Showing posts with label 70-200. Show all posts
Showing posts with label 70-200. Show all posts

Fotodiox Pro Adapter, Leica Visoflex M Lens to Canon EOS Camera Mount Adapter -- for Canon EOS 1d,1ds,Mark II, III, IV, 5D, MarK II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D Review

Fotodiox Pro Adapter, Leica Visoflex M Lens to Canon EOS Camera Mount Adapter -- for Canon EOS 1d,1ds,Mark II, III, IV, 5D, MarK II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D
Average Reviews:

(More customer reviews)
After reading reviews of the Leica M to Micro 4/3 adapter, I was concerned about this item BUT in the end, it worked without any problems. I used it to mount my Nokton 50mm F1.1 to my Canon T2i.

Click Here to see more reviews about: Fotodiox Pro Adapter, Leica Visoflex M Lens to Canon EOS Camera Mount Adapter -- for Canon EOS 1d,1ds,Mark II, III, IV, 5D, MarK II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

This is one of the Pro-series lens mount adapter made with precision and pristine award standard. As all Pro-series adapters, these adapters have been specially crafted to endure professional lenses.No "play" between lens and Camera. With unique styling, the lens mount adapter maintains/enhances professional appearance. This lens mount adapter allows Visoflex M (Leica) lenses to fit on Canon EOS camera body.35mm Leica M mount lens can use this adapter as Macro Extension Tube.

Buy NowGet 60% OFF

Click here for more information about Fotodiox Pro Adapter, Leica Visoflex M Lens to Canon EOS Camera Mount Adapter -- for Canon EOS 1d,1ds,Mark II, III, IV, 5D, MarK II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

Sigma 170-500mm f/5-6.3 APO Aspherical Lens for Canon SLR Cameras Review

Sigma 170-500mm f/5-6.3 APO Aspherical Lens for Canon SLR Cameras
Average Reviews:

(More customer reviews)
This is a moderately priced alternative telephoto lens. Althought quite bulky, lens are not heavy, and they fit perfectly well in my LowePro Min-Trekker backpack.
Lens are not fast enought to take pictures without a tripod in less then bright light conditions, however, if you can afford a longer exposure times and tripod, you can get good results. Not suited for sports or fast animal photography, but if you want zoom into the landscape, architecture or people, here is a perfectly fine lens...There is really no good alternative lens if you need a range of 170-500 mm.

Click Here to see more reviews about: Sigma 170-500mm f/5-6.3 APO Aspherical Lens for Canon SLR Cameras

Sigma combined a five-lens group zoom system with an aspherical lens element when they designed the 170-500mm f5-f6.3 APO aspherical lens. This combination gives your images sharp high-contrast images throughout the entire zoom range. Its unique apochromatic lens design and three SLD glass elements help eliminate the vibrations usually found in ultra-telephoto lenses. Since the front lens group doesn't rotate, polarized filters are extremely easy to use. This lens also has a built-in rotary tripod mount to help keep the lens steady, reducing vibration during shutter release and keeping your images sharp and clear. This model is dedicated to Canon AF SLR cameras.

Buy Now

Click here for more information about Sigma 170-500mm f/5-6.3 APO Aspherical Lens for Canon SLR Cameras

Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Canon Digital SLR Cameras Review

Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Canon Digital SLR Cameras
Average Reviews:

(More customer reviews)
I've now been shooting sports with this lens for over a year and am absolutely in love with it. Have shot and sold thousands of super sharp publication quality images. I purchased this lens a year ago as an upgrade from my Canon 70-300. Wow!!! I could not believe the sharpness of the images I was now shooting. I shoot sports with a monopod from the sidelines particularly football and lacrosse. Now I am getting crystal clear helmeted faces at 50 yards. This lens is silky smooth and a dream upgrade. The lens collar is well marked and allows easy and smooth transition from horizontal to vertical. The zoom moves from 200 to 100mm with a quick flip of my finger as the action gets close. I've been shooting my kids sports for 15 years and am absolutely delighted with this lens but you better have a monopod because it's a big heavy hunk of glass and not a carry around vacation shooter. It also makes a great portrait lens when tripod mounted with the sharpest eyelashes I have ever shot with any lens.

