Showing posts with label a200. Show all posts
Showing posts with label a200. Show all posts

Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens Review

Sony SAL70400G 70-400mm f/4-5.6 G SSM Lens
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I have been using this lens for the past three weeks. Mostly to shoot local league Rugby, Soccer, and Baseball. Let me say up front, if you do not have a monopod get one now. The total weight of a A700 and this lens is about 4.5 pounds. If you include the A700 grip you are lugging around about 6 pounds of gear. For the images you get its is well worth it the weight. For the bang for the buck this has got to be the best Sony lens out there. With the 1.5x crop factor on most of the Sony DLSR's (only the A900 is full frame) this becomes an effective 105-600mm zoom. It's used mostly at the 400mm (equivalent) setting and my shots are tack sharp even wide open. Since I use this mostly for sports I keep the camera is in shutter priority setting, usually at 1/1000 or 1/800 of a second. Focusing seems a bit faster with the built in SSM as opposed to the screw drive on the other lenses but not much different. Because the SSM uses a bit of battery power you will experience fewer shots per charge. The only negative about this lens is that when zoomed the lens does extend quite a bit. I had hoped that it's length remained the same throughout the zoom range as my Tamron 70-200 F2.8 does. But this is a small quibble when you factor in the image resolution and very fair price for a premium lens. Another plus, the silver finish really looks great. It really stands out nicely when I'm in the press box with the Canikon crowd.

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Sony System 70-400mm F4-5.6 G SSM

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Sigma EF-530 DG Super Electronic Flash for Sony DSLR Review

Sigma EF-530 DG Super Electronic Flash for Sony DSLR
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Though the menu interface is not as nice as others, and the buttons look like they were taken from an 80's era toy, and the fact that the plastic feels cheaper than other brands this flash can hold its own against the best Canon can through at it. I had a 580ex I and while it was nice it weighed about twice as much as this 530 and did not put out a noticeable amount of power beyond this. I tested the flash on both at various f stops and power levels using full manual shutter/fstop/iso and flash power levels and found that for each fstop/power level combo I used for the 580 that the 530 provided just as much light output and my pictures were just as bright, with a slight difference at full power with f18 or higher where the 580 did push a tiny bit more light into my shots, but it is not enough matter in ANY of the other shots.
The recycle time is great on all but the 1/1 full power manual mode, where it is still better than a 580 or my 430 and heads and shoulders above a 550. It keeps up with me as well as the 580 does a stop down. It also outlasts a 580, which I always felt eats batteries more than uses them. The EF-530 seems to last about the same as a 430 somehow even though it puts out light like a 580. I am no electrical engineer but I am not sure how this is possible, but in my experience that is how it is.
It costs less than a 430, half of what a 580 runs you and does more than either one.
It does FP i.e. High Speed Sync with great results. It does second (rear) curtain sync, it can strobe based on a custom frequency you set up, so it can for instance pulse out a flash every second for 4 seconds or 5 per second for 1 second. This is cool for getting water drops, or bouncing balls, or any other moving object exposed multiple times in a single frame.
It can be a master flash, a slave flash, a non firing master, it has an optical trigger so it can be an optical slave. It works with all manor of remote triggers, albeit not as easily as a Canon does, you have to set the Sigma to the right mode first. It controls multiple slave groups via wireless, it works with ettl for automatic flash exposure, supports EV adjustments.
It does not have a sync port or pc port of any kind, it requires a hot shoe to fire or to be a remote wireless or optical slave. It pans and tilts though with 2 buttons like older flashes, not 1 button like the newer flashes do. That is more annoying than you might think.
The only real downside to this is how cheap it feels compared to the Canons, but with 2 Signas for the price of 1 580 and the fact that I have yet to actually break it in any way no matter how hard I have treated it I can honestly say that while it feels like it is of lesser quality it really isn't. Plus it is lighter than a 580, at least as light as a 430 give or take, so that may affect the feel of quality too.
I can honestly say that I would recommend this to anyone. In fact I do, to everyone who asks, because there is no good reason to pass this up. It does more, costs less, puts out roughly the same power, lasts longer, weighs less, looks good and works great. You won't regret it unless you are Brewster and need to spend your millions wastefully, at which point you would not care about reviews anyhow

