Canon EF 300mm f/2.8L IS USM Telephoto Lens for Canon SLR Cameras Review

Average Reviews:

(More customer reviews)If you're looking at this lens, you're ready to spend some serious dollars. Is it worth it? Short answer, yes, but I'll elaborate.
I've shot with a variety of Nikon and Canon lenses for about 25 years. The 300 f/2.8L IS is without a doubt the sharpest lens I've ever had, and it is unbelievably consistent across every aperture. With the 1.4X Canon extender - other its becoming an f/4 lens - I could not see any appreciable change in its performance. Unbelievable.
I got my introduction to image stabilization on the 70-200 f/2.8L IS, and it is even more useful on the 300. I handheld consistently crisp shots at 1/60 and sometimes at 1/30. With my old Nikon 300 mm, anything below 1/250 was out of the question and 1/500 was a good idea. The whirring of the IS is a bit louder on the 300 than the 70-200.
When shooting action in AI Servo mode, the autofocus was as fast as on my shorter prime lenses.
In some forums, people swear by third party long lenses that they say produce as good an image at less than half the cost. All I can say is that their experience probably reflects the limitations of their skills rather than the comparability of the lenses.
With the 1.4X extender and my 1D Mark IIN's 1.3X FOVCF, this becomes a 546 mm lens. On a 1.6X FOVCF camera it's a whopping 672 mm.
Here are some other Canon alternatives and why you might want to go with them instead of the 300 f/2.8L IS:
- Canon 300 f/4L IS - less than half the price; it is lighter and has a built-in lens hood that doesn't require assembly; you lose a stop, and while a very sharp lens, not in same class at the f/2.8. good choice if you don't have the money for the f/2.8 or want to spread it among other lenses.
- Canon 400 f/2.8L IS - a longer reach without losing a stop but the price and weight increase significantly; not really hand-holdable; lens of choice for outdoor sports action.
- Canon 500 f/4L IS - if you want to shoot birds, you'll need the extra reach. It's cheaper than the 400 2.8 but a couple thousand more than the 300. Sharpness is comparable to the 300.
- Zoom lenses (70-300mm f/4.5-5.6 DO IS; 100-400mm f4.5-5.6L IS) Cheaper, lighter and more flexible but a serious compromise on image quality vs. 300 f/2.8L IS.
Best argument against the 300 f/2.8L is that you won't shoot often enough at that focal length or you want to buy more lenses for the money.
I'm saving my pennies now to add the 500 f/4L IS for bird and other wildlife distance shooting. It will take a few years.

Click Here to see more reviews about: Canon EF 300mm f/2.8L IS USM Telephoto Lens for Canon SLR Cameras

The high-performance L-series EF 300mm super-telephoto lens is a terrific choice for sports photographers and other long-distance users. Sports action requires a fast shutter speed and a long focal length. This lens easily complies thanks to its large maximum aperture--which supports a faster shutter speed--and its 300mm length. The lens also boasts a built-in, dual-mode Image Stabilizer (IS) function. This creates an equivalent shutter speed of up to four stops faster than the same size lens without an image stabilizer, letting you capture long distance hand-held shots far more assuredly. And thanks to the fluorite element and pair of UD-glass elements, the lens effectively corrects the chromatic aberrations that are prone to occur with telephoto lenses. Other features include the world's fastest autofocus (AF) speed with an improved Ring Ultrasonic Motor (USM) and new algorithms; a rugged, lightweight magnesium alloy lens barrel; and a detachable tripod collar that removes smoothly and locks securely. All Canon lenses carry a one-year warranty.
Specifications
Focal length: 300mm
Maximum aperture: f/2.8
Lens construction: 17 elements in 13 groups
Diagonal angle of view: 8 degrees at 15 feet
Focus adjustment: Inner focusing system with USM
Closest focusing distance: 8.2 feet
Filter size: 52mm drop-in
Dimensions: 5 inches in diameter and 9.9 inches long
Weight: 90 ounces
Warranty: 1 year

Get 37% OFF

Click here for more information about Canon EF 300mm f/2.8L IS USM Telephoto Lens for Canon SLR Cameras

Canon EOS Digital Lens Protective Wrap for EF 24-105mm f/4 L IS, 28-135mm IS, 50mm f/1.4, 50mm f/1.8, 70-300mm IS, 75-300mm III, 55-250mm IS & 18-200mm IS Lenses Review

Average Reviews:

(More customer reviews)I got this as a lens wrap, and would you believe it, I rarely use it for that. I have lens bags that do well, but this doubles as a secure and soft pad to put filters and such as I am using them. Its an awesome and inexpensive add on that I just can live without, for the price.