Click Here to see more reviews about: Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Canon Digital SLR Cameras

Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Canon Digital SLR Cameras

Buy NowGet 21% OFF

Click here for more information about Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Canon Digital SLR Cameras

SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items) Review

SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items)
Average Reviews:

(More customer reviews)
If anyone is thinking of purchasing an extended warranty through Squaretrade I highly recommend it. Great communication and worth every penny.....and I do mean penny!!!

Click Here to see more reviews about: SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items)

SquareTrade Care Plans are great value and cost 70% lower on average than traditional warranties.  Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

Buy Now

Click here for more information about SquareTrade 3-Year Camera/Camcorder Warranty ($2000-2500 Items)

Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries Review

Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries
Average Reviews:

(More customer reviews)
I've had mine for over a year and love it. The fit, finish and controls all feel OEM to me. Plus they give the option of using the standard Canon batteries or using AA's. For only $100, it's a steal.

Click Here to see more reviews about: Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries

Phottix Professional Premium Series BP-5DII Vertical Grip/Battery Holder for Canon 5D Mark II digital cameras.This battery grip can hold two Battery Packs LP-E6 or six size-AA/LR6 batteries.It is equipped with a vertical-grip shutter button, Main Dial, AE lock/FE lock and AF point selection controls for easier vertical shooting.It works with 1 or 2 LP-E6 Lithium-Ion rechargeable batteries.Also has Tripod Socket. Note: Does NOT work with Canon 5D. Comes with: Battery Holder for six AA batteries and Instruction Manual. Dimensions 150x115x76mm/5.9x4.5x3.0in, Weight Approx. 315 g/11.1 oz. (not including the power supply or battery magazine)

Buy NowGet 16% OFF

Click here for more information about Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries

Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras Review

Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras
Average Reviews:

(More customer reviews)
Pros: Lightning fast AF, Incredible Sharpness, Build Quality, Hood Design, Excellent IS
Cons: Price $$$$$, a bit big, a little heavy- not too bad.
WOW is all I can say. After getting over that I spent so much on a lens, this new machine is absolutely amazing. The image quality is top notch. 100% crops can be printed large and I can see every detail. I was in Miami and took some pictures of the big hotels, and was wondering what the names were. I looked at some of the pictures, zoomed in, and saw everything. Even small signs hundreds and hundreds of feet away. The IS adds a new feeling of confidence. No longer do you have to worry about shaking a tiny bit and the shot being out of focus or a bit blurry. Canon has really created an astounding piece of technology surpassing others(Nikon) in the lens market. The build quality, as expected from an L series lens, is made to withstand extreme conditions. The zoom ring is large and easy to use. The buttons for different IS and af/mf are easy to use/see. The new focusing distance allows you to get closer to your subjects, and can get quite close if some cropping is done. The Af is also excellent, and focuses very fast even in low light. Now, price... yes... I recommend thinking about this purchase for a while. 2500 - as of now, is a lot to spend, but if you have the money and really really want it, I highly recommend it. The pouch that it comes with is very nice and the hood is easy to put on and is a better material than other hoods. It does not scratch easily like my 24-70 f/2.8L lens hood does. At all apertures, this thing is sharp. If you are an IQ aficionado, this lens is quite a big step up from Mark 1 especially at f/2.8. For me, sharpness is my big thing, so I wanted the best out there. I did not want to step back in terms of technology and get the first generation of the lens even if it is still very good. In a few years if you decide that you want to sell the lens or change to something else, I can assure you that this will retain its resale value very well. I doubt Canon will be upgrading this in the next 5 years, so the sharpness and awesome Af will pay off in the coming days, months, and years to come.
All in all, the new 70-200 is quite a stunning lens which will continue to be one of or the best in Canon's lineup of pro lenses. If you want it and can afford it without selling your house, I would get it haha but as always, research extensively and weigh your options before buying something at these price levels.
I hoped you liked the review. More info and analysis to come in the future...
Check out my unboxing video here: [...]
Thanks
- Alex

Click Here to see more reviews about: Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Buy NowGet 43% OFF

Click here for more information about Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras

Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera Review

Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera
Average Reviews:

(More customer reviews)
Actual score: 4.5 stars
2/1/11 - update. Official price drop. New price now $1399 - that's more like it... If you have been on the fence with this lens, time to give it another look. I still love this lens. -TXJAVAMy apologies in advance for a long review. There are not a whole lot of reviews out there for this lens so I'm hoping I can help some others make a good decision. Summary: It is a great Lens, but perhaps not for everyone.
I have been watching this one since it was announced. I tried it out at the local Camera shop and fell in love with it. I decided at that moment, I was going to own this lens.
The initial drawback was always price. At $1699 (sixteen-ninety-nine) it seems a bit high. Yes, this is a quality lens with a 2.8 constant aperture throughout the zoom range and a very good OS optical stabilization (IS in Canon's terminology) but at that price it is only a few hundred less than the highly rated excellent Canon 70-200 2.8 IS ii. So I've been waiting patiently for the price to move.
Well one day, quite unexpectedly, the price at the "B" Camera vendor was $350 (three-fifty) less. Suddenly, at $1349 (thirteen-forty-nine) it was near my strike price (I think the lens should sell for $1200 or so). So I watched to see if the "A" internet vendors would match. They did not. I knew this was less that wholesale for the lens, so I ordered one from the "B" vendor. (The next day the two "A" vendors matched the price - Sorry Amazon, you were not fast enough). The lens arrived a couple days later, VERY well packed. With Amazon, packing can be a bit hit or miss. By the time the lens arrived, all the vendors were priced at the original $1699 (sixteen-ninety-nine). Hmmm, maybe it had been a price mistake.
So enough of that - What do I think of the lens? I still love it; however, there was something that I had not noticed in the store. When the OS system started up (1/2 press of the shutter key), it made a fairly loud click and then the Gyros sounded like very distant fire truck sirens. I literally though that there was a fire truck outside. But it turned out to be coming from the lens. Mind you, it was not loud, but it was disconcerting. I own the excellent Canon EF-S 17-55 2.8 IS and the IS system on that is near silent. I've been spoiled by that lens. I went down to the camera shop to see if their copy had the same sound. It did have some OS sound, but I had not noticed before above the ambient sound in the store. The store model did not sound like my copy. So I called the "B" Vendor and they quickly sent me a new lens.
The new lens arrived today and it too had the OS sound but not as noticeable as the first copy of the lens (I was able to compare side by side). Is the sound bad? No not really, but it is different than the low level "whurl" of the Canon IS system.
That said, the OS system does work very well. It is especially nice at the tele- end of the zoom. You can really see that camera shake through the viewfinder, and then you press the shutter release ½ way and suddenly it locks into place. Very nice, very cool. I have been able to take nice sharp pictures as low as ¼ second - and that is at the long end of the zoom. Impressive!
The rest of the build quality is very good. Both the focus and the zoom rings operate very smoothly and with just the right amount of resistance.
The lens is heavy (over 3 pounds). The rebel series cameras will benefit from the extra holding power that the extra battery grip offers. It comes with a tripod collar so you can use it on a monopod. A lens hood included (wish Canon would include hoods with all their lenses) there is even an extender for APS-c crop sensor cameras. However, I don't intend to use it.
The pictures I have taken have all been great. It is a bit soft at 2.8 (as many lenses are), but still within my tolerances. The 2.8 aperture really helps for indoor shots. It is great because you can sit across the room and shoot away without bothering those in the room. F4.0 lenses just do not give you enough light for indoor shooting, especially sports. Seems like it would be a great lens for weddings and other indoor events. As for picture quality, I've seen some web reviews that compare this with the Canon and the Sigma comes out pretty good. I do not see any CA at all on my copy. Focus is fast and accurate with no front or back focusing - it is spot on. It is not as fast or quiet as the canon, but still focus motor is still very good. You also have full time manual focus override. So for those of us who are mere enthusiasts or hobbyists this is a great lens to have for the all-important 70-200 tele- range. Pros might want to stick to the Canon version.
All and all, this lens is a keeper. It takes great pics, the OS is very effective (although a bit loud) and the nice 2.8 aperture really shines. Lastly, one of the real reasons I got this is because it is black. You are already conspicuous when you have 8" of lens hanging off the end of your camera at your son's basketball game, or your daughter's rehearsal. You really start to look ridiculous when you have 8"s of a white and black striped Canon lens. (I know I have lost some of my credibility with that last statement, but I just prefer black lenses...)
So the choice is yours. If you are looking for a lens in the 70-200 or 75-300 range, save your money up for a fast 2.8 version with stabilization, you will not be sorry. Those less expensive f3.2-5.6 or lower lenses are just not as practical as a good 2.8 lens. If you can afford the Canon and don't mind the black and white stripes, by all means get it, otherwise, get this one, you will be very pleased that you did.
One of these days, i'll upload some pics.

