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(More customer reviews)So I've been bouncing back and forth between the big three competitors. If you're looking at this lens, you've probably weighed Tamron's 2.8 17-50 VC and Canon's more expensive but much beloved 2.8 18-55 IS that's been out for a few years. I finally broke down and went into a store to wrap my hands around all three, shoot some comparative video with the various IS/VC/OS, futz with the focus rings and zoom, etc. I did not run a full professional test on the image quality, but those reviews can be easily found online. In most fields the Sigma beats the Tamron, like Bokeh and low distortion. The Tamron is ever so slightly sharper at 2.8. At 2.8, I do get some easily visible circular distortion in the corners with the Sigma when pointing the camera at a window or bright source. I basically determined that image quality between the lenses was a draw. The Canon tests slightly better, but I found looking through that lens for the very first time that I was getting all sorts of unwanted flair at 2.8 indoors. I was at a pro shop in town, and I asked if other rental customers and pros had experienced unwanted flair under those conditions; they said yes. So I finally decided that the difference between all three lenses in terms of optical quality is very slight.
That left price, handle, build, and vibration control.
Price: Canon is about $1080, Tamron is about $550 with rebate, Sigma is about $640 depending on where you buy it (not including tax)
Handle: The Canon had the nicest overall handle. Since I'm primarily concerned with shooting high-end video, the range of focus is particularly important, as is how the focus ring handles (smoothness). On this front that Canon wins hands down. The focus ring continues after you hit the edge of your range, and dampens so you know you've maxed out. Both the Tamron and Sigma have hard stops. The Canon also provides the most breathing room, so if you're tracking focus, or need to attach a follow focus, this lens is going to make life a lot easier. The Tamron had the second longest range, though only about 20% more than the Sigma. The Tamron ring got caught and was a little jerky. If I applied outward pressure, the ring wouldn't stick. The Sigma was smooth and slightly dampened. However, it's range is super tight. This is my only complaint about this lens. You better be amazing at eye-balling focus, and have some killer dexterity to pull this off. The incredible feel of the ring makes this tricky, but not impossible. I actually found it easier to hit marks with the Sigma than the Tamron, because of the quality of the ring. For video applications, auto-focus doesn't really even matter. Sure it's super silent, but if you're pro, you're probably operating this guy in manual anyway. All of this said, because the range of focus (by that I mean distance the ring turns) is so limited on the Sigma, and because I'm using this for video; I'm still contemplating paying the extra $475 for the Canon. This would be the only reason I would buy the Canon over the Sigma.
Build: Like another reviewer said, the Sigma is solid. It feels great. I actually thought the zoom ring beat the Canon head to head. It's also lighter than the Canon, but made out of more rugged materials than the Tamron. In terms of build, Sigma is the winner in my opinion.
Vibration Control: After all of my testing, it was hard for me to gauge superiority on this front. With the Canon, the VC is obvious. It's also obvious with the Tamron. For whatever reason, despite flicking that switch on and off, I have not been able to visibly see the difference. The image seems to move fluidly whether I have the darn thing turned on or off. According to the instructions, the OS kicks in when the shutter button is depressed half-way. However, when I put my ear up against the lens, I can hear the OS working round the clock. It's very quiet, but the on-camera mic might pick it up. Regardless, I'm satisfied with the smoothness of the image. With both the Tamron and the Canon you can hear the VC/IS turn on. There is no sound associated with the OS on the Sigma unless you listen really closely (similar to Canon's IS on its new lenses).
Wrap-up: The Sigma has a few tiny setbacks, and if you've got the money and video is your world, get the Canon. I like the feel of the Sigma more than the Canon, but the focus ring on the Canon makes a big difference. This guy weighs less and feels great in your hand. The Tamron feels cheap by contrast, and the focus ring is loose and gets caught. Whether I was shooting video or stills, I would choose the Sigma over the Tamron.
Click Here to see more reviews about: Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera
Sigma's new 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes.The OS, Sigma's anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise bepossible. The OS feature allows Sony and Pentax users the option of viewing a stabilized image in the viewfinder, a feature offered only by Sigma.HSM provides fast and quiet AF. Sigma's own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even atthe maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5.When you need to stand ready for any photo opportunity you need a fast aperture so you can shoot in low existing light or at maximum range with a flash. This Sigma lens is perfect. With its compact size and light weight, it's a necessary addition to your camera bag Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.
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