Click Here to see more reviews about: Canon EOS Digital Lens Protective Wrap for EF 24-105mm f/4 L IS, 28-135mm IS, 50mm f/1.4, 50mm f/1.8, 70-300mm IS, 75-300mm III, 55-250mm IS & 18-200mm IS Lenses

This Canon-branded digital lens wrap is an ideal solution for protecting your valuable lenses from scratches and dings, while also providing quick access to your lens. Made from heavy-duty materials, this wrap features a tough external lining, foam padding, and a soft interior that will keep your lens scratch-free. Four large velcro patches attach to any exposed interior lining, making this wrap easy to apply to a wide variety of lens sizes.

Dimensions: 14 x 14 inches (35.5 x 35.5 cm)

Click here for more information about Canon EOS Digital Lens Protective Wrap for EF 24-105mm f/4 L IS, 28-135mm IS, 50mm f/1.4, 50mm f/1.8, 70-300mm IS, 75-300mm III, 55-250mm IS & 18-200mm IS Lenses

Canon 10x30 Image Stabilization Binoculars w/Case, Neck Strap & Batteries Review

Average Reviews:

(More customer reviews)If you want to get a quick idea why image stabilization (IS) is the next revolution in binoculars, that's easy: take any binoculars that you can get and look through them at some object (a printed page of paper with several font sizes is ideal). Then look again at the same object from the same distance, but this time with the binoculars moudnted on a steady support (don't touch em!). You will notice that the actual resolution increases by a factor of at least 2 or 3 when mounted. That is, you can discern details that are at least two or three times smaller, because mounting eliminates the smear caused by the shaking of your hands. IS is like having this support available any time and anywhere you need it by a push of a button! In most conditions, the practical resolutions I can get with my Canon IS cannot be matched by any hand-held, unstabilized binoculars in the market, including those fancy Nikons, Swarovskis, Leicas and Zeiss that cost three or four times as much. No matter how good (and how expensive) is the optics of these top-of-the-line binoculars, their limiting factor in the field is the shaking of your hands. You may have heard that IS is important because it eliminates eyestrain and headaches, or because you can use the binoculars from a boat or a moving car. While these are good reasons to buy the Canon, the best reason is that they let you see much more detail in any given distance. And this is the reason why you buy binoculars in the first place.
If you are a birder like me, and you are looking for a top of the line binoculars, do not buy anything before you try this one. In my opinion IS is going to revolutionize the whole field, so a costly pair of Swarovski or Zeiss, that normally could be considered as a good investment for life, will not be top of the line anymore in two or three years. In addition to the IS, the Canon has quite good optics, good field of view and is much smaller and lighter then most models you probably considered. This makes the Canon very close to the ideal birding binoculars: Highest resolution, less weight, and less money. I did not have the opportunity to test the larger Canon IS models, but I don't think I'd buy them even if I had the money, because they are twice as heavy and (very important for birding) has smaller field of view.
Note one general disadvantage of the Canon, however: They are not as tough as the top roof prism binoculars. They are water resistant but not water proof, and the IS requires batteries (a pair of NiMH for several hours of birding. This is the digital camera procedure: get a charger and at least one replacement set). While the binoculars feel sturdy, dropping them is not good for the IS mechanism, and this is probably why Canon gives only one year warranty. So the Canon are not the best pair to take for an expedition in Alaska, but for a Sunday birder like me, these are easily the best in their price range, and probably the best in any price.

Click Here to see more reviews about: Canon 10x30 Image Stabilization Binoculars w/Case, Neck Strap & Batteries

Lightweight and powerful,the 10x30 IS delivers the benefits of Canon's refined and active Image Stabilization. Comes with a handy Case, Neck Strap and a set or batteries.