Click Here to see more reviews about: Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera

Sigma's New APO 70-200mm F2.8 EX DG OS HSM is the second generation of this large aperture telephoto zoom lens now incorporating Sigma's Optical Stablization function, OS, Sigma's own anti-shake system.Two FLD glass elements, which have the performance equal to fluorite glass have also been added along with three SLD glass elements, all which provide excellent correction of color aberration. In spite of the additions of all of these features, Sigma has managed to make the lens more compact than its predecessor, measuring only 7.8" in length.For any serious photographer where the 70-200mm focal range is often the most important second lens to own after the initialstandards lens or mid range zooms. The fast aperture is extremely useful and important in low light environments or when shooting fast moving situations where a higher shutter speed demands maximum lights thru the lens.HSM ensures quiet and high speed AF as well as full-time manual focus capability. Super Multi-Layer lens coating reduces flare ghosting and assures high image quality throughout the entire zoom range. It has a minimum focusing distance of 55.1 inches throughout the entire zoom range and a maximum magnification ratio of 1:8 The rounded 9 blade diaphragm creates an attractive blur to the out of focus images.This lens is equipped with a petal-type hood. Its exceptional versatility as an all-around lens is perfect for journalists and wedding photographers. This latest

Buy Now

Click here for more information about Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera

Lowepro Toploader Pro 75 AW Review

Lowepro Toploader Pro 75 AW
Average Reviews:

(More customer reviews)
I am using this holster with a Canon 50D w/ a battery grip and a 70-200 f2.8. The camera and lens fit great even with the lens hood inverted. It even has enough room in the front pocket for my Canon flash. I added a Lowepro lens case mounted to the side for an additional wide angle zoom. The quality is top notch!

Click Here to see more reviews about: Lowepro Toploader Pro 75 AW

Designed for the Pro Photographer inside & out, the Toploader Pro 75 AW by Lowepro is made for action. The contoured, asymmetrical shape follows the lines of a camera for a snug, protective fit. A side opening with easy-grip access lets you capture the shot in a flash. Our 360 Degree All Weather (AW) Cover lets you work out of your bag while protecting your gear. Other features include: large, U-shaped zipper pulls; 3 point harness system; top pocket with space for sunglasses and personal gear; adjustable divider system to secure grip & allow storage of smaller lens. Works with Topload Chest Harness sold separately.

Buy NowGet 31% OFF

Click here for more information about Lowepro Toploader Pro 75 AW

LensCoat Lens Cover for the Nikon 70 - 200 f/2.8 VR Zoom Lens - Black Review

LensCoat Lens Cover for the Nikon 70 - 200 f/2.8 VR Zoom Lens - Black
Average Reviews:

(More customer reviews)
I've had my 70-200 for over a year and felt I needed some protection from knocks and abrasions so felt this product would give me some protection.
I installed it per the instructions and it looks great and seems to be able to protect the lens like I thought it would.
Just a few complaints.
It doesn't stay on my lens shade as it's just a slip on fit. When I try to drop it down into my camera bag the LensCoat curls up and falls off.
The glue-on portion that goes on the tripod collar did not work because the adhesive came off the neoprene. (like it had gotten hot or was just old)
Liked how the switches worked thru the clear window material.
Overall I'm happy except for the few items mentioned.
After seeing the black on the lens I wish I had gotten one of the camo patterns instead.

