line.
As someone who has now had the opportunity to use all three of Canon's mid-range lineup (the T2i, 60D, and 7D), I have to say that I really like the feel of the 60D. Even though it no longer has the magnesium alloy body, it feels solid. In no way does it feel cheap. I have fairly small hands and the 60D feels like it was made for me. It's significantly lighter than the 7D and feels like it would be much more friendly on long hikes. The 7D feels much more robust; however, the 60D feels much more "comfy". It is definitely bigger in size than the T2i, but the angles and design of the camera have a nicely updated feel to them that makes it seem like you are getting a much more substantial camera. The articulating screen was also done very well. My initial worries that the screen would feel cheap and break easily were immediately relieved after using it. The hinges are very solid and feel almost stiff to the point where you are comfortable with it staying right where you want it. It also is very flush with the rest of the body and offers little space in between.
Aside from the feel, the camera takes beautiful pictures. Quality-wise, there is very little difference between the pictures that come out of the T2i, 60D, and 7D. ISO performance is very similar and therefore can not be much of a deciding factor between the models. Most of the decision factors really will focus on which user interface and camera system best appeals to your type and level of photography. Each of Canon's mid-range models has it's own pros and cons, and while there are MANY differences between each camera, these are the main points I considered when deciding between cameras to purchase (hopefully it helps those going through the same decision I did):

60D vs. 50D:
(+) New Sensor - the same 18MP sensor that the 7D and T2i have, better ISO coverage/performance
(+) 63 zone dual-layer metering
(+) Better viewfinder - 96% coverage vs 95% coverage
(+) Video
(+) Articulating screen
(+) Wireless flash control
(+) Horizontal electronic level
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Control over max auto-ISO
(+) Eye-Fi wifi file transfer functions(-) The magnesium alloy body of the 50D has been replaced with a polycarbonate body
(-) 6.3 fps shooting is down to 5.3 fps
(-) No lens microadjustment in 60D(+/-) Compact flash card slot has been changed to a SD card slot
(+/-) Joystick replaced by directional pad60D vs. T2i
(+) 9 all cross-type AF points vs T2i's 9 points w/ 1 center cross-type
(+) 96%, .95 magnification pentaprism viewfinder vs T2i's 95%, .87 magnification pentamirror viewfinder
(+) Articulating screen
(+) Wireless flash control
(+) Horizontal electronic level
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Top LCD screen
(+) 5.3 fps vs 3.7 fps
(+) Built in adjustable audio level capability in video60D vs. 7D
(+) Articulating screen
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Control over max auto-ISO
(+) Eye-Fi wifi file transfer functions
(+) Built in adjustable audio level capability in video

(-) 9 all cross-type AF points vs 7D's 19 all cross-type points
(-) Less AF features (such as Zone AF and Point Expansion)
(-) Polycarbonate body vs 7D's magnesium alloy
(-) 96%, .95 magnification pentaprism viewfinder vs 7D's 100%, 1.0x magnification pentaprism viewfinder
(-) Transmissive LCD screen on focus screen on 7D
(-) Only horizontal electronic level vs both horizontal and vertical level on 7D
(-) 5.3 fps vs 7D's 8 fps
(-) No lens microadjustment in 60D
(-) Shutter life of 100,000 vs 7D's 150,000
(-) Dual DIGIC 4 processors in 7D
(-) 3 custom settings in 7D; 1 custom settings in 60D
(-) No PC Sync in 60DBy comparing these features, it's easy to see that the 60D fits well in the price point directly between the T2i and 7D, but of course, a large segment of previous 40D and 50D owners hoping for a true successor that isn't watered down to a certain price point will still undoubtedly be disappointed. It's easy to see in comparing the 60D to the 7D and also to Nikon's newest offerings that Canon chose to limit functionality merely so that 60D sales didn't interfere with the 7D. In fact, if you are not completely entrenched in the Canon camp, I would also suggest looking at the new Nikon D7000. It looks like a spectacular camera for not much more than the 60D. I have not used it nor will I, so I can't comment on whether it's a better choice or not.
Even so, the quality of the 60D and new functionality offer enough new aspects that many customers will surely be happy with it. The articulating screen offers a way to attain tough shots that would have previously demanded extra equipment or odd contortions to reach. It also gives a great new avenue for video capture. Eye-fi wireless transfers work well and help out on those lazy days where you just want to set your camera down and have the work of transferring photos be done for you. Much of the in camera post-production comes off as being a little "gimmicky" to me, but having the option to add effects and process photos definitely doesn't detract from the camera. And many people who don't do much of their own post-processing after transfer to a computer will probably find the in camera RAW conversion and creative effects to be a nice addition.
To me, it really came down to one major factor though: autofocus. I tend to do a lot of shooting involving fast moving subjects, so autofocus for my photography is key. The T1i and T2i were disappointing in this respect. 9 points with one cross-type in the T1i/T2i is respectable, but I found that I really could only rely on using the center point in AI servo mode to get many speedy subjects in focus. I purchased a 7D later, and was blown away by the accuracy. The options of using extra points for expansion, using autofocus zones, having 19 full cross-type points, superior subject tracking, and even the option for narrowing the points in spot autofocus really opened up new areas of photography for me. I get about 10x the amount of usable shots than I would with the T1i and T2i. The 60D isn't THAT good, but it is still much better than the T1i/T2i. In fact, just like with almost everything else about the camera, it's just about right in between the T2i and 7D. Autofocus is fast and accurate, but there are still moments where subjects just move too fast and unfortunately, the 60D doesn't have the capabilities of the 7D. If you are deciding between the 7D and 60D, this is the area you should really look at, because this is the real difference between the 2 cameras. I chose the 7D, and then decided to give the 60D a try just to see if I made the right decision. I am happy with my 7D, but the 60D was no slouch.
In my honest opinion, I think this is a huge sticking point for 40D and 50D owners though. The autofocus system needed to be updated from the previous 2 XXD editions. It has the same 9 cross-type points as the 40D and 50D did before it, and same functionality. To be a good upgrade for previous XXD users, it didn't have to be as good or better than the 7D, but it would have been nice for it to be better than the previous 2 models. Removing the magnesium alloy body and lens microadjustment really comes across as a slap in the face to some users who valued those aspects. I have to say that the body is much lighter, doesn't feel significantly less sturdy (even though it probably is less sturdy), and I've never needed to use lens microadjustment though, so I'm not overly upset about those aspects. I am not thrilled about the "non-update" of the autofocus system though.
Now that I have handled and used all 3 cameras currently in Canon's mid-range lineup, I can definitively say that they are all stellar cameras, but just made for different segments of the market. The T2i is an amazing starter camera and takes great photos for those who want to save a little extra money by going without some of the features they might not use. It might be the best budget option for those who don't take many action shots. For an extra few hundred dollars, the 60D adds some intriguing new features and seems to be aimed at the people who want a slightly higher-end camera than the T2i, but aren't ready to shell out the money for the 7D. It's a great compromise, and to me, the main thing you are missing out on is superior autofocus capabilities. The 7D is more aimed towards the pro-sumer market who want/need a faster autofocus and overall faster, more rugged camera. It's hard to go wrong with any of them, but the 60D offers a great blend of features from both the T2i and 7D along with new...Read more›

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Canon EOS 60D 18 Megapixel Digital SLR Camera (Body Only) - Black 4460B003 Digital SLR Cameras

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