Get 42% OFF

Click here for more information about Canon 10x30 Image Stabilization Binoculars w/Case, Neck Strap & Batteries

Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries Review

Average Reviews:

(More customer reviews)I've had mine for over a year and love it. The fit, finish and controls all feel OEM to me. Plus they give the option of using the standard Canon batteries or using AA's. For only $100, it's a steal.

Click Here to see more reviews about: Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries

Phottix Professional Premium Series BP-5DII Vertical Grip/Battery Holder for Canon 5D Mark II digital cameras.This battery grip can hold two Battery Packs LP-E6 or six size-AA/LR6 batteries.It is equipped with a vertical-grip shutter button, Main Dial, AE lock/FE lock and AF point selection controls for easier vertical shooting.It works with 1 or 2 LP-E6 Lithium-Ion rechargeable batteries.Also has Tripod Socket. Note: Does NOT work with Canon 5D. Comes with: Battery Holder for six AA batteries and Instruction Manual. Dimensions 150x115x76mm/5.9x4.5x3.0in, Weight Approx. 315 g/11.1 oz. (not including the power supply or battery magazine)

Get 16% OFF

Click here for more information about Phottix Battery Grip BP-5D II (BG-E6) Premium Series Professional Vertical Grip Battery Pack Holder for Canon 5D Mark II LP-E6 or AA Batteries

Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras Review

Average Reviews:

(More customer reviews)Pros: Lightning fast AF, Incredible Sharpness, Build Quality, Hood Design, Excellent IS
Cons: Price $$$$$, a bit big, a little heavy- not too bad.
WOW is all I can say. After getting over that I spent so much on a lens, this new machine is absolutely amazing. The image quality is top notch. 100% crops can be printed large and I can see every detail. I was in Miami and took some pictures of the big hotels, and was wondering what the names were. I looked at some of the pictures, zoomed in, and saw everything. Even small signs hundreds and hundreds of feet away. The IS adds a new feeling of confidence. No longer do you have to worry about shaking a tiny bit and the shot being out of focus or a bit blurry. Canon has really created an astounding piece of technology surpassing others(Nikon) in the lens market. The build quality, as expected from an L series lens, is made to withstand extreme conditions. The zoom ring is large and easy to use. The buttons for different IS and af/mf are easy to use/see. The new focusing distance allows you to get closer to your subjects, and can get quite close if some cropping is done. The Af is also excellent, and focuses very fast even in low light. Now, price... yes... I recommend thinking about this purchase for a while. 2500 - as of now, is a lot to spend, but if you have the money and really really want it, I highly recommend it. The pouch that it comes with is very nice and the hood is easy to put on and is a better material than other hoods. It does not scratch easily like my 24-70 f/2.8L lens hood does. At all apertures, this thing is sharp. If you are an IQ aficionado, this lens is quite a big step up from Mark 1 especially at f/2.8. For me, sharpness is my big thing, so I wanted the best out there. I did not want to step back in terms of technology and get the first generation of the lens even if it is still very good. In a few years if you decide that you want to sell the lens or change to something else, I can assure you that this will retain its resale value very well. I doubt Canon will be upgrading this in the next 5 years, so the sharpness and awesome Af will pay off in the coming days, months, and years to come.
All in all, the new 70-200 is quite a stunning lens which will continue to be one of or the best in Canon's lineup of pro lenses. If you want it and can afford it without selling your house, I would get it haha but as always, research extensively and weigh your options before buying something at these price levels.
I hoped you liked the review. More info and analysis to come in the future...
Check out my unboxing video here: [...]
Thanks
- Alex

Click Here to see more reviews about: Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Get 43% OFF

Click here for more information about Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras

Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera Review

Average Reviews:

(More customer reviews)Actual score: 4.5 stars
2/1/11 - update. Official price drop. New price now $1399 - that's more like it... If you have been on the fence with this lens, time to give it another look. I still love this lens. -TXJAVAMy apologies in advance for a long review. There are not a whole lot of reviews out there for this lens so I'm hoping I can help some others make a good decision. Summary: It is a great Lens, but perhaps not for everyone.
I have been watching this one since it was announced. I tried it out at the local Camera shop and fell in love with it. I decided at that moment, I was going to own this lens.
The initial drawback was always price. At $1699 (sixteen-ninety-nine) it seems a bit high. Yes, this is a quality lens with a 2.8 constant aperture throughout the zoom range and a very good OS optical stabilization (IS in Canon's terminology) but at that price it is only a few hundred less than the highly rated excellent Canon 70-200 2.8 IS ii. So I've been waiting patiently for the price to move.
Well one day, quite unexpectedly, the price at the "B" Camera vendor was $350 (three-fifty) less. Suddenly, at $1349 (thirteen-forty-nine) it was near my strike price (I think the lens should sell for $1200 or so). So I watched to see if the "A" internet vendors would match. They did not. I knew this was less that wholesale for the lens, so I ordered one from the "B" vendor. (The next day the two "A" vendors matched the price - Sorry Amazon, you were not fast enough). The lens arrived a couple days later, VERY well packed. With Amazon, packing can be a bit hit or miss. By the time the lens arrived, all the vendors were priced at the original $1699 (sixteen-ninety-nine). Hmmm, maybe it had been a price mistake.
So enough of that - What do I think of the lens? I still love it; however, there was something that I had not noticed in the store. When the OS system started up (1/2 press of the shutter key), it made a fairly loud click and then the Gyros sounded like very distant fire truck sirens. I literally though that there was a fire truck outside. But it turned out to be coming from the lens. Mind you, it was not loud, but it was disconcerting. I own the excellent Canon EF-S 17-55 2.8 IS and the IS system on that is near silent. I've been spoiled by that lens. I went down to the camera shop to see if their copy had the same sound. It did have some OS sound, but I had not noticed before above the ambient sound in the store. The store model did not sound like my copy. So I called the "B" Vendor and they quickly sent me a new lens.
The new lens arrived today and it too had the OS sound but not as noticeable as the first copy of the lens (I was able to compare side by side). Is the sound bad? No not really, but it is different than the low level "whurl" of the Canon IS system.
That said, the OS system does work very well. It is especially nice at the tele- end of the zoom. You can really see that camera shake through the viewfinder, and then you press the shutter release ½ way and suddenly it locks into place. Very nice, very cool. I have been able to take nice sharp pictures as low as ¼ second - and that is at the long end of the zoom. Impressive!
The rest of the build quality is very good. Both the focus and the zoom rings operate very smoothly and with just the right amount of resistance.
The lens is heavy (over 3 pounds). The rebel series cameras will benefit from the extra holding power that the extra battery grip offers. It comes with a tripod collar so you can use it on a monopod. A lens hood included (wish Canon would include hoods with all their lenses) there is even an extender for APS-c crop sensor cameras. However, I don't intend to use it.
The pictures I have taken have all been great. It is a bit soft at 2.8 (as many lenses are), but still within my tolerances. The 2.8 aperture really helps for indoor shots. It is great because you can sit across the room and shoot away without bothering those in the room. F4.0 lenses just do not give you enough light for indoor shooting, especially sports. Seems like it would be a great lens for weddings and other indoor events. As for picture quality, I've seen some web reviews that compare this with the Canon and the Sigma comes out pretty good. I do not see any CA at all on my copy. Focus is fast and accurate with no front or back focusing - it is spot on. It is not as fast or quiet as the canon, but still focus motor is still very good. You also have full time manual focus override. So for those of us who are mere enthusiasts or hobbyists this is a great lens to have for the all-important 70-200 tele- range. Pros might want to stick to the Canon version.
All and all, this lens is a keeper. It takes great pics, the OS is very effective (although a bit loud) and the nice 2.8 aperture really shines. Lastly, one of the real reasons I got this is because it is black. You are already conspicuous when you have 8" of lens hanging off the end of your camera at your son's basketball game, or your daughter's rehearsal. You really start to look ridiculous when you have 8"s of a white and black striped Canon lens. (I know I have lost some of my credibility with that last statement, but I just prefer black lenses...)
So the choice is yours. If you are looking for a lens in the 70-200 or 75-300 range, save your money up for a fast 2.8 version with stabilization, you will not be sorry. Those less expensive f3.2-5.6 or lower lenses are just not as practical as a good 2.8 lens. If you can afford the Canon and don't mind the black and white stripes, by all means get it, otherwise, get this one, you will be very pleased that you did.
One of these days, i'll upload some pics.