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When there's insufficient or unsuitable light available to take a picture, it's of paramount importance to have a ready source of supplementary light to fulfill the need. That's where Sigma's EF-530 DG super-electronic flash comes into play. Designed exclusively for Sony digital SLR cameras, the flash offers a powerful guide number of 174 feet/53 meters and boasts the latest TTL automatic flash exposure control for easy operation. More significantly, the EF-530 is outfitted with a host of advanced features, including a modeling flash function, a multi-pulse flash, a TTL wireless flash, an FP (high-speed) flash, a rear-curtain synchro flash, and a manual flash mode that allows the photographer to set the flash power level by up to eight stops. The auto power-off function, meanwhile, automatically shuts off the display to save battery power. And when the flashgun is fully charged, the flash emits a confirmation-ready light, letting you check the flash exposure level through the camera's viewfinder.
Like Sigma's lenses, the EF-530 flash incorporates the latest features and technological advances, most of which aren't found on any other flash units save those made by the major camera makers themselves. They are the most powerful and completely dedicated flash units available for 35mm SLR and digital cameras.
Features:
Autozoom function that automatically sets the optimum illumination angle
Covers a focal length from 24mm to 105mm
A built-in wide panel that covers the 17mm angle
A tilting flashgun head for bounce flash (up by 90 degrees, to the left by 180 degrees, and to the right by 90 degrees)
A down tilt angle of 7 degrees for close-up photography
Sophisticated multifunction flash that can control advanced lighting techniques
Wireless slave-flash functions
Measures 3 by 5.5 by 4.6 inches (W x H x D)
Weighs 10.8 ounces
1-year warranty

What's in the Box EF-530 DG super flash for Sony cameras, soft case, hot shoe table stand, user's manual.

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Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens for Sony Alpha Digital SLR Cameras Review

Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens for Sony Alpha Digital SLR Cameras
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This is the best lens that Sony/Zeiss have offered thus far, even more versatile than the Sony SAL-85F14Z 85mm f1.4 Carl Zeiss Planar T Coated Telephoto Lens for Sony Alpha Digital SLR Camera and Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera, which are incredible lenses. I have compared this Sony/Zeiss 24-70mm f/2.8 lens to the legendary Minolta 28-70mm f/2.8 G lens using the Imatest lens test software. At an aperture of f2.8, the Minolta 28-70 lens at 28mm focal length and the Zeiss 24-70 lens at 24mm focal length are equally sharp in the center, but the Zeiss lens is sharper at the corners. The Zeiss 24-70 lens does exhibit a minor amount of chromatic aberration but to no serious extent. It also exhibits moderate barrel distortion at 24mm, as do its Canon and Nikon 24-70 counterparts. The barrel distortion is more pronounced with a full frame sensor than with a half frame sensor.
Sony and Zeiss have a very useful partnership going, which I hope will result in a greater variety of lenses in the future. Recently, Sony and Zeiss have introduced a Sony SAL1635Z 16-35mm f/2.8 ZA Lens that improves upon the rare and coveted Minolta 17-35mm f3.5 G lens.
Two minor complaints about this lens are the following. First, like the other Sony/Zeiss lenses, it is rather heavy, but I suppose that good glass is heavy. Second, it zooms by elongating externally unlike the Minolta 28-70mm f/2.8 G lens. However, the Canon and Nikon 24-70 lenses elongate in a similar manner, so perhaps this feature is a compromise that one must accept in exchange for sharpness at f2.8.
Reviews of the Sony/Zeiss 24-70 lens may be found at the Photozone and lemondedelaphoto web sites. The latter site is French but web pages may be translated via Google.


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High-performance Carl Zeiss large-aperture zoom. The SAL-2470Z Carl Zeiss Vario-Sonnar f2.8 24-70mm Zoom Lens is a brilliant all-around performer -- with SSM (Super Sonic wave Motor) design for fast, silent auto-focus, pro-quality Carl Zeiss T coated optics to reduce lens flare, and 17-element design with two aspherical and two ED glass lens elements to minimize distortion and virtually eliminate chromatic aberration. It benefits from the Super SteadyShot image stabilization built into every Sony α system DSLR -- and its wide-angle to medium telephoto range in compact, lightweight design is ideal for a wide range of shooting applications (35mm equivalent: 36-105mm).