Click Here to see more reviews about: LensCoat Lens Cover for the Nikon 70 - 200 f/2.8 VR Zoom Lens - Black

LensCoat Lens Covers... Moving a big white (or black) lens near skittish wildlife is like waving your arms a sure way to flush your subject and ruin what could be a once-in-a-lifetime photo opportunity. LensCoat Lens Covers mask your 200 mm to 600 mm lens, giving you a better chance at getting the shot.LensCoat Lens Covers are manufactured from 100% closed-cell neoprene, offering protection from bumps, jars and nicks, with a camouflage-pattern fabric cover. LensCoat Lens Covers also provide a thermal barrier, protecting your hands from cold lenses in lower temperatures. They are easy to install and remove, leaving no residue on the lens. And LensCoat lens covers are waterproof, providing protection in harsh conditions.Other features include a clear, flexible UV-PVC window over the AF/IS/VR controls and the distance-scale window. The LensCoat also features custom holes that reveal the red-dot for easy alignment to the camera body without removing the cover.LensCoat for the Nikon 70-200VR:LensCoat 70-200VR telephoto lens cover offers your valuable equipment some protection from scrapes and bumps, preserving its resale value. It also helps break up the shape of your lens, making it less noticeable to wildlife.The LensCoat 70-200VR features a clear plastic windows over the auto focus controls and also the distance scale. A small hole on the last segment lines up with the white dot indictor, making it easy to quickly line u

Buy Now

Click here for more information about LensCoat Lens Cover for the Nikon 70 - 200 f/2.8 VR Zoom Lens - Black

Sigma 70-200mm f/2.8 EX HSM Lens for Nikon SLR Cameras Review

Sigma 70-200mm f/2.8 EX HSM Lens for Nikon SLR Cameras
Average Reviews:

(More customer reviews)
Having used the Sigma 70-200mm F2.8 EX HSM lens for portrature and wildlife work in Costa Rica recently, I can highly recommend this lens. The lens is very strong and well built, extremely fast, silent, and sharp. There are times when the lens will hunt a little bit when focusing, but this is not enough of a problem to cause you to miss a shot or cause a problem. The ability to imediately manualy focus the lens without having to switch to manual focus is not only a great convenience, it is absolutely a necesity when photoghaphing wildlife in the jungle, or even through the brush or in a tree in your own backyard. If your camera should focus on the foreground clutter instead of the desired subject matter, all one has to do is to rotate the focusing ring to focus on the subject, and shoot. I have found this lens to be extremely sharp and acurate over the entire frame area. The F2.8 light gathering ability is excelent, alowing you to add the Sigma APO 2X EX teleconverter to have a fully auto 140-400 F5.6 lens as well for little more money. Using this combination as well I have noticed no decrease in sharpness of image quality, although focusing may be slightly slower. In continuous focus mode this combination still had no trouble keeping up with birds in flight, although a tripod would be highly recomended. A nice feature is the tripod mount which can be used to grip and hold the lens and camera while shooting, or in less than a second can be detatched from the lens if so prefered. The camera can also be rotated a full 360 degrees within the tripod mount instead of the stndard 90 degrees of most other brands of lenses. The lens comes complete with with end caps, a padded soft side storage case, and even a lens hood, specialy designed to eliminate vigneting- at no extra charge. Although normaly dedicated to Nikor lenses, after inspecting and using this lens I found it to be equal in quality and better designed (in my opnion) in some areas than the Nikor 80-200 F2.8 silent wave lens. It is also smaller and lighter than the Nikor lens, a big plus in all day use, in or out of the jungle. On top of everything else I was able to purchase the Sigma lens for...less than the Nikor lens. A great lens at a great price.

Click Here to see more reviews about: Sigma 70-200mm f/2.8 EX HSM Lens for Nikon SLR Cameras

The Sigma 70-200mm F2.8 EX HSM Lens is an easy-to-use telezoom lens with good close-focus optical quality. Its Hyper Sonic Motor provides silent, responsive autofocus action, and permits manual adjustment of focus without having to switch off the autofocus function. Lens features an apochromatic optical design and 4 elements composed of Special Low Dispersion (SLD) glass for high image contrast, resolution and color saturation, and due to the internal focusing system, the front barrel keeps from rotating during focusing. For use with Nikon cameras.

Buy NowGet 24% OFF

Click here for more information about Sigma 70-200mm f/2.8 EX HSM Lens for Nikon SLR Cameras

Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Nikon Digital SLR Cameras Review

Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
I recently just picked up this lens for myself. I have to say this is one of the best lenses I have used. The auto-focus is fast and silent. It doens't hunt, even when you zoom straight to 200mm. I also love that the minimum focusing distance is 3 feet. My dad has an older version of this lens for the Minolta mount and he is envious of the focusing distance.
I will say that at 200mm at f/2.8, there is a touch of softness, but it's not objectionable for my taste. I would recommend trying this lens if you can to make sure you would be willing to deal with the softness. Otherwise at all other focal lengths, it is tack sharp!
This lens is also heavy at 3 pounds. It can get tiring to hold it all day long, so I would recommend a monopod for support. Overall, I really love this lens and would recommend it to anyone looking for a good telephoto lens.