Click Here to see more reviews about: Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera

Sigma's New APO 70-200mm F2.8 EX DG OS HSM is the second generation of this large aperture telephoto zoom lens now incorporating Sigma's Optical Stablization function, OS, Sigma's own anti-shake system.Two FLD glass elements, which have the performance equal to fluorite glass have also been added along with three SLD glass elements, all which provide excellent correction of color aberration. In spite of the additions of all of these features, Sigma has managed to make the lens more compact than its predecessor, measuring only 7.8" in length.For any serious photographer where the 70-200mm focal range is often the most important second lens to own after the initialstandards lens or mid range zooms. The fast aperture is extremely useful and important in low light environments or when shooting fast moving situations where a higher shutter speed demands maximum lights thru the lens.HSM ensures quiet and high speed AF as well as full-time manual focus capability. Super Multi-Layer lens coating reduces flare ghosting and assures high image quality throughout the entire zoom range. It has a minimum focusing distance of 55.1 inches throughout the entire zoom range and a maximum magnification ratio of 1:8 The rounded 9 blade diaphragm creates an attractive blur to the out of focus images.This lens is equipped with a petal-type hood. Its exceptional versatility as an all-around lens is perfect for journalists and wedding photographers. This latest

Click here for more information about Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera

Canon 12x36 Image Stabilization II Binoculars w/Case, Neck Strap & Batteries Review

Average Reviews:

(More customer reviews)As an experienced brider (bird watcher to some) I've owned some of the world's greastest optics, the type of European "alpha-glass" that top tour leaders wear with pride.
I bought the Canon 12x36 almost 2 years ago based mostly on my respect for the Canon L lenses with internal stabilization that I use on a regular basis for bird photography. All I can say is... Wow!. These light-weight, high powered lenses have become my favorites in the field for wildlife observation, especially when viewing wild birds.
At first they took a little time to get used to. They really don't have the feel of a top-of-the-line pair of binos (they are somewhat darker than most and setting the eye-peices for your own interocular distance is a little strange compared to the roof prism glasses that many of us have become accustomed to), but they are what they are. These are not your daddy's binoculars. However, if you are looking for state-of-the-art high tech optics, look no further.
When a subject is focused you see the type of image shake that one would expect at 12x magnification. Then I depress that wonderful little button that activates the image stabilization feature. All of a sudden I feel as though I am now looking at the bird face to face, like I'm just THREE FEET AWAY! It's as if I was studying the bird in a book. I can see details and field marks that others only wish that they could. It has helped me to make some really tough indentifications for my life-list that I might not have recorded otherwise.
After being so pleased with the 12x I decided to buy the 18x50's. I've owned them both now for a while and I find that I take the 12x36's out much more often that the larger, heavier 18x. I highly recommend the Canon 12x36 for serious nature (and or sports) observation.


Click Here to see more reviews about: Canon 12x36 Image Stabilization II Binoculars w/Case, Neck Strap & Batteries