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Konica Minolta Dimage A200 8MP Digital Camera with Anti-Shake 7x Optical Zoom Review

Konica Minolta Dimage A200 8MP Digital Camera with Anti-Shake 7x Optical Zoom
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I have had a Nikon Coolpix 4300 for about two and a half years and in that time have taken over 2500 pictures. One thing I definately wanted was a camera with a longer zoom. I travel by bicycle and like to carry my camera everywhere (that is why so many pictures!) so I did not want to go to the size and expense of a digital SLR. As I seached for cameras with longer zooms, there were two I liked the range of- both the Canon Pro1 and the Dimage A200 which was not released yet. The 28- 200mm (35mm equivelent) zoom gives me a great range from wide angle to telephoto. A very useful range making many different pictures possible. I also was attracted by the anti-shake feature. A camera with a long zoom (some go to 300mm on digital prosumer cameras) is not useful if you cannot hold it steady enough to get a clear picture. Despite the length of the zoom, the camera is surprisingly compact at about 4 1/2" by 4 1/2" and easily fits into my fanny pack which is exactly what I wanted.
Another great feature is the adjustable LCD monitor which is sharper than the one on my Nikon. This allows you to aim over your head or at a low angle and still see what you are shooting at. You can fold it in facing the camera body to protect it and also to shoot using the EVF viewfinder which means you are using less battery power. It will turn completely forward so you can do a self portrait using the remote control to trip the shutter. The remote can also be useful for long exposures on a tripod like night shots. For night shots, it even has noise cancelation where it will take a second picture with the shutter closed to record any "hot spots" from pixels and subtract them from the final picture so it is clearer and doesn't have white dots on it. I tried this and it takes great night shots- the best I have gotten with any camera I have owned. I used a tripod of course. This slows the time between pictures a little, but if you are taking this type of picture you are used to waiting.
The time between shots it pretty quick. Faster than my Nikon certainly. It has manual or auto focus (I used manual with it at infinity for my night shots since this like many auto focus cameras can have trouble focusing in low light situations). The macro can be used at either the wide angle or telephoto ends of the zoom. I have not really tried that yet. Nor have I tried the movie format which is said to be very good. There are two resolutions you can use for that. That is not what I bought this camera for anyways.
I thought my little Nikon 4mp camera took nice pictures,but the Dimage A200 blows that away. It is simple enough for a novice to use it on "Auto" but has enough features to please most professionals too. I have mostly used "Auto" so far and as I become more familiar with the camera, I will be able to take advantage of more of its features. I already have taken pictures with it that when I look at them I am amazed that I took them. They are very sharp- from the wide angle through telephoto. This camera fit my needs and then some- with the options available as I become more experienced with them. If you are serious about photography and yet want to keep it simple, this is a great camera! I don't need or want to carry all that other gear.
Notice I have not talked about the eight megapixels? That is because it was not a consideration for my purchase and enjoyment fo this camera. Four is a lot for most uses especially since most users will not be making prints larger than 8x 10. But this camera gives you that possiblity. I guess that sums up this camera the best- all the possibilities it gives you. All in one small package. I love this camera! Yes, the photo is what the eye sees, but this will definately help you to capture what you see. I very highly recommend it!

