Showing posts with label lomo. Show all posts
Showing posts with label lomo. Show all posts

Lomographic Fisheye Number 2 Camera Review

Lomographic Fisheye Number 2 Camera
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I had a great time using the original Lomo fisheye. The camera had it's limitations, including the annoying habit of shooting pictures of the inside of your bag while you weren't looking, but overall a workhorse that provided consistent image quality.
Having worn that first one out with heavy use, I decided to upgrade to the Lomo Fisheye 2. Tee features, locking shutter button, manual exposure with rear curtain flash, hotshoe!! all the things I covetted. Unfortunately, this model is just not what it could be, especially with the increased cost and SIZE versus slim changes in your average functionality.
Here's my specific, whining complaints. Most are what I consider design flaws or thoughtlessness that hamper truly effective use of the camera. (I assume others may not be impeded or annoyed by one or all of these issues, but if they haven't been redesigned, these are definite considerations to before purchase.
1. Film wind crank will not stay folded flush to camera. It is extremely flimsy, especially when taking into account the camera's poor winding action. The crank is going to either snap off in my bag or while winding a roll of film in the near future as it continues to loosen daily.
2. Lens cap will not stay on the lens. It just falls off, dragged down by the weight of it's cord or pushed off by the slightest contact. There are little tabs on the cap rim that are meant to hook over the BIG, gratuitous, metal lip of the lens body, but the cap itself is too soft and elastic to maintain a grip. My cap is now gone, having been torn off the lanyard somewhere then (my bad) misplaced during a night shoot where I was using the Fisheye to pick up some distinctive wide angles in addition to stard shots on a regular digital SLR.
3. The lens body got in the way of the flash on the Lomo Fisheye 1 when taking night or inside pictures. Why then make the lens body bigger, adding seemingly unnecessary, big, metal lip as a design element, further occluding the flash!! Why? To hold the lens cap on? Nearly no one is going to make a hotshoe mounted, full size flash unit their primary flash on this camera. For most it's a point and shoot, made especially enjoyable by it's unique images and instant use-ability. The fun of this camera disappears if you can't carry it easily and use it quickly.
4. Thanks for the hot shoe!! Great idea. Why not add a tripod mount socket to the base of the camera as well??? That would almost be more useful than the hot shoe with the new manual/buld setting on the shutter (THAT"S A FANTASTIC ADDITION. No complaints there.). Most flashes are going to make this light camera too awkward.
5. The film winding is constantly too tight causing the gears to frequently slip while advancing the film. Added pressure on film door back helps. Maybe using film loads of 24 exposures instead of 36 would work better.
6. Battery use and life has been greatly improved!! Flimsy battery door that can come open in your bag, has not.
7. Surprisingly, I find the new lens not as sharp on my Fisheye 2 as my earlier Fisheye 1. Too many elements maybe?? Something specific to mine? The sweet spot is not where it was somehow.
Lastly, I want to restate, after shooting hundreds of photos on both Fiheye models, I really like these cameras. More images have been shot on my Lomos over the last couple of years than on my digital SLR that cost 20 times as much. I would recommend both Fisheye 1 and 2 to anyone who enjoys serious play with cameras or shooting unique, candid, reportage, or experimental style photographs. Because you are shooting film, you have the ability to make some great blowups. I would though, recommend working with the best film you can afford and processing with a lab that will be attentive to their developing and printing process since the range of exposure accuracy is limited to the speed of film you choose and whether you turn on the flash, or your instinct when playing with log exposures.
If you want to carry it in your pocket, get the Fisheye 1.
That's enough from me.


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The world's greatest compact Fisheye camera is now more amazing than you ever thought possible! Not only does it have same 180-degree wide-angle view and stunning fisheye barrel distortion, but the Fisheye No. 2 adds a bulb setting for long exposures, a switch for multiple exposures on the same frame, the ability to fire both a hotshoe flash and the built-in flash, a true fisheye viewfinder, and a "full metal jacket" body treatment. With this new arsenal, the possibilities for your Fisheye lomography are endless! Uses normal 35mm film that can be developed anywhere.FEATURES"B" (Bulb) settingBy holding down the shutter button with your finger, you can keep the shutter open for as long as you like - thereby inviting all the gorgeous ambient light outside to come on in. To close the shutter, merely release the button."LNB" variable exposure switchUse this to control your Fisheye 2's shutter timing. "L" locks the shutter so it can't accidentally fire. "N" shoots a normal, instant exposure (1/100 sec, f/8). "B" or "bulb" selects Fisheye 2's long exposure capabilities - as detailed above.Standard Flash Hotshoe & Built-In Electronic FlashUse this to sync a Lomographic Colorsplash Flash or any other manual hotshoe flash to your Fisheye 2. The flash will fire when you hit the shutter release. You can also use the internal (built-in) flash as well. When using the "N" setting, both the internal and hotshoe flash will fire when you hit the shutter button (first curtain). If you select "B", then the hotshoe flash will fire when you first depress the button (first curtain), and the internal flash will fire when you let go of the button (second curtain).Multiple Exposure Switch (MX)

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Holga 150120 Split Image Filter Lens Set Review

Holga 150120 Split Image Filter Lens Set
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For studio work with the Holga camera, this is a very useful accessory. In the field, it gets in the way of an otherwise fast-handling camera.
It allows you to buy colored plastic transparencies, cut them to size, and use them as camera filters. It works well.