Canon's 12x36 Image Stabilization II binoculars incorporate an optical image stabilizer for shake-free viewing with minimal eye fatigue. This technology was first developed for Canon video camcorders and is now available in many of Canon's binoculars. The system employs a Vari-Angle Prism, dual transparent plates, independent vertical and horizontal sensors, and a dedicated microprocessor to continuously adjust the prism to maintain a steady image.
These 12x36 Image Stabilization II binoculars feature a water-resistant rubber coating for nonslip holding. If you get caught in light rain, you don't have to worry about the optics fogging up or getting ruined. These binoculars deliver high magnification, long eye relief, and wide-field viewing. Controls for focusing and image stabilization are centrally located and are accessible by both hands.
Improvements to the objective lens assembly have resulted in the binoculars being approximately 26% lighter and 10% smaller than the previous 12x36 IS model they replace. And reductions in power consumption mean a massive 270% increase in battery life of up to four hours using two AA-size alkaline batteries.
Image Stabilization and More With any high magnification binoculars, most users will experience frustrating image shake. Unless fixed to a tripod, image shake can render high magnification binoculars useless. Canon's IS technology is remarkably effective at eliminating this problem and is widely used by the television industry with Canon's professional broadcast quality video recording equipment. A special VAP (Vari-Angle Prism) corrective IS system sits between the objective lens group and the porro prism on each side of the binoculars. Within thousandths of a second of the binoculars being moved from their optical axis by vibrations, a detection system activates the IS mechanism. The VAP shape alters to refract or 'bend' the light path by precisely the right amount, thus fully compensating for the vibration. It is this essentially immediate response that effectively suppresses image shake. The binoculars' compact design is based on Canon's popular 10x30 IS model. Curved surfaces mean easy handling, while nature lovers will appreciate the low-reflectance exterior and low gloss front covers, which help to avoid disturbing birds and other
What do the numbers mean? 15x50? 8x25? The two numbers used to describe any pair of binoculars are their magnification — 8x, 12x, 15x and so on — and the diameter of their objective lenses — 25mm, 36mm, 50mm, and so on. The larger the first number is, the larger the object will appear to be in the objective lens. For instance, if you use a 10x lens and look at an object that is 100 yards away, it appears to be the same size as an object located just 10 yards away. The second number, the size of the objective lens, is important because the larger the objective lens, the more light it can admit for brighter, more detailed images, and the better suited they will be for lowlight situations. A look inside

Get 40% OFF

Click here for more information about Canon 12x36 Image Stabilization II Binoculars w/Case, Neck Strap & Batteries

Nikon Coolpix P5000 10MP Digital Camera with 3.5x Optical Vibration Reduction Zoom Review

Average Reviews:

(More customer reviews)I was looking for a small portable camera to complement my Nikon D70 and D80 DSLR. Small enough to fit in my pocket or on my belt, light enough to always have with me, yet have advanced capabilities and produce good quality photos when I did not have a DSLR with me.
I have tried many cameras from Nikon and Canon. The P5000 has the right set of features and price to meet my needs. The Canon G7 does have some superior features, but is larger and weighs more so does not fit in my shirt pocket but OK in coat pocket, and is ~$100 more. I have had the P5000 for almost a week and it has been on my belt in the leather case every day. Very travel friendly. I also have the small light SB-400 iTTL Flash in my brief case to add more Flash capability and it is great.
Picture quality is finally what has to be good. The P5000 produces very good IQ with that "Nikon Color" I am used to. I tested the P5000 in good lighting versus my Nikon D80, Nikon S7c and CoolPix 5400. The D80 wins hands down as the best quality. But the P5000 is much better that my other CoolPix. Plus going back and forth from the D80 to the P5000 was smooth due to button placement and similar shooting style. The hand grip on the P5000 is excellent for such a small camera too. I have posted my test pictures on another site if you look at Nikon Talk Forum on DPreview dot com and search for "P5000 vs S7c vs 5400 First Impressions"
Cheers


Click Here to see more reviews about: Nikon Coolpix P5000 10MP Digital Camera with 3.5x Optical Vibration Reduction Zoom

Nikon's sleek, compact COOLPIX P5000 combines 10.0 effective megapixels with a 3.5x optical Zoom-Nikkor glass lens for stunning prints as large as 20x30 inches. Image stabilization technology minimizes the effect of camera shake, and the incredible, bright 2.5-inch LCD is combined with an optical viewfinder that makes it easy to compose and share pictures even in bright sunlight. Never miss a shot in lower light situations with the powerful P5000's enhanced noise reduction High ISO of 3200. Get the ultimate in creative control from a compact digital camera with the P5000's Full Manual, Aperture, Shutter and Programmed Auto exposure modes. Enhance your creativity further with optional wide-angle and telephoto lens converters. The P5000 is designed to bring out the photographer in you!

Get 15% OFF

Click here for more information about Nikon Coolpix P5000 10MP Digital Camera with 3.5x Optical Vibration Reduction Zoom