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A close cousin of the Dimage A2, Konica Minolta's SLR-style Dimage A200 offers a smaller, more rounded body design and is lighter by 2.1 ounces. But it's packed full of powerful features that will be appreciated by a wide range of photographers, from professional to advanced amateur. In addition to its 8-megapixel resolution and 7x optical zoom, the Dimage A200 features a movie mode with 800 x 600-pixel resolution, 1.8-inch flip-out LCD monitor, and Minolta's anti-shake technology to keep things smooth.
Optics and Resolution The Dimage A200 has an 8.0-megapixel, 2/3-inch interlace scan CCD that can subtle, expressive images--even individual hairs or the stitches of a suit in sharp detail. It has the following resolution options: 3264 x 2448, 3264 x 2176 (3:2 aspect ratio), 2560 x 1920, 2080 x 1560, 1600 x 1200, and 640 x 480. The 7x optical zoom GT lens is designed specifically for digital photography with sharper, clearer images minus any color aberration, even when using the large aperture setting. It has a 28-200mm equivalency in 35mm photography and a focal range of f2.8 to f3.5. It also has two digital zoom options: a normal 2x and an interpolated 4x.
With its proprietary new advanced LSI engine and CxProcess III image-processing technology, the DiMAGE A200 provides high-speed and stress-free image processing with low power consumption. And, its ability to suppress noise and provide exceptionally accurate color reproduction means that users get high-quality images every time.
Movie Mode The Dimage A200 offers a true VGA (640 x 480 pixels) movie mode, enabling you to record video at TV-quality 30 frames per second (fps). You also have the option to shoot at a larger resolution (800 x 600, SVGA) at 15 fps, good for viewing on a PC screen. Unlike many digital cameras, the Dimage A200 allows use of both the optical and digital zoom while recording movies, and the Night Movie function makes subjects highly visible even in dark settings. You can shoot a maximum of 15 minutes of video with audio.
Anti-Shake Technology The Anti-Shake feature provides a highly effective way to deal with camera shake--a major cause of substandard images, especially with telephoto shots and when shooting in dim lighting. The Dimage A200 features a CCD-shift mechanism to stabilize images by offsetting the shaking pattern of the user's hand, providing stability at up to three shutter speeds slower than on digital cameras without an Anti-Shake function.
Storage and Transfer Images are stored on CompactFlash cards (Type I/II), and it supports Microdrives. The Dimage A2 does not come with a memory card. It connects to Macs and Windows-based PCs via USB 2.0 connectivity.
Direct Printing By directly connecting the Dimage A200 to a PictBridge-compliant printer, you can easily create prints without going through a computer--just choose your image directly from the LCD monitor.
More Features The camera's 1.8-inch TFT Vari-angle LCD monitor rotates 270 degrees vertically and 180 degrees horizontally, allowing you to get a clear viewpoint for shooting artistic angles or taking flawless self-portraits. Other features include:
In addition to JPEG images, the Dimage A200 can also save captured images to RAW (12 bits per pixel), RAW+JPEG, and TIFF formats.
The Ultra High Speed mode captures images at a continuous advance of 40 frames at 10 frames per second.
Automatic or manual popup flash has a five-second refresh and fill, red-eye reduction, slow sync, and rear flash sync modes.
Sure-grip, ergonomic body makes it easy to carry and use anywhere.
Power and Size The Dimage A200 is powered by a proprietary rechargeable Lithium-ion battery (NP-800), which provides power for approximately 260 images or 330 minutes of continuous playing time. It measures 4.49 x 3.15 x 4.53 inches (W x H x D) and weighs 17.8 ounces without battery or media.
What's in the Box This package includes the Minolta Dimage A200 digital camera, rechargeable Lithium-ion battery (NP-800) and battery charger (BC-900), USB and AV cables, lens cap, accessory shoe cap, lens shade, wireless remote control, and CD-ROM with Dimage Viewer and ULEAD Video Studio 8 SE software.

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Opteka EF-600 DG Super EO-TTL II Speed Blitz Flash for Sony Alpha Digital SLR Cameras Review

Opteka EF-600 DG Super EO-TTL II Speed Blitz Flash for Sony Alpha Digital SLR Cameras
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This product has all the features of the most sophisticated Flash units, but not a lot of power(though the guide # is accurate as claimed by manufacturer). The finish(build quality) is dissapointing. I guess if you are not looking for a lot of power, then this price is as low as it gets, for a similar product.

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The Opteka EF-600 DG SUPER EO-TTL-II is designed to work with the newest Sony Alpha digital SLR cameras, for advanced flash photography. It has a maximum guide number of 148 feet or 45 meter at 85mm focal length (ISO 100).The projection angle of the flashgun is set automatically to match the lens' focal length ranging from 24mm wide-angle to 85mm medium-telephoto. It also incorporates a built-in reflecting plate and diffuser that can be slid out from the top of the flash head for soft lighting effects. The bounce flash head can be tilted 90° upwards and can be swiveled 180° to the left and 90° to the right. In addition, the flash can also be set manually at 6 different power output levels or can be utilized as a wireless slave.Bounce & swivel headFlash can be tilted 90° upwards. Also can be swiveled 180° to the left and 90° to the rightAF AssistAutofocus auxiliary lamp helps the camera to focus in low-lightLCD DisplayFeatures an Illuminated LCD panelBuilt in Reflecting Plate and DiffuserReduce strong light to create soft lighting effectsFront and Rear Curtain SynchronizationUseful at slow shutter speeds to give a realistic impression of movement.Auto Power OffBattery-saving mode shuts down power after 5 minutesSpecificationsType: Shoe MountGuide No: 148' (45 m) at 85mmAF Illuminator: 3.3ft-20ft/1-6m (50mm Lens)Flash Duration: 1/1000 to 1/20,000 secondTTL Dedication: YesBounce Head: YesSwivel Head: YesRecycle Time: 0.5-9 seconds (based on fresh alkaline batteries & full power).Power Source: Four 1.5-Volt "AA" batteries (alkaline, lithium, Ni-cd & Ni-MH).Dimensions: 72.0 x 100.0 x 125mm WxHxDWeight: 270g (without batteries)