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See the world in new ways with this three-lens set designed especially for the Holga camera and the Holga Lens & Filter Holder. Each lens in this set will surprise and please any photographer as it splits, repeats and blends in totally unique ways. Set includes 1 - four-facet lens with center-focus, 1 - three-facet vertical lens and 1 - three facet pyramid lens. Must be used with Holga lens/filter holder Item #147-120. sold separately. Image shown with Holga camera and Lens/Filter Holder not included

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Lomography Fisheye 35mm Camera Review

Lomography Fisheye 35mm Camera
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Cheap little camera with a pretty good glass lens. Produces suprisingly sharp and striking photos. Fixed focus and shutter / aperture, and the lens barrel partly blocks the flash, so use fast film - 400 or 800 speed - and shoot in well-lit rooms or daylight. I spent the last week sticking it in peoples faces, and the prints made us laugh. If you're expecting a Nikon, you'll be disappointed - so, Don't Expect a Nikon! Expect a fun little camera with a lot of laughs for the buck. 5 stars because it does all it tries to do.

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FISHEYE LOMOGRAPHY CAMERA

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Nikon One Touch 200 Review

Nikon One Touch 200
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Very pleased with the camera. The fact that the camera was accompanied by an attractive Samsonite case and a lead bag for film protection was a pleasant addition. This seller is to be applauded. Thanks very much, indeed.

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Nikon One Touch 200 sleek styled 35mm camera. Five zone Autofocus . Auto flash with fill- in setting

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Holga Polaroid Instant Film Back Review

Holga Polaroid Instant Film Back
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So, the polaroid back for the holga is amazing... I have been shooting Fuji instant film with mine and the colors turn out great. Just be prepared to do bulb shots if you're not in bright sunlight. This product is very easy to figure out and install, actually way easier than spooling the 120 film that holgas normally take.

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HOLGAROID IS BACK! This newest version accommodates both T80 series and 669/690 series Polaroid films!Turn your Holga into the most unique instant camera you've ever seen with the new Instant Film Back! It's custom-built to fit both all Holga and Woca cameras, installing easily onto each of them within seconds.It comes with a Polaroid type film back, a mask to hold batteries in place in a Holga 120FN or 120 CFN camera, built-in tripod socket a .3x diopter which adjusts the Holga's film plane to accommodate the Polaroid back and newly designed plastic viewfinder (included).This film back will accommodate Polaroid T-80 series films as well as 690/669 size films. Please Note: T-80 series films result in a full frame image. 690/669 type films images are slightly off center.

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Lomography Diana F+ Medium Format Camera with Flash Review

Lomography Diana F+ Medium Format Camera with Flash
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Got this camera and had a Blast! It's easy to use but offers plenty of room to learn and fine tune your film techniques. The medium format is fun and I shot some great pictures with it, however I completely suggest getting the 35mm back for this camera. The camera has been sturdy for me, I've had no problems and it seems as long as i treat it fairly well it should last a long time for a plastic camera. I've also used a Holga too, and I strongly recommend this camera. You get a lot more options and add-ons with the Diana. good luck, take some fun pictures.

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The brand new Diana F+ is a faithful reproduction and a loving homage to the classic Flash Diana - with a few new features tossed in. First off, it includes a retro-styled electronic flash which fires a burst of white or colored light at your subject. Included adapters allow you to use the Diana Flash on standard hotshoe cameras (like the LC-A+ and Fisheye 2) or use a hotshoe flash on Diana F+ body. Its plastic lens, 2 shutter settings (daylight & "B"), 3 aperture settings, and manual focus are all hallmarks of the original Diana. And on top of that, the Diana F+ offers a removable lens and super-small aperture for pinhole images, two image formats (12 or 16 square shots on a standard 120 roll), an endless panorama feature that allows for unlimited and nearly seamless panoramic shots, and both a standard tripod thread & shutter lock for easy shake-free long exposures. Each package includes the new "Diana Vignettes, More True Tales & Short Stories" book - packed with over 200 pages of Diana history, Diana+ images, and truly off-the-wall fictional stories. Uses all varieties of medium format 120 film.

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Nikon Lite Touch 35mm Camera Review

Nikon Lite Touch 35mm Camera
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The Nikon Lite Touch is a classic camera, and a true steal at the current price (less than $30.00).
This camera is roughly comparable to the more popular Olympus Stylus and Stylus Epic camera, and is preferable to those (in my opinion) because of its wider angle lens (28mm).
The lens is very sharp, has great contrast, and is plenty bright. The controls are very simple, straightforward, and easy-to-use (although I tape the panorama control to avoid accidently switching to this mode).
I have shot thousands of shots with my Lite Touch and have never had a problem (mechanical or otherwise). The Lite Touch was a favorite among the photojournalists I used to work with and was a staff favorite at several local camera stores.
I highly recommend the Nikon Lite Touch to anyone looking for a versatile, high-quality, compact non-zoom camera.

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The Nikon Light Touch 35mm camera is compact and fully automatic. The large true-image viewfinder means you won't have to squint while you shoot. The Nikon Light Touch also features a switchable panoramic option. It has a built-in automatic flash, built-in lens cap, and autofocus that can handle close-up shots. The two-shot self-timer gives you a second chance if someone blinked in the first shot.

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