Click Here to see more reviews about: Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Nikon Digital SLR Cameras

L1)SIGMA 70-200MM F2.8 F/NIKON (569)

Buy NowGet 18% OFF

Click here for more information about Sigma 70-200mm f/2.8 EX DG APO HSM Large Aperture Macro Zoom Lens for Nikon Digital SLR Cameras

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras Review

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
I am writing this review from the perspective of someone who also owns the earlier version of the Nikon 70-200mm f/2.8G VR Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras. This new lens will be referred to as "VR2" in this review while the earlier version of this lens will be referred to as the "VR1".
Here are my initial impressions after using this lens and comparing it with the earlier version of this lens, the VR1.
This professional-grade telephoto zoom lens is very well-made. Its focus is lightning fast and it produces very sharp photos with very good contrast and dynamic colors even when shot wide-open at f/2.8. The increased sharpness at the corner is easily noticeable even at f/2.8 and now makes this lens suitable for landscape shots. I find this increased sharpness at the corner beneficial even for portrait shots when I shoot off-center rule-of-thirds portrait shots. The improved color and contrast is easily noticeable in certain shots in back-to-back comparison against the VR1.
The VR mechanism is very effective and helpful in keeping the photos sharp even when shooting at low shutter speeds in low-light conditions. The 1-stop improvement over the earlier version, the VR1, makes a very big difference, specially when shooting this lens from extended to maximum focal length with no monopod or tripod support. Being able to shoot handheld at 1/10th at 200mm is no easy task but it is possible with this new version.
The tripod leg support is nothing less than excellent ... slim yet very sturdy, with provision for two-screws mounting support. The tripod support can easily be rotated for shooting in vertical portrait position or downside up for easy hand carry. The tripod leg can easily be detached if needed for a less-obtrusive hold when shooting handheld.
Though this lens is heavier than the VR1, the added weight is not immediately noticeable. The shorter length and larger diameter makes for a more balanced hold when shooting handheld.How does this lens compare with the earlier version, the VR1? Here is a quick and easy to read summary:
First, a definition of terms. The term "FX" refers to full frame Nikon camera bodies (D3x, D3s, D3 and D700). The term "DX" refers to cropped/APS-C Nikon camera bodies (D300s, D300, D200, D100, D2, D1, D90, D80, D70, D60, D40, D5000, D3000). THE ADVANTAGES OF THIS LENS OVER THE VR1
1. Sharp corners on FX and DX, even when shooting wide-open at f/2.8
2. Less vignetting on FX and DX when shooting wide-open at f/2.8 (vignetting on DX at f/2.8 now irrelevant)
3. 1-stop improvement in VR (1-stop improvement really makes a big difference when shooting at 135-200mm).
4. Improvement in the bokeh compared to the VR1
5. Improvement in color and contrast, specially when shooting backlit subjects against the sun
6. More resistant to lens flaring (due to nano-coating)
7. Shorter more compact length makes it easier to pack, carry and use in crowded spaces
(the lens and the hood of the VR2 are both shorter than the lens and hood of the VR1)THE DISADVANTAGES OF THIS LENS OVER THE VR1
1. More expensive than VR1
2. Slightly heavier than VR1
3. Not as good as the VR1 when used with teleconverters in DX bodies for long reach
4. Shorter reach or magnification than the VR1 when shooting at close range
(e.g., shooting at 200mm focal length is equivalent to 164mm when shooting from 10 feet away)
For FX users who still do not have a 70-200mm f/2.8G zoom lens, go ahead and acquire this lens. The corner sharpness of this newer version is remarkable, specially when stepped down for landscape shots. Even for portrait shots, the increased sharpness at the corner is beneficial when shooting rule of thirds portrait shots.
For FX users who already have the VR1, you will need to gauge whether the advantages will be worth the cost of getting this lens. If you need to shoot at this lens maximum focal length of 200mm, the lower magnification or the shorter "effective focal length in terms of field of view" when shooting at near range may be a major concern for you. This is specially a concern for events or wedding photographers. Note however that some photographers have adapted to this and actually found it helpful that the magnification remain near constant which minimizes the need to zoom out as the photographer approaches a subject or when the subject gets closer to the photographer. For some photographers, the reduced magnification when shooting at closer range is thus something that one can adapt to and take advantage of. It would still be best however to try the lens first and see how this impacts on your shooting style.
For DX only users who already have a VR1, I currently see no advantages to upgrading to this new version unless you need the one-stop advantage of the VR2, and/or if you want even less vignetting (easily corrected in post-processing), and/or if you want a lens that is more resistant to flare ... and/or more importantly, planning to upgrade or to add an FX body.
For DX users who still do not own the VR1, I recommend that you seriously consider getting this lens. Not only do you get the benefits of the newer version as listed above, getting this lens means that you will be well-positioned when you upgrade or add an FX body. Once you acquire or add an FX body, it will not surprise me that you will be doing a lot more shooting with the FX than with the DX. Since this lens is optimized for the FX, then getting this lens over the VR1 may prove to be a good decision. With regard to the issue of a shorter effective reach when shooting at near ranges, this should not be an issue with DX due to the 1.5X field of view of the APS-C sensor. If anything, it may even be an advantage when shooting up close.
Ultimately, both versions of the Nikkor 70-200mm f/2.8G have their strengths and their weaknesses and it is up to the user to decide which version best fits his/her requirements.
As an FX and DX user, I have bought this new version knowing full well its strengths and its one limitation. The VR2 improved on what is already an impressive performance of the VR1, and then some. Except on the issue of lower magnification or focus breathing which hardly matters for me, the VR2 is an impressive step-up from the VR1.
I did retain my VR1 but this is primarily as a substitute to using a Nikkor 200-400mm f/4 VR. Matched with my 3 kinds of Nikkor teleconverters, the The VR1 is my lighter (and less expensive) version of the Nikkor 200-400mm and I use this with my DX D-300. The excellent center resolution of the VR1 is an asset when used in this manner. The other time when I use the VR1 on my D300 is when my VR2 is already on my D700. For all other usages however, I use the VR2 whether on FX or DX.EDIT: For those who need to shoot up-close at 200mm focal length for maximum reach, this bit of info will be helpful.
Distance of subject / Effective focal length in field of view of the Nikon VR2 at 200mm
(Nikon 70-200mm VR2 at 200mm compared against a Nikon 200mm prime/fixed focal length lens)