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Sony HVL-F42AM High Power Digital Flash for Sony Alpha DSLR Cameras Review

Sony HVL-F42AM High Power Digital Flash for Sony Alpha DSLR Cameras
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This is well worth the money .This flash is a huge improvement over the HVL-F36AM it recycles really fast no wait. I can light up a 15 foot room with one of these.Try putting a gary fong or Stoffen diffuser on this it will even your light out and spread it around the room. A Bare bulb only fires straight forward only filling the forward portion of the room .
On some of these reviews when they say this is a weak flash are uninformed and unaware of their equipments potential.If you buy any flash and use only the bare flash firing forward it will not fill a room it will fire straight forward the way it was intended to do.You will see some idiots fire a bare flash at peoples faces and wonder why it doesn't work .
Try bouncing it off the ceiling preferably a white one a green ceiling will turn everyone into green people aliens.
And also invest in a diffuser or umbrella for it a stoofen or gary fong or a 1 dollar frosted tupperware bowl and cut a hole in it . . Or get a 24x24 softbox and soften it up a bit.
In WL mode it does have to be in line sight with the camera and it is very reliable .(Hint for newbies put the flash on the camera power on camera. Turn on flash head .Select menu on camera go to flash select wireless. Remove flash head from camera then flip camera flash up you are now in wireless mode) ( you can also just push the WL button on the back of the flash and select wireless flash in the camera menu , then flip up the camera flash and you are in wireless mode.
I use two of these and they do everthing that I need them to do and then some .I use only one with a 60" soft white umbrella and get everything I need from that. I will use two on large groups of people 8 or more ... well worth the money I would buy again if needed .
...Highly recomended You can get a hvl-56AM or Hvl-58AM which are more powerful but the 56 is discontinued and don't support white balance mode and the 58 is very expensive but worth every penny (plus the HVL-F58AM will control this flash and fire a flash off the camera at the same time no annoying pre-flash ...The TTL is very nice also ...I chose this over the Sigma after long researching . I get mixed reviews from people using sigmas saying some work great and some don't .
I just wanted it to do what it is supposed to do with no hassels and this is why I chose these flashes and glad I did. I also just ordered the HVL-F58AM I will have two 42's and a 58...I will update later..
I am updating this I have been using the HVL-58AM all can say is what a flash it is powerful and controls the all the 42's I love them all 42's and 58..
I now have 4 HVL-F42AM's and a HVL-F58AM the F58 can fire all these or you can use Radio triggers like the RF-602 canon or Nikon sets with a SC-6 adapter and a FS-1100 adapter for the camera .. The HVL-F42AM have to be mounted on camera to fire Radio triggers just disable the standby mode so they don't go to sleep in 3 minutes or extend it..
I want to tell you that you will see bad reviews from people lacking skills the tools are only as good as the photographer ..A good photographer learns how to use and make the best out of his equipment a bad photographer complains about the equipment ..
You can buy any camera you want in a DSLR it will not make you a better photographer learn to master what you have GO to [...] and find strobist and learn lighting skills 101

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Powerful Flash for More Creative Freedom. The HVL-F42AM Flash Unit gives Sony ¿ system photographers more illumination power for every shooting opportunity, with effective range greater than 30 feet (10.5m), versatile bounce angles (90° up, 90° left, 180° right) and high-speed sync to catch fast action. It also provides intelligent features like auto zoom optimized for image sensor size, auto WB with color temperature signal to camera, and accurate ADI metering capability -- plus wide zoom angle (16mm) with retractable wide panel, simple controls, flash test button and fast recharging time to help you shoot more quickly (guide number: 42).

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Sony Alpha A200K 10.2MP Digital SLR Camera Kit with Super SteadyShot Image Stabilization with 18-70mm f/3.5-5.6 Lens Review

Sony Alpha A200K 10.2MP Digital SLR Camera Kit with Super SteadyShot Image Stabilization with 18-70mm f/3.5-5.6 Lens
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When I set out to buy a digital SLR I was first looking at the Nikon D40 ($499) and the Canon Rebel XTi ($599). I was turned off by the D40 due to it's 6MP sensor and lack of JPEG (fine) + Raw capabilities. I ended up passing on the Canon Rebel XTI because of the complaints about the low-quality kit lens which would've added costs beyond it's initial price tag.
Looking in various photography forums I discovered the Sony Alpha being recommended to other people looking in the same price range I was. It had a 10.1MP sensor, a good lens and was in the same price range as the Rebel XTi. I'm really happy with the purchase. Picture quality is excellent with the kit lens (SAL-1870). I also purchased the SAL-55200 telephoto lens and it is also a very nice lens for the money.
The battery life on the camera is excellent. The auto-focus is super fast and delving into the manual a bit will reveal many powerful configuration options (I don't think a lot of the Nikon and Canon fans who are critical of this camera ever did that because I've seen claims made on forums that just aren't true).
Some of the myths I've heard:
*No Shutter Lock (not true, just set the camera to "Manual" mode)
*Limited and expensive lens selection (Sony has a pretty decent selection on it's own but this camera can also use many Konica-Minolta lenses dating all the way back to 1985).
*Can't use standard flashes (while the Alpha does have a proprietary hot shoe which is lame, there are good adapters out there.
Lack of live preview a problem (this comes up a lot and apparently these people have never shot film before. most professionals I know do not need or use live preview)
There are many Pros but some that stand out in particular for this class are:
*Great bundled software (usually bundled software just sits in the box but the programs that Sony's included are actually quite good)
*3200 ISO (this is extremely rare in a camera in this price range)
*In camera image stablization
*Dynamic Range Optimization
All in all this camera is actually more in the class of the Nikon D80 as far as image quality goes but at nearly half the price.

Click Here to see more reviews about: Sony Alpha A200K 10.2MP Digital SLR Camera Kit with Super SteadyShot Image Stabilization with 18-70mm f/3.5-5.6 Lens

A200 Series Digital SLR Camera - First Look! Features at a Glance Minolta A-type bayonet mount (amount) Super SteadyShot moving sensor Image Stabilization 10.2MP APS-C size CCD, Anti-dust cleaning system Eye-level penta-mirror OVF, 0.83x magnification 18-70mm f3.5-4.5 (27-105mm eq)3.9X zoom lens Dynamic Range Optimizer (Std/Advanced Selectable) Eye Start AF speeds shooting 3.0 FPS burst, limited only by media capacity 40 segment honeycomb photometry, 9point AF 2.7-inch 230K pixel Clear Photo LCD Plus display CF Type I/II Slot, Lithium Ion Battery, Stamina 750 shots Sony is advancing the digital SLR category for mainstream photographers with today's introduction of the new a (alpha) DSLR-A200 camera. The DSLR-A200 features upgrades influenced by the recently-introduced, enthusiast-class DSLR-A700 camera and replaces the former Sony DSLR-A100 model, which was Sony's first in the DSLR class. The new DSLR-A200 is designed to be faster, lighter and easier to use. Upgraded features include a wider, 2.7-inch Clear Photo LCD screen for easy playback viewing; a more compact body and an easily-accessible mode dial; an easy-to-use function menu (camera function display); improved noise control for higher quality images; an auto focus speed 1.7x faster than the previous model; improved predictive control performance; quieter shutter sound; automatic pop-up flash; and a battery life indicator that displays the percentage of battery life remaining so you know exactly when to recharge. As seen in all a (alpha) camera bodies, the DSLR-A200 camera incorporates Super SteadyShot image stabilization in the body to allow shooting at shutter speeds of 2.5 to 3.5 steps slower than otherwise possible - a benefit realized with every compatible lens attached to the camera. Compatible lenses encompass all Minolta Maxxum mount lenses, in addition to Sony a (alpha) lens lineup - including Carl Zeiss lenses.

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Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera Review

Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera
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I am astonished by this lens, as well as its sibling the Sony 85mm f1.4 lens Sony SAL-85F14Z 85mm f1.4 Carl Zeiss Planar T Coated Telephoto Lens for Sony Alpha Digital SLR Camera. Each lens is razor sharp at its widest aperture. An excellent discussion of this lens may be found at the Photozone web site.

Click Here to see more reviews about: Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR Camera

Experience the amazing image quality of the Carl Zeiss® SAL-135F18Z telephoto lens. Its wide range can handle images that are miles or inches away.A high-performance telephoto lens with the widest aperture in its class. Whether you're shooting a distant mountain peak or a beautiful orchid at arm's length, this superb telephoto lens provides amazing image quality. Its f/1.8 aperture makes it the brightest telephoto lens in its class, and with 35mm-equivalent 202.5mm focal length plus the ability to focus tightly on objects closer than three feet away, it can cover an amazing range of photographic assignments

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