1.27m ............... 128mm
1.40m ............... 132mm
2.00m ............... 147mm
3.00m ............... 164mm
5.00m ............... 176mm
10.0m ............... 186mm
Credits: Marianne Oelund
Edit: Sept. 13, 2010: I sold my Nikkor 70-200mm f/2.8 VR and retained only the Nikkor 70-200mm f/2.8 VR2.

Click Here to see more reviews about: Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

The AF-S Nikkor 70-200mm f/2.8G ED VR II Lens offers excellent performance throughout its range of focal lengths, from the natural rendering characteristics of mid-range telephoto positions to the compressed perspective of telephoto positions. The lens makes the most of a wide variety of scenes, from portraits to staged events as well as sports photography under nighttime lighting, press photography, and scenes that require soft rendering of out-of-focus portions.FEATURES:
Fast f/2.8 Zoom-NIKKOR lens - Perfect for sports, photojournalism and wildlife photography.
Nikon VR II (Vibration Reduction) image stabilization - Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.
7 Extra-low Dispersion (ED) elements - Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings.
Nano Crystal Coat - Further reduces ghosting and flare for even greater image clarity.
Nikon Super Integrated Coating (SIC) - Enhances light transmission and offers superior color consistency and reduced flare.
Exclusive Nikon Silent Wave Motor (SWM) - Enables fast, accurate, and quiet autofocus.
Rounded 9-blade diaphragm - Renders more natural appearance of out-of-focus image elements.
Internal Focus (IF) - Provides fast and quiet autofocus without changing the length of the lens, retaining subject-working distance through the focus range.
Focuses to 4.6 feet - Close focusing provided throughout the entire zoom range for extended versatility.
M/A focus m

Buy Now

Click here for more information about Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras